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Tag Archive: screen used costumes


Coming in at about the same price as the actor’s screen-used prop blaster from Return of the Jedi this summer (discussed here at borg), Harrison Ford proved again he is #1 among pop culture and entertainment memorabilia collectors.  At Prop Store‘s entertainment memorabilia live auction in London yesterday, called Treasures from Film and Television (which we previewed from San Diego Comic-Con here in July), one of the fedoras worn by ford in Raiders of the Lost Ark brought record bids for a prop from the franchise, taking in an estimate of between $522,500 and $558,000, including fees and taxes.  Ford’s Han Solo blaster sold in June for $550,000 (before tax).  The hammer price for the hat was £320,000 when the winning bid was placed and the hammer struck, or about $424,755.  Provenance for this hat was not provided by Prop Store in its catalog, but the company said it could be screen-matched through identifying marks to several key scenes in the movie.  An Indy bullwhip from Indiana Jones and the Temple of Doom sold for $74,460, including buyer’s premium, at the auction.

One of the other auction lots worn by Ford was supposed to be the crown jewel of the auction, a simple stylized blue jacket worn in The Empire Strikes Back said to have been screen-matched to the film’s Cloud City scenes.  Although it was expected to garner $660,000 to $1.3 million, bidders were just not willing to push bids past the $600,000 mark and the seller’s minimum reserve price.  The jacket was one of the only hero costume pieces from the original trilogy to be offered at public auction.

This week’s big star prop of the Prop Store auction was crowded among other Hollywood props on display at San Diego Comic-Con this past July.

Several other key props from the four corners of genredom sold in excess of six figures (including buyer’s premium and net of taxes) in yesterday’s auction.  A light-up T-800 endoskeleton from Terminator II: Judgment Day (1991) fetched a massive price of $326,500.  A Christopher Reeve costume from Superman (1978) and Superman II (1980) sold for $212,200.  A Hayden Christensen Anakin Skywalker lightsaber from Star Wars: Revenge of the Sith (2005) sold for $180,000 and an Ian McDiarmid Emperor lightsaber from the film sold for $114,000.  A background First Order Stormtrooper helmet from Star Wars: The Last Jedi surprised everyone, selling for a whopping $180,000.  A Johnny Depp costume from Edward Scissorhands (1990) sold for $106,100.  Of several original comic book art pages that sold, the star was Page 15 from The Amazing Spider-Man (1966), Issue #32, by artist Steve Ditko, which fetched $155,000.

More than two dozen other memorable props and costumes from sci-fi, fantasy, superhero, and horror classics fared well (prices quoted include pre-tax conversion from British pound, including buyer’s premium):
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When you think of iconic with respect to genre films from Hollywood, what first comes to mind?  The Wizard of Oz?  Star Wars?  Jaws?  James Bond?  Raiders of the Lost Ark?  Forbidden Planet?  Planet of the Apes?  Star Trek?  Terminator?  Maybe superhero movies?

Maybe your tastes are after less of the big franchises.  Like Edward Scissorhands, Spaceballs, American Graffiti, or Power Rangers?

Costumes and props representing all of these franchises made their way to booths of auction houses showing off their lots for fans of San Diego Comic-Con this past weekend.  Just how long is too long to become transfixed at the golden birds atop the actual Lost Ark (okay, one of the actual Lost Arks seen in Raiders of the Lost Ark)?

President Joe Maddalena and prop expert Brian Chanes from Profiles in History–the biggest auction house of Hollywood entertainment memorabilia–were on hand to walk visitors through some truly iconic props and costumes featured in its next big auction.  Nearby, The Prop Store (formerly The Prop Store of London) had COO Brandon Alinger and its Los Angeles staff and some members from its London branch onsite show off select pieces from this week’s Power Rangers auction and future auctions.

