I’ve been a fan of the DC Comics character Green Arrow and his partner in fighting crime Black Canary for four decades, but the Robin Hood-inspired superhero with bow and arrow has been around for twice that long. This month he gets the red carpet treatment in a tribute anthology issue, the Green Arrow 80th Anniversary 100-Page Super Spectacular. The anthology provides 12 stories reflecting creators known for their Green Arrow work like Mike Grell, Phil Hester, Ande Parks, and Jeff Lemire, plus stories by new writers and artists in the style of the character as published in the decades since 1941, when Oliver Queen first saw newsstands. Some things are missing, like no story featuring the artwork of Neal Adams, whose art was synonymous with Green Arrow and Green Lantern for so long (although he drew a variant cover for this issue) or Jim Aparo, Rick Hoberg, Scott McDaniel, Cliff Chiang, Jock, or Freddie Williams II from later points on the Green Arrow timeline. There are no stories by Judd Winick, Brad Meltzer, or Kevin Smith, and creators Mort Weisinger and George Papp are of course long gone, as is Denny O’Neil, who does get a tribute story. But there is plenty Green Arrow fun for fans to love–nice homages, especially to the Golden Age incarnation of Green Arrow and Speedy, and two stories that will take readers right back to their favorite eras of Green Arrow.
It’s crazy. Only a year ago audiences were getting ready for the arrival of the next James Bond film No Time to Die. Flash forward a year and here we are again, awaiting the same movie. Also a year ago I reviewed an intriguing new book by Mark Edlitz called The Many Lives of James Bond (reviewed here at borg). I instantly loved that Edlitz wasn’t the typical non-fiction franchise tie-in writer–he was a diehard fan and loved Bond as much as I did (actually more). And it came through in his interviews with some of the key people in front of and behind the lens, as well as those who dabbled in the James Bond creative space over the years. As luck would have it, Edlitz is back with more from his research. In his new book The Lost Adventures of James Bond, Edlitz recounts story treatments, screenplays, and more, adventures that didn’t make it to the screen or your bookshelf. More Roger Moore as Bond. More Timothy Dalton as Bond. More Pierce Brosnan as Bond. Who’s in?
Last night’s episode of CW′s Arrowbrings eight seasons of one of DC Comics’ oldest superheroes to a close as the CW aired the show’s series finale. Focused on Oliver Queen aka the Green Arrow–one of the costumed characters off to the sidelines over the years in the shadow of Superman, Batman, and Wonder Woman–the series would be a resounding success for the network and executive Greg Berlanti, sprouting several other DC Comics adaptations under the banner of the Arrowverse. And what a long, strange trip it has been. It’s been seven and a half years since I first watched the premiere of CW’s Arrow in Hall H at San Diego Comic-Con 2012 at the panel featuring the creators and stars Stephen Amell and Katie Cassidy (I reviewed the pilot first here at borg). My initial reaction found the show a “refreshing, intriguing update to the superhero game,” and “even for a fan of the traditional character’s story, updates made for TV were well thought out and did little to detract from the core of what makes Green Arrow the unique character that has survived as a key comic book character for 70 years,” and that the pilot “deftly managed to alter far less of the source material than, for example, the Green Lantern movie released in 2011, and in doing so created a truer, more refreshing story with appropriate nods to the past, and one that promises to survive, should it find its fan base.” Who knew that survival would mean greenlighting so many more superhero shows, including The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, and the forthcoming Superman & Lois?
The series accomplished a lot even if it didn’t get everything right. Arrow suffered when it veered too far from the DC Comics stories, or when it pursued too deeply the more arcane corners of the DC universe, the biggest side trip being the dominance of fan-favorite minor character Felicity Smoak in the series, ultimately knocking Dinah (or Laurel in this version) Lance aside to be Oliver’s romantic partner, which again took center stage in the finale episode.
