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Tag Archive: Planet of the Apes


 

Since the announcement of the retro-style Kenner action figures in 2013 from Funko and Super7 (now exclusively produced by Super7), we’ve been excited to see the next license to find its way into the 3.75-inch, five points of articulation format (we’ve discussed hundreds of the licensed figures in the ReAction line here at borg over the years).  At each New York Toy Fair, Super7 has amassed everything from Alien to CW’s Arrow, and this coming weekend’s New York Toy Fair 2019 will be no different.  The biggest moneymaker for Super7 will no doubt be a series of twelve Major League Baseball action figures, including the great #42 Jackie Robinson, plus three mascot figures, all expected to be released this year during the All-Star Game to commemorate the centennial of Robinson’s birth.

But there’s more in store for movie fans.  As previewed here last year and first seen at New York Toy Fair 2017 via prototype sculpts, final versions of Wave Two of the Planet of the Apes action figure line will be on display (and see below to pre-order now each from Entertainment Earth, which just opened pre-orders for the series).  You’ll need to decide for yourself which is the coolest of the bunch: Cornelius in the ancient American spacesuit as seen in the opening to Escape from the Planet of the Apes, or the 5.5-inch Lawgiver statue from Beneath the Planet of the ApesOther figures include General Aldo from Battle for the Planet of the Apes, the creepy Mendez XXVI from Beneath the Planet of the Apes, and two Gorilla Soldiers, a Patrolman and Hunter to build your armies from Planet of the Apes.  The carded figures feature original card art by Ed Repka, the Lawgiver comes in retro-style packaging and all of the figures come with accessories.

Attendees of New York Toy Fair at the Super7 booth will also find early looks at a new line of figures from Rocky IV.    The series includes Rocky and Ivan Drago (both in ring attire), Rocky and Ivan Drago (in final round outfits), Rocky (winter training), and the figure you didn’t know you wanted: Sico the Robot.

Here are images of other figures in the new wave of Planet of the Apes:

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Review by C.J. Bunce

The writer behind the graphic novel Conspiracy of the Planet of the Apes has returned with a new novel of connecting stories, sporting another great Planet of the Apes title, Death of the Planet of the Apes (believe it or not, this title had not yet been used in the franchise).  Andrew E. C. “Drew” Gaska dug into the original movie series and provides all the connective material that fans of the film series didn’t see on the big screen.  What happened to Charlton Heston’s astronaut George Taylor when he left for the Forbidden Zone in Beneath the Planet of the Apes?  What is his backstory before he lands with his crew and first confronts a strange, simian-ruled planet?  But Death of the Planet of the Apes does more than follow Taylor around.

The best new features in the POTA-verse include Gaska showing us how our favorite chimps Zira, Cornelius, and Dr. Milo make the ANSA spacecraft work again, connecting the dots between their run-in with astronaut Brent in Beneath of the Planet of the Apes and their arrival at Earth of the past at the beginning of the most fun film of the series, Escape from the Planet of the Apes.  Gaska provides some great prequel material, intertwining the ANSA space agency with the real-world NASA (something he began in his Conspiracy of the Planet of the Apes).  Taylor becomes a Chuck Yeager-esque flight pioneer in one of the subplots, a man with determination, insight, and the stoic outlook of a Scott Kelly.  We follow more of Ursus, Zaius, and Nova, and meet a new gorilla and a new part human/part ape hybrid living far beyond the realm of the apes that appeared on film (a callback to an unused production concept from the films of the 1970s).

Official ANSA crew photograph.

With so many stories focused on Cornelius and Zira’s son Caesar, in Conquest of the Planet of the Apes, Battle for the Planet of the Apes, and the latest reboot trilogy of films, it’s refreshing that Death of the Planet of the Apes returns to these core characters.  Gaska moves back and forth in time in his storytelling, weaving all the segments from the different eras into a grand-scale adventure.  More so than the original, readers will revisit concepts of science fiction’s past: the Philip K. Dick-inspired telekinesis concept from Beneath the Planet of the Apes is fleshed out, the Forbidden Zone travels and robots conjure images of Logan’s Run, and Planet of the Apes as a retelling of H.G. Wells’ The Time Machine becomes even more clear.
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Review by C.J. Bunce

