Tag Archive: Rogue One: A Star Wars Story


After much speculation about this summer’s big Star Wars event–the return of Ewan McGregor in a painfully short six-episode mini-series for Disney+ titled simply Obi-Wan Kenobi–the first teaser-trailer for the series reveals Lucasfilm’s decision to lean hard on the aftermath of Revenge of the Sith.  This is the still blonde, 50-year-old Kenobi shortly after the prequels as opposed to the wise old Jedi wizard portrayed by gray-haired Alec Guinness at age 63.  If you were a fan of the prequels and the animated Star Wars Rebels, this seems made for you, as the music and characters new to the live-action side of the franchise are firmly seated in that source material.  From John Williams’ score from The Phantom Menace to the Inquisitors from Star Wars Rebels, there’s a lot to wrap your head around, but it’s clear this is going to be a dark, bleak look at the franchise, complete with a villain that looks like he was plucked from Hellraiser.

We finally got to see Luke Hamill as Luke Skywalker in full Jedi mode in The Mandalorian and Darth Vader saber-waving in Rogue One, will we finally get to see Obi-Wan let loose on the Empire?

Check out this first look at Disney’s Obi-Wan Kenobi:

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Review by C.J. Bunce

This year on January 1 I reviewed the first episode of The Book of Boba Fett, the show about the Star Wars bounty hunter’s return, 38.5 years in the making.  The series’ first season had a bit of a tepid start, but over the next six episodes Star Wars fans learned what was happening.  This was never intended to be a separate series, but the third season of a Boba Fett/Mandalorian hybrid, Saturday morning Western serial like Steven Spielberg and George Lucas created with Raiders of the Lost Ark.  This may be Disney’s best amusement park ride yet.  Maybe it would have made more sense to some if it were called some Western title like Star Wars: The Outcasts and didn’t have those two separate titles.  Criticisms of this season have all been like that, all of it form over substance (or maybe it’s just people who forgot to have fun).  In my first review I identified what I thought the series needed to do in its next six episodes.  So how did they (and I) do?

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Review by C.J. Bunce

Happy New Year!  My wish for everyone is they get their own bacta tank jacuzzi to help recover from last year… and the year before that, and…

It’s been 38.5 years since I first saw Boba Fett die, at the sneak preview of Return of the Jedi.  It was the low point of the movie–I’d rather they’d kill off Han Solo.  Let the mysterious bounty hunter drift off into the sunsets.  Practically speaking it meant decades of no Boba Fett, and nothing but minor appearances of Boba Fett in the Marvel comic books.  So we’ve all had a long time to picture how Boba Fett survives bumbling into the Great Pit of Carkoon, nesting place of the all-powerful Sarlacc, to be slowly digested over 1,000 years, which was as baffling as making the Kessel Run in less than 12 parsecs.  Now thanks to Jon Favreau, we get to see the vision in his head, in the first episode of The Book of Boba Fett, now streaming on Disney Plus.  (Moderate episode highlights and a revisit to 1983 and 1997 follow).

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Ten years of movie reviews.  How do you pick the best?  Our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too.  What makes a great movie?  #1 for us is great writing—great storytelling.  #2 is re-watchability.  Lots of movies are good, but if every time you watch it you enjoy it all over again and maybe find something you didn’t see before, then you likely got far more value from the movie than the price of a movie ticket.  #3 is innovation—there’s nothing to top off a good story like new technology surprising us.  Finally, the experience must be fun—why else would you devote two hours or more of your valuable time?

So in Casey Kasem style, here are the Top 40 movies we recommend, spanning 2011 to 2021.  These are our favorites.  How should you use lists like this?  If you like what we talk about at borg, you’re probably going to like these movies.  If you’ve missed any, odds are you have some new movies to take a look at.  Let’s start at #40 and move our way to #1.  As with everything borg, we’re stressing genre movies, so don’t expect to see strict dramas or a lot of Best Picture Oscar winners here.  Title links are to our original borg review.

