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Tag Archive: Roy Thomas


Happy Easter!  Along with the Easter Bunny, how well do you know the famous rabbits of print and screen?  We thought we’d dig in and see what we found and a few dozen surfaced that you probably know, maybe don’t know, or might want to know.  Americans are raised knowing something about the Easter Bunny from year one.  Are any of these other rabbits even more famous?

We had a hard time finding a photo of one famous movie rabbit.  There he is–Harvey, from the 1950 movie co-starring Jimmy Stewart.

Everyone needs a painting in their home like that.

Since it’s Star Wars Celebration weekend, we won’t forget our favorite rogue rabbit, Jaxxon, from the Howard Chaykin and Roy Thomas 1970s Star Wars comic book series.  (That’s him at the top of this article).

We discussed another comic book rabbit only yesterday here at borg.com, Stan Sakai’s samurai from Usagi Yojimbo.

Usagi is a rabbit you want on your side.  But so is Judy Hopp.  She’s one great cop.

She’s the star of last year’s Academy Award winner for Best Animated Film, Zootopia.  And speaking of zoos, Judy would fit right in with this next guy.

That’s Captain Carrot, from Captain Carrot and his Amazing Zoo Crew!, the 1980s DC Comics series.

Who could be cuter than Thumper, the rabbit from the 1942 Disney movie, Bambi?

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xena-cover4    sherlockholmesomnitp-cov-400pgs

Dynamite Comics is releasing three compilation editions of previously published work tomorrow, and we have previews of all three below for borg.com readers.

Sherlock Holmes Omnibus Volume 1 collects three stories:  The Trail of Sherlock Holmes, Liverpool Demon, and Year One, written by Leah Moore, John Reppion, and Scott Beaty, with artwork by Aaron Campbell, Daniel Indro, and Matt Triano, and a cover by John Cassaday.  At 400 pages this will keep Holmes fans busy.

Xena: Warrior Princess – All Roads includes the first six issues of Dynamite’s monthly series.  Written by Genevieve Valentine, with artwork by Ariel Medel and cover by Greg Land, this is a great series Xena and Gabrielle fans will love.

artofredsonjavol2    aors2-int-book-119

And finally, Art of Red Sonja Volume 2 collects more of various artist interpretations of Red Sonja published by Dynamite over the years.  The 336-page volume includes an introduction by the great Roy Thomas, and you’ll find plenty to love with works by artists including Alex Ross, Arthur Adams, Nicola Scott, Ed Benes, Jay Anacleto, Jenny Frison, Lucio Parrillo, Paul Renaud, Joseph Michael Linsner, plus several others.  Cover art is by Jenny Frison.

Check out previews of all three books after the break:

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Star Wars 107   Shattered Empire Phil Noto 1 cover

Back in the 1970s it was pretty exciting to anticipate what was going to happen after the original Star Wars aired and Marvel Comics was going to take us on a journey into the further adventures of Luke Skywalker.  With the end of the movie adaptation in Issue #6 of the comic book series, this meant Issue #7 was going who-knows-where in this rich new universe.  The surprise was that once we got the issue in our hands we learned it was to be a Han Solo and Chewbacca adventure, beginning with a Seven Samurai-inspired Western story.  This was before we knew what would happen in The Empire Strikes Back, so the writers and artists could use their imaginations to take the characters anywhere.  The writers proved prescient, creating the title The Empire Strikes for one early issue.

In January 2013 Dark Horse Comics went back to the same time period in the Star Wars saga and gave us a new look at our favorite characters, written by Brian Wood.  It was a good run and a fun story if you thought of it as a separate possible storyline.  The struggle with addressing this time period?  We know specific benchmarks in the future.  We just know without being told anywhere that Luke does not confront certain characters, like say Darth Vader or Boba Fett, between Episode IV and Episode V.  Yet with comic books you can intersperse different story elements, have different encounters, between the bookends of the stories we know.  It is up to the reader to decide which of these encounters work and which don’t.  We discussed the Dark Horse effort back here at borg.com back in 2013.

