It’s one of the only films this year to keep its original theatrical premiere month, and it’s still planning on coming to a theater near you. And it’s one of the most eagerly awaited sequels of the year after director and star Kenneth Branagh delivered such an impressive adaptation of Agatha Christie’s Murder on the Orient Express in 2017. A new all-star cast has assembled behind Branagh, returning as master detective Hercule Poirot, in Death on the Nile. Despite her many convoluted plots, Christie knew how to name a story. Get ready for some more good sleuthing–The first trailer for the film is here.
Tag Archive: Murder on the Orient Express
Review by Elizabeth C. Bunce
One of the news items from this weekend’s San Diego Comic-Con was a push of completed Disney and Fox movies out several months to insure full movie theater returns for the studio, while pushing out the door in advance of a full audience return films like The New Mutants and Kenneth Branagh’s follow-up to his adaptation of Agatha Christie’s Murder on the Orient Express, Death on the Nile, now arriving October 23. Those of us excited for the next all-star Hercule Poirot adventure can be glad that at least means a home release sooner than later. In the meantime Amazon Prime has a brilliant BBC production of a classic mystery novel, previously adapted by Alfred Hitchcock, and adapted most recently in 2013, of The Lady Vanishes.
Review by C.J. Bunce
Like an episode of Monk or Murder She Wrote, the next film from writer/director Rian Johnson (Looper, Star Wars: The Last Jedi) is a straightforward mystery. Knives Out comes in on the heels of the similar looking Ready Or Not, and it’s a mash-up of sorts, aiming to have that ensemble cast variety of the last Thanksgiving movie release mystery, Murder on the Orient Express, while trying to bring back the nostalgia of the famous comedy whodunnit movie, Clue. It’s the 85th birthday of the family patriarch and the families of his three children arrive to celebrate. The next morning the patriarch is found dead. Arriving in theaters next week and marketed toward the Thanksgiving holiday crowd, Knives Out turns out to be a mixed bag.
The reason to check it out is as you’d expect: the cast. The cast choices would be a dream assemblage for any film. James Bond Daniel Craig facing off against Captain America Chris Evans? Legend Christopher Plummer delivering a performance as good as his last Oscar-winner? Jamie Lee Curtis, Michael Shannon, and Toni Collette playing against type? And top it off with Don Johnson, poised to have his own career second wind as a leading man. But the real star performance comes from Ana de Armas (Blade Runner 2049). de Armas, a ringer for a Tru Calling-era Eliza Dushku, plays a nurse to Christopher Plummer’s character. Incredibly charming and engaging, de Armas is also given the biggest opportunity to show the most emotional range in the film. A plus for Bond fans, this movie will serve as a preview of sorts for movie audiences of No Time to Die, as de Armas plays the next “Bond girl” opposite Daniel Craig’s master spy in theaters next spring.
Not a recommended movie for taking on a date, and ultimately a questionable choice for Thanksgiving, one of the conceits (which may take viewers outside the realm of reality) is a character who vomits with each lie. By the end of the film it becomes an in-your-face gross-out, making viewers watch one character… covered… for an entire scene. As a story element this “human lie detector” is also a writers’ crutch, a trick that skips over some story challenges viewers would normally be able to work through on their own.
When we created last year’s preview of 2017 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best. All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining. We went back and looked at it all and pulled together our picks for our borg.com annual Best Movies of 2017.
As always, we’re after the best genre content of 2017–with our top categories from the Best in Movies. There are thousands of other places that cover plain vanilla dramas and the rest, but here we’re looking for movies we want to watch. What do all of this year’s selections have in common? In addition to those elements that define each genre, each has a good story. Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.
Come back later this week for our TV and print media picks, and our annual borg.com Hall of Fame inductees. Wait no further, here are our picks for 2017:
Best Sci-Fi Fix, Best Sci-fi Movie, Best Costume Design – Valerian and the City of a Thousand Planets. The Valerian and Laureline comic books turned 50 and brought a big-screen adaptation to theaters. Director Luc Besson handled the material as a labor of love, and that could be marveled at in every scene, and each nook and cranny of the gigantic visual spectacle he created. More new wonders, more futuristic ideas that had never been seen on film before, bold otherworldly costumes, and incredible special effects made this film a masterpiece science fiction fans will stumble upon in the future and wonder how it was so overlooked by audiences this summer. Epic space battles, aliens, and loads of sci-fi technology, while all the other science fiction of the year kept to their familiar territories. A gripping story about a team just doing their job, but that job is saving an entire race of a doomed planet. Besson was going for something like Avatar, but he far surpassed it. Valerian and the City of a Thousand Planets was everything a sci-fi fan could want.
Best Fantasy Fix, Best Fantasy Movie, Best Comedy Movie – Thor: Ragnarok. As much as Thor: Ragnarok was a natural progression for Chris Hemsworth’s Thor and Mark Ruffalo’s Hulk, it was amazing how much the film busted genres, becoming more of a Flash Gordon space fantasy like the Guardians of the Galaxy movies than the rest of the Avengers series. Just like watching classic Flash Gordon and Conan movies, we saw superheroes on a legendary hero’s journey rise and encounter obstacles and make sacrifices, across a landscape of fabulous worlds and colorful characters, and scenes that looked like they were ripped out of your favorite Jack Kirby comic pages. Another film about family, it incorporated that always fun plot device of having good guy and bad guy join forces, as Tom Hiddleston’s Loki redeemed himself with his brother and their people, if only temporarily. We met one of the fiercest warriors in Tessa Thompson’s Valkyrie and they all faced off against a trio of well-developed villains. A great superhero story, too, this was the ultimate fantasy fix.