Let’s get started!

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Review by C.J. Bunce

It’s more likely than not you haven’t heard of Galaxy’s Edge, or Black Spire Outpost, or the remote Outer Rim planet called Batuu.  But you have heard of Star Wars.  Billions have seen that fictional space fantasy galaxy via movies, books, and a TV series.  But far fewer have made their way to Walt Disney World in Florida or Disneyworld in California, and that means a tie-in, real world location event experience is out there that most Star Wars fans haven’t tapped into yet.  That’s where Abrams Books’ seventh book in their concept art library documenting the Star Wars universe comes into play.  The Art of Star Wars: Galaxy’s Edge will take readers where they’ve never been, a world inspired by the artwork of Ralph McQuarrie just as the movies were so inspired, further springing from 11 movies, three series, and dozens of books.  The result is a destination different and new that fans have never seen before.
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Every new technological creation seems to eventually arrive at a point where you can buy it at 99 percent off its original price.  It’s the classic 99% off sale.  And while it’s not true for everything, we can see it in many ways across the decades.  Look at something like the simple calculator, once a giant machine costing thousands of dollars, ultimately it came down in price (and size) to fit in your wallet as a free giveaway as businesses all over stamped an advertisement on the back as a marketing tool.  Today it’s a free feature on nearly every personal computer and android phone.  In the 1990s Connie Willis focused on the emerging technology of animating dead people in films in her groundbreaking novel Remake (discussed here at borg back in 2012).  It happened and it’s only getting better.  As recently as December Star Wars fans saw Mark Hamill reprise a young Luke Skywalker via imaging software in The Mandalorian, and probably the best use so far can be found by the de-aging of Michael Douglas in the Ant-Man movies. 

In basements (and governments?) across the world software designers and users dabble in “deep fake” imaging, attempting to push this technology to defraud (or prevent the defrauding of) others by digitally replacing faces in all kinds of video recordings.  Imagine making such video images by uploading a static image and simply pressing a button.  Guess what?  Now anyone can.  Look to an unlikely source to visit the future, thanks to a genealogy company’s new software program that costs its subscribers… nothing.  Quietly slipping in its own add-on free to its pay subscribers, a surprisingly good “artificial intelligence” turns any photograph into a short animation.  Yes, you, too, can re-animate the dead, maybe not as Mary Shelley envisioned more than 200 years ago, but take a look for yourself…

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At Disney’s annual “D23” Expo this weekend, attendees can expect to get another big fix of Disney, and that includes costumes.  The costumes are from the more recent Disney years, with one display showcasing the new Mary Poppins Returns outfits, Time from Alice Through the Looking Glass, and Captain Jack Sparrow and Barbossa’s costumes from the Pirates of the Caribbean series.  Another wing featured Disney’s recent animated-turned-live action movies, and another focused on the villainy of the live-action films, all within a gallery of dozens of costumes foreshadowing a new book coming next month, The Art of Disney Costuming: Heroes, Villains, and Spaces Between, available now for pre-order here at Amazon.  Check out a 16-page preview of the new 176-page hardcover volume below.

The book isn’t about Star Wars costumes (for that, we recommend Brandon Alinger’s Star Wars Costumes: The Original Trilogy, reviewed previously here at borg, and Trisha Biggar’s Dressing a Galaxy: The Costumes of Star Wars, reviewed here).  But that didn’t keep Disney and Lucasfilm from showcasing a dozen costumes of Star Wars armor tracing back a design history of Star Wars stormtroopers.  Check those out below.

Lucasfilm also previewed the new hero cast costumes from The Mandalorian streaming series from Disney+ (previewed here yesterday).  And note: Ewan McGregor confirmed he will be reprising the role of Obi-Wan Kenobi in a forthcoming Disney+ series.

