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Tag Archive: Robocop


RoboCop Blu-ray

Thank you for your cooperation.

It is likely the best format you will have seen of director Paul Verhoeven’s classic vision of social commentary meeting science fiction since it appeared in theaters 30 years ago.  If you’ve only watched it on TV and in standard formats you’ll want to take another look at RoboCop, your favorite borg cop, on high-definition Blu-ray in its unrated director’s cut.  Known for its excess violence and campy cyborg superheroics, RoboCop avoids the dated look of many of its contemporary films, falling in an elite league of re-watchable, cult-favorite 1980s films with The Terminator and Tron.   Filmed in Dallas for its futuristic building locations instead of its actual story setting in Detroit, the police uniforms, corporate setting, and street scenes all feel as if they could be part of some future, with maybe only hair styles and faked media clips that shout 1980s.

RoboCop remastered

Relive the classic boardroom scene where Ronny Cox’s new alternative police replacement robot has a “glitch.”  Relive the first time you saw Ray Wise and Kurtwood Smith playing their earliest genre roles, plus the late Miguel Ferrer in one of his best roles.  And don’t forget that unforgettable Basil Poledouris (The Hunt for Red October, Starship Troopers, Conan the Barbarian, The Twilight Zone) soundtrack.

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magnificent-seven-banner-2016

Review by C.J. Bunce

It’s almost more useful to critique the critics than the new movie The Magnificent Seven, released in theaters this weekend.  You’ll find the whole lot so predictable.  The Magnificent Seven is a reboot or a remake (call it what you want) and so the best that critics are willing to do is provide the phoned-in, knee-jerk dismissal of it being something less than the original and therefore not worth the time it takes them to write a thoughtful review.  Or they will compare it to the best Westerns of all time, and tell you why it falls short.  The better reviews will point out that it’s a remake of the 1960 classic Western starring Yul Brynner and Steve McQueen.  The smarter ones will remind you that even that version was based on the original Japanese version, Akira Kurosawa’s Seven Samurai.  Paycheck earned.  Existence justified.  But that’s all too easy.

Yes, the original 1960 John Sturges version is both a great Western and quite fun (it’s on my top ten list).  The darker original Japanese film is more dramatic, brilliant in its simplicity, and not so much a rousing popcorn movie.  Is the 2016 remake among the best Westerns of all time?  Maybe not.  But is it a good Western?  Absolutely.  Do we always want to see the best picture nominee when we go to the theater?  I don’t.  I want to have fun.  And The Magnificent Seven is a blast.  In fact, critics are looking at it wrong.  It’s actually the year’s best superhero movie.

I understand the modern film critic’s dilemma, especially when Hollywood seems to have lost its imagination, churning out remake after remake.  It’s the same old song:  If you were a fan of–or better yet–love the original, you’re more likely than not to brush off the remake altogether, or at least not give it the attention it deserves.  Those who never saw the original or those who can view a remake as its own incarnation–those who can tell themselves their feelings for the remake will not “ruin” their feelings about the original–probably enjoyed the Star Trek reboot from 2009, or Always, or Assault on Precinct 13, or The Flight of the Phoenix, The Fog, The Jackal, The Man from U.N.C.L.E., The Money Pit, Ocean’s Eleven, RoboCop, The Taking of Pelham 1 2 3, or Walking Tall.  Each of these, viewed on their own merits is a great film.  They may even be good remakes.  Those who avoid The Magnificent Seven are missing out on a fun outing.  And a good remake.

sensmeier-magnificent-seven-scene

Today’s ensemble movie is mostly found in the superhero genre.  Stack up The Magnificent Seven against The Avengers, The Avengers 2, or Captain America: Civil War, or any DC Comics superhero film of the past 20 years, and it leaves them all in its dust in its success in introducing a team, getting them to work together, and MacGyver the situation into some giant climactic battles.  Each of the titular seven stars of the movie have their own extraordinary abilities, they just don’t wear capes.  It’s an ensemble piece.  A superhero team-up.  So why don’t we have a casting Oscar?  The three casting directors knew what they were doing–they created the teams for Suicide Squad, Batman v. Superman, No Country for Old Men, True Grit, Sin City, and Star Wars Episode VIII.