For the fifth time, writer, editor, and researcher J.W. Rinzler has gone behind the scenes of pop culture’s biggest films for an in-depth look at the creative process.  Following his “Making of” books for Star Wars, The Empire Strikes Back, Return of the Jedi, and the Indiana Jones films, Rinzler has tackled one of the most iconic of all science fiction franchises in The Making of Planet of the Apes, released this month from Harper Design books.  At last fans of the 1968 film Planet of the Apes, which celebrates its 50th anniversary this year, have a definitive, exhaustive look at the film from interviews with the cast, creators, and everyone else involved with the movie from its source in a Pierre Boulle novel to film idea to Rod Serling draft script to casting Paul Newman and Edward G. Robinson in lead roles, then switching to Charlton Heston, Kim Hunter, and Roddy McDowall.  Readers will get an immersive, inside account of studio politics and deal making leading to the ultimate production of the film, and from marketing the film to its enduring legacy.  We’ve included a 16-page preview of the book below, courtesy of the publisher.

Planet of the Apes is best known for its surprise ending and the groundbreaking makeup work by John Chambers.  Both topics are thoroughly covered in Rinzler’s account.  Through initial sketches, concept designs, storyboards, and rare photographs, readers will see the building of the climactic finale from the ground up, as executives, producers, and cast struggled to determine what would be the final scenes of the film.  Heston’s character Taylor did not survive in many of the draft screenplays (and he wasn’t called Taylor).  And Rinzler reaches back to film archives to trace the steps that led to John Chambers’ final designs for the chimps, the orangutans, and the gorillas–and why baboons were ruled out.  Beginning with techniques used to create the animated facial characteristics for the Cowardly Lion in MGM’s 1939 epic fantasy film The Wizard of Oz, Chambers expanded his own methods and created several iterations of the prosthetic masks and makeups before arriving at the designs we saw on film.

The Making of Planet of the Apes includes a spectacular two-page, detailed image of the specifications for the “ANSA” spacecraft that the three astronauts crash at the beginning of the film.  Perhaps the most eye-opening information about the film came from the late Charlton Heston’s personal archives.  He made detailed diary entries that reflect events during the filming process including scenes, discussions, concepts and people that he approved of and those he didn’t.  His entries, contemporary and recent interviews, and information from Fox and Warner Brothers’ studio archives, and records at the Academy of Motion Picture Arts and Sciences fill-in the blanks, building a meticulously complete account of the production.

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Steeped in Polynesian lore but reborn as a derivative American pop-design style going back to the 1930s, “tiki culture,” which in some ways goes back to the peoples of Easter Island, was reinterpreted into a form of Americana, and had its own resurgence after GIs brought back bits of Polynesian culture to the States after World War II.  It sprang back again in the 1970s (Gilligan’s Island had its own take on it), and had another revival in the 1990s, but in the past year it seems to be back again, with a huge following.  Tiki is really in its stride with a wide scope of tiki mugs on the market–those mugs that take on the image of a familiar “patron,” the mug is usually made of ceramics and is still a featured souvenir of tiki bars from coast to coast.

Perhaps the craziest display of the 21st century’s look at tiki culture could be found at San Diego Comic-Con this year with a tiki hut themed booth full of inspired artwork by the California artist known as Shag.  His retro art style was a great foundation for a mash-up with Planet of the Apes–a crazy and cool spin on pop culture.  The booth, hosted by The Shag Stores in Palm Springs and West Hollywood, had the coolest shirt onsite–an orange Hawaiian style shirt with Planet of the Apes imagery.  Visitors could also pick up art prints and t-shirts in tiki-tubes.  And Shag premiered his Shag Cocktail Birds–limited fine-art prints on wood, limited to 200 units.  Check out The Shag Store website here for more on the artist and his products.

