Only a year ago I called director Craig Brewer’s 2019 biopic Dolemite is My Name–the theatrical return of Eddie Murphy and Wesley Snipes from Netflix–the big Oscar miss of the year. It begged the question: When was the last time Murphy and Snipes were this good, and why did they ever leave the top spot on marquees of movie houses everywhere? Brewer is back again with Murphy and Snipes, this time in a sequel to director John Landis’s quirky 1988 comedy Coming to America, a two-time Oscar nominee for costumes and one of Rick Baker’s makeup nominations for turning Murphy and co-star Arsenio Hall into a host of characters, a box office success that gained favor over the years thanks to video rental stores, and today it’s a nostalgic trip back to the 1980s. The sequel Coming 2 America is a big surprise: a big budget marvel not from Netflix but Amazon Studios, a thoughtful, funny, surprisingly deep sequel we didn’t know we wanted, and a result that is even better than the original. More than “just another sequel,” it’s a fairy tale like The Princess Diaries, a bit A Knight’s Tale, a bit Crazy Rich Asians, and a worthy sequel in concept and art design to Black Panther. It’s also a celebration of the career and characters of Eddie Murphy, and it expands to be a celebration of black culture and comedic films via dozens of great Easter eggs. In short, it’s one of the best direct-to-television movies since studios started moving from movie houses to home screens.
When Oscar gets it right, it highlights something about the current zeitgeist, not necessarily a mirror image of the social, literary, artistic, political, or technological achievements of the day, but at least a taste of it. Do many of the nominees for the Academy Awards have that this year? Ford v Ferrari, Once Upon a Time in Hollywood, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Parasite, or The Irishman? Did they last year? How about a story about a person trying to make a name for himself, barely getting by, trying to pay his bills, experiencing a tough go at it before he realizes his dream? Perhaps the biggest miss of this year’s ballot is one of those timeless stories of self-made success: Dolemite is My Name.
Dolemite is My Nameis a biopic and a classic underdog story. The seemingly ageless Eddie Murphy has his best leading role and best performance of his career, playing comedian, singer, actor, and film producer Rudy Ray Moore, who found his niche in cinema in the 1970s. Murphy as Moore is like Richard Pryor at his best. Murphy plays Moore as Everyman, pulling together his own outgoing nature from his 1980s stand-up performances and finessing them with the benefit of years of experience into a real, believable, even heroic character. This is the same character type we saw resonate so expertly last year with Brent Jenning’s lead character struggling to succeed after putting years into a failed career in TV’s Lodge 49. Murphy’s range of emotion, his subtlety, his depth of struggle and effort in every look and word is exactly why you have awards for acting in the first place. This film is a smartly scripted drama with comedy notes, written by dynamic writing duo Scott Alexander and Larry Karaszewski (Man on the Moon, Ed Wood, The People vs. Larry Flynt). It’s backed up with costumes, hairdos, music, cars, language, and an all-around fashion fest of 1975. If you didn’t know better you’d think this was a Quentin Tarantino film, because it gets the retro production design just right, as he has been able to do so well. Instead it’s Craig Brewer directing, the director of Hustle & Flow, the Footloose remake, and Empire series.
Supporting Murphy is a fantastic cast, beginning with Da’Vine Joy Randolph as Lady Reed, as an immensely entertaining and sympathetic single mom, brushing off her ex as Murphy’s Rudy Ray Moore watches and learns. Moore invites her into his partnership. He and his friends go to the movies for laughs and walk out nonplussed. Moore knows he can do better. So he tries to get financing and make a movie. His selected production staff, and the actors behind them, makes for a dream assemblage. Keegan-Michael Key(The Predator, Tomorrowland),Craig Robinson(Mr. Robot, Hot Tub Time Machine), Mike Epps (Resident Evil, The Hangover), Tituss Burgess (The Addams Family, 30 Rock), and Kodi Smit-McPhee(X-Men: Dark Phoenix, Let Me In), plus familiar faces Wesley Snipes, Chris Rock, and Snoop Dogg make for a top tier cast. When these people are working together in an old abandoned hotel converted to a film set, you witness the same kind of camaraderie as audiences witnessed in those barber shops in Do the Right Thing and Marvel’s Luke Cage.
The next auction of items from Marvel is quickly approaching. The London and Los Angeles-based Prop Store, one of the five best sources for screen-used entertainment memorabilia, is readying for its next auction, only a month away, just releasing its catalog of items used by the cast and crew of Netflix’s short-lived but critically acclaimed spin through adaptations of Marvel characters for the small screen. Will these lots sell remotely in the range of Profiles in History’s 2012 auction of Marvel Cinematic Universe costumes in props, which netted a high of just south of a quarter of a million dollars for a Chris Pine Captain America costume and shield? Probably not, but some have some high starting estimated auction values.