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Michael Keaton in Jackie Brown

With the popularity of Quentin Tarentino’s other writing and directing achievements, Jackie Brown tends to get short shrift. Based on Elmore Leonard’s novel Rum Punch, it’s the exception in Tarentino’s film arsenal where the story concept didn’t originate from the mind of Tarentino.  Yet there are enough changes made by him to make 1997’s Jackie Brown a standout film for the heralded director, and it may very well be his best all-around film, full of style, suspense, and pulp cool.

The prime reason for that is his handling of the character of Jackie Brown as a tough, no-nonsense survivor, and Pam Grier’s ability to fill those shoes perfectly.  The cast of top Hollywood stars and character actors, including Samuel L. Jackson, Robert DeNiro, Bridget Fonda, and the great Robert Forster fills in the remaining blanks. But you may forget the key role played by Michael Keaton as straight-shooter cop Ray Nicolette.

Michael Keaton as Ray Nickolette

Keaton played a supporting role in a previous ensemble cast effort under a popular director, Kenneth Branagh’s Much Ado About Nothing, as Dogberry, the closest on-screen attempt at showing what Charles Schulz’s Pigpen would look like all grown up.  Part of the conceit of Keaton’s new film Birdman is the intended irony of a washed-up actor that once played a popular character called Birdman, and the obvious comparisons to Keaton’s Batman and lack of promising acting gigs in recent memory.

In fact Keaton has always been a working actor plugging away at film roles through the years and Dogberry, along with Jackie Brown’s Ray, may have helped fuel the vibe since Keaton was either content to join these ensemble casts with small parts, or that was all he was offered.  Either way, these weren’t major leading man roles as he has found with Birdman.

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Chappie police robot

First we saw CNN’s Anderson Cooper reporting in the Black Widow comic book series, now he’s leading up the latest trailer for Neill Blomkamp’s 2015 release Chappie.  Columbia Pictures has switched gears since the original trailer was released, from a quirky preview about a Pinocchio-esque robot trying to be real to a story that looks a lot like RoboCop.

It gets better–this trailer actually may bring in more moviegoers.  It reveals more action, the kind of action that Blomkamp showed us he could provide in his Academy Award-nominated geopolitical sci-fi thrill ride District 9.  And where the first trailer sidelined stars Hugh Jackman and Sigourney Weaver, now they’re front and center.

RoboCop or Chappie

It still looks to be more light-hearted like Blomkamp’s District 9 and certainly less dark than his Elysium, but that might be a good thing, too.  Elysium sorely lacked any heart, and this may be an attempt to re-balance Blomkamp’s movies for a wider audience.

See for yourself–check out this new trailer for Chappie, after the break:

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emily-blunt-edge-of-tomorrow

What a busy year!  We took in more content this year than ever before, reading more books, watching more TV series, and reviewing more movies.  Wading through all that Hollywood had to offer, we try to hone in on the genre films and TV series we think are worth our time.  We went back and looked at it all and pulled together our picks for our annual “Best of the Best” list.  Today we reveal the best content focusing on movies.  Come back for more of our picks tomorrow.  If you missed any of these films this year, check them out when they arrive on video or digital release.

Edge of Tomorrow Omaha Beach scene

Edge of TomorrowBest Film of the Year, Best Science Fiction Fix, Best Action Fix, Best Actress (Emily Blunt), Best Supporting Actor (Bill Paxton).  The benefit of Blu-rays/DVDs is the ability to go back and verify whether a movie was as good as you remembered it in the theater.  Of all the top genre films of the year, including Guardians of the Galaxy and X-Men: Days of Future Past, it was Edge of Tomorrow that became an addictive re-watch, to see all those great, funny scenes, like Tom Cruise’s demoted soldier rolling under the jeep, and Emily Blunt’s Rita Vrataski destroying all those aliens.  Rita was the best character we saw this year–anywhere–and Blunt provided the best performance.  Superb sci-fi components?  Check.  Superb action sequences?  Check.  With top-notch acting by Blunt and Bill Paxton.  This will be the movie of 2014 that we one day will re-watch just like we re-watch Aliens and Predator today.