But that wasn’t all.  Entertainment Earth had its own hefty tiki mugs, depicting Frankenberry, Count Chocula, and Boo Berry, probably the best tie-ins to Big G cereals anyone has yet thought of.  You can still pre-order the tiki mugs from Entertainment Earth here.  While you’re there you should check out the rest of their tiki mug line-up.  How about a Kraken, a Unicorn, a Mermaid, or a Dragon?  Want your favorite franchise fix in tiki form?  How about a Captain Kirk or Captain Picard tiki mug?  Or maybe a Yoda or Jawa mug is your jam.  Or just get a set of four classic tiki character images.  There’s several more from Star Wars, Star Trek… even a Frankenstein.  The best?  Check out all the creatures from Star Wars and the rest of the tiki mugs from Entertainment Earth below:

Mythical Creatures Unicorn 19 oz. Geeki Tiki Mug Mythical Creatures Mermaid 15 oz. Geeki Tiki Mug Mythical Creatures Dragon 17 oz. Geeki Tiki Mug Star Wars Series 1 Chewbacca 14 oz. Geeki Tiki Mug

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When you think of iconic with respect to genre films from Hollywood, what first comes to mind?  The Wizard of Oz?  Star Wars?  Jaws?  James Bond?  Raiders of the Lost Ark?  Forbidden Planet?  Planet of the Apes?  Star Trek?  Terminator?  Maybe superhero movies?

Maybe your tastes are after less of the big franchises.  Like Edward Scissorhands, Spaceballs, American Graffiti, or Power Rangers?

Costumes and props representing all of these franchises made their way to booths of auction houses showing off their lots for fans of San Diego Comic-Con this past weekend.  Just how long is too long to become transfixed at the golden birds atop the actual Lost Ark (okay, one of the actual Lost Arks seen in Raiders of the Lost Ark)?

President Joe Maddalena and prop expert Brian Chanes from Profiles in History–the biggest auction house of Hollywood entertainment memorabilia–were on hand to walk visitors through some truly iconic props and costumes featured in its next big auction.  Nearby, The Prop Store (formerly The Prop Store of London) had COO Brandon Alinger and its Los Angeles staff and some members from its London branch onsite show off select pieces from this week’s Power Rangers auction and future auctions.

Some of the finest Star Wars props and costumes are coming to auction soon, including production models, Imperial helmets–including Darth Vader–multiple lightsabers, and Rogue One: A Star Wars Story costumes including one worn by Felicity Jones as the film’s heroine Jyn Erso.  A jacket purported to be one of those worn by Harrison Ford as Han Solo in The Empire Strikes Back was at The Prop Store display (they expect it to sell for $1 million or more).  One of the biggest sellers will no doubt be an original series command tunic worn by William Shatner in Star Trek and a Type 2 phaser, both with good provenance.  One of the hats used in the greatest fantasy film classic, The Wizard of Oz, for the Wicked Witch played by Margaret Hamilton, will be sold by Profiles in History.  And a full supersuit worn by Christopher Reeve in the original Superman films will be auctioned by Prop Store.

A weapon used by Leslie Nielsen in Forbidden Planet, Johnny Depp’s Edward Scissorhands outfit, a full-sized Terminator, props from Spaceballs, an Indiana Jones fedora, a director’s clapperboard from Jaws, a license plate with a familiar number from American Graffiti, a special effects doll used for James Bond in For Your Eyes Only, an original ape costume from Planet of the Apes, and an original Spider-man supersuit.  They are all coming up for auction soon.  Check out these photos from the Prop Store and Profiles in History booths:

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Just shy of her 47th birthday, Koko the gorilla passed away Tuesday in her sleep at the Gorilla Foundation’s preserve in Woodside, California, in the Santa Cruz Mountains.  Koko represents a giant leap in the future of humanity’s relationship with the animal kingdom–she could sign more than a thousand of words of American Sign Language and understood 2,000 words of spoken English, she liked to rhyme words, she could read and paint (painting not only real objects but expressions of her thoughts and emotions, even naming her paintings), and could play a musical instrument–the recorder.  She proved years of human scientists wrong, conveying clearly to the world that she had complex thoughts and feelings, sharing compassion, laughter, love, and care for others.  And she became famous for all she showed the world, and had well-known friendships with the likes of Mr. Rogers and Robin Williams.

