Put away what you remember (if anything) about the 1970s Kung Fu television series. You didn’t really watch the series for David Carradine, did you? If you were like most of the viewers, you probably showed up for the martial arts. CW Network’s new reboot of Kung Fu is for that same audience, but it also casts a wider net. Wednesday night Olivia Liang showed up to take the new series, CW’s Kung Fu, by storm. You can compare it to the similar-vibed, live-action Mulan, some of your favorite recent martial arts series that have the same dramatic beats likeWu Assassins, or you can compare it to series like Charmed, Smallville, Stargirl, or Riverdale. Fans of all these shows will get a kick out of the ease at which the CW has brought a young Chinese-American hero into our must-watch DVR queue with college student-turned-Shaolin warrior Nicky Shen. She’s a completely modern, updated Buffy the Vampire Slayer, and she brings with her an interesting supporting cast while pulling some intrigue into the story via elements of classic Chinese mythology and history. It’s fantasy, and its supernatural, and there’s swinging kicks and swordplay you’re not going to want to miss.
If first impressions are everything, the first four minutes of the new CW series Superman & Lois look like a great next series to add to your DVR. But that’s not where the writers of the series take us, leaning more into the soap opera drama audiences saw in years of Smallville. The typical Superman tale follows Clark Kent from rural America to the big city of Metropolis, when the typical Supes story takes off. This series reverses that plan, moving Supes and his family back to Smallville when newspaper man Clark Kent loses his job in the big city. What happens when you take a strong-willed city woman like Lois Lane and her and Clark’s two (newly created) citified (twin) sons to Smallville? Fans loving to watch Superman soaring in the supersuit, righting wrongs and exploring the globe, will need to take a backseat for at least part of the new series. Economic downturns, the scam of reverse mortgages, embedded conflicts between rural and urban America–things you probably don’t turn to for your next CW superhero series–is the direction of the new series. But what about strong-willed Lois? Although she gets to share the title, Lois doesn’t get much to do–yet.
It had a promising first and third season, twists and turns, clever story arcs, and a contender for the most faithful adaptation of a comic book series from the past decade. The creators of the fourth and final season of Netflix’s Chilling Adventures of Sabrina gave 2020 a much-needed batch of two complete seasons, and we already gave the third season kudos in the 2020 Best of TV review here at borg. Kiernan Shipka proved to be one of TV’s best young actors, embodying a character that is next in line after Buffy Summers, Veronica Mars, and Liv Moore as young genre heroines who led series you can count on the first time and after re-watches. Already a contender for one of the best TV series of this century, and one of Netflix’s most creative efforts, how did the final season fare for our heroine Sabrina Spellman?
With all the Netflix series being rolled out this year, October Faction might get overlooked. It’s the latest monster series based on a comic book and it arrived on Netflix this past weekend. Based on Steve Niles and Damien Worm’s graphic novel/comics of the same name, both the TV series (created by Sleepy Hollow and Stargate’sDamian Kindler) and the comics are a darker spin on The Addams Family–the comics even darker than the TV series, which is closer in tone to Riverdale, Charmed, and Stranger Things than, say, Grimm or Chilling Adventures of Sabrina. Unfortunately it’s not as well-constructed or visualized as any of those series, but it may be worth the time for fans of horror or stories of students with super powers. It’s the super powers angle that demonstrates how closely linked superhero series are with supernatural and horror stories in the 21st century–Swap out a few words, monsters for malevolent aliens and witches and warlocks for superheroes and you’ll find October Faction has the same story beats as, say The Umbrella Academy or The Boys.October Factionhas an easier to digest, more accessible story than both of those series although the production values lack a certain tightness in editing and cinematography style. It also could use a soundtrack that better matches the charging, creepy pitches found in Netflix’s three trailers for the series.
This is a story about a husband and wife and their twin 17-year-olds, and how the twins handle learning their parents belong to an age-old network of monster hunters. Tamara Taylor(Bones, Altered Carbon, Lost, Serenity) is really in the driver’s seat as Deloris, the mom who always seems to have the right firearm close by, joined by husband Fred, played by J.C. MacKenzie, a character actor TV audiences have seen in dozens of police procedural series and movies, including The Irishman, The Departed, The Shield, and Hemlock Grove, as a father who is looking forward to a rest from the monster work. If you agree MacKenzie is a ringer for a younger Matthew Modine, you might convince yourself October Faction is a prequel to Stranger Things (he also evokes Ed Begley, Jr.). MacKenzie’s casting is an odd choice, like starring old school Fred MacMurray or Robert Young as a modern, mouthy murderer of monsters. But he might grow on you. The kids are more interesting: Newcomers Aurora Burghart plays Viv, an angsty teen who sketches morbid miscellany and can’t understand why she sees things before they happen, and Gabriel Darku is Geoff, her gay brother who is lost leaving behind his old friends for the family’s most recent relocation–and who also thinks he sees the deceased dead.