Guardians in prison

Guardians of the GalaxyBest Superhero Fix, Best Actor Runner-up (Dave Bautista), Best Supporting Actress (Zoe Saldana), Best Villain (Lee Pace), Best Soundtrack, Best Rock Album.  It was the perfect blend of B-level superheroes and a space fantasy like we hadn’t seen since the original Star Wars.  A surprisingly fun ride.  Guardians introduced the world to Dave Bautista, who will likely get more and more popular in 2015 and beyond.  His serious but comedic Drax may have been the best part of a great cast of new characters.  Zoe Saldana created her best genre role so far and Lee Pace’s Ronan was a perfect comic book villain.  And those tunes on Starlord’s Walkman!  What was more fun this year than Rocket and Groot?

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Big Trouble Ish 3   RoboCop 2014

BOOM! Studios is continuing two fun retro-series this week based on classic 1980s movies.  First, Big Trouble in Little China, based on the John Carpenter movie starring Kurt Russell, continues the crazy antics of Jack Burton in San Francisco’s Chinatown.  And Robocop: Dead or Alive You’re Coming With Me is the latest RoboCop continuation series.

Big Trouble in Little China is written by John Carpenter and Eric Powell, with artwork by Brian Churilla and colorist Michael Garland.  RoboCop is written by Joshua Williamson, with artwork by Carlos Magno and colorist Marissa Louise.

After the break you’ll find previews for Big Trouble in Little China, issue #3, and RoboCop, Issue #2, courtesy of BOOM! Studios.  Both will be released tomorrow, August 6, 2014.

BigTroubleInLittleChina03_coverA

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Hobbit booth Weta SDCC 2014 Azog

We thought we’d share some of the best exclusives and other offerings scheduled to be available at San Diego Comic-Con International this weekend for those of you who just can’t decide what to spend your money on.  There’s too much to be able to see everything at the big Con, so we’ve listed booth numbers so you can make sure you don’t miss out on those toys, posters, and comic books that you simply must have.

But first, how about some early SDCC reveals, like this image of Roy Harper’s new Arsenal costume from CW’s Arrow:

Arsenal reveal at SDCC 2014

and this great new SDCC 2014 exclusive poster for the final installment of The Hobbit trilogy, The Hobbit: The Battle of Five Armies:

The Hobbit Battle of Five Armies SDCC 2014 poster

And what’s better than news of a new comic book series tie-in from IDW Publishing for Orphan Black?

IDW reveal SDCC 2014 Orphan Black comic book series

Now on to the exclusives:

From the Weta Workshop (Booth #3613) you can get this Smaug scales T-shirt inspired by The Hobbit: The Battle of Five Armies:

Smaug scales T-shirt Weta SDCC 2014

and a pre-release copy of the new book The Art of Film Magic, signed edition:

Art of Film Magic SDCC 2014 WETA booth

From Alex Ross Art (Booth #2419) pick up original comic book art or limited prints, or this great 10-print edition portfolio of some of Alex Ross’s Marvel Comics work:

Alex Ross Art Portfolio - 10 prints

BOOM! Studios (Booth #2229) will be selling several exclusive cover variant comic books, including RoboCop #1:

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Noto Sleepy Hollow

One independent comic book publisher drew our attention this week more than the others.  BOOM! Comics has two new comic issues out tomorrow for sequel stories to classic films–Big Trouble in Little China and RoboCop–and it made an announcement about a new series coming our way based on the television show Sleepy Hollow.  We’ve got previews of Big Trouble and RoboCop after the break and first images from Sleepy Hollow.

John Carpenter and BOOM! Comics’ Big Trouble in Little China monthly is so much fun you’ve got to be adding it to your pull list at your local comic book store.  Following the adventures of Jack Burton after the events of the original 1980s film, it’s a sequel that might as well be titled “The Sequel” with the same spirit, humor, and visuals as the original.  Big Trouble is co-written by the great John Carpenter with Eric Powell and art by Brian Churilla of (the awesome) The Secret History of D.B. Cooper fame.