This winter’s ambitious Crisis on Infinite Earth’s crossover event killed off Oliver Queen in the grand tradition of killing any superhero character (aka until his inevitable return, which we’ve seen in Kevin Smith, Phil Hester, and Ande Parks’ comics story arc). Although the finale itself, “Fadeout,” was much like an old 1980s “filler” episode (with many scenes spliced from past episodes) and like the final Crisis episodes it was about mourning Oliver and preparing for his funeral. But the penultimate episode, “Green Arrow and the Canaries” (which aired last week), would make for a good spin-off. That episode took Katie Cassidy’s Laurel Lance (the only actor we ever expected to be Black Canary in 2012), and teamed her up with Katherine McNamara’s Mia (Oliver and Felicity’s daughter trained by Oliver last year), along with Juliana Harkavy’s Dinah Drake, all in a future world of Earth in 2040 (introduced earlier in the series). How long will the CW Arrowverse continue without its flagship series? Only time will tell, but viewership already switched over to make The Flash the CW’s #1 watched show.
Detective Comics, the title DC Comics took its name from, first hit the shelves of newsstands just before March 1937, 26 months before Batman would first appear in the famous Issue #27 in May 1939. This Wednesday the monthly comic book’s landmark Issue #1000 is arriving, and it’s going to be packed with content from several writers and artists. It’s 96 pages in all, including the first appearance outside video games of Arkham Knight. And as you’d expect, DC Comics is releasing the issue with several covers (our count below is a whopping 84 or about a cover for each year Detective Comics has been in print!), including a standard cover, a set of decade-inspired covers, both a blank sketch cover and new black edition, retailer incentives featuring logos or no logos, and several limited, exclusive shop, convention, and creator store variants. More than a few are simply stunning, and this is the rare mass cover event where the final regular cover set (10) includes several works as interesting or better than the exclusives (the Frank Miller with the classic title art really takes us back to the 1980s). Check them all out below–all 100 images including art without logos–with links to where to buy them (exclusives that haven’t sold out in pre-sales).
Writers for stories in Detective Comics Issue #1000 include Brian Michael Bendis, Paul Dini, Warren Ellis, Geoff Johns, Tom King, Christopher Priest, Dennis O’Neil, Kevin Smith, Scott Snyder, Peter J. Tomasi, and James T Tynion IV. Interior artists include Neal Adams, Greg Capullo, Tony S. Daniel, Steve Epting, Joëlle Jones, Kelley Jones, Jim Lee, Doug Mahnke, Alex Maleev, Alvaro Martinez, and Dustin Nguyen.
DC Comics did a nice job of pulling out creators defining each decade, with Steve Rude (1930s), Bruce Timm (1940s Detective Comics #69 homage), Michael Cho (1950s), Jim Steranko (1960s), Bernie Wrightson (1970s), Frank Miller (1980s), Tim Sale (1990s), Jock (2000s), and Greg Capullo (2010s)–all appear to only be available with the trade “Detective Comics” logo (but we’ve included images of the original art below). DC Comics publisher Jim Lee is back again with the standard cover, a wraparound design. The rest reflect a crazy big stack of variants by everyone and anyone, most available with the Detective Comics logo (with “trade” logo) or without logo (“virgin”), some in black and white, some with sketch art, some with foil cardstock. The following are all the non-standard variant artists and where to get them (we heard an Andy Kubert cover may be out there, but could not confirm this): Neal Adams (three designs, NealAdams.com), Jay Anacleto (trade, virgin, and B&W) (Unknown Comic Books), Kaare Andrews (trade only, no virgin-only edition confirmed) (Third Eye), Artgerm (trade, virgin, retro) (Forbidden Planet), Lee Bermejo (virgin, trade) (Midtown), Brian Bolland (trade, virgin, B&W) (Forbidden Planet), Greg Capullo (gold foil version of his 2010s cover) (WonderCon variant), Clayton Crain (virgin, trade) (Scorpion Comics), Tony S. Daniel (trade, no virgin-only) (artist website, Comic Stop), Gabriele Dell’Otto (trade, silver virgin, and gold convention) (Bulletproof), Jason Fabok (trade, virgin, B&W) (Yesteryear Comics), Riccardo Federici (trade, virgin) (ComicXposure), Pat Gleason & Alejandro Sanchez (trade, virgin, B&W) (Newbury Comics), Adam Hughes (trade, virgin) (Frankie’s Comics), Jee-Hyung Lee (trade, virgin, B&W) (Frankie’s Comics), Dan Jurgens & Kevin Nowlan (sketch, line art, and color versions) (Dynamic Forces), Mike Lilly (trade-only, no virgin cover) (Comics Vault), Warren Louw (virgin, trade) (KRS Comics), and Doug Mahnke (trade, virgin) (Planet Comicon).
Plus there’s Francesco Mattina (trade, virgin) (Midtown), Mike Mayhew (trade, virgin) (The Comic Mint), Stewart McKenny (trade, we couldn’t locate anyone selling the virgin cover) (Comics Etc.), Dawn McTeigue (virgin, trade) (Comics Elite), Rodolfo Migliari (trade, retro trade, virgin) (BuyMeToys.com), Lucio Parrillo (trade, virgin) (Scorpion Comics), Alex Ross (two covers) (via his website), Natali Sanders (virgin, trade) (KRS Comics), Nicola Scott costume match design to her Superman image for Action Comics #1000 (trade, virgin) (Kings Comics), Bill Sienkiewicz (two designs, signed or not, one in trade, one virgin, via his website), Mico Suayan (trade, virgin) (Unknown Comic Books), Jim Lee & Scott Williams (midnight release vertical and convention silver foil, B&W, and four villain designs) (Torpedo Comics, Bedrock City Comics, Graham Crackers).
In the next inaugural TKO Studios series we’re reviewing here at borg, classic fantasy meets action-adventure in The Fearsome Doctor Fang. A modern update to early 20th century mystery stories like The Insidious Dr. Fu Manchu,The Fearsome Doctor Fang blends elements from Doctor Strange, The Shadow, Tomb Raider, Allan Quatermain, Indiana Jones, and H.G. Wells’ sci-fi and fantasy novels. No relation to the DC Comics Doctor Fang, readers meet this Doctor Fang in San Francisco–he’s a mysterious Chinese hero cloaked as a masked villain in pursuit of the location of the legendary treasure of Kublai Khan, all to save the world from a deadly menace.
Writers Tze Chun(Gotham, Once Upon a Time) and Mike Weiss(The Mentalist) create a story mixing stylistic influences from the likes of Alex Raymond and Alan Moore. The Dr Fu Manchu comparison is obvious–the writers even incorporate the unusual character name Nayland from Sax Rohmer’s Fu Manchu stories). Artist Dan McDaid(Firefly) provides the Amazing High Adventure look to the story, with layouts and close-ups reminiscent of Neal Adams, full of turn of the (20th) century exotic locations and historically costumed denizens bustling among the city streets. Doctor Fang is a Zorro-esque hero for the people of China–and the world.
Readers will find great surprise twists and several funny scenes. Think the 1999 big-screen version of The Mummy–the male and female leads darting between Doctor Fang and the book’s arch-villain have much in common with Brendan Fraser and Rachel Weisz in that film. Bright period color choices by Daniela Miwa (Shaft) and interesting lettering by Steve Wands(Batman) support a unique look for the new adventure series. Where the first two books from TKO Studios we reviewed feel more like standalone one-shots tales, this is a book you’ll no doubt want to see continued in subsequent series. (*Editor’s Note: Every time I type or say The Fearsome Doctor Fang, I hear the classic Dramatic Sound Effect).
The wedding of Batman and Catwoman is shaping up in the issues of DC Comics’s Batman bi-weekly series, with the date set at Issue #50, greeting comic book readers next month. Writer Tom King continues his ongoing Bat-tale with an abundance of interior and variant cover artists, including Mikel Janin, Joëlle Jones, Jim Lee, Frank Cho, Alex Ross, Mike Mayhew, Tim Sale, Neal Adams, Lee Bermejo, Joshua Middleton, Dawn McTeague, Frank Miller, Jock, Andy Kubert, Ant Lucia, Eric Basaldua, Natali Sanders, Greg Capullo, Joe Jusko, Olivier Coipel, Scott Williams, Warren Louw, Tyler Kirkham, Rafael Albuquerque, Tony S. Daniel, J. Scott Campbell, Jose Luis Garcia-Lopez, David Mack, Lee Weeks, Mark Brooks, Dave Johnson, Clay Mann, Greg Horn, Francesco Mattina, David Finch, Paul Pope, Joe Madeurera, Mitch Gerads, Alé Garza, Becky Cloonan, Jae Lee, Francesco Mattina, Ty Templeton, Joseph Michael Linsner, Nick Derington, Jason Fabok, Arthur Adams, Jim Balent, Lucio Parillo, Amanda Conner, and Michael Turner. The standard cover will feature the work of Mikel Janin. So how is this going to go down? Anyone else remember the wedding storyline for Green Arrow and Black Canary? It seems plenty of villains will be around if the variant covers are any indication.
We think we found nearly all the base images for the variant covers (below). Let us know if you see one when missed and we’ll update the images below. We did not include every logo or no-logo version, or black and white or similar variants.
A quick heads-up for Frank Cho fans. He is selling the above interlocking triptych variant cover series, and if you want these beauties, you’ll want to order them soon. The image features the main characters of the Batman Universe: Catwoman, Nightwing, Batman, Robin, and Batgirl. (Cho’s covers will be available at a discount off his release price with a code you can get by signing up for his newsletter here), and Joe Madureira has a similar offer for his covers here. Even more artists are posting pre-order options for their own variants almost daily.
Did we mention variant covers? If you haven’t been following Batman, the cover art of Batman and Catwoman over the past few months has been something fans of the characters dream of. With black and white and other versions available, expect at least 30 variant covers for Issue #50. Many of these options from contributing artists, like Frank Cho, will be found at exclusive sellers, including Kirkham (Hastings), Fabok (Yesteryear), Mattina (7-Ate-9), Jimenez (ZMX), Jae Lee (DF), Sanders (Comic Market Street), Jusko (Midtown), McTeigue (Yancy Street), and Adams (Legacy), and creator exclusive variants only at San Diego Comic-Con or webstores include Alex Ross, Mark Brooks, Greg Horn, Joe Madureira, J. Scott Campbell. With the release of Batman Issue #50 on July 4 comes Catwoman, Issue #1. In a rarity for comics, take a look (above, right) at what Catwoman is holding in this cover by Joëlle Jones… Janin’s cover to Batman 50.
And even more have been announced, like three Alex Ross exclusives, available for pre-order for San Diego Comic-Con at his website here. Greg Horn has three covers available only at his website here. Mark Brooks has eight variants available here. J. Scott Campbell has five variants available here. Jock has three covers here. Aspen has pulled some art from the late Michael Turner for variants, too. See even more below.
Here are many of the 50+ cover images and some variations on those variants for Issue #50 previewed so far:
Eighty years ago Superman first hit neighborhood newsstands in Issue #1 of Action Comics–an issue that if you kept your copy could pay off your house, car, and retirement. The cover was dated June 1938, but it was in kids’ hands first on April 18, 1938. DC Comics is celebrating Superman’s big anniversary this week with a celebratory issue of Action Comics numbered 1000, created by some of DC’s top writers and artists, an anthology of stories just as you’d find in Action Comics’ first 500 issues. The 1,000 issues is spot-on with the number of Action Comics issues released, but those counting the months since 1938 will come up short: Action Comics shifted from a monthly to a bi-weekly once upon a time, and you won’t find numbered issues #905-956, which were replaced by 52 issues of the New 52 reboot numbering 1-52. For American comic book fans, there’s something special about holding this issue in your hands. It’s no small feat seeing such a truly undisputed iconic character get to this point.
The 80-page giant issue is one not to pass up. For current fans, it’s a ramp-up to Brian Michael Bendis’s writing run beginning with the complete issue #1001. For everyone else, it’s a nostalgic trip via variant covers and dozens of classic and modern creators offering up stories about the Man of Steel. The writers? Dan Jurgens, Peter Tomasi, Marv Wolfman, Paul Levitz, Geoff Johns, Richard Donner, Scott Snyder, Tom King, Louise Simonson, Paul Dini, Brad Meltzer, and Brian Michael Bendis. The artists? Dan Jurgens, Pat Gleason, Curt Swan, Neal Adams, Olivier Coipel, Rafael Albuquerque, Clay Mann, Jerry Ordway, Jose Luis Garcia-Lopez, John Cassaday, Jim Lee, Norm Rapmund, Butch Guice, Kurt Schaffenberger, Kevin Nowlan, Scott Williams, Hi-Fi Color, Alejandro Sanchez, Dave McCaig, Jordie Bellaire, Trish Mulvihill, Laura Martin, and Alex Sinclair. Cover artists include Steve Rude, Michael Cho, Dave Gibbons, Michael Allred, Jim Steranko, Joshua Middleton, Dan Jurgens, Kevin Nowlan, Lee Bermejo, Dave Dorman, George Perez, Neal Adams, Jim Lee (providing the main cover and two variants), Curt Swan, Felipe Massafera, Nicola Scott, Jock, Oliver Coipel, Jason Fabok, Kaare Andrews, Gabrielle Dell’Otto, Artgerm, Tyler Kirkham, Pat Gleason, Francesco Mattina, Ken Haeser, Doug Mahnke, and Tony S. Daniel. Check out images of all the variant covers below. Our favorite? Danielle Dell’Otto’s take on Christopher Reeve at the Fortress of Solitude, and Pat Gleason’s cover, which includes Krypto.
Some comic book stores are holding events to celebrate the Man of Steel’s big day. This Saturday if you’re in the Kansas City area head on over to Elite Comics, where you can pick up copies of Issue #1000 plus a limited exclusive Superman print (shown above) by artist Bryan Fyffe, a nationally-recognized artist whose licensed works include projects for Disney and Star Wars. Or check out your own neighborhood store.
If you only could choose one book to represent the potential–maybe even the highest form–of the comic book medium, a new book hitting the stands today may be on your short list. IDW Publishing is releasing a stunning anthology of the history of the Holocaust as seen in comic books of the past, presented with an introduction and afterword by Stan Lee, the creator who broke more stereotypes in his stories than anyone in comic books’ first century. In We Spoke Out: Comic Books and the Holocaust, artist Neal Adams, who changed the way comic book stories were told in the early 1970s with his Green Lantern/Green Arrow and Batman series, Holocaust scholar Rafael Medoff, and comics historian Craig Yoe have compiled what is arguably the most noble use of comic books–educating kids in the 1950s, 1960s, and 1970s on a subject of history virtually ignored in mainstream circles. Along with Congressman John Lewis’s March series about the civil rights movement, We Spoke Out: Comic Books and the Holocaust should be in every library and taught in every history class.
My high school history teacher was astonished to learn none of us knew the details of Watergate–we were only infants at the time–and I recall the realization he saw of what he and his peers were not teaching. This weekend my eighteen-year-old nephew mentioned watching the footage of 9-11 in school this year for the first time. In the 1980s only the last paragraph of the last chapter of our World History textbooks discussed the Holocaust, yet we at least spent a week talking about the subject. But not until the 1990s was the Holocaust taught in most of American school systems. Even today only 35 states require education in the subject in school curriculums. Certainly the most important lessons in history can be taught with its study, and in that light We Spoke Out should serve as a wake-up call to everyone, citizens, educators, and leaders. Oddly enough, for generations of American kids, the only place they learned about the murder of six million Jews, the stories of concentration camps, of the atrocities committed by Hitler and his Nazis, was in the comics pages.
The stories in the anthology present the atrocities of World War II without the overdone blood and gore of many 1950s “horror” comics. In an April 1955 story from Impact Issue #1 we meet a Jewish man post-War still haunted by his memories in what would now be called PTSD. In the pages of December 1951’s Frontline Combat, Issue #3 story the then-lauded Nazi general Rommel is dressed down, revealing the villainous truths of his leadership in the face of contemporary efforts to re-invent Rommel as a military hero. Based on the real-life Nazi Ilse Koch, in a story from Beware! Terror Tales, Issue #4, we are reminded of the vilest of humans who made household goods from the tattooed skin of captured Jews–a real-life horror some may think is only the stuff of fiction from Silence of the Lambs. Among these stories ripped from real life, Adams, Medoff, and Yoe fill in the blanks of time with historical context, including details of what the stories leave out.
This weekend Planet Comicon Kansas City is featuring a pantheon of nationally recognized comic book writers and artists at its sixth year in downtown Kansas City, Missouri. The show begins tomorrow at Bartle Hall, and continues through Sunday. Bring your stacks of comics for autographs from your favorite creators, including Frank Cho, Jill Thompson, Dave Dorman, Mark Brooks, Brian Azzarello, Jae Lee, Dan Jurgens, Chris Stevens, Peter Stiegerwald, Amy Chu, Ashley Witter, Greg Capullo, Stephane Roux, Christopher Priest, and Scott Snyder.
Back again are PCKC regulars Freddie Williams, Tony Moore, Jason Aaron, Phil Hester, Jai Nitz, Ande Parks, Ant Lucia, Skottie Young, Megan Levens, Neal Adams, Greg Horn, Seth Peck, Rob Davis, Darryl Woods, Jason Arnett, Bryan Fyffe, Bryan Timmins, C.W. Cooke, Damont Jordan, and Darren Neely.
Make sure you visit the Elite Comics flight crew at the “Party on the Pillar” and pick up some great deals on what the Con is all about–comics–including Elite Comics and Planet Comicon exclusive cover variants of special issues available only at the show.
This year marks the 75th anniversary of Mighty Mouse, who first appeared in short animated films from Terrytoons for 20th Century Fox throughout the 1940s, including one that was nominated for an Academy Award. So what better time to bring back the powerful mouse who can protect Pearl Pureheart from Oil Can Harry, and maybe even save us all? Dynamite Comics is answering the call with a new monthly series beginning today with an initial story arc that deals with bullying.
Mighty Mouse was created by Ralph Bakshi (known also for Fritz the Cat, the animated The Lord of the Rings, and the Kim Basinger flick Cool World) and Paul Terry, whose cartoons with sound beat Walt Disney’s Steamboat Willie to cinemas in 1928 (one of the first animators to use cel animation). Mighty Mouse would appear as part of the Saturday morning cartoon line-up in various versions in each of the 1950s, 1960s, 1970s, and 1980s. A rather odd update, the 1980s version would feature a crossover episode with Bakshi’s Mighty Heroes characters, a group of middle-aged lawyers that included a superhero called Diaper Man, and comedian Andy Kaufman would make famous for another generation the Mighty Mouse theme song in a skit for Saturday Night Live in the 1970s. Marvel Comics produced a 10-issue comic book series in 1990-1991.
Today, writer Sholly Fisch and artist Igor Lima are bringing the classic mouse to the 21st century. It’s a book for kids of all ages–the kind of comic book to introduce young kids to the medium. A boy is getting bullied in school, and he’s a young artist and fan of the classic Mighty Mouse cartoons. As he is watching television, a portal across dimensions interferes with his show, and with the characters within the television. The third wall is breached as a boy meets his hero.
