Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for. Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. (Want to see previous years’ kickass genre heroines to see how 2021 compares? Here are 2020, 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass, and often badass, character is about.
This year we add three superheroines, an amnesiac bounty hunter, four police detectives, a thief, a grifter, a hacker, 13 martial arts experts, three soldiers, a god, a duchess, two college students, three Russian assassins, a spy, an actress, a cyborg, a bartender, a forensics expert, a hitman, and a helicopter pilot, with eight characters we’ve seen in past years and 13 all-new characters we’ve never seen in any medium before–all in a roster split between 21 television and 13 movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.
These are the Best Kick-Ass Genre Heroines of 2021:
Antonia Dreykov aka Taskmaster(Black Widow). Was there a more intriguing, surprising, gut-wrenching character this year than Olga Kurylenko’s super-powered cyborg? She was one of the best costumed villains this year and certainly the most sympathetic, leaving the question: Where does she go from here? (Disney)
Faye Valentine(Cowboy Bebop). Daniella Pineda’s spin on this classic sci-fi character couldn’t have been better. Always eager, always excitable, always refreshing, as she pursued the dramatic journey to discover who she really is. (Netflix)
It’s a rare thing. For more than 50 years TV series have fought back after cancellation to snatch a TV movie or several (see The Incredible Hulk and Veronica Mars) or holiday special (see Columbo, Kojak, The Brady Bunch, and a lot of classic TV) or moved to another network (see Medium and Community) or extra seasons years later (see Twin Peaks and The X-Files) or even a big screen movie (see Serenity) but rarely capture the spark of the original. Let Psych join Longmire and Leverage as the rare exception. The second “sequel to a sequel,” Psych 3: This is Gus, arriving this weekend on Peacock, is a marked improvement on the first two movies, showing that James Roday (now reclaiming his real name as James Roday Rodriguez) and Dulé Hill′s hilarious crime fighting duo “still got it.” Better yet, the entire gameplay of the storytelling is back, thanks to creator, writer, and showrunner Steve Franks giving fans a lighthearted mystery just as witty and silly and fun as an original episode from Psych′s eight-season run.
Welcome news for fans of Psychis a new trailer (below) for the second sequel to a sequel, Psych 3: This is Gus. It looks even more like the series than last year’s fun drama we first discussed here at borg, Psych 2: Lassie Come Home (the first new original movie to premiere on NBC’s Peacock streaming service), and Psych 3will also premiere on Peacock–in a few weeks. The movie, the third of six sequels that creator/showrunner Steve Franks said he plans to make, switches focus from Timothy Omundson′s character Lassiter aka Lassie to Dulé Hill′s Burton Guster, aka Ovaltine Jenkins aka Hollabackatcha aka Domo Arigato, etc., whose new wife has some secrets for Team Psych to uncover. Best of all, the movie is less than a month away. Who doesn’t need a good laugh? Everyone is back: James Roday, Dulé Hill, Maggie Lawson, Kirsten Nelson, Kurt Fuller, and Corbin Bernsen, and, of course, Tears for Fears′ own Curt Smith.
Welcome news for fans of Psychis a new trailer (below) for the second movie sequel in what is expected to be a series of movies we first discussed here at borg a whole strange month ago. The movie has the quite apt and humorous title, Psych 2: Lassie Come Home, and it’s expected to arrive with the general release of the free Peacock streaming service app coming your way on or shortly after July 15 (Peacock will also have a pay “premium content” version). The movie, the second of six sequels that creator/showrunner Steve Franks said he plans to make, will focus on Timothy Omundson′s character Lassiter aka Lassie. Omundson suffered a stroke in 2017 (watch a great interview with him below) and the story will in part mirror his real-life comeback.
So what do we do now? How about a look at the start dates for our favorite TV shows? Many are already in progress, like Almost Human, Arrow, Dracula, Grimm, Major Crimes, The Michael J. Fox Show, New Girl, and Sleepy Hollow. Some don’t have new season premiere dates yet, like Bates Motel, Continuum, Doctor Who, Heroes of Cosplay, Mr. Selfridge, and Warehouse 13.
The most anticipated series is very likely the three-episode third season of Sherlock starring Benedict Cumberbatch and Martin Freeman, finally coming back to PBS this month.
The biggest question is whether Haven will get renewed for a fifth season on Syfy. The end of Season 4 was really getting better and Syfy just can’t leave us with that cliffhanger finale.
Update yours DVRs! Here’s what we’re going to be watching in 2014 at borg.com:
Almost Human – Season 1 continues January 6 on Fox
We’re beginning Hour 31 of the “99 Psychs on the Wall” Marathon on the cable channel Cloo here at midnight Monday morning. Have you seen all 99 Psych episodes? We have. Many times each for some, like the Halloween episode “Tuesday the 17th,” or when Henry goes undercover in “The Old and the Restless,” and Juliet dons roller skates in “Talk Derby to Me.” And we have found a pineapple (or something that looks pretty darned close) hidden or not-so-hidden in almost every episode. The funniest ever detective-crime-drama-comedy beat the odds to get renewed for yet another season with next year’s Season 8, and hits the rare benchmark of 100 hours on television. We’re eager to watch the 100th episode premiere Wednesday, March 27, 2013, on the USA Network.
