Review by C.J. Bunce
As you’re planning to attend the upcoming return of Steven Spielberg’s Jurassic Park to theaters, a new book released this week is going to take readers of all ages on a tour of the history of real dinosaurs and the history of the study of dinosaurs itself. A fresh look at the science of paleontology and the resulting knowledge about the life, environment, and structure of the major species of dinosaurs is the subject of Dinosaurs: A Journey to the Lost Kingdom. Authors Christine Argot and Luc Vivès, researchers at The French National Museum of Natural History in Paris, use the museum’s own paleontology gallery as the starting point to tell how scientists developed the study and reconstruction of dinosaurs since the gallery first opened in 1898. Everyone has a favorite dinosaur, and whether yours is a stegosaurus, triceratops, diplodocus, allosaurus, iguanodon, brontosaurus, megalosaurus, or tyrannosaurus, you’ll marvel at the spectacular images of their skeletons on display as scientists have updated them consistent with improved knowledge and techniques across the years.
Interlacing the work of paleontologists, geologists, museum curators, and other scientists around the world, and changing views of remarkable fossil discoveries (like placement, stance, and presence of feathers) over nearly 150 years, the authors combine photographs of their collection with images resulting from digs, artists’ interpretations, magazine articles, and museum archives. From tales of dragons and mythical beasts to speculative works from John Milton’s Paradise Lost to Arthur Conan Doyle’s The Lost World, from Jules Verne’s Journey to the Center of the Earth to Edgar Rice Burroughs’ The Land That Time Forgot, and Ray Bradbury’s A Sound of Thunder to Michael Crichton’s Jurassic Park, ideas of fantasy have informed science and vice versa. Movements and individuals have changed our outlook into history, via wealthy benefactors, scholars, educators, and artisans. From lost displays in the Crystal Palace to the artistry of Charles R. Knight, the history of dinosaurs is also the evolution of the thinking of mankind. The result will fascinate both young and old readers, whether Dinosaurs: A Journey to the Lost Kingdom will be your kid’s first book of dinosaurs or a companion book for a high school or college museum studies course, or simply a resource for you to enjoy.
One story recounts the misidentification of an iguanodon finger bone as a nose bone. Another story describes the excavation of a pit in Belgium in the 1870s that netted 130 tons of bones. Preservation and conservation methods are discussed throughout, plus improvements in museum display, like the use of 3D printing to allow an original tyrannosaurus rex from the States to be replicated and put on display at the Paris museum this summer.
Here is a preview of Dinosaurs: A Journey to the Lost Kingdom courtesy of the publisher:
or Ray Bradbury’s 
, only in graphic novel form. It begs the question: Why not take a bunch of sci-fi stories like these and make an ongoing monthly comic book series out of them?
and 
as his most popular works, along with 
, 
, and 
. But if you really want to see the broad scope of Bradbury’s work, you could hardly find any creative works more engaging than his TV series 
and his thick compilation book 
or the revised version 
. It is telling that he has a book that highlights one hundred of his best stories. Stories like “The Casket,” a tale of feuding brothers gone very, very wrong that was adapted for screen on Bradbury Theater, or “A Sound of Thunder,” where a misstep on a time traveling hunting trip has terrible ramifications for the future.