Star Wars 7 Marvel    Star Wars issue 7

This year with a brand new Star Wars monthly comic book series, Marvel writer Jason Aaron has taken on the same time period again–those days, months, and years between the destruction of the first Death Star and the Rebellion being discovered in the Hoth System.  Like Brian Wood, Aaron has written a fun story, full of those main characters fans know and love.  He introduced surprising encounters between main characters we never would have imagined, and even introduced a wife for Han Solo we never knew about.  But the struggle with the concept is the same.  Readers need to see their main characters intermingling–it’s almost a requirement that a Star Wars book include everyone or fans won’t buy it.  And this new series fulfills that need.  Yet maybe readers don’t need that so much, as the best issue and story in this year’s run can be found in a standalone story in Issue #7.  It addresses Obi-Wan Kenobi as he watched over Luke as a boy on Tatooine–something new and different and not dependent on surprising confrontations with old characters–and gives us a hint at the great potential the Marvel Star Wars universe can create for readers.

Enter a new series beginning this month, Star Wars: Shattered Empire, Journey to Star Wars: The Force Awakens, written by Greg Rucka with interior art by Marco Checchetto and a fabulous cover by Phil Noto (who interestingly provides a cover for Issue #1 which is similar to the last of the original Marvel monthly issues–like a jumping off and on point).  Shattered Empire is set immediately after the events of Return of the Jedi.  Now we are back in a world like Issue #7 of the original Marvel Comics Star Wars spin-off.  It really is unchartered territory, and Rucka must have more freedom than writers have with the time between Episode IV and Episode V.

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Star Wars Artists Edition cover

Celebrating the twentieth anniversary of Star Wars: A New Hope and long before we had any guess about what might happen in the prequel trilogy, George Lucas, for good or bad, retooled all three episodes of the Star Wars trilogy into the Star Wars Special Edition theatrical release.  Between January and March 1997 the world got to “see the movies again for the first time” and was reminded where the word blockbuster actually came from.  Now Marvel Comics is following suit with its own look back to original Star Wars source material.

Marvel Comics is releasing two new versions of Roy Thomas and Howard Chaykin’s original six-issue adaptation of the original Star Wars.  This is the classic adaptation that saw its first chapter, Issue #1, released before the movie hit theaters.

The first volume is being released today: Star Wars: Episode IV: A New Hope.  The OGN is for “oversized graphic novel” but the value in this book is the restoration, George Lucas style, of Howard Chaykin’s original artwork via a replacement of Marie Severin’s original 1970s colors with Chris Sotomayor’s update of the six-issue movie adaptation into a more modern color scheme.  Adi Granov supplies the new cover art for this edition.  Marvel said it will soon release similar editions of its adaptations of The Empire Strikes Back and Return of the Jedi.  Check out a preview of the new look at a classic movie adaptation below.

Star Wars OGN cover

IDW Publishing and Marvel Comics announced this week a second treatment of the same Star Wars comic book adaptation.  The Star Wars Artist’s Edition will be consistent with past IDW “artist’s edition” offerings, showcasing the original comic book pencil and ink art behind the series in high quality color reprints of the original, giant-sized page format that the artists sketched the artwork.

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abrams-star-wars-comics

Review by C.J. Bunce

With three new Star Wars comic book series beginning this year as the license returns to Marvel Comics, we’re taking a look at the second book in Abrams Books’ series of hardcover art house books on the franchise, Star Wars Art: Comics.  From the series that also brought us Star Wars Art: Posters, Star Wars Art: Concept, Star Wars Art: Illustration, and Star Wars Storyboards, Star Wars Art: Comics hones in on sequential art found in the comic book medium.

Star Wars and comic books have been in lock-step since Star Wars first hit theaters, thanks to George Lucas and an early meeting with writer Roy Thomas and artist Howard Chaykin.  The transcript of that meeting is included as an appendix to the book.  Beginning with the first comic book adaptation from Marvel and running through the Dark Horse years, Abrams has compiled a solid overview of thirty years of interpretations of the myth and magic of the Force.

Star Wars original cover art to Star Wars Howard Chaykin

Plates from cover and interior artwork were hand-picked for the book by George Lucas.  Star Wars Art: Comics is worth its price alone simply for the clear photos of Howard Chaykin and Tom Palmer’s original cover art for Marvel’s Star Wars Issue #1 and Dave Cockrum and Rick Hoberg’s original artwork to the oversized edition, both also featured on the book’s binding under the jacket.  Al Williamson’s stunningly rendered imagery from his adaptation of The Empire Strikes Back pepper the volume as well.

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Star Wars issue 1

With the official change over really coming to fruition in January of the return of the Star Wars comic book license to Marvel Comics after its successful run at Dark Horse Comics–and several months before the full magnitude of what it will mean to have Star Wars under the Disney empire–already word is out about re-releases of the original trilogy.