The level of horror and gore is about that of Shaun of the Dead, enough to establish genre while not becoming a full-on slasher show. At first this appears to be another story of the Ender’s Game or Starship Troopers variety–black and white good and bad guys and monsters that are evil because ugly, unfamiliar, and different things are always evil. Fortunately the story catches up in time and the theme becomes that of fellow monster series Grimm, that not all monsters are bad, and sometimes humans are the worst threat of all.
At last a new Nancy Drew television series has arrived, but except for the odd screencap (a quick shot of Nancy Drew and The Hidden Staircase, or Nancy Drew and The Secret in the Old Attic) it has little resemblance to the novels the series is based on. Billed as a brilliant teen detective by the studio, CW’s Nancy Drewpresents a heroine that is anything but, if the rest of the series is anything like the pilot episode. If you like disinterested young adults begrudgingly solving crimes that would be solved quicker by reasonably motivated teenage kids with half a brain, then this is your show. This is not the smart, driven hero detective beloved by generations of readers.
The pilot reveals yet another series-long mystery set-up, instead of a mystery-of-the-week a la The X-Files. Coincidentally the pilot introduces the same kind of body-in-a-box mystery as the far more engrossing new series, Fox’s Prodigal Son (but compelling writing and acting is pulling me back for more of that series). It even shares the same story of a split family and parents somehow conspiring (or not) over a corpse in a trunk, while tricking the younger version of the series lead that it was all a dream. Nancy Drew unfortunately also shares a lead character much like the brooding under-achiever in this year’s new AMC mystery series NOS4A2, a series that handled strange mystery and a confused young woman protagonist more believably.
Nancy Drew is played by 23-year-old Kennedy McCann. Sometimes a series will cast young adults for teenage roles and make it work, but McCann just doesn’t look like a high schooler (nor do her friends). Nancy’s boyfriend is played by Tunji Fasim, and her key circle includes diner (think Twin Peaks, Riverdale, etc.) co-workers played by Maddison Jaizani, Leah Lewis, and Alex Saxon, with Nancy’s dad played by Scott Wolf, and his lover/city detective played by Alvina August. The mystery begins with Nancy and her co-workers present as the last to see a local socialite alive–Nancy finds her dead in the diner parking lot, and everyone is hauled downtown to get interrogated. The backdrop shuffled in is some local lore about a teenager who committed suicide by diving off a local cliff years ago, and Nancy coming to terms with her father after her mother recently died.
It’s not an overstatement to say Francesco Francavilla is the artist who brought Archie Comics back to life. At the very least he has turned a new generation of readers onto one of comicdom’s longest lasting titles. Along with Jon Goldwater and Alex Segura behind the scenes and writer Roberto Aguirre-Sacasa and later artist Robert Hack in the pages of the monthly books, it was Francavilla’s haunting, brand new look at Riverdale and its teen characters that kick-started reader interest in new titles and take another look at the classic stories, the ones with the traditional Dan DeCarlo look that 70 years of readers were familiar with. Francavilla, the Eisner Award-winning cover artist, is the focus of a new hardcover book Archie Comics is premiering this Wednesday. Featuring all of his Archie Comics standard covers and variants, plus selected interior artwork and cover artwork for books outside the Archie universe, The Archie Art of Francesco Francavilla is a must for collectors of his books and neo-pulp styled art prints.
In part because of his use of fantastic colors for his imagery, his designs seem to pop on every page. You’ll find his several covers for Afterlife with Archie, Chilling Adventures of Sabrina, Vampironica, Jughead the Hunger, Archie Meets Batman, Archie vs Sharknado, Archie vs Predator, Chilling Adventures in Sorcery, Riverdale, Life with Archie, Archie, Jughead, Betty & Veronica, and Josie and the Pussycats. Other pages highlight Francavilla’s style on the covers of New Crusaders, The Black Hood, and The Hangman. The Archie Art of Francesco Francavilla also includes some cover and page roughs–preliminary sketches used for approval and story breaking, all shown along with the final versions. You’ll also find exclusive cover art from convention-only covers and other variants.
