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Tag Archive: Matt Damon


Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarentino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorcese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Following the success of last year’s Studio Ghibli Fest, animated film distributor GKIDS and Fathom Events are bringing back to U.S. theaters nine critically acclaimed films throughout the year for Studio Ghibli Fest 2018.  Starting this weekend the series will feature both dubbed and subtitled versions of Studio Ghibli classics, beginning with a 10th anniversary screening of the fan-favorite family adventure Ponyo (2008) on March 25 (dubbed), 26 (subtitled), and 28 (dubbed), with original actors Tomoko Yamaguchi, Kazushige Nagashima, and Yuria Nara in the subtitled version and Cate Blanchett, Cloris Leachman, Liam Neeson, and Matt Damon in the dubbed version. In a spin-off of the Hayao Miyazaki story Whisper of the Heart, the character Baron re-emerges in The Cat Returns (2002), back in theaters April 22 (dubbed), 23 (subtitled), and 25 (dubbed), with stars Chizuru Ikewaki, Yoshihiko Hakamada, and Aki Maeda in the subtitled version, and Anne Hathaway, Cary Elwes, and Tim Curry in the dubbed version.  Miyazaki directs his tale of a pigman pilot bounty hunter in Porco Rosso (1992), back in theaters May 20 (dubbed), 21 (subtitled), and 23 (dubbed), with original stars Shûichirô Moriyama, Tokiko Katô, and Bunshi Katsura Vi in the subtitled version, and Michael Keaton and David Ogden Stiers in the dubbed version.

Studio Ghibli’s village of magical raccoon dogs fight back in Pom Poko (1994), in theaters June 17 (dubbed), 18 (subtitled), and 20 (dubbed), starring Shinchô Kokontei, Makoto Nonomura, and Yuriko Ishida in the subtitled version, and Clancy Brown and J.K. Simmons in the dubbed version.  One of Miyazaki’s most thrilling films, the legendary Princess Mononoke (1997) is back July 22 (dubbed), 23 (subtitled), and 25 (dubbed), starring Yôji Matsuda, Yuriko Ishida, and Yûko Tanaka in the subtitled version, and Minnie Driver, Clare Danes, and Gillian Anderson in the dubbed version.  Director Isao Takahata offers one of the finest World War II stories in all of cinema in his gut-wrenching Grave of the Fireflies (1988), back in theaters August 12 (dubbed), 13 (subtitled), and 15 (dubbed), starring Tsutomu Tatsumi, Ayano Shiraishi, and Akemi Yamaguchi in the subtitled version, and Adam Gibbs and Emily Neves in the dubbed version.

Everyone’s favorite gentle giant cat is back September 30 (dubbed), October 1 (subtitled), and October 3 (dubbed), when My Neighbor Totoro (1988) returns, starring Hitoshi Takagi, Noriko Hidaka, and Chika Sakamoto in the subtitled version, and Dakota Fanning, Elle Fanning, and Tim Daly in the dubbed version.  Perhaps Miyazaki’s most acclaimed film, the fantastical, spiritual, riveting epic Spirited Away (2001) is in theaters October 28 (dubbed), 29 (subtitled), and 30 (dubbed), starring Rumi Hiiragi, Miyu Irino, and Mari Natsuki in the subtitled version, and Suzanne Pleshette, David Ogden Stiers, and James Marsden in the dubbed version.  And finally, a boy and girl search for a floating castle in Miyazaki’s Castle in the Sky (1986), in theaters November 18 (dubbed), 29 (subtitled), and 20 (dubbed), starring Keiko Yokozawa, Mayumi Tanaka, and Kotoe Hatsui in the subtitled version, and Anna Paquin, Mark Hamill, James Van Der Beek, Cloris Leachman, and Mandy Patinkin in the dubbed version.

Here is a quick preview of Studio Ghibli Fest 2018:

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When the Rat Pack (you know, Dean Martin, Frank Sinatra, Sammy Davis, Jr., Peter Lawford, and Joey Bishop) first made the heist comedy Ocean’s 11 about a group of WWII pals in Las Vegas, do you think they had any idea they were establishing a brand that would be continuing with a new film 58 years later?  In the latest entry, Ocean’s 8, Warner Bros. has Frank’s daughter Nancy serenade us in the first trailer, which features a nicely cast crowd of actors.  In case you haven’t been keeping count, this will be the fifth film featuring an Ocean family member leading a group on a major con.  Sinatra was the original Danny Ocean, and in the reboot Ocean’s Eleven, Ocean’s Twelve, and Ocean’s Thirteen, George Clooney took over the role and led a cast including Brad Pitt, Matt Damon, and Julia Roberts.

Next year we’ll see Sandra Bullock lead the way as Debbie Ocean, fresh out of jail and enlisting a group of varying skill sets to steel valuable jewels at New York’s Metropolitan Museum of Art.  Her co-stars include Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Richard Armitage, Olivia Munn, Rihanna, Katie Holmes, Mindy Kaling, and Dakota Fanning.

Check out Warner Bros.’ first trailer for Ocean’s 8:

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For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more.  Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month.  Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.

