Tag Archive: M. Night Shyamalan


Happy holidays!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021!  But wait!  Next year’s list sure looks a lot like the the films we previewed last December.  The covid pandemic has delayed hundreds of film projects, but some made it through.  When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks.  Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.

Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar.  The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem.  Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob!  Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year.  After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out.  Other films, like Vast of Night, Extraction, The Old Guard, Rebecca, Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.

So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and MorbiusWonder Woman 1984 is expected to have a theatrical release by year end.  Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.

So what’s left and what’s new?

Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021.  Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list.  Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration.  Note:  Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max.  Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year.  Amazon Studios has fewer, most partnerships with Blumhouse Productions.

As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.

January

Mortal Kombat Based on the video game.  New!  Tentative release date: January 15, 2021.  HBO Max.

Wrath of Man Next Jason Statham action flick.  New!  Tentative release date: January 15, 2021.

The French Dispatch.  Wes Anderson and his familiar actors in new quirky film about journalists.  New!  January 28, 2021.

The DigA film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan.  January 29, 2021.  Netflix.

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When we created last year’s preview of 2019 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and homed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our annual picks in our Best Movies of 2019.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our print media picks, and our annual borg Hall of Fame inductees.  And if you missed it, check out our Best Kick-Ass Genre Heroines of 2019 here.  Wait no further, here are our movie picks for 2019:

Best Film, Best Superhero Movie, Best Re-Imagining on Film Shazam! (Warner Bros.).  Movies are supposed to be a wonder, right?  What brought the magic of the movies back to theaters more than Shazam?  Why did DC take so long to adapt a superhero to the scene perfectly?  Who cares–they finally did it.  Faithful to the character from the #1 selling superhero book of the 1940s, this was the superhero movie many of us have been waiting for for the past 50 years (or more).  Full of superhero fun, one of the best training montages ever, Zachary Levi’s boyish hero was perfectly matched to Jack Dylan Grazer’s take on best pal Freddy.  It’s also the only superhero movie we can think of that got better as it went along, culminating in a fantastic, satisfying third act and finale.  This is what we want more of.  And it was the first DC superhero movie of the millennium that could be watched and enjoyed by the entire family.  Honorable mention: Glass (Universal), Spider-Man: Far From Home (Sony Pictures).

Best Fantasy Movie, Best Adventure Movie, Best Comedy MovieJumanji: The Next Level (Columbia Pictures).  The only issue with this film was that its status as a sequel will prompt some to not recognize it for the gigantic success it truly is.  With adventure scenes bigger and better than anything in the entire Indiana Jones franchise, two movies in and director Jake Kasdan proved a sequel can actually be as good as the original.  The four stars didn’t miss a beat, swapping roles and adding new laughs, and the new characters inside and outside the game were perfectly spliced in to tell a new tale.  The bridge crossing scene is now the adventure film scene to beat.  An epic fantasy that’s loads of fun.  Honorable mention for Best Fantasy Movie: Shazam! (Disney/Marvel), Captain Marvel (Disney/Marvel).

Best Movie Borg, Best Borg Film – Arnold Schwarzenegger’s Carl, Terminator: Dark Fate (Paramount Pictures).  It would have been almost impossible for James Cameron and director Tim Miller not to get this right, a new thread through time reuniting Linda Hamilton’s Sarah Connor and a new T-800 with Arnold back with another take on his greatest borg of all time.  New characters and new effects kept the franchise from getting boring, but this was more than just getting by, a big sci-fi spectacle with great cyborg battles, and easily the best cyborg fix this year.

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Review by C.J. Bunce

M. Night Shyamalan is an auteur in a small league of directors that includes Quentin Tarantino, Martin Scorsese, Francis Ford Coppola, Wes Anderson, the Coen Brothers, and Stanley Kubrick.  First, you either love or hate each creator’s oeuvre, their signature, their style.  But their works are unmistakably their own.  Shyamalan’s impact to modern film can’t be overstated.  You can look at films before and after his surprise hit The Sixth Sense and see a shift toward films that require that surprise at the end.  That trademark is now an integral part of cinema, even though it has been used as a story tool throughout the history of film and storytelling.  But his use of this, his success from it, made everyone else jump on the bandwagon.  Each of his films has something new to say, but his approach is unique compared to his peers.  His take on superheroes is entirely different from anything else, and yet his love for comics and his genius in digging into what makes a great superhero tale proves his knowledge of the genre.  If you’re a fan of the modern Detective Comics, where Batman is so dark it’s almost as much horror as superhero crimefighter, then you should check out his trilogy, beginning with Unbreakable, followed by Split, and now streaming on Vudu, GooglePlay, YouTube, Amazon, and other home video media, his third chapter in the trilogy, Glass It is truly an epic film, the kind of story written by a comics reader and for a comics reader.

