He’s one of Star Trek’s greatest contributors to the look of science fiction aliens in 21st century entertainment. He’s creature designer Neville Page. Showcasing his entire Star Trek career so far, a new visual retrospective is coming your way to celebrate the creativity of Neville Page’s designs. Star Trek: The Art of Neville Page is now available for pre-order here at Amazon. In this deluxe, full-color hardcover account, readers will examine the visionary creature designs from two decades for some of Star Trek’s most innovative aliens. We discussed previously at borg some of Page’s greatest works in our review of The Art of Star Trek: The Kelvin Timelinehere and more can be found in The Art of Star Trekhere. The new book comes from writer Joe Nazzaro, who interviewed Page extensively for his book Star Trek Beyond: The Makeup Artistry of Joel Harlow, reviewed here.
Let’s face it. The “turn of the century” was eighteen years ago. Are you happy with the styles that define this decade? Why not re-define what the new ‘twenties are going to represent, and why not start with how you want to look? Timeless, a new book by fashion makeup artist Louise Young and film industry hairstylist Loulia Sheppard, provides readers with a step-by-step guide in photos and instructions to recreate the most memorable styles from the silent screen era forward. So not only is it an obvious tool for cosplay and theater, it’s a way to bring the golden age of women’s fashion to everyday lifestyles.
Young and Sheppard also recreate actual style icons, and provide the steps for anyone to follow suit. Readers will find not only how they can recreate styles, but what materials were available for contemporary women to make the look they are after. Models reflect many memorable looks in Timeless, including Louise Brooks, Clara Bow, Ginger Rogers, Myrna Loy, Betty Grable, Rita Hayworth, Ava Gardner, Lauren Bacall, Gene Tierney, Grace Kelly, Lucille Ball, Elizabeth Taylor, Marilyn Monroe, Audrey Hepburn, Farrah Fawcett, Julia Roberts, and many more.
Timeless is not your typical makeup and hair book. The creators have decades of experience in film creating any and every look imaginable. Louise Young has created makeup designs for celebrities in movies including Guardians of the Galaxy, Doctor Strange, Spectre, Fantastic Beasts and Where to Find Them, Wonder Woman, Murder on the Orient Express, Pride & Prejudice, The Man from U.N.C.L.E., Clash of the Titans, Jack the Giant Slayer, and The Avengers. Loulia Sheppard has created hairstyles for several award-winning productions, including Gosford Park, The Phantom of the Opera, Harry Potter and the Chamber of Secrets, The League of Extraordinary Gentlemen, The Last Samurai, Jane Eyre, Hansel & Gretel: Witch Hunters, RED 2, Guardians of the Galaxy, Fantastic Beasts and Where to Find Them, Victor Frankenstein, and Murder on the Orient Express–and most recently the looks of Keira Knightley and Scarlett Johansson.
At long last Star Wars fans have a single volume of behind-the-scenes gold that includes more than the original trilogy and the prequels. Writer Mark Salisbury returns with his next pop culture book, The Moviemaking Magic of Star Wars: Creatures & Aliens. This is the first book to include coverage of all ten Star Wars films, and it’s the first book that digs into the creature makers and makeup artistry of all the Star Wars movies–a creature effects companion to those comprehensive books reviewed previously here at borg.com chronicling the costume and prop sides of Star Wars productions: Dressing a Galaxy, Sculpting a Galaxy, and Star Wars Costumes.
How many movie franchises can claim visual effects over four decades incorporating all levels of monster making: animatronics, puppetry, practical effects, costuming, CGI, sculpts, animal actors, prosthetics and makeups, stop-motion animation, and motion capture creations–sometimes all in a single film? The book spans it all: Jawas, Tauntauns, Jabba the Hutt, Yoda, Chewbacca, the Rancor, Ewoks, Watto, Jar Jar, Darth Maul, Rathtars, Maz Kanata, Porgs, Crystal Foxes, Proxima, Rio Durrant, and so many background aliens from the Tatooine cantina, Jabba’s palace, Maz’s castle, the Pod Race, Kamino, Geonosia, and Scarif. More complex characters from the franchise get the most coverage, with less coverage from Revenge of the Sith and Solo.