The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items.  You’ll find the following movies and TV shows represented and more:  3:10 to Yuma (2007), 300, Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers, Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.

You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.

  • Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
  • Sark (David Warner) Grid costume from the original Tron (1982)
  • Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
  • Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
  • Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
  • Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity (sold as individual costume lots)
  • Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
  • Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
  • Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
  • Star-lord helmet from Guardians of the Galaxy
  • Thor (Chris Hemsworth) Mjolnir hammer from Thor

  • Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
  • Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
  • Val Kilmer Batman suit and cowl from Batman Forever
  • Maverick (Tom Cruise) flight suit from Top Gun
  • Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl

And there are so many more.  Like…

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Review by C.J. Bunce

It is a study in East meets West, or at least it tries really hard to be.  Visually The Great Wall will likely be the most beautiful film you see this year.  The worldbuilding is on a grand scale, epic, and worthy of the historic monumental icon of China.  The intelligently thought out military structure and interplay of weapons, color, purpose, props, and costumes is second perhaps only to Peter Jackson’s Tolkien world fantasy films.  The costumes are exquisite–detailed, rich, stylized, ornate, and simply phenomenal.  But like many big movies this year, it is a weak story that keeps The Great Wall from its potential.

If you’re a fan of classic action films from China, you will have no problem jumping right into the action of The Great Wall.  But if you’re easily distracted by new things, you probably should skip this one.  Its style of storytelling and dialogue are unique for a mainstream Western release so it is understandable why the film had problems attracting audiences here, even beyond all of the politics that accompanied its release (the objection of some in Matt Damon’s lead role, a Caucasian lead in a medieval, epic story about China–whitewashing as discussed with respect to Doctor Strange–similar to criticisms when Tom Cruise was the lead in a Japanese-focused story in The Last Samurai).  And if you don’t like subtitles, you probably won’t be drawn to The Great Wall.  But you’d be missing something spectacular.  So many features make the biggest budget film in China’s history worthy of at least one viewing.

You’ll find much telling instead of showing, something better films of the Western tradition endeavor to avoid.  You’ll witness soldiers marveling at what by all counts is an epic military battle, but then they actually state as much.  It’s a quirky thing that will probably make the average Western moviegoer shudder a bit.  Yet if you look beyond the almost characteristically Eastern movie abrupt dialogue shifts, interspersed tangent story elements and nonlinear style, you’ll find some great takeaways.  Like one of the year’s best, badass heroines in Tian Jing’s swashbuckling Commander-turned-General Lin Mae–a powerful dragon killer in command of the entire Chinese army whose cliff-diving daredevilry and death-defying air balloon war machines evoke the best World War II movie action sequences.  The martial arts stuntwork is like that of no other movie this year.  The special effects are impressive, especially the interplay of set construction and battle scenes and heretofore unseen methods of combat and destruction used to defend the wall.  The purely CGI creations–WETA and Industrial Light & Magic’s mythic Tao Tei dragons–look real, and they even have their own layered culture with the ability to plan an intelligent battle strategy.

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the-great-wall-the-art-of-the-film-cover

Review by C.J. Bunce

The best thing about reading a book about the making of a film, without first watching the film, is that your view of the book is not skewed by your opinion of the film.  If you knew nothing about The Great Wall, the new behind-the-scenes look in The Great Wall: The Art of the Film will prompt you to want to see it.  Not only will you find incredible concept art, set design, costumes, and props, the book itself is unique.  In the past five years “making of” film and art books have vastly improved in quality.  Abbie Bernstein’s new book from Titan Books features the best quality images, the best layouts, and the best book design of any book yet reviewed at borg.com–the book itself has a traditional Chinese book binding and gilded edges.  It also features an element left out of many film books these days–it includes images of the entire film, and doesn’t remove spoiler elements, such as, in this case, detailed images of the film’s monsters and ending (the art book for Star Wars: The Force Awakens provided no final image of Luke Skywalker and several costumes and props, as an example).

An icon of China cinema, the man behind several “art house” films in China and the opening ceremony at the Beijing Olympics, director Zhang Yimou discusses in the book why The Great Wall is unique and how it became the biggest production in China film history.  If you have watched stunning Chinese film work over the years and aren’t a fan of dubbed or subtitled films, the barrier is language–how can you connect U.S. and Chinese film audiences?  Yimou intended just that by making a Hollywood-esque film as a Chinese production in English with a cast and crew from dozens of nations, including more than 100 on-set translators.  Beyond that goal, the powerful imagery of the film as displayed throughout The Great Wall: The Art of the Film, is the stuff of Academy Award-winning costume design and art design.

greatwall001

Along with interviews with Zhang are chapters featuring producer Peter Loehr, actors Matt Damon, Pedro Pascal, Jing Tian, and Willem Dafoe.  The most visually stunning chapters detail The Nameless Order, with Zhang’s color coding of each fighting corps, including the royal blue Crane Corps–the fighting unit consisting entirely of women.  We see frosted plastic pages displaying each corps symbol, and poster quality designs highlight each leader, along with their shields and weaponry.  Detailed sections feature the creation and design of the film’s monsters–the mythical Tao Tei–and how WETA and Industrial Light and Magic created them.  And each key sequence of the film is revealed with photographs of special effects and the actors in action.