Most superhero movies follow a certain formula.  The tropes are all there for the plucking, so it’s how the story is told that makes the exceptional superhero movie.  Shyamalan’s slowly simmering follow-up returns to Bruce Willis′s David Dunn and Samuel L. Jackson′s Elijah Price from the 2000 first chapter Unbreakable.  We find Dunn has continued his pursuit of justice, brilliantly partnered with his own “man in the chair,” his son from Unbreakable, played again by Spencer Treat Clark (Agents of S.H.I.E.L.D., Chilling Adventures of Sabrina) now all grown up, in an intriguing update to the character.  Price, however, has been relegated to a medical facility, visited frequently by his doting mother, played by returning actress Charlayne Woodard (Pose, Medium).

Sarah Paulson (Ocean’s Eight) proves exactly why she’s been cast as a young Nurse Ratched from One Flew Over the Cuckoo’s Nest in the coming series Ratched, co-starring in Glass as Dr. Ellie Staple, a psychiatrist studying people who think they are superheroes, out to prove them wrong and get them the mental help she believes they need.  Enter Kevin Wendell Crumb, who has multiple personality disorders–24 personalities in all–brilliantly portrayed by James McAvoy (X-Men: Days of Future Past, Dark Phoenix) who introduced the character in the suspense-horror film Split.  Split was a surprise for everyone, carefully marketed as just another creepy Shyamalan movie, with the surprise ending that Crumb’s supervillain persona was The Beast, and an even bigger surprise: that Split was a sequel to Unbreakable.

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarentino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Universal dropped its next trailer for the third film in M. Night Shyamalan’s superhero trilogy, Glass. They’re all being brought together in today’s trailer by the writer/director of The Sixth Sense, Signs, The Village, The Happening, Wayward Pines, and Lady in the Water–Samuel L. Jackson returning as Elijah aka Mr. Glass, the seemingly fragile, self-aware comic book villain of the title, Bruce Willis as the unbreakable hooded vigilante David Dunn, and James McAvoy as Patricia/Dennis/Hedwig/Barry/Jade/Orwell/Heinrich/Norma or just The Beast.

Shyamalan’s psychological horror-thriller Split was a real genre buster–one of those odd movies that really didn’t seem to fit into the genre you thought you were getting from the previews, like Midnight Special.  But we’d learn only at the end we were inside not only the mind of a sociopath, but the mind of a particularly twisted supervillain from the darkest edge of comic book land.  How many more theater seats would have been filled if moviegoers had known Split was the sequel to Shyamalan’s cult-favorite superhero movie Unbreakable?

Glass is arriving just on the heels of last year’s Split.  Unbreakable arrived in theaters way back in 2000.  It all is coming together a bit like J.J. Abrams disjointed, multi-genre Cloverfield movie series.  Take a look at the latest trailer from Universal for Glass:

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Universal dropped a short teaser for it earlier this week, and for Friday of San Diego Comic-Con week we at last get to see a full trailer for the third film in M. Night Shyamalan’s superhero trilogy, Glass.  They’re all being brought together in today’s trailer by the writer/director of The Sixth Sense, Signs, The Village, The Happening, Wayward Pines, and Lady in the Water–Samuel L. Jackson returning as Elijah aka Mr. Glass, the seemingly fragile, self-aware comic book villain of the title, Bruce Willis as the unbreakable hooded vigilante David Dunn, and James McAvoy as Patricia/Dennis/Hedwig/Barry/Jade/Orwell/Heinrich/Norma or just The Beast.

Shyamalan’s psychological horror-thriller Split was a real genre buster–one of those odd movies that really didn’t seem to fit into the genre you thought you were getting from the previews, like Midnight Special.  But we’d learn only at the end we were inside not only the mind of a sociopath, but the mind of a particularly twisted supervillain from the darkest edge of comic book land.  How many more theater seats would have been filled if moviegoers had known Split was the sequel to Shyamalan’s cult-favorite superhero movie Unbreakable?

Glass is arriving just on the heels of last year’s Split.  Unbreakable arrived in theaters way back in 2000.  It all is coming together a bit like J.J. Abrams disjointed, multi-genre Cloverfield movie series.  Take a look at the first trailer from Universal for Glass:

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If you were looking for M. Night Shyamalan’s next movie, it’s Glass, the third movie in his Unbreakable trilogy, expected no earlier than 2019.  But while you’re waiting for the next Shyamalan flick, we’re thinking the trailer for the supernatural thriller A Quiet Place–the preview being shown in front of current releases in theaters this week–is about as good as anyone could do to imitate The Sixth Sense director’s style and unusual brand of creepy storytelling.

The actor most people only know as the young office worker on the American version of The Office and the next actor to play Tom Clancy’s Jack Ryan in this summer’s Amazon Prime series, John Krasinski is both directing, co-writing, and starring in the film.  He’s playing a father opposite real-life wife Emily Blunt, genre star of Edge of Tomorrow, Looper, The Adjustment Bureau, The Huntsman: Winter’s War, and Sicario, and the actor everyone is waiting to see as Mary Poppins in Mary Poppins Returns this Christmas.  In A Quiet Place the family is secluded and never makes a sound.  They communicate in sign language because they believe a supernatural force is after them that is triggered by any noise.  But what’s really going on?  It looks like it can end up one of three ways: like Shyamalan’s Signs, The Happening, or The Village.  Which will it be?  Or do we have it all wrong?