Woule we have a Riverdale television series if not for Francavilla’s darker look at Archie? Probably not. Here is a first look at some advance preview pages of The Archie Art of Francesco Francavilla for borg readers courtesy of Archie Comics:
The annual Star Wars Day, May the Fourth, is back again–an excuse to watch the movies again and meet up with friends and talk all things of a galaxy far, far away. And again it is overlapping with Free Comic Book Day, a good excuse to visit your local comic book shop and get re-introduced to some series you may have missed.
You can’t beat the “gold line” of comics this year, with Jody Houser writing two free comics, Doctor Whoand Stranger Things. Jason Aaron serves as a writer on the Avengers issue (including a great Wolverine story), which is always a good FCBD title. Archie Comics has a new Riverdale Season 3 FCBD story. Teenage Mutant Ninja Turtles creator Kevin Eastman is back writing the featured TMNT issue. And fans of the Whedonverse won’t want to miss their copy of the BOOM! Studios twofer of Buffy the Vampire Slayer and Firefly, complete with a great cover by Moon Knight cover artist and Vampironica creator Greg Smallwood. And for adults, Vampirella fans should check out its Issue #0/FCBD issue, celebrating the 50th anniversary of the character, complete with art by Bruce Timm and work by the late Forrest J. Ackerman. Two other interesting titles for the older crowd worth checking out are Antarctic Press’s Punchline with great art by Matthew Weldon, and Shout Comics’ Midnight Sky.
The above issues are also good choices for kids, but some other titles are more targeted at the younger set including Casper the Ghost in Casper’s Spooksville.Dear Justice League lets kids go one-on-one with their favorite superheroes. Go Fish!is a great looking fish tale. You can never go wrong with a new Little Lulu story. Lumberjanes is back with another campfire story. And last but not least, Star Wars Adventures is a great pick for any Star Wars fan this May the Fourth.
Take a look at some covers and previews to books available free (supplies may be limited) at Elite Comics or your local comic book shop today only:
What’s it take to outperform a surprisingly successful supernatural series like Chilling Adventures of Sabrina′s first season? A core of fine writing in each episode of its second season and a returning cast of actors willing to immerse themselves unwaveringly into a strange world of the occult and the macabre, of witches and warlocks drawn from an expansive comic book universe. That’s the sophomore season of Chilling Adventures of Sabrina, which arrived on Netflix earlier this month, adapting the comic book series from the Archie Horror imprint. Mainstream critics weren’t kind to the series in the first weekend of its release, and that may because the series is one best taken episode by episode–each chapter is its own mini-movie, weighty and twisty, dark and heavy–too heavy for one sitting–yet it’s still fun. But it’s not recommended for binge watching. Spread this one out over a few weeks and you may agree this is a fantastic series, steeped in mythology and lore, while also outlandish enough to not take too seriously. And yes, it’s even better than its first season.
Two incredible actresses anchored Chilling Adventures of Sabrina again in the leading roles and two others provided gravitas in supporting roles. Twenty-year-old actress Kiernan Shipka returned as a bolder and smarter 16-year-old Sabrina, facing off against her favorite teacher who is also the manipulative Lilith, played by Michelle Gomez, right arm of the Prince of Darkness. It’s fair to say Gomez is fully the co-lead of the series–she is today’s master performer of villainy, following up on her performance as the villain we loved to hate, Misty the Timelord, in three seasons of Doctor Who. If actors really love portraying villains more than any other type, then she is at the top of the league. So it takes one heck of a performer to be able to stand firm against a performer like Gomez. Shipka does it, never flinching no matter what the writers ask of her. Kill (and play) her doppelganger? Overpower everyone to save her cousin from the guillotine? Discover and take down a trio of new demons in town? Take on the devil himself? Sabrina can do it all, but it’s only because Shipka never falters in every layered and surprising new script.
The stories this season pulled from past supernatural shows, from Buffy the Vampire Slayer to Harry Potter to Grimm, and incorporated all kinds of horror tropes (Hellraiser puzzle box?), peppered with clever pop culture references (Stepford Wives Zelda?). It succeeded where its sister series, CW’s Riverdale, was unable this year, getting better with each episode. Writers Donna Thorland, MJ Kaufman, Christina Ham, Oanh Ly, Ross Maxwell, Matthew Barry, Christianna Hedtke, Lindsay Bring, Joshua Conkel, and showrunner and comic book writer Roberto Aguirre-Sacasa stretched the boundaries of fantasy into a series like nothing anyone has ever seen on TV.
