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Tag Archive: Matt Dillon


Wayward Pines

“We gotta get out of this place, if it’s the last thing we ever do.” —The Animals

Claustrophobic?  Then maybe the new Fox series Wayward Pines is not for you.  But the previews for the new series make us think you might be miss out on something good.

Wrong place, wrong time.  We’ve all encountered circumstances we wish we could reverse, but most of us haven’t stumbled into an entire town we wished we could escape from, but couldn’t.  In comedy we’ve seen this on television with shows like Northern Exposure and Green Acres.  In classic cinema we’ve seen it with George Bailey in It’s a Wonderful Life.  But that’s not the kind of town we’ll be visiting soon in Wayward Pines.  The obvious comparison is to that quirky Pacific Northwest town of Twin Peaks–like that cult favorite series, the protagonist is an FBI agent following up on a case in a forested town.  The characters in Wayward Pines don’t appear to be as odd as the Log Lady, but we’ll learn this town is much, much darker.  In fact it might have more in common with the Midwest town in Children of the Corn, the British village in Wicker Man, or Stephen King’s seaside town of Haven.

Wayward Pines Matt Dillon

Somehow the townspeople of Wayward Pines are trapped.  Like a plot pulled from an episode of sci-fi television–think The Twilight Zone’s “Nick of Time” (1960) with William Shatner, The X-Files’s episode “Arcadia” (1999), or the reboot The Twilight Zone episode “Evergreen” (2002) with Amber Tamblyn.  In movies no director knows “trapped” like M. Night Shyamalan, as seen in his moody Signs (2002), The Village (2004), and The Happening (2008).  So it’s no wonder his next director/executive producer project is Wayward Pines. 

After the break, check out the trailer for Wayward Pines:

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Johnny Alucard banner

Review by C.J. Bunce

At long last, Johnny Alucard, Kim Newman’s sequel to 1992’s Anno Dracula, 1995’s The Bloody Red Baron, and 1998’s Dracula Cha Cha Cha is now available.  And for fans of Newman’s richly detailed universe, the first Anno Dracula universe tale in 15 years was worth the wait.  It’s a ballad of a kid born with nothing, who has a destiny, and that destiny takes him to conquer America.  And it all happens in a parallel world where Bram Stoker’s Dracula was a biography of an historical figure, and humans and vampires live side-by-side in a universe similar, yet very different, from our own.

Known for its deeply layered world building occupied by well-known fictional and historical characters with jumbled realities, this latest Anno Dracula entry doesn’t let up.  We at borg.com last year named the re-release of Dracula Cha Cha Cha the best read of 2012.  Check out our review here.  That novel followed Newman’s four protagonists as their stories collided with the death of Dracula in the 1950s.  Three women vampires are at the heart of the Anno Dracula universe: Geneviève Dieudonné, a centuries-old French vampire who watched and participated in key historic events in this timeline; Kate Reed–the most accessible of the three–a plucky Irish journalist who carries the reader through many events in Newman’s stories; and Penelope (“Penny”) Churchward, the third wheel who never quite becomes friends with the other “Charles’s Angels”.   The Charles is Charles Beauregard, a British spy all three women had relationships with over the years, and who died in Dracula Cha Cha Cha, around the time of the death of Dracula himself.

This latest installment of Newman’s series picks up with the tale of an up-and-coming vampire legend. Born Ion Popescu, Johnny Alucard was “turned” at the age of 13 in 1944.  But the story begins in 1976 when he ends up as a gofer under Francis Ford Coppola as he is agonizing over the production of, not Apocalypse Now, but his own Dracula film.  Geneviève, Kate, and Penny are back, and they have key roles in Ion’s story as he transforms himself into “Johnny Pop” and ultimately the wealthy Johnny Alucard, elevating himself higher than anyone thought possible.

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