Only covering three of the Marvel Television series, Marvel’s Daredevil, Marvel’s Luke Cage, and Marvel’s Iron Fist, you’ll find 893 items for sale that were featured in these TV series. These are the actual props and costumes, worn or handled by either the actors or their stand-ins or stunt people, including what amounts to some of the series’ supersuits, some recognizable and some only background, prop weapons and focal objects, and set decoration items created or collected specifically for the shows. Sorry, fans of Jessica Jones, The Punisher, and Defenders will have to wait out this auction–no items from these shows are included in this catalog. But a big highlight is Lot #623, Misty Knight’s prop cybernetic arm. It carries an auction estimate of $10-$12,000.
You really get an understanding of how little the Netflix Marvel series looked liked superhero stories after flipping through the new Prop Store auction catalog available online for viewing at the Prop Store website here. Compare this catalog to the above-mentioned auction catalog (discussed back in 2012 here at borg) where Marvel Studios sold off Captain America: The First Avenger pieces, plus a few other Iron Man, Hulk, and Thor movie costumes and props. There’s little to compare. More suits and street clothes that appear off-the-rack (but probably aren’t, as often costume designers can spend as much work creating items to look like common clothing) can be found in this auction than helmets, hammers, and shields.
It’s been another long year of great entertainment. Before we wrap our coverage of 2018, it’s time for the sixth annual round of new honorees for the borg Hall of Fame. We have plenty of honorees from 2018 films and television, plus many from past years, and a peek at some from the future – 40 in all. You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”
Some reminders about criteria. Borgs have technology integrated with biology. Wearing a technology-powered suit alone doesn’t qualify a new member. Tony Stark aka Iron Man was an inaugural honoree because the Arc Reactor kept him alive. The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but as far as we can tell it’s not integrated with Peter Parker’s biology. Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse, and Black Manta from Aquaman (and decades of comics before), seem to be merely wearing tech suits. We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, since nobody has more intriguing armor. Maybe Jon Favreau’s new television series will give us something new to ponder next year.
Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it. Westworld continues to define its own characters as androids (like Star Trek: The Next Generation’s Lt. Commander Data throughout the TV series), and not cyborgs (going back to Michael Crichton’s original story), so we continue this year to hold off on their admittance unless something changes, like the incorporation of living biological (blood, cells, etc.) materials. Are we closing in on admitting individuals solely based on a breathing apparatus that may allow them to breathe to in non-native atmospheres? Only if integrated (surgically). Darth Vader has more borg parts than his breathing filter. We assume new honoree Saw Gerrera does as well. With more biological enhancements we’d allow Tusken Raiders, Moloch, and Two Tubes from the Star Wars universe, and Mordock the Benzite from Star Trek, but wouldn’t that also mean anyone in a deep sea suit or space suit is a cyborg? Again, integration is key. Ready Player One has humans interacting with a cyber-world with virtual reality goggles and other equipment, but like the Programs (as opposed to the Users) in the movie Tron, this doesn’t qualify as borg either, but we’re making an exception this year for the in-world Aech, who is a cyborg orc character, and two Tron universe characters.
Already admitted in 2017 were advance honorees that didn’t actually make it to the screen until 2018. This included Josh Brolin’s new take on Cable in Deadpool 2 and Simone Missick’s Misty Knight after her acquisition of a borg arm in Marvel’s Luke Cage. New versions of Robotman and Cyborg are coming in 2019 in the Doom Patrol series, but they are already members of the revered Hall of Fame. Above are the new looks for these two earlier honorees.
Our borgBest of 2018 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.
Without further ado, this year’s Best in Television:
Best Borg TV Series, Best TV Borg – Humans (AMC). No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans. This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK. Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for. And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her. This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.
Best Sci-fi TV Series – The Man in the High Castle (Amazon). What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel. The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address. Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi. Honorable mention: Humans (AMC), Counterpart (Starz).
Best New TV Series, Best Reboot, Best Ensemble Cast – Magnum PI (CBS). If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it. And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series. With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts. Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original. Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).
Best Series, Best Drama, Best Comedy – Lodge 49 (AMC). Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other. Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions. If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series. And yet it wasn’t fantasy at all. An oddball Cheers? A southern Twin Peaks without the Lynchian weirdness? Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be. Maybe we’ll learn more about that next season. Honorable mention for Best Drama: Counterpart (Starz). Honorable mention for Best Comedy: Baskets (FX). Continue reading →
In three weeks we’ll see the return of Danny Rand to Netflix, continuing the ongoing Marvel television universe we last saw in this summer’s excellent sophomore season of Marvel’s Luke Cage. Finn Jones’s martial arts master and corporate exec Danny Rand–the Immortal Iron Fist–returns in season two of Marvel’s Iron Fist and Netflix just released its first trailer for the season, providing a glimpse at what fans of the Marvel franchise can expect. More action is takeaway No. 1.