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rocket

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed.  The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip).  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2017 calendar!

Most coming out in the second half of 2017 don’t even have posters released yet.  We’ve included descriptions and key cast so you can start planning accordingly.

What do we think will be the biggest hits of the year?  How about Star Wars: Episode VIII or Wonder Woman?   Luc Besson’s Valerian and the City of 1,000 Planets?  Ghost in the Shell?  Or Beauty and the Beast? 

justice

You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049, Thor: Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me.   And The Six Billion Dollar Man is finally on its way.  Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.

So wait no further, here are your genre films for 2017:

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Jason Bourne

Universal Pictures has released a full-length trailer for Jason Bourne following up on the short teaser released Super Bowl weekend.  Unlike 2012’s last film in the franchise, The Bourne Legacy starring Jeremy Renner, Matt Damon is back for his fourth appearance as Bourne following 2002’s original The Bourne Identity, 2004’s The Bourne Supremacy, and 2007’s The Bourne Ultimatum. 

It will be a bit of a deja vu, as Julia Stiles is back in her third stint in the franchise.  The Bourne movies, based on Robert Ludlum’s books, are a lot like Tom Cruise in the Mission Impossible movies–after a while they all seem to run together.  We were fans of the first film, especially co-star Franka Potente (Copper, The Bridge, Dark Matter).

This time out, newly-minted Oscar winner Alicia Vikander joins the ranks of Bourne chasers, along with Oscar winner Tommy Lee Jones, and multiple Oscar nominee Albert Finney makes an appearance in the trailer.

jason bourne poster

So here it is, the trailer for the fifth film in the series, Jason Bourne:

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The Martian space walk

First Matt Damon was the guy in the title–Private Ryan–the soldier rescued from the front lines in Saving Private Ryan.  Now he is the guy in the title again, an astronaut on Mars who gets separated from his crew, left for dead, in the Winter 2015 release The Martian.  Truth is stranger than fiction, so it will be hard to top Ron Howard’s ultimate big-budget space rescue Apollo 13, but the buzz is building for The Martian as the next Gravity or Interstellar.

That could be good or bad.  It’s good because we all are waiting for the next great science fiction movie, and sometimes you have to go through plenty of weeds to find a rose.  It’s bad because mainstream, big-budget outer space movies with major actors usually disappoint–wannabes that are never as good as their lower budget, often brainier brethren.  Then again, it stars Matt Damon.

The Martian model

Matt Damon has taken on some interesting roles, earning him some street cred with sci-fi fans.  Even if the films aren’t great, his performance typically is.  Look at films like Elysium and The Adjustment Bureau.  And he’s often one of the best features of other films, like Titan A.E., Ocean’s Eleven, The Bourne Identity, The Brothers Grimm, The Departed, and The Monuments Men.

Check out this first look at The Martian:

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George Clooney;Bill Murray;Bob Balaban

Review by C.J. Bunce

It could have been a more serious film for fans of Ocean’s Eleven.  It could have been The Dirty Dozen.  Unfortunately, writer/director George Clooney missed plenty of opportunities to place The Monuments Men alongside the shelves of great World War II movies of years past.  With a cast including Cate Blanchett, Bill Murray, John Goodman, Bob Balaban, and Matt Damon (along with Clooney) this should have been an easy victory.  So where’s the miss?  Clooney couldn’t decide which movie he wanted to make: a World War II biopic or a comedy.  The blend of both results in a merely watchable film, but comes in below the cast’s past works.

If you’ve seen any documentaries on the actual events that inspired the film, you already understand the guiding principle of the story:  It is absolutely worth fighting and dying for to preserve those artifacts that define your culture.  The Monuments Men is the story of a handful of art experts turned soldiers at the end of WWII who tried to assemble and return to their owners–repatriate–prized works of art, some religious, some by renowned art masters, some paintings, some sculptures, and other cultural artifacts, despite the Nazi efforts to squirrel away and often destroy vast cashes of these looted spoils of war.

Blanchett and Damon in The Monuments Men

The best element of the real-life story is not about any particular Monument’s man, but the actual account of Rose Valland, a French art scholar who covertly kept a log book of where the Nazis in France shipped stolen art.  She allowed The Monuments Men to fulfill their mission of returning so much art to rightful owners after war’s end.   Like the Valland-inspired Claire Simone, played by Cate Blanchett in the movie, Valland worked in the Jeu De Paume museum in Paris during the Nazi occupation, which was used as the German base of operations for hoarding Europe’s art treasures. Unknown to the Nazis, Valland spoke German, and used this to chronicle the details of the Nazi’s operation.  Unfortunately, Valland’s story becomes only a secondary plot to the men of The Monuments Men, and her account is never as exciting as the real-life Valland.  In fact, the foreign language intrigue of Valland’s story is completely ignored in the film.

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