 

Check out this preview of The Art of Disney Costuming: Heroes, Villains, and Spaces Between and some Star Wars franchise costumes on display at D23 this weekend:

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Fox’s television series The Orville gets to explore a new world as it comes to Dark Horse Comics this summer.  TV series executive producer/writer David A. Goodman (Futurama) will write the series, with artwork by David Cabeza and colorist Michael Atiyeh (Tomb Raider).  The four-part series The Orville Season 1.5 takes place between TV seasons one and two.  Dark Horse Comics has revealed the first cover by Cabeza (below).  Check out the details from the press release for the comic book series below.

As great as the first season of The Orville was, the three most-recent episodes of the series have met or surpassed the best science fiction episodes of any classic or modern science fiction television series.  The Orville has been serious science fiction since its inception, and many critics and new viewers are at last taking notice.  Beginning with the two-part episode “Identity,” viewers got to see the very best planetary environments and sequences of space battles in the history of sci-fi television.  That’s right, the effects are that good–detailed, realistic, sweeping, and all-out fun.  And forget about comparisons to television shows, the second part of the story arc displayed an exciting, epic space battle on par with the best galactic assaults and dogfights from the Star Wars universe, comparable to the final assault in Rogue One: A Star Wars Story Sci-fi fans can’t ask for anything better than that.  Thanks to executive producer and episode director Jon Cassar, The Orville reset the bar for compelling television sci-fi in this two-parter.  From story and surprises to production design and execution, the often lighthearted series drops plenty of drama on viewers–gut punches in contrast to the laughs–proving The Orville is the real deal.

Taking the journey forward immediately after the effects of the battle with the Kaylons, in last night’s episode “Blood of Patriots,” Norm MacDonald’s marvelously realized gelatinous Kaylon battle hero Yaphit is celebrated by the crew, and we meet genre-favorite actor Mackenzie Astin giving a compelling performance as a gritty warrior-soldier, the kind you’re not likely to soon forget.  The balance of the science fiction concept of reflecting the present with fictional stories of the future takes on new meaning with The Orville, as the writers deftly weave not just a single issue, but more than a half a dozen into each new episode.  The result is much-watch television that surpasses decades of programming that preceded the show.  From a character standpoint, it’s great fun to see Scott Grimes’ Lt. Gordon Malloy put forward as the ship’s hero-to-turn-to this season, a flawed man whose quirks and foibles reflect the kind of human you’d find today and in the future as part of any kind of actual fighting force.

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borg Hall of Fame 2018

It’s been another long year of great entertainment.  Before we wrap our coverage of 2018, it’s time for the sixth annual round of new honorees for the borg Hall of Fame.  We have plenty of honorees from 2018 films and television, plus many from past years, and a peek at some from the future – 40 in all.  You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology.  Wearing a technology-powered suit alone doesn’t qualify a new member.  Tony Stark aka Iron Man was an inaugural honoree because the Arc Reactor kept him alive.  The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but as far as we can tell it’s not integrated with Peter Parker’s biology.  Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse, and Black Manta from Aquaman (and decades of comics before), seem to be merely wearing tech suits.  We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, since nobody has more intriguing armor.  Maybe Jon Favreau’s new television series will give us something new to ponder next year.

Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it.  Westworld continues to define its own characters as androids (like Star Trek: The Next Generation’s Lt. Commander Data throughout the TV series), and not cyborgs (going back to Michael Crichton’s original story), so we continue this year to hold off on their admittance unless something changes, like the incorporation of living biological (blood, cells, etc.) materials.  Are we closing in on admitting individuals solely based on a breathing apparatus that may allow them to breathe to in non-native atmospheres?  Only if integrated (surgically).  Darth Vader has more borg parts than his breathing filter.  We assume new honoree Saw Gerrera does as well.  With more biological enhancements we’d allow Tusken Raiders, Moloch, and Two Tubes from the Star Wars universe, and Mordock the Benzite from Star Trek, but wouldn’t that also mean anyone in a deep sea suit or space suit is a cyborg?  Again, integration is key.  Ready Player One has humans interacting with a cyber-world with virtual reality goggles and other equipment, but like the Programs (as opposed to the Users) in the movie Tron, this doesn’t qualify as borg either, but we’re making an exception this year for the in-world Aech, who is a cyborg orc character, and two Tron universe characters.