Some of the finest Star Wars props and costumes are coming to auction soon, including production models, Imperial helmets–including Darth Vader–multiple lightsabers, and Rogue One: A Star Wars Story costumes including one worn by Felicity Jones as the film’s heroine Jyn Erso.  A jacket purported to be one of those worn by Harrison Ford as Han Solo in The Empire Strikes Back was at The Prop Store display (they expect it to sell for $1 million or more).  One of the biggest sellers will no doubt be an original series command tunic worn by William Shatner in Star Trek and a Type 2 phaser, both with good provenance.  One of the hats used in the greatest fantasy film classic, The Wizard of Oz, for the Wicked Witch played by Margaret Hamilton, will be sold by Profiles in History.  And a full supersuit worn by Christopher Reeve in the original Superman films will be auctioned by Prop Store.

A weapon used by Leslie Nielsen in Forbidden Planet, Johnny Depp’s Edward Scissorhands outfit, a full-sized Terminator, props from Spaceballs, an Indiana Jones fedora, a director’s clapperboard from Jaws, a license plate with a familiar number from American Graffiti, a special effects doll used for James Bond in For Your Eyes Only, an original ape costume from Planet of the Apes, and an original Spider-man supersuit.  They are all coming up for auction soon.  Check out these photos from the Prop Store and Profiles in History booths:

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Last weekend San Diego Comic-Con spotlighted women costume designers and the creations of more than a dozen women designers created for actresses for some of the decade’s biggest genre films.  The Costume Designers Guild presented a panel Saturday featuring members Sanja Hays (costume designer, Captain Marvel, Star Trek: Beyond, Star Trek: Insurrection), Amanda Riley (costume designer, Supergirl, Agents of S.H.I.E.L.D.), and Laura Jean Shannon (costume designer, Iron Man, Titans, Black Lightning, Jumanji: Welcome to the Jungle) who provided highlights and anecdotes about their careers designing costumes for some of the most popular current and recent productions on television and in film.  A big high point for attendees was Hayes, whose new Captain Marvel costume will be the next benchmark in the Marvel Cinematic Universe, to be worn next year by Brie Larson in Captain Marvel–the first Marvel film with a woman in the title role.  Hayes commented that she found working on Marvel movies  different from past projects in that many details of design and even minor changes require extra levels of approval from Marvel’s continuity side.  Each of the designers stated they have arrived at a stage in their careers where they now have the power to cherry pick costumes to personally dive into from their projects and assign other production team members for the rest.  They also stressed the value of having close-knit and exceptional artists on their teams that can work together to meet the requirements of production.

   

At the giant Marvel Studios area on the convention floor, attendees could get up close to several key screen-used superheroine costumes from the past ten years, from Anna B. Sheppard‘s World War II Agent Carter uniform worn by Hayley Atwell from the beginning of the franchise to Evangeline Lilly‘s armor from The Wasp from this summer’s Ant-Man and The Wasp, created by Louise Frogley.  Eight other costumes bookended one side of the Marvel stage, including another four costumes opposite them in glass display cases–twelve heroines in all: Lupita Nyong’o‘s Nakia, Danai Gurira‘s Okoye, and Letitia Wright‘s Shuri costumes from Black Panther, created by Ruth E. Carter, Tessa Thompson‘s Valkyrie armor created by Mayes C. Rubeo for Thor: Ragnarok, Scarlett Johansson‘s Black Widow costume from Captain America: The Winter Soldier, Zoe Saldana‘s Gamora costume, Karen Gillan‘s Nebula costume, and Pom Klementieff‘s Mantis costume from Guardians of the Galaxy, Vol. 2, all created by Judianna Makovsky, Elizabeth Olsen‘s Scarlet Witch costume from Avengers: Age of Ultron, created by Alexandra Byrne, and Jaimie Alexander‘s Sif armor from Thor: The Dark World, created by Wendy Partridge.

