You are Star-Lord in the new Eidos-Montreal video game based on the infamous Marvel Comics band of misfits, the Guardians of the Galaxy. The third person, action-adventure has players calling the shots as the team tries to save the universe again, but not before you cause a chain of events to make it all unravel. Guardians of the Galaxy–the game–is space fantasy action with comedy notes, available now at Amazon for PS4, PS5, XBox, and more. There’s even a purple llama. And if you like the game, or you want to know what it’s like to be a voice actor for video games, don’t miss the behind-the-scenes guidebook,Guardians of the Galaxy: The Art of the Game, just out from Titan Books.
I think they are just terribly comfortable. I think everyone will be wearing them in the future.
Since–like everyone else–actors are unable to do their jobs until the risk of the COVID-19 pandemic has passed, many have offered up some of their time over the past 120 to 150 days to provide fans with extra interviews, table reads (like the Community table read we discussed here at borg), and comic-cons at home, creating some content for the fan base we wouldn’t have otherwise had access to without this strange new normal of sheltering at home, social distancing, and masks. If you don’t subscribe to or know what Quibi is, you may have missed the latest–an ensemble of actors from popular to more obscure re-enacting scenes from Rob Reiner’s fan-favorite fantasy, comedy, and romance, The Princess Bride.
The style is all intentionally low budget–think of the kind of backyard films you might have made as a kid, and in fact, the film is called Home Movie: The Princess Bride. But it’s great fun, all filmed with quarantine safety rules in place (those filming together were already living together), and the kind of thing any classic film fan base would be overjoyed to see created. The best part is learning who had actual historical costumes in their closet to work with (Mad Men man Jon Hamm had a Renaissance shirt in his closet, as did comedic actors Neil Patrick Harris and David Spade, and Rogue One’s Diego Luna), those who didn’t, and who might be better actors than you’ve given them credit for.
Just as iZombie has aired its first episodes of its final season, showrunner Rob Thomas is readying Season 4 of the series that made him famous, Veronica Mars. Eight new episodes of Veronica Mars are coming to streaming service Hulu this summer. The new series finds the snarky private investigator five years after the events of the 2014 crowdfunded movie with more detective stories of So-Cal noir. Original actors returning include Kristen Bell (Veronica), Enrico Colantoni (Keith), Jason Dohring (Logan), Percy Daggs III (Wallace), Francis Capra (Weevil), Max Greenfield (Leo), Ryan Hansen (Dick), Ken Marino (Vinnie), Daran Norris (Cliff), and Adam Rose (Max).
Rob Thomas is back as script writer, so expect the same quirky dialogue and pop culture references he’s written for iZombie and the first three seasons of Veronica Mars. Don’t forget, Thomas’s two Veronica tie-in mystery novels are part of Veronica Mars canon. If you missed them, catch our reviews of The Thousand Dollar Tan Line here, and Mr. Kiss and Tellhere. Based on Thomas’s use of actors from Veronica Mars in his five seasons of iZombie, we wouldn’t be surprised to see some cameos from a few members of his iZombie cast to make an appearance.
Sorry, Thomas has not yet announced a few key actors from Veronica’s past for the next eight episodes, including best pal Tina Majorino (Mac), or boyfriends Chris Lowell as Piz, or Teddy Dunn as Duncan, or a lost twin sister of murdered friend Lily (Amanda Seyfried).
Hulu has released a trailer for the series. Check it out:
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
One of the more overlooked animated movies of 2016 was Illumination Entertainment’s cute talking animal movie, The Secret Life of Pets. This week Illumination released the first teaser poster and the first look at its sequel, The Secret Life of Pets 2. Take a look at the trailer below. Voice actor comedians Kevin Hart, Bobby Moynihan, Dana Carvey, and the great Albert Brooks are back. Also returning are voice actors Jenny Slate, Lake Bell, and Eric Stonestreet.
Comedic actor Patton Oswalt is stepping in to replace Louis CK in the lead role as the voice of Max the terrier. The first trailer looks like great family fun, all at the expense of your dog, cat, or guinea pig. If you’ve had a dog who had any kind of surgery or rash, then you’ll recognize Max in the poster sporting the Cone of Shame. The first trailer features Max on his first visit to the veterinarian. Keep an eye out at the movie’s website here for more character teasers arriving from Universal Pictures.