The first season of Marvel’s Iron Fist was a bit rough after a dark season of Daredevil, a spectacular first season of Jessica Jones, and a knockout first season of Luke Cage. Compared to the other series it approached its origin character with a slowly building story, with co-lead Colleen Wing, played by Jessica Henwick, carrying most of the emotional and dramatic excitement through the season. A heavily corporate boardroom plot with siblings Joy and Ward Meachum (played by Jessica Stroup and Tom Pelphrey) didn’t help matters. Not even the inclusion of genre-favorite David Wenham (The Lord of the Rings, Pirates of the Caribbean: Dead Men Tell No Tales) could lift the ho-hum plot. And the parallels in Iron Fist and CW’s Arrow were plentiful starting with the similarity of the leads. Marvel’s The Defenders then brought together Rand, Cage, Jones, and Daredevil’s Matt Murdock, but when the characters even acknowledged they didn’t want to be a team that projected to viewers a team-up that wasn’t quite ready.
So can Iron Fist re-engage this season? Star Trek and Men in Black III’s Alice Eve appears briefly in the trailer as supervillain Typhoid Mary. Mike Colter and Finn Jones’ brief team-up as the classic Power Man and Iron Fist hinted at something fans would love to see much more of. Although we don’t see Colter in this first trailer we do see Simone Missick’s Misty Knight will at least return for an episode–something to look forward to. Fans of G.I. Joe won’t be able to resist comparing the conflict between that series’ Snake Eyes and Storm Shadow to Danny Rand and this season’s rival Davos aka Steel Serpent, played by the returning Sacha Dhawan.
Take a look at this first look at Season 2 of Marvel’s Iron Fist:
Marvel has diversified its creations on film and television so much that anyone can find a series or film that grabs them and surprises them with action, drama, strong characters, superheroics and great storytelling. It’s going to be a subjective call for anyone, but the depth of every storytelling component in two seasons of Marvel’s Luke Cage makes it our nomination for the best superhero series yet. With all that a comic book fan could want (except maybe supersuits), Season Two of Marvel’s Luke Cage, now on Netflix, rises to the occasion again. The writers, actors, and other creators of Luke, his partners, and the crimelords of Harlem, could hold their own against any of the entries in the Marvel Cinematic Universe. A “best of” list of the villains of Marvel adaptations will no doubt have Loki and Killmonger from the movies fighting for top spots, but it also must now have Season One’s Cottonmouth Stokes, and this season’s trifecta of villains: Bushmaster McIver, Shades Alvarez, and Mariah Stokes.
We compared Season One–which was borg.com’s Best TV Superhero Series of 2016 along with Cage actor Mike Colter and Misty Knight actor Simone Missick taking top acting kudos for the year–to Spike Lee’s Do the Right Thing, and again, Season Two is worthy of that comparison. All the key social and cultural issues affecting every-day people inside or outside New York City neighborhoods, from the 1960s and today, work their way into the storytelling of the series. The season kept its fresh approach with a new director at the helm of nearly every episode, while maintaining its focus thanks to Cheo Hodari Coker penning the overall story and leading the series as showrunner. The show’s style is unique. Even more than in Season One, nearly each episode featured the setting of the nightclub Harlem’s Paradise with an incredible performer on-stage with a relevant song to the episode. Where a modern take on 20th century Speakeasy-inspired jazz and blues was the background for Season One, music derived from the roots of hip-hop and the heritage of key show characters in Jamaica defines the style this time. This was topped off in the last episode with a song performed by Rakim that echoed Adrian Younge and Ali Shaheed Muhammad’s 1970s retro-funk series theme.
Family roots and legacies left behind top the season’s themes. Along with the drama, the superheroics were present in Cage’s Power Man persona and new villain Bushmaster’s exquisitely choreographed battle scenes. Charismatic actor Mustafa Shakir, who isn’t Jamaican, is perfectly convincing with the accent as Johnny “Bushmaster” McIver, and like Lou Ferrigno in The Incredible Hulk and series star Colter, Shakir looks like a superhuman with no need for any superhero costume. And yes, Shakir performed most of the fabulous stunt fights with Colter, with training incorporating capoeira fighting, aptly selected for the series from its focus on power, speed, kicks, and spins. Looking for the best superhero genre one-on-one battles at the movies or on television? They can be found in Season Two of Marvel’s Luke Cage. It’s even more refreshing because the series casts aside the current lazy trope in cinema of slow-motion action sequences, which can pull you out of the momentum of the action every time.