If you haven’t watched Psych before, tune in any time to the Cloo cable channel before Wednesday night and pick any episode. Psych stars James Roday as Shawn Spencer, a guy who was raised by cop father Henry (Corbin Bernsen) to pay incredibly close attention to details, and he uses this to fake psychic abilities with a detective agency of sorts called “Psych” with lifelong best friend Gus (Dulé Hill), who at any time may be randomly renamed on a case by Shawn as anything from Ghee Buttersnaps to Lavender Gooms to Lemongrass Gogulope. Shawn and Gus create a perfect buddy team-up and once you get on their wavelength you’re in for a lot of fun keeping up with pop culture references dropped sometimes wrong and sometimes right.
Early episodes began with a flashback of Shawn and dad Henry, leading to some kind of parallel experience later in the episode. Young Shawn and Gus were as funny as old Shawn and Gus. Corbin Bernsen’s Henry is a great codger who knows about his son’s fake business and disapproves but never lets on to anyone else.
Shawn and Gus are often hired on by a likable and trusting police chief, Karen Vick, played by Kirsten Nelson. The change-up compared to other detective shows is Chief Vick knows Shawn’s tactics are a little off kilter but he gets results time and again so she ignores his eccentricities and keeps bringing him back to help with Santa Barbara Police Department cases. The SBPD actually is filmed in Vancouver, BC, which can add its own humor as actors can be in a scene wearing shorts on a typical California afternoon yet you see their breath when they speak. The SBPD includes two other key characters, Shawn’s late season love interest Detective Juliet O’Hara (Maggie Lawson), and her partner, Detective Carlton (“Lassie”) Lassiter, played like Sergeant Joe Friday by Timothy Omundson. Lassiter never approves of Shawn’s methods, yet Juliet believes in Shawn’s “powers” no matter how strange–a bit like Lois Lane not recognizing Superman is Clark Kent.
Other great recurring characters are Officer McNabb (Sage Brocklebank), the hilarious coroner Woody (Kurt Fuller), Shawn’s sweet and equally quirky high school crush Abigail (Rachael Leigh Cook), Shawn’s mom Madeleine (Cybill Shepherd), the really, really strange Mary Lightly (Jimmi Simpson), the psychotic Mr. Yang (Ally Sheedy), Juliet’s love interest Declan Rand (Nestor Carbonell), and Lassiter’s criminal girlfriend Marlowe (Kristy Swanson).
Countless episodes should be included in the annals of classic television, and many bring in some of the best big actor guest stars as well as many blasts from the past. If you miss the Cloo “99 Psychs on the Wall” marathon this week, nearly all the episodes but only the latest from this season can be found on streaming Netflix.
Here are twelve episodes that are not to be missed:
It’s the end of December and another year is winding down. Everywhere you turn someone is talking about the Best of 2012, so here we offer our take, resulting from absorbing more content this year than ever before, from books to movies to TV to comics, we reviewed and previewed entertainment from most of the big comic book publishers, and received screeners of shows and books from different publishing houses. And we watched a lot of TV and went to a number of movies. So what was the best of the best this year? No one will ever have the same list but here’s where we ended up:
Best Genre Movie: The Hobbit. We had to wait all year for the release but once we saw it–it was well worth the wait and we want to go back and see it again and again. How could you possibly follow one of the only fantasy films ever to win a Best Picture Academy Award and expect to come close in quality and entertainment? Peter Jackson figured it out. Not even The Avengers came close to touching this epic film with giant sets, special effects, elaborate costumes, a perfect story adaptation, and the best CGI creature to date: a Gollum even better than in The Lord of the Rings trilogy.
Best Dramatic Film: Argo. It was an international event more recent in the public psyche than even Watergate, yet it had never been addressed on the silver screen before–the kidnapping of American nationals in Iran. Ben Affleck served as both director and star of the film and performed both roles brilliantly. Both exciting and funny–with the incredibly bizarre hook of using Hollywood to create a sci-fi B movie as CIA cover to sneak in to Iran and remove a small group of hostages–it was a story worthy of adapting to screen. Brilliant!
Best Animated Movie: Brave. Kelly McDonald’s wonderful Scottish voice, an all-star Brit voice cast including Emma Thompson, Bill Connolly, Julie Walters and Robbie Coltrane, coupled with Brenda Chapman’s story and the best of Walt Disney and Pixar’s animation so far, make Brave the slam dunk animated film winner of 2012. A gorgeous film about a tough and feisty red-headed girl skilled with a bow and arrow who wants to make her own destiny provided a great story for young and old alike.
Best Animated TV Series: Tron: Uprising. Disney Television Animation finally figured out a way to bring its Tron franchise forward with Tron: Legacy, and this prequel series gives us what the movie lacked–more Bruce Boxleitner as Tron. We hardly noticed this wasn’t a live action series, and with voice actors like Frodo’s Elijah Wood, Alien’s Lance Henriksen, Paul Reubens and Tricia Helfer, you could hardly go wrong. The brilliant choice of lighting, futuristic yet retro light cycles and funky soundtrack made this one worth coming back for each week.
Best Actor: Silas Weir Mitchell, Grimm. With the updates for the second season of Grimm, Mitchell’s reformed Blutbad Monroe was hard to beat as the sometimes hilarious sometimes dramatic glue that held the series together, setting up new conflicts, like the strange discovery of Renard and Juliette’s relationship, sure to drive the story next year.
Best Actress: Ksenia Solo, Lost Girl. As succubus and series star Bo’s tagalong human friend and roommate Kenzi, Solo held half of the dramatic workload for the Canadian series first released to U.S. audiences this year on the Syfy Channel. The Latvian born actress plays it funny and smart–she makes for the ideal kickass girl from the best genre fiction stories.
