Review by Art Schmidt
Peter Jackson’s final installment of his screen adaptation of J.R.R. Tolkien’s classic novel The Hobbit is a breathtaking piece of film which aspires to the almost insurmountable heights that his masterpiece The Lord of the Rings: The Return of the King achieved. The goal is a worthy, if almost unrealistic one, and Jackson spares no expense in trying to soar to those heights where he took us ten years ago.
I’m of two minds about this movie, and have been struggling to combine them into a single piece for you, our faithful readers. But like Jackson with this trilogy, I am not quite up to the task. And so, like Jackson, I will split something that should be in a single piece into multiple pieces, and although I am aware that they will likely not equal the sum of what a whole, single review should, I will try nonetheless because I have too much to say on the subject and am utterly unable to edit myself. Much like a certain director we all know and admire.
Review by a fan of fantasy cinema
The Battle of the Five Armies is a really good film. Is it great? Well, that will be up to each viewer, honestly. It is big and bold, and gives good screen time to the multitude of characters we have come to know over the course of the last two films in the trilogy. The movie opens where the previous film left off, a different approach from other films in both The Hobbit and The Lord of the Rings trilogies, which tended to open with flashbacks or clever recaps to bring the viewer back into the world of Middle-earth which may have faded slightly since the previous film. Not so here, as the audience is plunged directly into the story right where we exited it last year.
The dragon Smaug, scary and crazy in the second Hobbit film which bears his name, is magnificently rendered and feels vibrantly alive in the dark theater, the screen aglow with dragonfire and the air electric with his howls of rage and vengeance. Benedict Cumberbatch captures the right amount of menace and vanity, bringing the drake alive in ways that superb CGI just could not do on its own. The poor people of Laketown would surely stand in awe of Jackson’s creation if they were not fleeing for their very lives before it.
Martin Freeman knows how to play the everyman, which is essentially what Bilbo Baggins represents. An everyday man who is snatched up from his comfortable if boring life and thrown headlong into the exciting, unpredictable and oft-times dangerous unknown. His subtlety and good humor shine through his portrayal of the Hobbit and it is to Freeman’s credit that he can simultaneously stand up to the chiefest and greatest of calamities and also stand up for himself to Thorin, pointing out the sickness that everyone else can see but dare not mention. The dwarves are also a humorous, entertaining lot, but far too much time would be required to provide the multitude of them a lot of individuality or backstory. The few who are selected for the spotlight are well worth the time. Lee Pace, Richard Armitage and Luke Evans play three leaders of different races whose loyalties lie to their people but with widely different styles and personalities. As with the previous films, Cate Blanchett as Galadriel, Hugo Weaving as Elrond and even Christopher Lee as Saruman himself all put in appearances, though not in a way most might expect!
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