Check out this new trailer for The Secret Life of Pets 2:
The Circle is no doubt another in a long line of topical dramas starring the great Tom Hanks. Everyone loves Tom Hanks, the actor, yet his roles have become predictable. If you’re making a movie and you want to bring instant sympathy, respectability, or authority–especially if the source material doesn’t have much of its own character development–Hanks is your guy. He reportedly brings in $10 million to $20 million per film, and double or triple that if he negotiates profit sharing deals, which may explain why he’s not in many special effects-heavy films. Where his performance is always reliable, it’s the films themselves–the stories and settings–that have often let us down once we crossed into the 21st century. What will be his next Philadelphia or Forrest Gump? His next Splash or Big? These days he’s the go-to guy for biopics (Charlie Wilson’s War, Captain Phillips, Saving Mr. Banks, Sully), historical teleplays and documentaries (Band of Brothers, The Pacific), and novel adaptations, especially the never-ending Robert Langdon series (The DaVinci Code, etc.). The Circle fits in as a novel adaptation, this time an adaptation of a novel about the horrors of our modern technological age written by Dave Eggers and directed and co-scripted by James Ponsoldt.
But Hanks isn’t the real draw for this film, it’s the mega-sized co-lead actors who all hail from the biggest genre franchises that really make this a movie we might want to check out in the theater this April and not wait for the home release. The star is Emma Watson, Hermione of the Harry Potter franchise whose other big 2017 film–Beauty and the Beast–with Watson in the lead role as Belle, will be released only six weeks prior to The Circle. Star Wars: The Force Awakens and this year’s Star Wars: The Last Jedi star John Boyega (ex-Stormtrooper Finn) has next billing. Oddly enough someone just as popular in the U.S., the U.K., and Asia should have next billing in the trailers, yet she’s seen but not listed in the title credits. That’s the popular Doctor Who companion Amy Pond and the Marvel Cinematic Universe’s Nebula from Guardians of the Galaxy, Karen Gillan. That’s some pretty popular acting names and pop culture street cred for a flick outside the sci-fi and fantasy realm. But that’s not all. The Circle also features beloved comedian and nerd crusader Patton Oswalt, fan fave Bill Paxton (Aliens, Apollo 13, Edge of Tomorrow, Training Day), and familiar face Glenne Headly (Dirty Rotten Scoundrels, Monk).
The plot follows a new worker (Watson) at a trendy tech company (think Google), where this fictional company and its outlandish benefits encompass and suffocate the workers’ private lives. Here’s a new trailer for The Circle, followed by an earlier version of the trailer:
Even more so than the annual Academy Awards for achievements in film, the Primetime Emmy Awards seem to either award the same thing every year or never get around to awarding series, actors, and creative voices that really push the bounds of the ordinary. Is that a generalization ripe for argument? Of course. But when you watch as much television as we do here at borg.com, at some point years ago we just turned off the TV award shows and never looked back.
So what changed this year? Tatiana Maslany won best actress in a drama for Orphan Black. Rami Malek won best actor in a drama for Mr. Robot. Louie Anderson won best supporting actor for Baskets. And the special Sherlock–The Abominable Bride won for best TV movie. So what poles shifted? What constellations re-aligned? What does that mean if our own best picks align with Emmy voters? Are we finally “in-touch”?
Take Tatiana Maslany, a top borg.com pick three years in a row for best actress in television (or any other medium). Not to slight her wonderful supporting cast, but she’s practically a one-woman show, playing a half a dozen characters each season–and seven this year in her fourth season playing clone sestra–meaning every scene is critical and must reflect Maslany’s work–and viewer believability–as a completely different person. She never gets the luxury of “phoning in” a performance. The result is top-notch television, and the best acting and toughest role we’ve ever seen, executed with mastery. Go Clone Club!
The best part of Weird Al Yankovic’s release of his latest album isn’t because he released eight songs along with music videos for free on YouTube. It’s that the best of his new album Mandatory Fun provides some lyrics that are as good as his early hits. Maybe there’s no “Eat it” or “Yoda” or “I Lost on Jeopardy” or the “American Pie” parody “The Saga Begins.” But there is plenty to like in the “Amish Paradise,” “Another One Rides the Bus,” and “Dare to Be Stupid” vein. And Mandatory Fun is Weird Al’s first number one album in 32 years–his first number one album in the U.S. ever. With all his classics, how is that possible?