Born on the Fourth of July in 1971 at the San Francisco Zoo, the western lowland gorilla was named Hanabi-ko, which is Japanese for “fireworks child.”  Koko’s ability to communicate with humans via American Sign Language put her twice on the cover of National Geographic, one photo featuring her own selfie (long before selfie was a term).  That was thanks to her long-time friend and researcher Dr. Francine “Penny” Patterson, who began teaching Koko in 1974 when she was three years old.  Over the course of her incredible life she proved that gorillas could communicate about objects that weren’t present, had the ability to recognize themselves in a mirror, and further, they could convey personal memories.  Koko invented new sign-language words for things she didn’t know the word for, she knew the meaning of what she was communicating, and she was even a teacher–another primate learned sign language by watching videos of Koko signing.

Her relationship with her first cat was covered by the mainstream press.  For her twelfth Christmas she wanted a pet cat, and for her following birthday she was allowed to select one from a litter of abandoned kittens, which she named All Ball, reflecting the roundness of the cat and her own fondness for alliteration.  All Ball died when she sneaked out of her room and was hit by a car that year, and Koko reacted like any human would, with profound grief, which she conveyed in words via signing.  Koko adopted several more cats over the next 30 years, adopting two most recently in 2015 that she named Miss Black and Miss Grey.  Koko was preceded in death by her friend Michael, her gorilla friend who also could sign, who passed away in 2000.  She was living with her friend Ndume, a male gorilla, when she passed away.

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A month ago here at borg.com we discussed looking outside the comic book medium for the artwork of your favorite comic book artists.  You don’t need to look too far outside of comic books to find the next great artwork from fan-favorite cover artist Ryan Sook.  Every year just in advance of San Diego Comic-Con, comic book stores are stocked with the annual update to The Overstreet Comic Book Price Guide.  First published in 1970, the 1,200 page log of nearly every comic book published to-date arrives at its 48th volume this summer, dated 2018-2019.  Known as the go-to guide for prices for a generation of collectors, Robert M. Overstreet’s book of prices and thumbnail photos is also a source to glean what’s happened in the past year by way of comic book trends.  It features its own hall of fame for comic book legends, plus full-color sections highlighting some of today and yesteryear’s best covers.

For this year’s comic book store exclusive hardcover edition, Gemstone Publishing tapped Ryan Sook to create a cover to commemorate 50 years of Planet of the Apes films.  Sook reached beyond the original to reflect imagery from throughout the Planet of the Apes movie saga– a great homage to the original shocking environment as Charlton Heston’s astronaut Taylor arrives in the future horrifying world of human scarecrows, with General Ursus leading the charge and the creepy denizens in Beneath the Planet of the Apes, the return to the past by spaceship for the apes in Escape from the Planet of the Apes, to the militant world and apes under arrest in Conquest of the Planet of the Apes, culminating with the eagerly-awaited first appearance of The Lawgiver in Battle for the Planet of the Apes.  The familiar image of Roddy McDowall behind John Chambers’ Oscar-worthy make-up takes center stage–McDowall connects all of the films alternately as Cornelius and Caesar (and later as Galen in the TV series), and here he cleverly blocks the identity of the planet.

You can only purchase this edition of the Overstreet Comic Book Price Guide in comic book stores, so put in a call to Elite Comics to make sure you get a copy when this new edition arrives in July.

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It’s been fifty years since talking apes first took over theater screens across the world.  Planet of the Apes first screened for U.S. audiences in the spring of 1968, ushering in the dawn of a new age in sci-fi and dystopian film and the rise in a level of movie make-up on a scale not seen before.  In the battle for your movie-going dollars, the conquest was won many times over by each additional entry in the franchise.  All told nine times the story would gain new light on the big screen–so far–it would return with four sequels, two television series, numerous graphic novel adaptations, a remake, and a modern film saga.  Fortunately for fans the war will never end.  Beneath it all was Pierre Boulle’s original novel published only five years before, La Planète des singes, still in print and available here.  All these years later you still cannot escape the iconic imagery, first and foremost that way-too-far-past the spoiler alert image of the upper half of a destroyed Statue of Liberty perched on the beach.  And we eagerly await each new way to title a sequel that the next creators taking over can come up with.

How many kids sat up at the end of the film asking how the Statue of Liberty got all the way to the ape planet?  Somehow even the young ones got it, and we’d get our early taste of movie tie-ins in the form of trading cards and model kits (my own prize for weathering a hernia surgery at 4 years of age was the great Dr. Zaius model from Addar Plastics Co.).  As part of the observance of 50 years of the original film, Entertainment Earth has just begun accepting pre-orders for its first-ever line of Kenner-style vintage action figures (click on each of the six images below to learn more and/or order).   General Ursus looks great!  (Toymaker Mego had its own line of larger figures back in 1974).  The 50th anniversary is also celebrated with a Monopoly tie-in, 1960s style (available here) and a great retrospective look from Abrams Books at the vintage trading card series (reviewed here).  No single box set assembles all the films, although you can get a recent release of the original five films here and the recent trilogy here, all at Amazon.

   

When we speak in terms of genre landmark franchises we usually begin with the 50-year mark of longevity with the big or small screen, including James Bond, Doctor Who, Superman, Batman, and most recently Star Trek.  Planet of the Apes took its first step into that rare class with the novel’s anniversary in 2013, but it is now forever cemented with legendary status.  Here is a vintage TV trailer that played on your wood-grained Zenith console 50 years ago this week (although most of the U.S. watched this in black and white, as the new-fangled color TV was too expensive for the average household):

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The Forbidden Zone was once a paradise.  Your kind made a wasteland of it….  Would an ape make a human Monopoly game, with ape street names? … Don’t look for it, Taylor.  You may not like what you find.  –Dr. Zaius (paraphrasing a bit)

In its most recent earnings statement, toymaker and licensor Hasbro reported that its gaming unit revenue for the second quarter was up significantly over last year.  Its franchise brand revenues, driven by growth in games like Monopoly, resulted in a 21 percent revenue increase for the company, to $545.7 million.  What does that mean for fanboys and fangirls?  Not only is Monopoly thriving, the 115-year-old marathon board game about real estate that we’ve all played over the years is here to stay.  Although it was slow to adapt to computing (the bootleg game Monopole was popular before then-owner Parker Brothers jumped in), to keep up with the times Monopoly partnered with municipalities, sports teams, movies, and other brands to keep Monopoly fresh.  What?  You missed the U.S. Navy edition?  The Ford Thunderbird edition?  The Superman Returns and Pokémon editions?  The Heinz, Doctor Who, and Batman and Robin editions?

It’s a madhouse.  A madhouse! … We finally really did it.  You maniacs! –Astronaut George Taylor

For its next franchise tie-in, Hasbro has partnered with 20th Century Fox Consumer Products to release this summer’s strangest mash-up game: Monopoly: Planet of the Apes Retro Art EditionIt’s not just your typical Monopoly tie-in with a popular franchise.

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The granddaddy of American genre franchises offers up its next entry next week.  Billed as the final chapter, War for the Planet for the Apes at a minimum will bring the reboot universe into a complete trilogy story, focused on star Andy Serkis as Caesar.  The story continues two years after the events in Dawn of the Planet of the Apes (directed by Reeves), the sequel to the first of the reboot series, Rise of the Planet of the Apes (co-produced by Clark).  So unlike many franchises these days, the same people are creating the beginning, the middle, and the end.  Thanks to director Matt Reeves and producer Dylan Clark, we should have some continuity among the films.

War for the Planet for the Apes introduces to the films Woody Harrelson as a military leader bringing mankind’s last stand to the apes.  War for the Planet of the Apes co-stars Karin Konoval (The X-Files, Tru Calling, Fringe, Supernatural, Psych, Arrow), Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).  

The final poster is out (above, top) and a few more trailers revealed.  We have a full scene below featuring the introduction of Zahn, known for his comedic performances, revealed as a new ape referred to as “Bad Ape,” a reference given by humans while he was kept at a zoo.  Quickly we see what all the buzz is about with respect to the show’s special effects and Andy Serkis’s unique acting talent.  Will the Academy of Motion Picture Arts and Sciences award Serkis with a full acting Oscar, breaking the barrier for motion capture performances?  Also, make sure you watch below the very sly teaser of sorts incorporating what looks at first blush to be someone’s YouTube upload from a visit to a zoo.  First up, here is a great look behind the scenes at the motion capture technology and Andy Serkis’s role:

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