A separate giant display elsewhere was created for Karl Urban‘s Skurge armor created by Mayes C. Rubio for Thor: Ragnarok.  DC Entertainment displayed Leah Butler‘s Shazam! costumes for Asher Angel‘s Billy Batson and his superhero alter ego, played by Zachary Levi.  And Lucasfilm presented David Crossman and Glyn Dillon‘s costumes from Solo: A Star Wars Story (a little more out of reach than the rest, posed high at the top of their exhibit), including screen-used costumes from Alden Ehrenreich‘s Han Solo, Joonas Soutomo‘s Chewbacca, Emilia Clarke‘s Qi’ra, Donald Glover‘s Lando, Erin Kellyman‘s Enfys Nest, and Paul Bettany‘s Dryden Vos.  And it wasn’t just about costumes, as many displays included the corresponding screen-used prop weaponry for the character.

Costume designers Laura Jean Shannon, Sanja Hays, and Amanda Riley at the costume designers panel at San Diego Comic-Con Saturday, July 21, 2018.

The following are photographs of all 22 costumes.  The lighting and glass displays limited the clarity of some of the images, and the Star Wars display was too high for our equipment to get any detail.  Yet some of the detail is better than you find in many behind the scenes books on the market today showing the costumes of DC, Marvel, or the Star Wars films–nothing beats seeing these close-up.  Take a look:

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Back in September here at borg.com we predicted the November Bonhams auction of Robby the Robot and his “space chariot” from the 1956 science fiction classic Forbidden Planet would hit the $1 million mark and we even entertained the possibility of a $10 million sale.  Yesterday the hammer fell at $4.5 million at Bonham’s “Out of this World” auction of entertainment memorabilia and with the addition of a buyer’s premium resulting in a final sale price of $5,375,000, Robby and his car became the highest movie prop lot ever to sell at public auction.  Technically a costume that doubled as a prop, Robby the Robot also became the second highest sale price for any piece of entertainment memorabilia to sell at public auction, eclipsed only by the 2011 sale by auction house Profiles in History of the iconic Marilyn Monroe subway vent dress from The Seven Year Itch, which sold for $5.52 million including buyer’s premium (yesterday Bonhams and the mainstream press, including The New York Times and CBS, mistakenly claimed Robby’s sale surpassed the Monroe dress price, but their reports neglected to factor in the buyer’s premium for the dress–a fee the auction house charges bidders based on a percentage of the hammer price, and the Monroe dress had a hammer price of $4.6 million).  The Robby the Robot costume/prop was used in dozens if not hundreds of appearances over the decades, including in key episodes of Lost in Space and The Twilight Zone.

Still, top prop honors is nothing to sneeze at.  The sale of Robby and his car nudged from the top spot the sale of the 1966 Batmobile from the 1960s television series, which sold for $4.62 million in 2013, including buyer’s premium.  The rest of the pantheon of prime public auction screen-used prop and costume sales includes one of two original James Bond Aston Martins from Goldfinger ($4.6085 million/2010), one of the falcon props from The Maltese Falcon ($4.085 million/2013), Audrey Hepburn My Fair Lady and Breakfast at Tiffany’s dresses ($3.7 million/2011 and $807,000/2006, respectively), Sam’s piano from Casablanca ($3.4 million/2014), the Cowardly Lion suit from The Wizard of Oz ($3.1 million/2014), Von Trapp kids’ costumes from The Sound of Music ($1.5 million/2013), Steve McQueen’s racing suit from LeMans ($984,000/2011), and one of four pairs of ruby slippers from The Wizard of Oz ($666,000/2000).

In the science fiction genre, the artifact to beat was another robot–an R2-D2 that was pieced together from several screen-used components, which sold this past June for $2.76 million, and a Back to the Future III DeLorean time machine sold for $541,000 in 2011.  Robby easily nudged these props aside yesterday.  Would the sale price have been the same without the space car?  You’ll need to track down the anonymous telephone buyer to get the answer to that question (the four final bidders all dueled it out via phone bids), although you might keep an eye out at Paul Allen’s Museum of Pop Culture in Seattle, as this is the kind of high-end prop he has purchased in the past.

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Robby the Robot.  He’s probably the only robot who has his own “Actor” page in the Internet Movie Database.  In the history of robots he is probably the most significant and the most game-changing robot of all time.  In the world of science fiction, few came before who achieved such fame, but many would follow.  Most who created the robots that came after–call them droids, androids and variants like fembots or even cyborgs, like the Terminator T-800, Cylons, and Cybermen, R2-D2 and C-3PO, and K-2So and BB-8–all can point back to Robby as inspiration and a critical step in the evolution of robots in cinema.  Robby would become a household name as a co-star and the focus of publicity for Forbidden Planet in 1956 (the classic sci-fi take on William Shakespeare’s The Tempest), and would go on to have guest appearances along with B-9 in Lost in Space, two episodes of The Twilight Zone, and all sorts of classic TV appearances (The Man from U.N.C.L.E., Hazel, Dobie Gillis, The Addams Family, Columbo, Wonder Woman, The Love Boat, Mork & Mindy), and later he can even be spotted in the movies Gremlins and Clueless. 

As pop culture is concerned, there is likely no single, intact, tangible piece of entertainment memorabilia in science fiction that compares to the robot prop itself, which doubled as a costume worn by Frankie Darrow and voiced by Marvin Miller.  The word “iconic” was created for the likes of Robby the Robot.  So no wonder our heads began to spin when it became public this month that the actual robot from the groundbreaking science fiction film Forbidden Planet was going to hit the auction block this year.  And unlike most auctions of original, screen-used, Hollywood memorabilia, Robby the Robot is being sold with a host of original materials used with the Robot throughout his incredible run, and from the auction photos it appears his light-up electronics are still functional.

Bonhams is the lucky auction house that will sell off Robby later this year, presented by Turner Classic Movies.  The auction house posted preview images from its catalog (expected to be available sometime in October) and it’s clear each accompanying production item in the photos could have been auctioned off separately in its own right.  All we know so far is the listing itself and photos, with no idea of the auction estimate or any other details that may be released, including its provenance:   “Robby the Robot from Forbidden Planet, together with Robby’s car, his alternative head, his control panel, and original MGM packing cases.  Also 2 rings for his head, 2 additional arms with pinschers, a stand, a harness, another part for the stand.”

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Visitors to San Diego Comic-Con this weekend have a chance to view screen-used costumes from three popular sci-fi franchises.  Disney, CBS, and the Prop Store have each created displays to showcase movie costumes for fans.  Three Star Wars characters from Star Wars: The Last Jedi are represented in the Star Wars pavilion at booth #2913 inside the convention hall.  The Prop Store is featuring one Serenity costume set to sell at auction at a later date, on display at booth #3845.  And CBS gives those not attending SDCC 2017 an opportunity to check out a dozen new Star Trek: Discovery costumes at the Michael J. Wolf Fine Arts Gallery in San Diego.

Inside the convention center, the Star Wars display features Resistance pilot uniforms for Poe Dameron, Nien Nunb, and Dameron’s wingman, Abednedo alien C’ai Threnalli, as well as one of the film’s BB-8 droids.  At the Prop Store display, several costumes from various movies and TV series are on display, including one of the Malcolm Reynolds costumes used in the Firefly TV series sequel Serenity, worn by Nathan Fillion.

 

At the Michael J. Wolf Fine Arts Gallery, Star Trek fans can see a display of new Starfleet, Klingon, and Vulcan costumes and props from Star Trek: Discovery, and get a photo sitting in one of three originals of the captain’s chair used in the new series.  Costumes include a new Starfleet EVA spacesuit and one of James Frain’s costumes worn as Sarek in the series.  New Starfleet props of the tricorder, phaser, and rifle echo original series props, where Klingon bladed and disruptor props are entirely new, reflecting a more ornate design scheme than fans have seen before.  Intimidation is clearly key to the new Klingons, who still sport their cloven-toed boots and familar tradition–small etched lettering on the knife blade on one d’k tagh blade states in Klingonese, “There is honor in death.”

Binderup trek 3

Check out a few photos:

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Krennic

Last weekend at San Diego Comic-Con, and earlier in the month at Star Wars Celebration Europe, and even earlier this year at the Nuremburg Toy Fair, Disney displayed several key costumes for this coming winter’s Lucasfilm release Rogue One:  A Star Wars Story.  From the trailers we have seen so far, Rogue One appears to be the first film in decades that might be able to compete with Star Wars and The Empire Strikes Back.  New human heroes and villains, droids, and dozens of new alien characters will no doubt be made into action figures by year’s end, and from the looks at the new costume designs, many of us will be shelling out some cash to start collecting these cool new characters.

Screen-worn costumes for the film’s central characters Jyn Erso, Captain Cassian Andor, Baze Malbus, Chirrut Imwe, Bodhi Rook, Director Orson Kremnic, Imperial Death Trooper, a Shoretrooper, and a character with the not so creative name of Two Tubes, all drew crowds at the Con.

Here are some descriptions of the new characters from the Comic-Con exhibit along with some photos:

five Rogue One costumes on display at sdcc 2016

From left to right, Chirrut Imwe, Baze Malbus, Jyn Erso, Captain Cassian Andor, and Bodhi Rook.

Bodhi Rook.  A former Imperial pilot, Bodhi has strong piloting and technical skills that he will put to use for the Rebellion. Ever practical, but highly anxious, Bodhi must gather his courage to bring the battle to the Empire.

Baze Malbus.  The harsh reality of his Imperial-occupied home world has hardened Baze Malbus into a pragmatic soldier and a crack shot with his heavy repeater cannon.  Baze has a bravado that provides a marked contrast to the spiritual centeredness of his best friend and moral compass, Chirrut Imwe.

Jyn Erso.  Putting behind a checkered past by lending her skills to a greater cause, Jyn Erso is impetuous, defiant, and eager to bring the battle to the Empire.  Used to operating alone, she finds higher purpose by taking on a desperate mission for the Rebel Alliance.

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PH-left-angle

Last week Disney and Lucasfilm released information on a new line of Star Wars: The Force Awakens replica props and helmets from PropShop Studio Editions for sale at this link.  These are high-end replicas taking advantage of current 3D scanning imagery, an idea I suggested in an article on 3D printing posted here at borg.com four years ago.  The new line of Star Wars generated plenty of press because the new costume pieces are fairly pricey:  a melted Darth Vader helmet is selling for $3,500 (limited to 500 units), a Kylo Ren helmet is $2,000, a Finn Stormtrooper helmet is $1,750 (limited to 500 units), and Poe Dameron’s X-Wing pilot helmet is $1,500.  The props are similarly priced: Chewbacca’s crossbow is $2,500, Rey’s staff and lightsaber and Kylo’s lightsaber are each $1,500.

VH-stand

Sound like the holy grail for cosplayers?  Hold that thought.  Here is the description for Finn’s helmet:

  • Created using the original 3D digital data from the actual FN-2187 Stormtrooper Helmet featured in the film in combination with advanced digital manufacturing processes, and then hand-finished by a highly skilled artisan. The original blood marking has been laser scanned and projected onto this helmet, and a special paint effect process has been applied to identically recreate the surface texture pattern.
  • Made of a composition of 3D printing materials, forged items, and cast items
  • Includes a chip to authenticate the serial number that is printed on the Certificate of Authenticity
  • Delivered in an exclusive, custom wooden crate inspired by the packaging used for the original prop
  • Limited Edition of 500
  • Certificate of Authenticity and Authenticity Medallion included

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Mad Max costumes

Movie fans who live near Southern California have a chance to get an up-close look at several screen-used costumes from George Miller’s Academy Award winning film Mad Max: Fury Road.  The Warner Bros. Hollywood Studio Tour will feature as part of its “Stage 48: Script to Screen” interactive exhibit key cast costumes, including Tom Hardy’s Mad Max, Charlize Theron’s Imperator Furiosa, Richard Carter’s The Bullet Farmer, Angus Sampson’s Organic Mechanic, and John Howard’s People Eater.

Costume designer Jenny Beavan, who won this year’s Oscar for her costumes created for the film, also garnered the Critics’ Choice Award for Best Costume Design, and has nominations for Best Costume at the BAFTA Awards and the Costume Designers Guild Award for Excellence in Fantasy Film.

Fury road costumes

For $62 per person visitors to Warner Bros. Studio in Hollywood can take a three-hour tour, or for $295 they can take a deluxe six-hour tour, including a guided tour of the famous Warner Bros. backlot.  Check out the Warner Bros. Studio Tour website for more information.

Check out this video preview of the Mad Max: Fury Road costumes displayed at the Studio:

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aston martin db10 james bond spectre

Christie’s & Eon Productions are auctioning off 24 lots from last year’s latest James Bond entry, SPECTRE, now out on Blu-ray and reviewed here at borg.com last week.  An online-only sale will offer 14 of the 24 lots, open for bidding beginning tomorrow, February 16, 2016, through Tuesday, February 23, 2016, with an invitation-only live auction being held on Thursday, February 18, 2016, at Christie’s in London.  The live auction is also open to Internet and telephone bidders.

1.  Blu-ray disc signed in gold marker pen by Daniel Craig plus James Bond’s blue initialed ‘JB’ Tom Ford cufflinks worn by Daniel Craig

Each set with oval lapis lazuli panels engraved with the monogram ‘JB’ for James Bond, to single-link connections, signed Tom Ford, 15mm wide, in maker’s case and card box.  Bond’s cufflinks were personalized for SPECTRE, designed by Jany Temime and made by Tom Ford.  Daniel Craig as James Bond wore these cufflinks throughout the film with each of his suits apart from the ‘mother-of-pearl’ version which he wore with his dinner suit (see Lot 15).  They are one of two pairs held in the EON archive.

Estimate: $4,300–7,100

spectre day of dead james bond mask skull cane

2.  James Bond’s Day of the Dead Costume worn by Daniel Craig

Designed by Costume designer Jany Temime and mask designer Robert Allsopp.  The set includes:

  • Black frock coat with white hand painted bones, size IT38
  • Skull mask with elastic fastening
  • Black leather gloves, size M
  • Black top hat, 100% wool with grosgrain ribbon hat band ‘Jaxton Victorian’, size 7 ⅝” (61 cm.)
  • Skull cane

This is one of three Day of the Dead Costumes worn by Daniel Craig (the other two are retained by EON) in the pre-title sequence of the film.  Bond is in pursuit of assassin Sciarra.

Estimate: $17,000–25,000

3.  Longines ‘Conquest Heritage’ watch

This is the 18-carat rose gold automatic wristwatch worn by Ralph Fiennes as M in SPECTRE.  With a diameter of 35 mm, this model in 18-carat rose gold displays a sunray silver dial with pink applied indices, “dolphine” hands with superluminova and date aperture at 12 o’clock.  Fitted with a self-winding mechanical calibre L633, it indicates the hours, the minutes and the seconds.  The caseback is decorated with a gold and enamel medallion representing a constellation.  One of only two worn by Ralph Fiennes in SPECTRE, the other retained by Omega.

Estimate: $7,100–9,900

4.  Final Legal SPECTRE script signed by Sam Mendes, Michael G. Wilson and Barbara Broccoli

Estimate: $4,300–7,100

spectre ring gold oberhauser blofeld christoph waltz

5.  Oberhauser’s SPECTRE gold ring worn by Christoph Waltz

The ring is made of 9 carat yellow gold, with 7 tentacle octopus logo rendered in distressed black, and has some marks on back of ring.  This is one of only two gold rings made for the film, the other is retained by EON.

Estimate: $5,700–8,500

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