Now being previewed in theaters, check out this nicely done trailer for A Quiet Place:

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Review by C.J. Bunce

A diehard science fiction moviegoer will probably find nothing new in last year’s nominee for eight Academy Awards, including Best Picture, Arrival.  Nearly every minute of the film can be seen in countless episodes of science fiction television.  But it is the next drama cloaked in science fiction dress, trying to one-up Interstellar, Gravity, and Contact.  Following the Michael Crichton stylebook, Arrival gives us a problem (terrifying, giant squid-like, alien monsters referred to as heptapods we cannot yet understand) and brings in a team of experts to work to solve that problem.  The experts are linguist Dr. Louise Banks, played by Amy Adams, and physicist Dr. Ian Donnelly, played by Jeremy Renner.  And that’s all–no other brilliant scientists play any role.  From a storytelling angle this allows more of a focus on the two characters, primarily Banks, but it also defies belief that one of twelve Earth-visiting space monolith ships is in the U.S. and only a M*A*S*H unit full of people are there to find the solution.  Those that are present are canned, stupid government wonks, including an intermediary military officer played by Forest Whitaker and others who shout a lot and want to bomb the aliens.  It all makes you want to cheer for the aliens.

To its credit Arrival deals head on with what is surprisingly one of the least pursued tropes in science fiction: communication with the aliens.

Every major sci-fi franchise tells us these aliens will be humanoid, but what if they aren’t?  Actually communicating with other beings once we have that first alien encounter has been seen from time to time, the best in the Star Trek: The Next Generation episode Darmok.  And who can forget those musical notes of Close Encounters of the Third Kind?  Most of Star Trek, and other sci-fi, circumvents the communication issue with the story device of a universal translator or the equivalent, so the conflict of Arrival is refreshing.  Unfortunately the pursuit of the problem in Arrival could have been more interesting and compelling.  Instead the filmmakers made the choice to break away frequently, delving back and forth into an emotional character study.

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10-Cloverfield-Lane-Poster

Review by C.J. Bunce

Chances are you skipped 10 Cloverfield Lane when it hit theaters this March 11.  It was one of those movies with a cryptic trailer.  In a world where trailers typically give too much away, this one left you thinking John Goodman was some kind of rescuer of two others in a dystopian underground quonset hut.  But once you’ve seen it, you realize you were better off not having an explanation.  Why?  Spoilers.  10 Cloverfield Lane is now available on Blu-ray, pay cable and streaming services.

It’s the ultimate horror story.  A woman, played by fan favorite Mary Elizabeth Winstead in a smart and resourceful role, wrecks her car and awakens tied to a post in an underground bunker with two men.  The older man, played expertly by John Goodman in a performance that would have garnered him an Oscar nod a decade ago (think Kathy Bates in Misery), claims that the outside world is gone, victim to a chemical attack.  Maybe it’s the Russians.  Maybe it’s aliens.  Maybe he’s a psycho.  Or maybe its zombies.  But we know the movie has the word Cloverfield in the title and is produced by J.J. Abrams, so what’s really going on here?  Does it have anything at all to do with J.J. Abrams’s 2008 monster movie Cloverfield or not?  Is there some sci-fi element lurking around the next corner?  Or is it just a street address, much like Abrams includes the name Kelvin in all his movies?

All will be revealed in time.

Winstead Cloverfield Lane

10 Cloverfield Lane is an expertly paced mystery, plunging you into the question “what genre is this movie?”  It’s that question that will keep you on the edge of your seat until the very last scene.  Fans of M. Night Shyamalan movies will fit right in here, and at times you get the feeling that Shyamalan is somewhere behind the scenes.  When is the revelation coming?  Who is telling the truth?

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10 Cloverfield Lane clip

J.J. Abrams has managed to monopolize entertainment news for months now because of his directing gig on Star Wars: The Force Awakens.  Now there is this very strange conversation going on about the first trailer out of the gates for J.J. Abrams’ next release, 10 Cloverfield Lane.  Is it a sequel to his 2008 surprise sci-fi horror hit Cloverfield?  Is it part of an anthology?  Does it matter?  Abrams is cagey as usual in responding.  What if the title itself is the sleight of hand and the surprise is completely different?

Abrams seems to be set on making one of every possible major genre film type.  With Cloverfield Abrams made his Godzilla-monster movie.  He’s made his Star Trek, Mission Impossible and Star Wars interpretations.  In Super 8 he made his Spielberg coming of age picture.  He’s making his cyborg movie with his Westworld series.  He’s done spies (Alias), rom com (Felicity), and survival (Lost) series.

But this first trailer for 10 Cloverfield Lane looks like a different type of creepy thriller.  Maybe a bit of The Happening, The Village, Signs, or The Lady in Water?  Those special creepy sci-fi/horror flicks that don’t fit neatly into a sub-genre that before we thought only M. Night Shyamalan had cornered the market on?

10 Cloverfield Lane poster

Check it out for yourself.  It’s a great, creepy trailer for Abrams’ 10 Cloverfield Lane:

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