BigTroubleLittleChina_02_coverA    Robocop_001_coverA

The other sequel-that-might-as-well-just-be-called-a-sequel is BOOM!’s new RoboCop series.  Written by Joshua Williamson with art by Carlos Magno, the new series is far different from other recent RoboCop monthlies including Frank Miller’s version, and will be a welcome relief for fans of the classic movie who couldn’t or wouldn’t check out the reboot.  That means look for plenty of the ugliest view of Detroit you’ve ever seen, lots of violence, crime, and over-the-top bullets flying.  Too bad all the big baddies were killed in the original movie as they’d feel right at home here.

Robocop_001_coverB    BigTroubleLittleChina_02_coverB

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RoboCop and OldmanReview by C.J. Bunce

If you’re a fan of the 1987 Paul Verhoeven science fiction classic RoboCop starring Peter Weller, you might have decided to avoid the reboot showing in theaters this month.  But if you skip the new RoboCop, you’ll be missing out on a great sci-fi vision realized with a stellar cast and cutting edge special effects.  Where recent remakes of classic sci-fi movies didn’t equal the original, as with Tron: Legacy, or completely missed the mark, as with Total Recall or Man of Steel, RoboCop manages to meet or exceed the original in almost every way.

Fundamentally, the original RoboCop is lauded for its social commentary on media, capitalism, and authoritarianism.  The new film hits all of these areas head-on in light of the changing realities of the 21st century.  This begins with a failed, televised peacekeeping mission in Tehran with the giant EV-109 robots (similar to the two-legged walkers in the original film)–predecessors to both the robot/android cops, and later to the man-in-the-machine RoboCop, played by relative newcomer Joel Kinnaman.  Timely elements help bring the storyline into the 21st century, like Detroit’s closed circuit surveillance grid, which makes the RoboCop effective, and parallels the current real-world controversy surrounding drones for spying.

Robocop tehran

The supporting characters are pulled from the headlines, too.  Michael Keaton’s leader of Omnicorp is the typical entrepreneurial Wall Street “big corporation” CEO you’d expect, and Samuel L. Jackson’s talking head Pat Novak might as well have been an impersonation of Fox’s Bill O’Reilly (with some Stephen Colbert dramatics thrown in).

Where Peter Weller’s RoboCop was all machine with little soul, Joel Kinnaman’s version gets to flesh-out (literally) the physical and emotional journey from man to cyborg, in a way touched on in Jake Gyllenhaal’s equally riveting Source Code, but not otherwise fully explored on film before now.  If rumors become reality of Leonardo DiCaprio playing a big-screen version of Bionic Man’s Steve Austin, it will be difficult for audiences to avoid comparisons with this RoboCop, as the stories of both Alex Murphy and Steve Austin have many mirrored origin story scenes that unfold over the course of the film.  This includes a nice performance by Gary Oldman in a superb take on The Six Million Dollar Man’s Dr. Rudy Wells.

Joel Kinnaman;Gary Oldman

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RoboCop Blu-ray

Thank you for your cooperation.

It is likely the best format you will have seen Paul Verhoeven’s classic vision of social commentary meets science fiction since it appeared in theaters in 1987.  If you’ve only watched it on TV and in standard formats you’ll want to take another look at RoboCop, your favorite borg cop, now on high-definition Blu-ray in an unrated director’s cut.  Known for its excess violence and campy cyborg superheroics, RoboCop manages to avoid the dated look of many of its contemporary films, falling in an elite league of re-watchable, cult-favorite 1980s films with The Terminator and Tron.  Filmed in Dallas for its futuristic building locations instead of its actual story setting in Detroit, the police uniforms, corporate setting, and street scenes all feel as if they could be part of some future, with maybe only hair styles and faked media clips that shout 1980s.

RoboCop remastered

Relive the classic boardroom scene where Ronny Cox’s new alternative police replacement robot has a “glitch.”  Relive the first time you saw Ray Wise and Kurtwood Smith playing their earliest genre roles.  And don’t forget the unforgettable Basil Poledouris (The Hunt for Red October, Starship Troopers, Conan the Barbarian, The Twilight Zone) soundtrack.

Continue reading

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