Review by C.J. Bunce
For the 40th anniversary of Alien, OVID.tv is streaming a stunning, eye-opening documentary about the life and visual creations of H.R. Giger, who won an Academy Award for his design work on the science fiction/horror classic. Dark Star: H.R. Giger’s World features interviews with Hansruedi “H.R.” Giger (pronounced geeger) at his home and during his travels in the weeks before his death in 2014. Interspersing archival footage and interviews with those who knew Giger best, his wife Carmen, his ex-wife, a psychiatrist, his former partner, his agent, the archivist of his personal collection, and others (even his Siamese cat Müggi makes several appearances), writer/director Belinda Sallin assembles a picture of the complex man, his unique creations, and his influences.
If you’ve viewed footage of Guillermo Del Toro’s vast collection of horror memorabilia (via interviews or in books like his At Home with Monsters), all housed in a lavish setting, imagine a home as fabulously creepy but built like an old abandoned grotto, centered around Giger’s horror paintings and statues, complete with dark corridors, and those eerie squeaky doors and stairs of a recluse’s hovel in a vine-covered corner. His “biomechanik” artwork, sculptures, and storage drawers are wall-to-wall, his book collection haphazardly stacked on shelves and in the bathtub, (real) skulls are tucked into nooks and crannies, a set of doors inside the modest front door is covered with paintings of his trademark human-alien hybrid characters, and an Academy Award is filed between dusty objects on another shelf. A mini-train ride through the vines outside the house take visitors on a haunted house ride through birth, life, and death. This is a haunted house, but devoid of spirits. Ray Bradbury’s attic in every way, only it isn’t. It’s Hansruedi Giger’s house.
Artists of any genre and fans of the Alien franchise can get an unprecedented, detailed, personal look at a man known for his disturbing imagery. Dismissed for decades by the mainstream art scene for Giger’s popular status in Hollywood, Alien indeed made Giger famous just as Giger made Alien famous. The influences behind his often dark and grotesque images will not be surprising: his father bought him his first human skull at the age of six, and his sister took him to a museum to scare him by showing him an actual mummy. Both of these things frightened the little boy, but he forced himself to look at these things repeatedly until, as he says in the documentary, he overcame his fears. But the nightmares never seemed to dwindle. He speaks of his dreams as a key influence, but he told a psychiatrist that the frightening images he saw lost their power when he committed them to canvas. He also acknowledges LSD use as the prompt behind some of his work.
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or Ray Bradbury’s 
, only in graphic novel form. It begs the question: Why not take a bunch of sci-fi stories like these and make an ongoing monthly comic book series out of them?