Readers will learn about and meet a variety of artists and creators of these creatures and aliens, with interviews and examples of the work of Stuart Freeborn, Rick Baker, Dennis Muren, Phil Tippett, Jon Berg, Ben Burtt, Fred Pearl, Frank Oz, Kathryn Mullen, Lorne Peterson, Nick Dudman, Rob Coleman, John Coppinger, Tom St. Amand, Richard Edlund, Ken Ralston, Kit West, Nilo Rodis-Jamero, Doug Chiang, Dave Elsey, Neal Scanlan, Luke Fisher, Ben Morris, Darek Arnold, some of the actors who performed costumes characters, and visionaries George Lucas, J.J. Abrams, and Gareth Edwards. Select concept art is included from Ralph McQuarrie, John Mollo, Iain McCaig, Terryl Whitlatch, Jake Lunt Davies, and others, and readers will learn Doug Chiang’s five rules of concept design.
Keeping with the fun new trend of incorporating three-dimensional, interactive elements into non-fiction books, Abrams has included foldout flaps, accordion pages, and color tipped-in booklets of sketches, photographs, and stages of the creative process. The book comes from Abrams’ Young Readers imprint, however, the in-depth information and rare or never-before-published photographs and sketches will appeal to all ages of Star Wars fans.
When I was a kid Star Wars blew me away and when I think back it was the “wretched hive of scum and villainy”–specifically the creature cantina at Mos Eisley spaceport–that first introduced me to the idea of a wide, wide universe of alien beings. Countless characters–makeups and costumes designed by movie artists in the real world–all milled about in one place and it was about as cool a thing as anyone could put on film. My next great appreciation for aliens came from the Star Trek films, in particular the delegation of members of the United Federation of Planets in Star Trek IV: A Voyage Home–this bizarre assemblage of leaders, all wearing the common United Federation of Planets maroon officer uniforms, but each representing some far off world with all sorts of strange and exotic denizens. Much of my excitement for aliens would come from Michael Westmore’s wonderful “aliens of the week” in the various television incarnations of Star Trek–I am a fan and self-proclaimed expert in the aliens of Star Trek more than any other corner of that great franchise. Later I would be dazzled by the unique alien designs of Doctor Who’s 21st century Renaissance, where the British series really upped the ante of how unique and complex a weekly show could illustrate the potential of who is “out there.” The updated Mos Eisley for science fiction fans would reach its zenith for me in two great ways in 2016 and 2017: In the diverse cultures of the Yorktown space station in Star Trek Beyond and in the immensely populated Big Market in Valerian and the City of a Thousand Planets. As much as the original Mos Eisley still stands strong on film, these two modern updates of “strange new worlds… new life and new civilizations” represent the best modern creativity in the world of cinema. Makeup artist Joel Harlow, who won an Academy Award for his makeup work for Star Trek (2009), returned to the franchise for Star Trek Beyond, and in honor of the Trek’s 50th anniversary his team created 50 new alien races for the film. A new book just released, Joe Nazzaro’s Star Trek Beyond: The Makeup Artistry of Joel Harlow documents in photographs and descriptions the development and creative ideas behind each new race for the film. As a fan of aliens and Star Trek and this fabulous film, I haven’t anticipated a new publication as much, and I couldn’t be more satisfied with the result.
Journalist Joe Nazzaro assembled Star Trek Beyond: The Makeup Artistry of Joel Harlow unlike most behind the scenes accounts that only punctuate descriptions with the odd quote from a creator, instead providing his narrative as a reporter would–interviewing and sharing Harlow and his creators’ complete, firsthand accounts of developing, designing, casting and even applying many of the makeups. We hear about Star Trek (2009) and Star Trek Beyond from Harlow and creators behind the scenes including concept artists Neville Page, Allen Williams, and Carlos Huante, sculptor/makeup artist Richie Alonzo, and designer/sculptors Don Lanning, Joey Orosco, Lennie MacDonald, Norman Cabrera, and Mike Rotella. This is the kind of access to the minds of movie creators that fanboys and fangirls dream about.