Best Breakout Role–Female: Cobie Smulders as S.H.I.E.L.D. Agent Maria Hill in The Avengers. We knew her already from How I Met Your Mother, but Smulders took what could have been a throwaway background role in the biggest movie of the year and instead put her character’s footing almost on par with the Avengers themselves, heading up an early chase scene and appearing with Samuel L. Jackson’s Nick Fury throughout the film. Now she’s set to come back for the next Avengers films, she’s a character that we never knew about but are glad she’s on the team going forward.
Best Breakout Role–Male: Max Greenfield as Schmidt in New Girl. Greenfield is one among a handful of great young actors in New Girl, now in its second season, but this season his character Schmidt stepped out to create the craziest, most hysterical moment of nearly every episode. Whether he is ranting that there is no black Santa Claus, or trying to show a stripper how to lap dance the right way, whether he is wearing his high-cut male kimono, ranting about germs, or his stupid actions result in him putting the most money in the coffee table jar, Greenfield took a funny part and stretched it to insanely funny. This from the same guy who performed dramatic roles in Veronica Mars, Life and Castle? Awesome.
Best Guest Appearance: Scientist Neil deGrasse Tyson’s appearance in Action Comics. It was a bit of a marketing gimmick, but what could tie the education of real science, a popular TV non-fiction series host and comic book readers together better? The real star-vested Tyson found a possible location for Superman’s home planet of Krypton, revealing it to the Man of Steel in the pages of the ongoing series.
Best TV series: Arrow, CW Network. We got our first look at the pilot for this series at Comic-Con this year and loved it, but wasn’t sure how it would appeal to a mass audience. Pretty much everyone we know watches this series, including those who would never otherwise think to look at a series about a masked superhero. We have a critical eye out for all things Green Arrow, but Arrow, led by a well-cast Stephen Amell, surpassed our expectations.
Best Comedy Series: New Girl, Fox Network.New Girl wins this category from one simple thing: This series made this writer laugh so hard his gut hurt and corresponding tears shot out of his eyes from the quick humor in so many scenes this year he lost count. And when the series dipped into dramatic elements it never veered far from the core of what makes the show work–it’s a comedy first. Tuesday night this year was New Girl night. Jess, Nick, Schmidt, Winston and Cece could be the next Friends (but funnier) if the series can get a wider audience.
Best Single TV Episode: Sherlock, “A Scandal in Belgravia,” BBC America. You just have to watch this episode of Benedict Cumberbatch and Martin Freeman’s brilliant series over and over. The entry of the beautiful and unpredictable Irene Adler, played by Lara Pulver, was perfection, and Cumberbatch and Martin’s scene with Sherlock’s brother Mycroft in Buckingham Palace can’t be beat. Sure to be a classic episode for years to come.
Best Cliffhanger: Shawn’s dad gets shot, Psych, USA Network. It seems like it has been forever since Shawn’s dad Henry, played by Corbin Bernsen was shot at the end of this season’s last episode of the hit USA Network comedy/drama series. At its core, Psych is a light-hearted pleasure, so they just CAN’T kill off Henry. We’re really looking forward to finding out.
Best Series Ender: In Plain Sight, USA Network.* In a year where several mega-hits wrapped for good, including House, M.D., The Closer,Awake, and Chuck, one series finale tied up all the necessary loose ends the best, and that was the aptly titled “All’s Well that Ends” from In Plain Sight, which ended after five solid seasons. The writers skipped the gimmicks, with no gut wrenching death scenes for major cast players, but instead honored the characters as they’d been for the entire series, rewarding viewers with an end where everyone wins. *Update: Leverage‘ssurprise December 25, 2012 series finale came in with a powerhouse finale, slightly trumping In Plain Sight at the last minute after we posted this piece. See our review here.
Best Series that Cancelled Too Early: Awake, NBC Network. We only got to see 12 episodes of Awake, but in those episodes we saw a great paranormal drama develop. Jason Isaacs, like Paul Blackthorne, is one of those actors you want to helm a series every week. His dual role of father who lost his kid and husband that lost his wife, both in the same auto accident, showed this actor could do anything with a role. Although they were able to nicely wrap-up Awake in its last episode, we’d prefer to have seen a lot more of it.
Best Surprise in Entertainment: Dallas, TNT Network. How was this even possible? Who would think to take THE 1980s primetime soap and bring it forward to 2012, AND think it could work? TNT mixed a CW Network-inspired young cast with a plot continuing the struggles in the classic series and melded it into something for anyone willing to give it a try. Larry Hagman’s J.R. Ewing never missed a beat as the ultimate TV villain, even in his 80s. The writers took bits from the tangents of the original to concoct the main storyline of two young heirs fighting for family and social dominance. The result was addictive TV.
Best Comeback: The ensemble cast of Major Crimes. The great thing about a great ensemble cast is that you like every player equally. When this is successful, you can stand to lose a character or two and still keep going, or as was the case with the wind-up of The Closer, lose three main characters: Deputy Chief Brenda Lee Johnson, Chief Pope, and Sgt. Gabriel. Major Crimes added three new replacement characters and never missed a beat, pleasing fans who knew it was too soon for the stories from the L.A. Major Crimes unit to end.
Best Second Wind: Haven, Syfy Channel. Some cable TV series limp along and just end after a year or two. Haven’s single theme of solving the riddle of “the troubles” seemed a candidate for this, but something switched on with the 2012 season allowing the rich stories and great cast chemistry to give us the series’ best episodes in its three-year run so far.