Forget about Greedo shooting first, the ghost of a young Anakin Skywalker at the end of Return of the Jedi, a skinny Jabba at Mos Eisley, and strange circular bursts emitting from destroyed Death Stars.  Forget about a cringe-worthy singsong “Celebrate the Love” over “Lapti Nek.”  It took Disney to give fans what they have wanted all along: the one and only original Star Wars, The Empire Strikes Back, and Return of the Jedi, with no special edition edits, on Blu-ray.  That’s right, all three films are undergoing conversions to Blu-ray for a to-be-announced release date in 2015.

Original Death Star 2 destruction

The original destruction of the second Death Star.

So you’ll again get to upgrade your home version of the trilogy, the one that already replaced you VHS, Beta, Laser Disc, DVD, and countless digital upgrade and boxed set releases–one more time.  That is, until they release the 3D version.  No word yet on that upgrade.

updated Death Star 2 destruction from special edition

Destruction of second Death Star, after the special edition update.

Along with the films, the original Star Wars: A New Hope comic book adaptation created by legendary writer Roy Thomas and illustrated by our favorite comic book artist, Howard Chaykin, will get a facelift of sorts.  Colorist Chris Sotomayor is going to update the four-color standard 1970s style used by Marvel to a more modern color set.  Like the special edition update for the movies, this will give us a new take on the classic book.  Well-known artists Marie Severin, Steve Leialoha and Glynis Wein provided the original color work now being replaced.

Here’s a comparison of the new vs. the old:

Marvel 1977 Star Wars color update

Check back for release dates here at borg.com throughout 2015.

C.J. Bunce
Editor
borg.com

SW teaser

So what evil lies behind that door?

Can you remember the first comic book that ever landed in your hands?  More than a decade ago I first met one of my comic book creator heroes, Howard Chaykin.  Chaykin created the very first Star Wars movie poster, a stylized, action-filled cover in his unique style:

Star Wars original Chaykin poster

Chaykin was visiting town at a local Con and luckily for me most of the visitors at the show were in line for the newest young comic artist, and didn’t realize all Mr. Chaykin had done in his long career in comics and television, so I got plenty of time to chat with him, and have him autograph my first comic book: Star Wars, Issue #8, featuring a story called “Eight for Aduba-3,” influenced by The Magnificent Seven/Seven Samurai story.  I’ve bragged up Chaykin before here at borg.com.  He’s one of the most interesting guys in the comics business.

Star Wars issue 8 Marvel Comics

“Eight for Aduba-3” came out when Marvel Comics first had the license to create the Star Wars movie adaptation, drawn by Chaykin and written by Chaykin and the great Roy Thomas, after a quick look at materials from the film and conversation with George Lucas.  They were tapped to take the characters from the new phenomenon in a new direction following the events in Episode IV: A New Hope.  “Eight for Aduba-3” included more than one tough recruited mercenary, much like its source material, but the big standout was Jaxxon, a giant, angry green rabbit-man.

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Comics Age of Ultron

Originally created by Dr. Henry Pym–Ant-Man–in the Marvel Universe and in our own universe by Roy Thomas and John Buscema in the pages of Avengers Issue #55 in 1968, Ultron is one of our inductees in the borg.com Hall of Fame.  Depending on which of his 18+ incarnations you look at, throughout his development he is often a blend of the organic and the technological to form the ultimate artificial lifeform.  We don’t yet know the state of Ultron’s form in the pages of Age of Ultron Book One, released in comic book stores this week.  But we do know he nearly obliterated the planet and its superheroes like no villainous force before him.  When we last heard of Ultron, Tony Stark aka Iron Man predicted that when Ultron returns he will bring an apocalypse for mankind.  It’s that apocalypse that brings us to this new Age of Ultron.

Writer Brian Michael Bendis and artists Bryan Hitch and Paul Neary plunge readers into an incredibly cool book from page one, revealing New York City today as a leveled island replaced with a technological nightmare of a fortress.  Looking a bit like London after the zombie apocalypse of 28 Days Later or a post-Cloverfield monster crisis, from the city’s ashes one bow-wielding, unlikely warrior rises above them all–Clint Barton aka Hawkeye.  What happened to the city?  Why is Hawkeye saving a girl from a gang of street dregs who look like the mutants of The Dark Knight Returns? 

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