Let’s start with Jaylah. By my count, in the vast world of great Star Trek female characters Jaylah (portrayed by Sofia Boutella) is the most developed, most intriguing, best badass heroine of them all. Harlow, Neville Page, and Richie Alonzo really flesh out for readers the idea to application method of the unique makeup for this lead character from the film. Although it may not be the most complex makeup design at first look, it required elaborate and surgical artistry to replicate it each day, and balanced many requirements to allow the actor to move freely through action sequences and stand out as the driving force behind the plot of the film. Equally important to the film was the villain Krall (portrayed by Idris Elba) a character made up of all the alien races he had absorbed (which included callbacks to Star Trek’s Jem’Hadar) requiring additional complexity in design and style via its character’s backstory. Creators Harlow and Joey Orosco delve into the creation of the four phases of Krall’s design made for the movie.
The most brilliant makeup is no doubt the alien Natalia (who appears on the book cover), the fabulous, spectacular nautilus-headed design by Allen Williams and Don Lanning and sculpted by Joey Orosco with contributions from Werner Pretorius, Lennie MacDonald, Steve Buscaino, Cristina Patterson, and Toby Lindala. The head, bust, and arms for Natalia must reflect one of the best creature designs to ever emerge from Hollywood, and yet, like many of the 50 new aliens designed for the film (technically 56 according to Harlow) the character did not get much screentime. In fact many of the aliens were for background shots and astonishingly a few did not make it into the final cut of the film. The artists in the book also confirm the H.R. Giger influence on some of their designs for Star Trek Beyond–his designs also influenced alien creations of earlier Trek incarnations. One of my favorite footnotes to the Star Trek franchise, and certainly one of the most obscure references in classic Star Trek is an intercom on the Enterprise-D in Star Trek: The Next Generation paging Dr. Selar to the Null-G ward–which we never actually get to see–but the Abe Sapien-meets They Live alien called Satine (designed by Allen Williams and sculpted by Matt Rose) is exactly the type of alien I envisioned you’d find there.
Luckily for fans of Star Trek, the 50th anniversary of the franchise coincided with last year’s release of Star Trek Beyond, one of the most exciting films in the movie series. That was thanks in part to makeup artist Joel Harlow taking the new alien creatures where no one had gone before. Nominated for an Academy Award for his work on Star Trek Beyond, Harlow took on the daunting challenge of creating more than 50 new alien races for the film–one in honor of each year since the first episode aired on television back in 1966. Those designs will be featured in a giant chronicle published this week by Titan Books. Star Trek Beyond: The Makeup Artistry of Joel Harlow by Joe Nazzaro is surprisingly the first book to focus exclusively on the makeup artistry for Star Trek.
The closest prior work on creating makeup for aliens from beyond the Final Frontier, Star Trek: Aliens & Artifacts by Michael Westmore and Alan Sims (still available at Amazon here) was a shorter, trade paperback overview of Star Trek makeup and props, and Westmore’s recent book, Makeup Man by Michael Westmore (reviewed here at borg.com) focuses more on the pre-Star Trek work of Westmore. Star Trek Beyond: The Makeup Artistry of Joel Harlow author Joe Nazzaro also co-wrote a magazine-length overview of Westmore’s makeup work for Starlog, still available from time to time here.
Sofia Boutella shown with Joel Harlow’s makeup for Star Trek Beyond’s new heroine Jaylah.
Together with a staff of artists, Harlow embarked on the unprecedented scope of the project, while documenting the entire creative process for each of the 50 new alien types in exhaustive detail, from preliminary sketches to final make-up application. Below is a preview of Star Trek Beyond: The Makeup Artistry of Joel Harlow courtesy of the publisher. The new hardcover book is available for pre-order here at Amazon for only two more days at more than $15 off the cover price (price listed as of October 1).