Best Genre-Related Advertisement: Star Wars Super Bowl ad, Volkswagen. The best Super Bowl ad last January with a dog, a James Brown tune, and a pristine recreation of the Mos Eisley Cantina from the original Star Wars was an instant classic that will be hard to beat in 2013. Complete with its own recreated hive of scum and villainy, Tom Spina Designs’ creatures gave us something we want to see more of–maybe a new Disney-produced TV series based in Mos Eisley using all these obscure characters fanboys know by name? Missed it? See the full ad here.
Best Press Marketing: Coma mini-series press kit, A&E Network. We at borg.com received tons of content this year, from books to comics to advance screeners, but one marketing gag was so awesome in its own right it surpassed what it was advertising. The advance marketing for the Coma TV series marked a possible return by A&E to the classic TV shows we used to get in the days of shows like Price and Prejudice or Nero Wolfe. Sporting an underground conspiracy plotline, print and online ads created a cool concept that the mini-series itself did not quite match. When we received a human organ carrier in a “thawed” labeled box that we cautiously unzipped to find the screener, well that was just too awesome not to mention again.
Best Costumes: The Hobbit. The Hobbit already made our Best Genre Movie of 2012, but it’s worth a second nod for having the most incredibly crafted costumes of possibly any film made so far in any year. Building on the costumes of The Lord of the Rings trilogy, the slow panning of the camera in The Hobbit allowed us to see every seam on Bilbo’s patch-work coat, and every new emblem on each dwarf’s tunic. How can a production make so many unique costumes for one film? The result sets the standard for all major films to come.
Best Borg Appearance: The Cyborg Gunslinger, Doctor Who episode, “A Town Called Mercy”. Andrew Brooke’s gunslinger was a slick-looking borg addition, a throwback to Westworld that gave us equal parts of good sci-fi and classic Western movies. Doctor Who has created the best costumes and make-up of any sci-fi franchise in the past few years and this guy just looked great.
Best Web Series: TableTop bi-weekly Internet series, Geek and Sundry. Wil Wheaton, known for Star Trek: The Next Generation and more recently his appearances on Big Bang Theory and Leverage, as host of his own online series, brought us all back from the video game world to the boardgame format that allows friends to really interact and have fun for their own game nights. He chatted over great games like Tsuro, Munchkin and Zombie Dice with friends and celebrities alike, and showed us what could easily translate to its own Game Show Network series.
Best Villain: The Harp Seal, Battlepug, Mike Norton. Easy choice. This year’s Eisner Award winner for best digital comic revealed this unexpected villain, a funny surprise for readers. Imagine a world where the harp seal gets its due–a role reversal where warriors fear him over all other creatures. A great idea.
Best Ongoing Comic Book Series (tie): All-Star Western, DC Comics. Artist Moritat and writers Justin Gray and Jimmy Palmiotti took a long-dead comic book title and bridged 1800s Gotham City and Jonah Hex to make a gritty and fun book that rose to the top of DC Comics’ New 52 titles first released in September 2011. Who knew a Western comic could be this good? Bionic Man, Dynamite Comics. Phil Hester took a Kevin Smith script and expanded on it, taking the most nostalgic bits of the classic Six Million Dollar Man TV series and updating it for 2012. The highlight of the fun was an appearance by the classic TV series guest star, Bigfoot.
Best Single Comic Book Issue: Thor, God of Thunder #1, Jason Aaron and Esad Ribic. How do you reintroduce a classic character like Thor in a new way? Exactly like Aaron does in this first issue of his new series, breaking up his story into three time periods, and highlighting the changing face of Thor over time. Ribic’s lush images of Thor and a certain strange new world escalated this book to the top of my year’s reads.
Best Comic Book Art: JK Woodward, Star Trek The Next Generation/Doctor Who: Assimilation². J.K. Woodward’s painted artwork throughout this limited series was stunning. Probably the best depiction to-date of Star Trek characters in a comic book, Woodward took a fanboy’s dream job of merging two of the biggest sci-fi franchises together for the first story ever attempted and delivered a great looking story, now available in a trade edition. We just want to see more.
Best Comic Book Cover Art: Mystery in Space, Ryan Sook, Vertigo Comics. Ryan Sook had a big year, providing sensational covers for everything from The Shadow to the new Sword of Sorcery to one of our favorite titles, Justice League Dark. But his cover for Vertigo Comics’ Mystery in Space #1 blended sci-fi and fantasy in the best way, with a steampunk angel painting the universe inside a spaceship with the help of flitting fairies, or is she creating our actual universe? A great idea and perfect execution made this a standout on the store shelf this year.
Best Comic Book Cover Art Runner-up: Hawkeye mini-series, David Aja. Aja’s six unique Hawkeye series covers served not only to entice us to read this mini-series with great use of simple colors, but his own artwork between the covers made us feel like we were rewarded with what was advertised–a very cool and unusually stylish series.
Best Comics Collected Edition: Flash Gordon, Volumes 1 and 2, Titan Books. These were the best presented books we reviewed this year. Reprinted Sunday comics from the 1930s and 1940s in a giant-sized edition that allowed readers to appreciate the story and art of creator Alex Raymond was a feast for the eyes. The content allowed readers to see just how relevant and interesting the original mash-up of sci-fi and fantasy could be.
Best Retro Reviewed Book: Moonraker, Ian Fleming.Casino Royale was a great read, Live and Let Die was a bit of a letdown, but Moonraker was as exciting as any book I’ve read in years. Far different from the film of the same name, this thriller was packed with spy world intrigue. Compared to all the other retro reviews this year, including Philip K. Dick classics, this one really stood out.
Best Reviewed Book: Dracula Cha Cha Cha, Kim Newman. Although it was initially released in 1998, a new edition was re-released this year. The best “post-modern steampunk” mash-up and incredibly detailed world building made this novel a great read, full of artful prose and creative crossovers. Newman also added another level of storytelling, mixing the real world with the world of fiction, and the result is a densely packed, enjoyable volume.
Best Mash-Up of Fiction and Non-Fiction Worlds: James Bond accompanies the Queen to the Olympics. 2012 was the Year of Bond with his 50th year in film. How better to highlight the best of Jolly Old England at this year’s Summer Olympics than to begin with a meeting of the current James Bond, Daniel Craig, and the actual Queen Elizabeth II in her 60th year in Buckingham Palace, followed by a faked aerial dive by the Queen over the stadium in London. The Queen was a real sport, adding herself to the long list of Bond girls. And don’t forget the real-world borg Oscar Pistorius’s impressive showings at the Olympics this year.
Best Genre Event: The Firefly 10th Anniversary Panel at Comic-Con. More than 7,000 fans stood in line for only about 5,000 seats but the all-night wait was worth seeing most of the cast of Firefly reunite with creators Joss Whedon and Tom Minnear to talk about the short-lived series. Firefly fans are a passionate bunch, and were able to get Whedon to make the big-budget movie Serenity a few years after cancellation. But get most of the stars to come back ten years later? Pretty cool feat. With Whedon and series co-star Adam Baldwin (Jayne) dropping by to greet the people sleeping and standing in line overnight it was an event that attendees will never forget.
Best News Story: George Lucas sells Star Wars rights to Disney. Some liked it and some hated it, but as months go by we’ll see what it all means. As entertainment goes, this multi-billion dollar exchange was the talk everywhere this year.
Best Science Story: Curiosity lands on Mars. NASA’s description of dropping a rover on the surface of the planet Mars sounded like threading a needle blind-folded wearing gloves. Its early morning coverage of the successful landing was something like the moon landing, and made everyone want to see what more we can do in the space program now that the last Space Shuttle has been mothballed. What will the future hold for NASA and humans in outer space?
Best Nationwide Genre Participation Event: The Avengers Marathon, AMC Theaters. We only wished for something like this when we were kids–the ability to watch something like all the Star Wars and Indiana Jones movies in one screening. The lead-up to the midnight premiere of The Avengers allowed fans to watch all the lead-in Avengers films so far: Iron Man I and II, The Incredible Hulk, Thor, and Captain America: The First Avenger. A great idea that will hopefully continue with other franchise films.
Best Single Thing for Genre Works: The Avengers movie. Genre, and specifically superhero, films needed a good kickstart. The dark and dreary Dark Knight trilogy from Christopher Nolan was monopolizing superhero films, and we needed a giant, vibrant superhero film to usher in a new age of comic book films and Joss Whedon delivered the goods. It’s not a perfect film (and what is?) but was completely fun and entertaining, delivering something every fan could enjoy. Challenging the top two positions for all-time box office draw also showed everyone that fans want to see more of this kind of movie.
What were your favorites? We hope a few of these are on your own list. We at borg.com will be back with more coverage and reviews in 2013.
Nerd HQ is back for its second year in the San Diego Gaslight District, right across from the Convention Center during Comic-Con. The star of the now-cancelled series Chuck, Zachary Levi, is back selling Nerd swag, promoting video games, and offering fans a second chance to see some favorite TV and movie celebrities. Nerd HQ is a nice break for convention goers and a welcome opportunity for local Californians who couldn’t get Comic-Con tickets.
Last year we attended the panel featuring Scott Bakula, star of Quantum Leap, Men of a Certain Age and Enterprise, discussed here at borg.com last July. At start time the panel still had available seats and they showed us in for free. The discussion was interactive and cozy in a way you can’t really get with the larger Comic-Con venue. And you really can interact. Levi praised E.C Bunce and my Chuck “Buy More” and “Nerd Herd” outfits and even poked fun at her prosthetic alien head later during a panel. This year the panels will be broadcast live at break.com/nerdhq, so even if you don’t pay the $20 per panel charge, you can still get your panel fix like you were there in person, no matter where you’ll be that weekend.
The details about some of the panels don’t appear to be totally locked in yet, but NerdHQ says this will be the basic schedule:
***Thursday, July 12, 2012***
9:30 a.m. Expendables 2
Features Terry Crews, Dolph Lundgren and Randy Couture talking about the follow-up to the 2010 action film The Expendables.
11 a.m. Psych
Actors from the USA Network detective comedy series will be making an appearance to talk about its upcoming seventh season. No specific actors appear to be confirmed yet.
12 p.m. Chuck
Expect Zach Levi and a few other actors talking about the wind-up of the series.
2:30 p.m. Robot Chicken
Seth Green (Buffy the Vampire Slayer’s character Oz, will be discussing his series airing on Cartoon Network.
***Friday, July 13, 2012***
10 a.m. Stan Lee
The big guy himself. ’nuff said.
12 p.m. Man with the Iron Fists
No stars locked in yet for a discussion of this new Quentin Tarantino flick.
3 p.m. The Rise of the Guardians
Director Guillermo Del Torro is expected to bring some actors discussing the coming computer-animated action-adventure comedy film about Santa Claus, the Easter bunny, the tooth fairy and others battling the boogey man and Jack Frost.
4:30 p.m. Nathan Fillion
The Castle and Firefly star returns to Nerd HQ for his second appearance.
5:30 p.m. Assassin’s Creed 3
No specifics released yet for this new video game.
***Saturday, July 14, 2012***
10 a.m. NTSF: SD SUV
Paul Scheer’s National Terrorism Strike Force: San Diego: Sport Utility Vehicle show airs on Cartoon Network’s Adult Swim.
12 p.m. Tomb Raider
No specifics yet. A trailer? A video game preview?
That’s all that’s been released so far. Proceeds from the panels go to Project Smile.
As the spring TV season winds down, we thought we’d take a moment to reflect back on this season’s viewing, looking at what ultimately made our “must watch” list, and what didn’t. Look back to see our reviews, then check out our weekly lineup!
Let’s start with what didn’t make it for us:
The Firm. Although we enjoyed the performances, and the overall series mystery seemed intriguing, the focus on courtroom melodrama bogged this one down. The fatal moment, though, was an episode in which the Rules of Criminal Procedure were so wildly distorted as to kill any suspension of disbelief. Note to courtroom drama writers: We’ve all watched twenty years of Law & Order. You need to step up the writing if you want to succeed.
Terra Nova. This series just lost us. The pilot was serviceable and showed us the great potential the ideas behind this series had, but episodes quickly devolved into a weak combination of weekly world-destroying strawman threats (yawn) that just felt more and more incredibly contrived, and a confusing (and, IMO, un-needed) effort to create a dark, mysterious, earth-shattering plot with shadowy characters and alignments similar to the epic Lost. The last two episodes we watched (in January) were literally painful to watch, mainly due to the largely wasted potential that a time-traveling colony in the Cretaceous era. WeI’ve heard that the last few episodes in this season showed promise, but we won’t be tuning in unless we hear some positive buzz on the show once it starts again in the fall.
The Killing. This is the only show that Jason can remember where he actively rooted against it succeeding. The first season treated viewers with such contempt for their intelligence, after a promising pilot and first couple of episodes, and that means any resolutions for the plot or characters are unimportant.
Hanging on by a Thread:
Once Upon a Time. This one is still nabbed weekly by our DVR, but we missed a couple of episodes during the holidays and never bothered to get caught up again. There was nothing really wrong with it; we were enjoying it–but other series (see below) bumped it from the tight nightly schedule.
Ringer. See OUAT, above. The ongoing soap opera gained momentum after the midseason, but ultimately fell victim to things that held our attention a little bit more. Escalating outrageousness and cringe-inducing (in a good way!) plot twists raised the stakes for the series, so this one deserves a marathon to get caught up.
Falling Skies. Our review of this summer series here at borg.com remains unchanged; we saw great potential, and though the series had its issues, it also had its positive aspects, and we’ll be tuning in this summer when episodes resume on TNT on June 17th at 9pm Eastern Time. Hopefully the second season comes out with a bang and delivers on this series’ massive potential. And you can catch a promising glimpse of the season opener here.
30 Rock. One of the favorites of past years, it isn’t at the top of viewing lists anymore, though if the episode focus is on Liz Lemon and Jack Donaghy, it can still be magic. Because it only streams on his computer, it is tough for Jason to watch now.
So, what are the big winners this season at borg.com?
Lost Girl. We are loving this lighthearted adult urban fantasy! Satisfying world building based in European fairy lore combines with strong performances by the supporting cast to make this a weekly guilty pleasure. It’s like Buffy for grownups–what Angel was trying to be, only done right.
Awake. Launched in the same Thursday night time slot as The Firm, (which also hosted another fine debut series, Prime Suspect), this paranormal crime drama only gets better. Jason Isaacs makes a compelling lead, and the series writers have wisely increased the genre stakes for the series, giving it extra pull. They’re teasing the paranormal plot out very slowly, but when the moments hit, they pack a wallop. We’re looking forward to seeing the mystery build.
Grimm. Elizabeth’s personal favorite this season! After a compelling pilot, this series has taken a while to get going. But, as with Awake, they’re finally starting to really build the ongoing genre plot, adding complications to the established “monster murder of the week” formula. New characters and a stronger focus on the otherworldly underbelly have given Grimm a much-needed boost, and we were happy to see that it’s been picked up for another season! Friday nights just haven’t been the same without Chuck. One thing we’d like to see more of, please: strong women characters.
New Girl. C.J.’s favorite comedy of the past ten years and favorite series of the year. He still cannot believe each episode is only a half an hour, since the writers crammed so much into each show. Zooey Deschanel’s Jess is as put-upon as any classic female comedy lead in the Mary Richards variety, and is as brilliantly funny, smart and zany. The supporting cast only got better throughout the first season, but the funny stories didn’t really explode with humor until they finally linked-up Max Greenfield’s Schmidt with Hannah Simone’s Cece.
Psych. Still occupying the top spot in our must-watch lineup, the second half of the Psych season really delivered. From beginning (the great season re-opener guest starring Cary Elwes) to end (that CLIFFHANGER!), with very few missteps in between (not sure what to make of “Let’s Do-Wop It Again,” with Shawn in the hospital and minus Keenan Thompson), all around, the show’s still got it.
The Walking Dead. The second season of this series just got better and better, with deeper storylines, clever surprises, and a real aura of uncertainty around favorite characters survivability. And the season finale was one of the best of the year (Michone!!!). It’s the one series I simply cannot wait to resume in the fall.
Community. This is Jason’s only show he will watch in real time. The characters keep developing and adding depth and when the writers create a personality quirk, it is in service of character and not the story of the week. He would visit the Greendale campus (and did as a background extra) to see all the characters, but attending Greendale would be the worst decision of his or anyone’s life except for those that want to learn to make a diorama.
House, M.D. After Dr. Greg House (Hugh Laurie) drove his car into Dr. Cuddy’s home we thought this series was pretty much done for. We still had doubts that we’d need another season after House’s prison stint. Then BAM! This last season is on par with the best of its eight season run, especially because the writers have let Wilson (Robert Sean Leonard) be Wilson, Chase (Jesse Spencer) be Chase, and Russian bride-in-name-only Dominika (Karolina Wydra) almost make it as House’s single perfect mate. Although Charlene Yi and Odette Annable are fine as Drs. Park and Adams, the show still struggles with the one note Cameron/Thirteen replacement role. We wish we had Amber Tamblyn back. Although Omar Epps’s Dr. Foreman pretty much vanished, Peter Jacobson’s Dr. Taub continues to amuse to the bitter (?) end.
Fairly Legal. Although we’ve fallen behind thanks to new diversions like Awake and Lost Girl, the sophomore season of this unusual, lighthearted legal drama continues to entertain. Star Sarah Shahi is cute and engaging (although we liked her better as a cynical cop in Life and as Gus’s adrenaline junkie girlfriend in a guest spot on Psych), even if her harried approach to life gets a little exhausting. We’re hoping for a bigger role for Gerald McRaney this season.
In Plain Sight. We’ve let the final season of this solid crime drama get backed up on our DVR, but from what we’ve seen so far, they’re going to round the series out nicely, with the same sharp dialogue and complex relationships that have given this series staying power despite a history of scheduling mishaps. It’s nice to see Tangie Ambrose (Agent Parmalee) get a stronger role, Tia Carrere is always fun, and all things considered, I think everyone prefers baby Norah to Jinx and Brandi.
Parks and Recreation. April Ludgate, Andy Dwyer and Ron Swanson continue to be three of the best characters on television.
A few other shows we’re thinking about, but haven’t mentioned here before:
Surburgatory. Jason has no clue what makes this interesting. He laughs and that’s a big part. The supporting cast (Alan Tudyk (Firefly), Ana Gasteyer and Chris Parnell (SNL) and Cheryl Hines (Curb Your Enthusiasm) is just so, goofy and fun. Mostly, it is earnest father and daughter relationship of the two leads, Jeremy Sisto and Jane Levy.
Modern Family. The second season of this award-winning series was side-splitting. Better than the great comedic actors and fantastic use of the “mockumentary” format is the terrific writing of the scribes behind the show, particularly Jeffery Richman & creator Steven Levitan. The stories of the three households making up the dysfunctional Modern Family intertwine effortlessly to create the funniest half-hour on network television.
CSI (Crime Scene Investigation). After a dozen seasons in the bag and numerous cast changes, CSI could easily be slipping off of most people’s radar, especially with the mid-season exit of long-time favorite Marg Helgenberger. And though it will never likely recover the viewership it enjoyed when William Peterson was on the cast, the new additions of Ted Danson and Elisabeth Shue has been a breath of creative fresh air. After missteps with recently departed cast, especially the badly conceived Dr. Ray Langston character portrayed by the excellent Lawrence Fishburne, the series seems to be back on an even keel and cranking out the crafty, clever alternative plotlines to the rote procedurals currently on the air everywhere else. Amen.
Don’t Trust the B in Apartment 23. Only four episodes in, but having James Van Der Beek play a cartoon version of himself, keeps paying funny dividends. If that lasts, this will be a keeper.
Mad Men. Jason got rid of his cable and finding this show in a legal manner can be tough, but he knows it is worth it.
Archer. Jason says, “Give me the voice of H. Jon Benjamin in crazy spy situations or give me death!”
Bob’s Burgers. Jason says, “Give me the voice of H. Jon Benjamin in crazy burger joint situations or give me death!”
Dealing with depression from both sides presents an interesting quandary. As a friend to people that may be suffering from it, you want to be there, you want to support them, but when people are depressed they just aren’t that interesting. A quote in the opening paragraph of Roger Ebert’s All the Lonely People says it best, “You know what a bore is, Travis. Someone who deprives you of solitude without providing you with companionship.”
On the other side, when you are depressed, getting out of bed seems like a chore, let alone leaving the house. If that’s the way you feel, no wonder when you go out and about and try to socialize and lift your spirits, the only thing you’re thinking about is your couch, since going to sleep in your bed at 5 pm feels wrong no matter what your mental state of mind. You know you’re a bore, but you don’t care or don’t understand how people don’t see it and you just have to occupy yourself until 10 pm somehow, so you can sleep for ten hours. You never know, tomorrow might be better.
It doesn’t feel like there is a difference between depression and melancholia, and doing a quick bit of research, considering depression is used in the definition of melancholia, I’d say no difference. There’s even a combination of the two into melancholic depression. So would they look the same? Could you tell the difference between melancholia and depression? Lars Von Trier’s Melancholia gave me a quick “no” as the answer to that question.
Charles Corbet's depiction of Melancholia (1910)
I’ve never been married, but having been to weddings, probably not too much like the one in Melancholia, but definitely in the ballpark, I understand the urge to go take a long bath. I understand going for a walk on a golf course. There’s something nice about going to be alone when no one is around rather than being alone with hundreds of people surrounding you. It’s why the bed or bath is such a welcome sight. It’s why you continually look at your watch wondering what the perfect time to excuse yourself without hurting anyone’s feelings is. If you can hold out for one more song, one more hit from the 80s, one more choreographed dance song, you can leave and walk to your room, drive home or just run, literally and figuratively.
I’m trying to think of another film that captures that feeling so well. Looking at the profile of major league pitcher Taylor Buchholz and his bout with depression, you see a couple of the same symptoms in the performance of Kirsten Dunst (and the writing behind her acting): extreme irritability and the inability to laugh. If we saw the back story that led to her wedding, I’m sure we’d also get a glimpse of her faking happiness to such a degree that her future groom truly believed she loved him and wanted to marry him. Only at the reception did he finally see something different, as she couldn’t fake it any more. Most everyone encouraged her to do so for various reasons, not least of which, because of all the money being spent by her future brother-in-law (played very well by Kiefer Sutherland.)
As you battle with faking it, with your irritability, your self-criticism and an occasional malaise, forgetting the bed and just sleeping every day and night on the couch seems like the perfect solution because you can go to sleep and wake up with the TV to keep you company. That could be the result of loneliness, which is a separate thing, as this analysis of the Community episode Advanced Dungeons & Dragons points out, but can feel and look the same. In fact, author Casey Jones puts it very succinctly, “Depression is anger pointed at yourself. Loneliness… man, that’s just despair.” The question becomes, what if your depression causes your loneliness or you’re depressed and angry with yourself because you can’t make or keep friends? They can feed off of each other and I would say there is probably some high correlation between the two things.
As you can see from the collection of links (and the upcoming ones) I want to see how others deal with these same issues. I want to watch Melancholia even though I know it is going to be heavy. I want to read Darkness Visible to see about William Styron’s struggle to overcome depression. I want to read about how Rob Delaney learned to cope with it and come to grips to taking medication to help him. I want to read about Stanley Jefferson, former major league player and New York City policeman who was on duty in Manhattan during 9/11. I want to see or read about the ways they learned to cope or how they struggle to find a way to cope, from watching endless amounts of TV, to baths, to drinking or to just finding something to fill up every moment of your time so that you don’t have to think about anything.
Edvard Munch (1891)
Maybe you’re the same way, you like to see these things too as it helps to know that you have company. Maybe there are other people that consider watching every episode of Law and Order: Criminal Intent on USA Network replays over a jam-packed month to be a worthwhile pursuit. Maybe it’s because you see hope in some of the stories and you can feel hope for the stories of others because you pushed through that stage of depression yourself.
On the other hand you may not want to know how some people suffer. You don’t even want to see hints of it because those views might generate powerful emotions within you that you can’t hide. You don’t want to think about it in others because it will remind you of what you see in yourself, the fear, the anxiety, the worry. You might break down and cry in front of someone and generate more anger at yourself for showing weakness like Buchholz. Then again, you can try like he did to be around people, regular people, happy people so that you can forget all of those things that are wrong with you and you can pretend to be happy and maybe, just maybe, that dream of happiness will come true. It’s possible. As much as we think we know about the human mind and body, we still learn more and more every day and maybe a study will show that happiness rubs off. You can sense it and feel it and happiness of others becomes whole in you. You at last become whole again.
Albrecht Durer's Melancholia (1514)
Still, the opposite of that is not to be around those happy people, cheerfully going about their daily lives because then you see the emptiness in your own. By being around them it reminds you about how unhappy you are and so then you close yourself off, you seclude yourself because the pain of seeing people is too much. Sometimes it feels better to feel sad; to know there is something wrong with you and to know it needs to be addressed. Wallowing in it makes it more visible in your own mirror and may motivate you to do something about it. You shut yourself off to find this point in yourself and then the loneliness enters your life. Then a different vein of self-loathing exists for your depression to tap into and a different cycle starts anew.
I slipped into using the second person in this essay pretty easily because I realized that doing so made writing about it easier. I never know what a different day will bring. Maybe it’s a day I want to be around people. Maybe it’s a day where I don’t. Maybe it’s a day where the idea of even taking off my clothes to shower seems like a chore. Maybe it’s a day where buying new underwear sounds so much easier than sorting clothes, carrying them to the washer, carrying them to the dryer and then putting them away. Maybe it’s a day when I write 2000 words on a subject and reward myself with video games. Maybe it’s a day where I just play video games and criticize myself for not writing anything. Maybe it’s a day I play video games and feel happy because I just have fun. Maybe it’s ten days in a row and the only thing I wrote was emails. Maybe even emails get tough to write. Maybe I’ll just watch 12 hours of Psych, Doctor Who or the whole run of Spaced and laugh a little bit, for once. When I say “you” I mean me, though I do know a few examples of friends that do or have dealt with depression and or loneliness. I’ve dealt with it a few ways myself. It’s trying to find the way to deal with it the best. So, like Kirsten Dunst’s character, maybe I’ll work in baths. I’ve tried long showers. They help some. Every day leads me closer to a solution as I work through ways to overcome my own depression and my solutions are definitely better than a meteor coming to strike the Earth, I’m sure. Definitely sure on that one. For with the dawn of a new day, there’s always hope that it will be better.