Best Superhero Fix, Best Superhero Movie, Best Easter Eggs – The LEGO Batman Movie. Even as a spoof of superhero movies and the DC Universe, The LEGO Batman Movie created a genuine story full of heart that any fan of comic books could love. Will Arnett became our second favorite Batman actor this year behind Michael Keaton, and his Batman reminded us why we can’t wait for the DC Universe to get fun and exciting again. Hilarious, laugh-out-loud funny with a smart script, full of derring-do and super-powered heroics, and better than this year’s and the last decade of live-action DC at the movies, the animated The LEGO Batman Movie proved more good DC movies are out there just waiting to be made. Honorable mention: Spider-man: Homecoming.
Best Retro Fix – Classic Genre Films Return to Theaters. With all the new releases in 2017 we were lucky enough to witness the 90th anniversary of Fritz Lang’s Metropolis, while Disney’s The Jungle Book, The Dirty Dozen, and the original Casino Royale turned 50. Along with Star Wars, Close Encounters of the Third Kind turned 40. E.T. the Extra-Terrestrial, Star Trek II: The Wrath of Khan, Blade Runner, Tron, and The Dark Crystal turned 35. Predator, The Princess Bride, and Robocop turned 30. Many of these made it back into theaters this year, giving us the best Retro Fix we could hope for all year long. But E.T. the Extra-Terrestrial, Star Trek II: The Wrath of Khan (we even interviewed the best Star Trek director of them all here this year), Close Encounters of the Third Kind, The Princess Bride, and Nausicaa of the Valley of the Wind, on the big screen over only a few weeks? We can only hope for more in 2018!
Check out the rest of the year’s Best Film and the rest of our picks for the year’s best movies, after the cut…
So long as you have a compelling story to tell, sometimes having all the right people on the big screen is enough of a reason to sit through a movie. But Agathie Christie’s Murder on the Orient Express is like watching a play by Shakespeare. You already know the story is excellent, and the challenge is how creatively the latest director will manipulate the strings and how deftly the actors will portray the characters.
The latest adaptation of Murder on the Orient Express has all the right components for a movie-lover’s two hours of bliss. How will Kenneth Branagh orchestrate his next opus? Like the magnificent Henry V or Much Ado About Nothing? We can hope. How will this room full of master thespians of the British and American schools play off each other? Aren’t you inkling to find out?
This latest trailer for the film (see the first here if you missed it) expands the reach of the first, giving us a good look at Johnny Depp, Michelle Pfeiffer, Daisy Ridley, and Branagh directing Branagh as Inspector Poirot. Other stars include Derek Jacobi, Judi Dench, Leslie Odom, Jr., Willem Dafoe, Penélope Cruz, Josh Gad, and Olivia Colman. And don’t forget, publicity for the film has indicated that the clues of the crime are everywhere, including in posters and the trailers for the film.
Here is the second trailer for Murder on the Orient Express:
Everyone is a suspect. The clues are everywhere. For mystery lovers, it’s a staple. It’s Agatha Christie’s most well-known 1934 novel come to life, Murder on the Orient Express, the fourth major production for film or television of the classic whodunit in the English language–the 1974 Academy Award winning Sidney Lumet film being the best known. For the older generation the story is known, but for a new generation the stage is set for a big screen version of Clue/Cluedo. As with the 1974 version, the cast of the 2017 version is extraordinary.
So how do you cast a film against the last generation of film greats? Leading a bevy of thespian knights and dames, Sir Kenneth Branagh both directs and stars as master detective Hercule Poirot, the world’s greatest detective, played previously by Albert Finney (who refused a knighthood in the year 2000). Sir Derek Jacobi plays the butler Edward Henry Masterman in a role played by Sir John Gielgud in the earlier version. Dame Judi Dench plays Princess Natalia Dragomiroff, formerly played by Dame Wendy Hiller. In an update for the new version, American actor Leslie Odom, Jr. (Supernatural, Gotham) takes on the role of Doctor (formerly Colonel) Arbuthnott, played previously by Sir Sean Connery. Star Wars: The Force Awakens star Daisy Ridley as governess Mary Debenham, formerly played by Dame Vanessa Redgrave.
The list of American actors includes a fascinating mix of genre favorites old and new. Academy Award nominee Johnny Depp takes on the role played before by Richard Widmark as the debonair businessman Edward Ratchett. Academy Award nominee Michelle Pfeiffer is widow Harriet Hubbard, a role played in the 1974 film by Lauren Bacall. Academy Award nominee Willem Dafoe is Professor Gerhard Hardman, played earlier by Colin Blakely. Academy Award winner Penélope Cruz plays a newly named character, Pilar Estravados, a missionary, in the part played before by Ingrid Bergman. Rounding out the cast is Josh Gad (Frozen) as Ratchett’s assistant Hector McQueen (played before by Anthony Perkins), and British TV regular Olivia Colman (Broadchurch, The Night Manager) plays the maid Hildegarde Schmidt (previously played by Rachel Roberts).
Take a look at this first trailer for the new Murder on the Orient Express: