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Tag Archive: Saturday Night Fever


As with Peter Jackson and The Lord of the Rings/The Hobbit franchise, George Lucas and Lucasfilm have rarely let screen-used props and costumes out of their own personal or corporate collections.  From time to time costume components retained by production staff members or third-party contributors to the productions have surfaced at private auction, mainly parts of costumes including Darth Vader and Stormtrooper helmets, various weapons including like blasters and lightsabers, and model ship filming miniatures.  But never before has an entire Star Wars character found its way to auction, and one of the most iconic pieces in the history of film at that.  So when a beautiful, full-sized R2-D2 hit the auction block yesterday, deep-pocket bidders took notice.  In an exciting back and forth of increasing bids in $100,000 increments, it seemed the bids for R2-D2 wouldn’t end.  In less than 3 minutes the hammer stopped at $2.3 million for a total sale price (after factoring a 20% buyer’s fee) of $2.76 million.  This was not only the first private Star Wars sale to eclipse seven figures, it is the highest known price paid in public auction for a piece of Star Wars film history (a Panavision movie camera used by Lucas to film the original Star Wars sold previously for $625,000, the filming miniature model of the Rebel Blockade Runner spaceship from the opening scene of the original Star Wars sold for $465,000, and a miniature filming model of a TIE Fighter sold for more than $400,000).

Like many props in the film industry, this R2-D2, made of aluminum, steel, and fiberglass parts, was pieced together from many parts that had been used, retired, and refurbished throughout the Star Wars films.  According to auction house Profiles in History, who handled the sale yesterday at its offices in Calabasas, California, the anonymous seller sourced the many robotic components together over several years.  And, indeed, Profiles in History has demonstrated via photographic evidence the R2-D2 can be screen-matched via its individual components to screen use in each film of the original trilogy (1977-1983) and the first two prequel films (1999-2002).  After several weeks of publicity for the auction, the ownership of the restored R2 unit and its sale at this auction was not disputed, and so the bidding got underway at approximately noon Pacific time yesterday.

Profiles in History staff taking phone bids during the auction said there was no time to celebrate the success of the R2-D2 during the auction–even after three days of the auction more than 500 lots remained to be bid on following the landmark sale of the droid.  The sale of the R2-D2 prop came only a day after Profiles in History sold the famous floor John Travolta danced on in the climax of Saturday Night Fever for $1.2 million.  A golden prop foot of R2’s pal C-3PO went unsold at the auction, but in December 2008 Profiles in History sold a golden prop head of C-3PO, worn by actor Anthony Daniels, for $120,000.

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Before John Badham was directing the best genre television in shows like Supernatural, Psych, Arrow, 12 Monkeys, Constantine, Nikita, In Plain Sight, and Heroes, he created two big, era-defining, memorable movies–Saturday Night Fever and WarGames.  This year Saturday Night Fever turns 40, so Badham went back to the film to create his own director’s cut edition, available for the first time today.

The new edition includes John Travolta’s memorable, Oscar-nominated performance and now classic 1970s dance moves, plus chart-topping classic BeeGees songs that would define disco: Stayin’ Alive, How Deep Is Your Love, Night Fever, More Than a Woman, Jive Talkin, and You Should Be Dancing.  It also includes extra scenes cut at the last minute to make sure the film came in at under two hours.  So in the new cut expect to see scenes featuring more personal character and plot development to better understand Travolta’s Tony Manero.

The film has been restored from the original negative in 4K with updated surround sound.  The Blu-ray edition includes both the director’s cut and theatrical version of the film, commentary by director John Badham, a five-part feature on the film entitled “Catching the Fever,” plus behind-the-scenes featurettes.
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Lip Sync Battle Dwayne Johnson The Rock

No surprise here. You know what you’re going to get with the show’s title: Lip Sync Battle.  Jimmy Fallon’s Tonight Show lip sync contests where he faces off against everyone from Will Farrell to Emma Stone are the stuff of viral videos now.  So it was a smart move for him to lead up a team of producers and Saturday Night Live’s Beth McCarthy-Miller as show director to feature a cable show that spun-off this segments into its own gig.

Spike TV started its new “reality competition” series off this week right, featuring the king of lip sync, the goofy, give-it-all-you-got Fallon against the larger than life charisma of Dwayne “The Rock” Johnson.  LL Cool J serves as the host of the show, with co-host/Spike eye candy model Chrissy Teigen.

Both trash talked each other throughout the show with plenty of good humor.  The prize for each episode is a giant boxing belt and midway through battle one Fallon offered up a pint-sized version for Johnson.

LL Cool J Jimmy Fallon Lip Sync Battle

Johnson’s songs were Taylor Swift’s “Shake it Off” up against Fallon’s take on Harry Belafonte’s “Jump in the Line” song from Beetlejuice.  Fallon upped the ante by taking the audience into a Conga line.  But the second round was the big production, with Fallon first up, syncing Madonna’s “Like a Prayer” with a back-up choir.  But you just can’t beat Johnson sporting John Travolta’s trademark duds from Saturday Night Fever, syncing the Bee Gee’s “Staying Alive.”  Both the stars really seemed to give it their all.

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Raiders of the Lost Ark

Last year Cinemark Theaters created their own event series similar to the great Fathom Events limited re-releases of classic films.  Last year’s series included American Graffiti, Animal House, Back to the Future, Dirty Dancing, Grease, and Ghostbusters.  Spread out over five weekends, younger audiences have an opportunity to watch these modern classics the way they were meant to be seen, on the big screen, to–as the 1970s re-release of Star Wars advertised–“See it again for the first time.”

This year’s roster is a tad shorter.  Back to the Future and Dirty Dancing are returning (hey, there’s something for everyone).  Plus, John Travolta and an awesome Bee Gees soundtrack can be found with Saturday Night Fever.  Both The Godfather Part 1 and Part 2 are showing, too (make sure you’re well caffeinated for that six-hour double feature).

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Johnny Alucard banner

Review by C.J. Bunce

At long last, Johnny Alucard, Kim Newman’s sequel to 1992’s Anno Dracula, 1995’s The Bloody Red Baron, and 1998’s Dracula Cha Cha Cha is now available.  And for fans of Newman’s richly detailed universe, the first Anno Dracula universe tale in 15 years was worth the wait.  It’s a ballad of a kid born with nothing, who has a destiny, and that destiny takes him to conquer America.  And it all happens in a parallel world where Bram Stoker’s Dracula was a biography of an historical figure, and humans and vampires live side-by-side in a universe similar, yet very different, from our own.

Known for its deeply layered world building occupied by well-known fictional and historical characters with jumbled realities, this latest Anno Dracula entry doesn’t let up.  We at borg.com last year named the re-release of Dracula Cha Cha Cha the best read of 2012.  Check out our review here.  That novel followed Newman’s four protagonists as their stories collided with the death of Dracula in the 1950s.  Three women vampires are at the heart of the Anno Dracula universe: Geneviève Dieudonné, a centuries-old French vampire who watched and participated in key historic events in this timeline; Kate Reed–the most accessible of the three–a plucky Irish journalist who carries the reader through many events in Newman’s stories; and Penelope (“Penny”) Churchward, the third wheel who never quite becomes friends with the other “Charles’s Angels”.   The Charles is Charles Beauregard, a British spy all three women had relationships with over the years, and who died in Dracula Cha Cha Cha, around the time of the death of Dracula himself.

This latest installment of Newman’s series picks up with the tale of an up-and-coming vampire legend. Born Ion Popescu, Johnny Alucard was “turned” at the age of 13 in 1944.  But the story begins in 1976 when he ends up as a gofer under Francis Ford Coppola as he is agonizing over the production of, not Apocalypse Now, but his own Dracula film.  Geneviève, Kate, and Penny are back, and they have key roles in Ion’s story as he transforms himself into “Johnny Pop” and ultimately the wealthy Johnny Alucard, elevating himself higher than anyone thought possible.

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