When all things retro and nostalgia have reigned across current pop culture like never before, it’s no wonder everyone is clamoring for the simple fun Weird Al brings to the table. His album includes 12 new songs, and eight of the them are on YouTube with great new music videos, just like in the heyday of MTV–that old cable network that used to air music videos to accompany the latest hits. Yes, that MTV. After the break check out eight of the new songs below. To hear the other four, like a parody of Imagine Dragons’s song “Radioactive” called “Inactive,” you’ll just have to pick up the album. It’s available here at Amazon.com, where you can get a digital download of the album with each hard copy purchase.
The album’s big hit so far is “Word Crimes”–Weird Al’s fourth Top 40 song in four separate decades, parodying the song “Blurred Lines” by Robin Thicke:
Well it’s been one long year, with plenty to do and see, plenty of good and not-so-good to read and watch, and we’re certain we read more and reviewed more content this year than ever before. And that in no less way was true for TV watching. At the same time we waded through all that Hollywood had to offer and honed in on the genre films we thought were worth examining. We went back and looked at it all and pulled together our 25 picks for our annual Best of the Best list. Today we reveal the best content focusing on the moving image, and tomorrow we’ll run through our picks for the best in print and other media. We hope you agree with many of these great creations of the entertainment industries, and wish everyone a great 2014!
Year’s Best Fantasy Fix — The Wizard of Oz in Theaters. It’s a film that has been viewed on TV so many times you might take it for granted. It’s historically been on many movie reviewers’ Top 20 movies of all time. But when you watch The Wizard of Oz on the big screen in the middle of a year of modern blockbusters you realize how it can stand up against anything Hollywood has to offer today, even after 70 years. Remastering the print for a new generation to see it in theaters was a highlight for movie watchers this year.
Year’s Best Sci-Fi Fix — Almost Human, Fox. Like Continuum last year, the new series Almost Human created a future world that is believable and full of extraordinary technologies based in today’s science and touching on social issues of any day. And even putting aside its buddy cop and police procedural brilliance, every episode plunged us into future police grappling with incredible technologies–DNA bombs criminals use to contaminate a crime scene, identity masking technology to avoid facial recognition video monitors–it was the best dose of sci-fi in 2013.
Best TV Series — Orphan Black, BBC America. What rose above everything on TV or film this year was BBC America’s new series, the almost indescribable Orphan Black. From its initial trailers that piqued our interest, to the surprise series consisting of one actress playing multiple roles that dazzled from out of nowhere, magical special effects, and a unique story of clones and X-Files-inspired intrigue propelled Orphan Black to be our clear winner for Best TV Series of 2013.
When USA Network announced last year that its hit spy series Burn Notice would see its last season this year, it really seemed like the right decision. The ramifications of Jeffrey Donovan’s Michael Westen getting a burn notice, blacklisting him and leaving him with nothing: no cash, no credit, no job history, stuck in Miami doing whatever came his way for six years with his trigger happy girlfriend/ex-girlfriend/girlfriend again (Gabrielle Anwar), his old friend that used to inform on him to the FBI (Bruce Campbell), his mom (Sharon Gless) and another spy who he burnt along the way (Coby Bell)–it all seemed like there was not much left for the series to show us that hadn’t been done.
But as happens with writers and creators of many TV series who know they are working on their swan song, it’s like someone gave them some java juice, and they delivered the best of their past three seasons.
Much credit goes to some superb casting this year. Heroes’ Jack Coleman, featured throughout the year as Michael’s CIA handler Andrew Strong, was the best featured character to come along since Coby Bell signed on as Jesse Porter in Season 4. Coleman was believable and likeable, in contrast with the misery the series put us through with Jere Burns’ black hat villain Anson Fullerton last season. Veronica Mars and CW’s Cult lead actress Alona Tal was also a welcome and interesting addition this year as Russian spy Sonya.
Thursday night’s series finale even featured a small role for genre favorite Alan Ruck as a scientist working for this season’s villain James Kendrick, played by John Pyper-Ferguson. If there was one storyline this season that almost turned us off it was leaving viewers to figure out what were the motivations of Kendrick, although Pyper-Ferguson managed to give us the best layered villain of the past several seasons. Was Kendrick ultimately “doing good” or was he a villain? Would Michael be justified in a continued support of Kendrick’s causes, or would the other villains–the CIA–win out in the end? Who would Michael eventually side with? With the penultimate episode and the finale last night, all of the questions posed over the past year, and even over the entire series, were laid to rest.
at Amazon.com, where you can get a digital download of the album with each hard copy purchase.