The best is back next month. Television’s best comic book adaptation to date, the Emmy-winning Marvel’s Luke Cage, is returning next month as Season 2 arrives on Netflix. Can Season 2 match the one-two punch of the first season? It looks like we’re going to get a return of everything fans are after: More Mike Colter protecting the streets of Harlem as “Power Man” Luke Cage. The first trailer for the 2018 season is out and we’re learning a lot about what to look for in June as the next season is released on Netflix: Supercop badass Misty Knight (Simone Missick) is bringing a new weapon to the law with her own cybernetic arm. Alfre Woodard’s Mariah Dillard is taking her place as leader of the underground criminal element. Luke’s pal Bobby (Ron Cephas Jones) is back with Rosario Dawson’s Claire Temple to watch over Luke. And even Theo Rossi’s master manipulator and henchman “Shades” Alvarez makes an appearance in the trailer.
The challenge of all superhero tales ultimately is the same: How intriguing and compelling is the villain? Season 1 had Shades and Mariah, Frank Whaley’s cool bad cop Detective Scarfe, Erik LaRay Harvey’s sinister Diamondback, and the awesome and gritty Mahershala Ali’s Cottonmouth. With Scharfe, Cottonmouth, and Diamondback out of the picture, we’re getting a new villain: Quarry’s Mustafa Shakir is Bushmaster. Showing Cage there’s always someone bigger and stronger to come along, Bushmaster surprises our hero with equal strength and power.
Does Bushmaster hail from the same mad science that created Cage, or is someone new behind the scenes?
Take a look at this first trailer for Season 2 of Marvel’s Luke Cage:
It’s been one long year of great entertainment. Before we wrap our coverage of 2017, it’s time for the fifth annual round of new honorees for the borg Hall of Fame. We have plenty of honorees from 2017 films, plus many from past years, and a peek at some from the future. You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”
In anticipation of the 2017 film Logan, last year we added Old Man Logan, Laura/X-23, and cyborg-armed mercenary Donald Pierce. We also added Scarlet Johansson’s character The Major, previewing 2017’s live-action film The Ghost in the Shell.
We didn’t get the big ballroom at our venue reserved early enough for the induction ceremony this year, so it limited us to tapping only 24 named characters into the revered Hall of Fame this year.
As with last year, we’re granting a few early entrances this year, first to Simone Missick’s badass cop Misty Knight, who is getting a borg arm for season two of Luke Cage in 2018.
And here is an early look at Josh Brolin’s Cable, from 2018’s Deadpool sequel. The borg comic book character Cable was a first round honoree to the Hall, so this is just another update to the character.
Onto this year… Kingsman’s almost-a-Kingsman Charlie was thought to have been killed off in the first film. But he was back in the 2017 film Kingsman: The Golden Circle, sporting cyborg components.
A host of new borgs–Replicants in Philip K. Dick’s novel Do Androids Dream of Electric Sheep?–returned to the big screen in Blade Runner 2049, including some new names and faces, like Ryan Gosling’s K …
That week is here–All the lead-in built up by Marvel’s host of television series created for Netflix finally comes together this weekend. Marvel’s Daredevil, Jessica Jones, Luke Cage, and Iron Fist become The Defenders. Netflix has released a final trailer leading up to the series premiere.
We’ve learned in the past few years that combining your A-league superheroes doesn’t guarantee a successful cinematic experience. How much better than the theatrical Avengers and Justice Leaguers was the B-league team that comprised the Guardians of the Galaxy? How about the strange success in Deadpool of partnering Colossus, Negasonic Teenage Warhead, and Deadpool?
So far we’ve loved most of what we’ve seen Marvel put together for Netflix. Luke Cage earned several of our “Best of Television” categories last year here at borg.com. The core of its new team-up of all the Netflix Marvel superhero stories is a classic Marvel comic book team-up: Power Man and Iron Fist. It’s amazing that this team-up has the potential to gain some real traction 40 years later. And you can’t get much more nostalgic for 1970s comic books than the late, great Steve Gerber run on The Defenders. So put together Luke “Power Man” Cage, Daredevil, Iron Fist, Jessica Jones, and add in Elodie Yung as Elektra, and give us a villain played by sci-fi queen Sigourney Weaver, and a supporting cast including the incomparable Scott Glenn, and a triple threat of actresses known for their badass roles: Rosario Dawson, Carrie-Anne Moss, and Simone Missick? What’s not to like? We asked it earlier with the first previews for the series: Can The Defenders be the best team-up on-screen yet?
Check out this final trailer for Marvel’s The Defenders:
