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Tag Archive: Patriot Games


Review by C.J. Bunce

The Foreigner features the return to the big screen of two maturing lead actors: 63-year-old, international martial arts action star Jackie Chan in his first major English film role since 2010’s remake of The Karate Kid, and 64-year-old, international action star Pierce Brosnan, who, despite several smaller roles hasn’t headlined a major hit since his last stint as James Bond in 2002’s Die Another Day.  But The Foreigner is more–it’s a triumph–for the actors and for the action genre, providing a showcase of acting talent supported by a solid story that doesn’t miss a step from beginning to end.  What looks like it could be another entry in the nature of Transporter or Taken, it’s actually a great follow-up to Patriot Games or Clear and Present Danger.  If you can get past a title that doesn’t quite fit, you’ll find a fully loaded, political thriller like the novels of Tom Clancy in his heyday–timely, riveting, and satisfying on every front.

Both stars have an entire portfolio of performances they tap into, that they use to foster believability in their characters.  Jackie Chan has already shown audiences he has the physicality to portray an ex-special forces soldier with brains and savvy, part MacGyver and part Rambo, although it typically accompanies his trademark smile and a film full of laughs.  With his grueling physical feats in film after film, he must be the hardest working actor anywhere.  But only now do we see Chan convey a full spectrum of emotions as he portrays Mr. Quan, a happy, proud father who is devastated and left to seek out the people behind his daughter’s murder.  He’s immensely believable and gives audiences one of the best revenge stories in decades.  Think of the days of Chuck Norris fighting back in a decade of “payback” roles–but with Chan there’s an added level of authenticity.  Then there’s Pierce Brosnan, who has that charisma that early on forecasted his destiny to play James Bond.  Brosnan has now stepped into the rarity of being an ex-Bond actor but with similar class and style as exhibited by Sean Connery, who successfully forged a second acting phase of his career in films like The Hunt for Red October and Indiana Jones and the Last Crusade.  At last Brosnan gets to show off that he, too, has an intense, commanding presence, a force to be reckoned with as a mature actor with gravitas, while maintaining his refined appeal and charm.  He also delivers some of the best lines of his career in a convincing, rapid-fire Irish accent as political leader Liam Hennessy.  Chan plays a good man pushed too far who must carve out his own brand of vigilante justice, and Brosnan a very real modern villain, but a layered villain who tries to follow a code within a dangerous cat-and-mouse game.  By film’s end audiences are left eager to find out what these two performers have for us next.

What appeared to be a standard dramatic trailer for The Foreigner served the film well, holding back why the story is so intriguing.  Unlike most trailers these days that give away too much, the trailer for the film provided only a hint at what the story entails, a mainstream drama about domestic terrorism in England and a search by one man to learn the truth when his daughter is killed in an explosion.  London has had more than its share of terrorist incidents and the jarring visuals in the film mirror real-life horrors in England, although the twist is that the villainy is from within, as some faction of the Irish Republican Army is returning out of the past, and ex-IRA leadership and the government in England must play a delicate game of practical politics to learn who exactly is responsible.  Few recent films have shown a balance of timely real-world atrocities while crafting such an intriguing fictional story.  Although not something on the front pages in the U.S., the real-life faction of the IRA began a return to hostilities in 2011, so the story is a bit “ripped from the headlines” and for a U.S. audience a surprising return of those early 1990s themes from Patriot Games.

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cover_template_text    STII vinyl

The great composer James Horner died last year in a plane crash, leaving behind a legacy of some of the biggest and most memorable soundtracks that defined nearly 40 years of film history.  One of the most memorable for sci-fi fans is his score to Star Trek II: The Wrath of Khan.  To celebrate Star Trek’s 50th anniversary, Mondo–the guys known for their redux poster interpretations–are releasing an extended LP edition of Wrath of Khan with music never before available on vinyl.  And the release includes Mondo’s killer level of artwork interpreting Khan and Kirk on Ceti Alpha V and the Genesis Planet.

But Mondo didn’t stop there.  The vinyl albums reflect the look and colors of the Mutara Nebula, where the Enterprise and the Reliant faced off.

10WoK-Discs2--FINAL2_1024x1024    STII LP reverse

Horner’s work on Wrath of Khan is impressive and established Horner as a major film composer.  His score adapts themes from Prokofiev’s Alexander Nevsky and Romeo and Juliet, and Horner would work cues from classical masters in many of his film scores over the course of his career.  Order your copy of Horner’s Star Trek II: The Wrath of Khan 2-LP set today here at the Mondo shop.

Never heard of James Horner?  You certainly have heard his work.  His last score will be featured in the remake of The Magnificent Seven due in theaters September 23, 2016, but the variety of films he wrote for is unprecedented.  He wrote themes that made many an actor look good–many in multiple films, including Arnold Schwarzenegger, Sigourney Weaver, Mel Gibson, Harrison Ford, Matthew Broderick, Russell Crowe, Jennifer Connelly, Ed Harris, Denzel Washington, Julia Roberts, and Brad Pitt, and collaborated on movies with the likes of big filmmakers, including Ron Howard, Steven Spielberg, James Cameron, Ridley Scott, Phil Alden Robinson, Wolfgang Petersen, Jean-Jacques Annaud, Michael Apted, Joe Johnston, and Edward Zwick.

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