Already admitted in 2017 were advance honorees that didn’t actually make it to the screen until 2018.  This included Josh Brolin’s new take on Cable in Deadpool 2 and Simone Missick’s Misty Knight after her acquisition of a borg arm in Marvel’s Luke Cage.  New versions of Robotman and Cyborg are coming in 2019 in the Doom Patrol series, but they are already members of the revered Hall of Fame.  Above are the new looks for these two earlier honorees.

So who’s in for 2018?

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Review by C.J. Bunce

Maybe you don’t need the Old West to have a great Western after all.  Bringing back the feel of the first third of the original Star Wars: A New Hope with a Butch Cassidy and the Sundance Kid level of fun and humor, Solo: A Star Wars Story is finally in theaters with something for every Star Wars fan.  The saloons may be different and so are the sidearms, but this is the story of a young gunfighter, complete with the related outlaws and mercenaries, partners and betrayals, card playing, and gunfights.  With the sweeping adventure of The Empire Strikes Back, the perfectly rebuilt and repackaged nostalgia of Rogue One: A Star Wars Story, and a jumping off point for a galaxy of possibilities for beloved characters we only thought we knew, director Ron Howard delivers.  Not weighted down by the gloom and doom of the Dark Side in Rogue One or the rest of the Star Wars films, this Star Wars story creates new and original locations and situations for a few familiar characters plus many new ones and still ties into the overall episodic stories, taking place after Revenge of the Sith, but before Star Wars Rebels and Rogue One.  Yet we meet many new characters and questions are raised in the film that beg for one or more sequels to this branch off the main Star Wars saga–we can now have many new tie-in novels, comics, TV series, and maybe even movies to keep it all going.  If you didn’t think The Last Jedi captured the nostalgia or fun of earlier Star Wars films, then Solo is for you–not since The Empire Strikes Back has an entry in the saga been such a rollercoaster ride.

Surprises?  In a film that could have just filled in the blanks, the surprises were dished out from beginning to end, including some big ones we won’t mention here.  The overall tone is something out of Amazing High Adventure, and it makes perfect sense: It’s Silverado in space.  Screenplay writer Lawrence Kasdan (who wrote the screenplay with son Jonathan Kasdan), known for writing Westerns Silverado and Wyatt Earp, prior Star Wars entries The Empire Strikes Back, Return of the Jedi, and The Force Awakens, and that greatest of adventure movies Raiders of the Lost Ark, was the perfect match to veteran director and movie icon Ron Howard.  The Western inspiration is supported visually in the Frederic Remington-inspired colors and landscapes.  You can spot the World War II movie references along the way, too, that Kasdan and Howard no doubt enjoyed as moviegoers over the years, like Von Ryan’s Express.  The relationships between characters evoke gangster movies and even pirate tales like Treasure Island.  Science fiction fans will see parallels to Han’s band of mercenaries in both the crew of the Ghost in Star Wars Rebels and Joss Whedon’s Serenity crew in the Firefly television series.

The Kasdans smartly injected those scenes every fan has thought about, pulled from passing references throughout the original trilogy to become fully realized plot threads, and then they folded in so much more.  Without the religion and mysticism of the Force, Solo: A Star Wars Story breaks the precedents of the saga as space fantasy to become arguably the first end-to-end science fiction movie of the franchise.  And it’s not just a fun movie.  Viewers will get plenty to think about.  Characters here are sometimes swapped into positions taken by other characters (and beasts) in prior movies in a way that will make moviegoers want to take another look at the prior films again.

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