Our borgBest of 2018 list continues today with the best in television. If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.
Without further ado, this year’s Best in Television:
Best Borg TV Series, Best TV Borg – Humans (AMC). No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans. This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK. Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for. And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her. This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.
Best Sci-fi TV Series – The Man in the High Castle (Amazon). What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel. The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address. Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi. Honorable mention: Humans (AMC), Counterpart (Starz).
Best New TV Series, Best Reboot, Best Ensemble Cast – Magnum PI (CBS). If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it. And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series. With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts. Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original. Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).
Best Series, Best Drama, Best Comedy – Lodge 49 (AMC). Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other. Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions. If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series. And yet it wasn’t fantasy at all. An oddball Cheers? A southern Twin Peaks without the Lynchian weirdness? Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be. Maybe we’ll learn more about that next season. Honorable mention for Best Drama: Counterpart (Starz). Honorable mention for Best Comedy: Baskets (FX). Continue reading →
Chilling Adventures of Sabrina is the rare show that tries to be many things and actually succeeds at them all. If you are looking for the ideal way to spend this Halloween, absent a Buffy the Vampire Slayer marathon, you’re not going to find a better TV pursuit than this new Netflix series. It features a captivating lead in its teenage witch Sabrina, played perfectly by Kiernan Shipka, who shows every frustrating feeling, emotion, and indecision any teenager must go through, reflected in a mythology-rich world with enormous stakes. Sabrina is a kid–a smart kid, but still a kid–so she makes the kind of mistakes teenagers make. Raised in the occult world by a family of witch aunts and a warlock cousin, Sabrina is a half-breed (her mother was human, her father a high priest in the dark arts), but viewers will see she shares some commonality with Hermione Granger from the Harry Potter books–she’s loyal, she’s book smart, she’s street savvy, and conscientious, dabbling in the magical world. She also is trusting and able to be manipulated by the adults around her. She may not be the fully realized, badass, confident heroine everyone wants to see–just yet–but by the end of Season 1 she’s well on her way.
The series protagonist is actually not Sabrina, but a demon who takes over the body of Michelle Gomez‘s Ms. Wardwell, a teacher at Sabrina’s mortal-realm high school, an ever-present mentor steering her out of dilemmas when Sabrina’s aunts fail to give Sabrina the help she wants. Gomez, who played Doctor Who’s #1 nemesis The Master, is even more engaging here, fully inhabiting a character whose motivations are hidden by a fog–a blurred reality paralleled by a clever fuzzy tweak in cinematography throughout each episode. Sabrina’s aunts, played by Miranda Otto, The Lord of the Rings #1 heroine who saved Middle-earth (“I am no man!”) and Lucy Davis, the #2 female lead in the WWI era of the movie Wonder Woman, unite to create a classic duet in the spirit of Arsenic and Old Lace. Otto’s Zelda is strict and a devout believer in her dark religion, Hilda a sweet and doting aunt who gets excommunicated for her support of Sabrina. All three actresses bring their genre star power to the series, providing a jolt of heroine gravatas to support the title character.
Sabrina is approaching her 16th birthday, when she must choose between the world of mortals and the world–and protections–of the witching world. She must decide whether she will relinquish her decision-making from then on to the devil himself or take her chances as a mortal. She is surrounded by those she thinks she can trust and others whose motivations are hidden in a dark world of several levels of good and evil. Making sense of the darkness and evil and placing a pantheon of 56-old comic book characters he rejuvenated in the pages of Archie Horror comics four years ago onto the screen for a new audience is Roberto Aguirre-Sacasa, chief creative officer of Archie Comics, and executive producer and writer for the comics and CW’s Riverdale and Netflix’s Sabrina. Quite shrewdly, Sacasa doesn’t comment on the dark religion of the series or any political stance his characters may reflect, instead letter the viewer bring their own value set to the show and making their own analysis. Who do you want to cheer for, the equivalent of Darth Vader or Princess Leia in science fiction, or Sauron or Eowyn in fantasy? Sacasa pulls from age-old classic stories, like Cain and Abel from the Bible, W.W. Jacobs’ The Monkey’s Paw, John Carpenter’s films including The Fog, Arthur Miller’s The Crucible, Robert Eggers’ The Witch, Neil Gaiman’s Sandman, and a classic horror film mirrored in the comics that might be a spoiler for Season 2–so we’ll hold that title back for now.
