Advertisements

Tag Archive: screen-used movie props


In the realm of fantasy, magical talismans are often the key to a character’s actions or journey, part of the goal, such as destroying the One Ring in The Lord of the Rings, and they typically bestow power on their owners, such as Dorothy’s shoes that can transport her home in The Wizard of Oz or even King Arthur’s sword Excalibur, which bestowed him rule of all of Great Britain.  J.K. Rowling’s world of Harry Potter includes many magical objects, including the horcruxes.  Even more integral to Harry Potter’s journey and all the wizards is the wand.  A major scene in all of the books and films is Harry obtaining his wand from Ollivanders–“T’aint no place better,” says Hagrid.  And the wand chooses the wizard, according to Mr. Ollivander.

Sometimes fans must wait for all the information they want about their favorite films and characters.  It’s been six years since the last Harry Potter movie premiered, but fans of the franchise at last have a photographic guide to the key wands designed for the principal named characters.  This week Insight Editions releases From the Films of Harry Potter: The Wand Collection, including new photographs of 66 actual movie prop wands.  Seventeen thousand wand boxes were created by the prop makers for the shelves of Ollivanders wand shop in Diagon Alley, according to the book, quoting late set decorator Stephenie McMillan.  After the wands were each designed by art director Hattie Storey and concept artists including Adam Brockbank, Alex Walker, and Ben Dennett, then supervising modeler and prop maker Pierre Bohanna would create a single “original” of each wand, which would be later be duplicated in resin or rubber for stunt work in multiples depending on the need of the production.

From the Films of Harry Potter: The Wand Collection begins with a brief discussion of the in-universe use of wands as written in J.K. Rowling’s books, along with an overview of the behind the scenes production creation of the props with interviews of cast members and prop makers.  The bulk of the oversized book, an elegantly designed hardcover in a long 12 x 6 inch format to allow for close-up photography of each wand, includes a brief description of the wand, the character wielding the wand in the film, and discussions with actors, designers, and excerpts from the source books.  Hagrid’s lengthy wand is featured in a double-sized pull-out image, the wand sporting his trademark umbrella component.  Another pull-out includes multiple handles of the Death Eaters, and another includes detail of the unique handle of the wand of Jason Isaacs’ character, Lucius Malfoy.

Continue reading

Advertisements

For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more.  Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month.  Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.

The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items.  You’ll find the following movies and TV shows represented and more:  3:10 to Yuma (2007), 300, Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers, Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.

You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.

  • Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
  • Sark (David Warner) Grid costume from the original Tron (1982)
  • Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
  • Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
  • Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
  • Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity (sold as individual costume lots)
  • Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
  • Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
  • Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
  • Star-lord helmet from Guardians of the Galaxy
  • Thor (Chris Hemsworth) Mjolnir hammer from Thor

  • Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
  • Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
  • Val Kilmer Batman suit and cowl from Batman Forever
  • Maverick (Tom Cruise) flight suit from Top Gun
  • Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl

And there are so many more.  Like…

Continue reading

Visitors to San Diego Comic-Con this weekend have a chance to view screen-used costumes from three popular sci-fi franchises.  Disney, CBS, and the Prop Store have each created displays to showcase movie costumes for fans.  Three Star Wars characters from Star Wars: The Last Jedi are represented in the Star Wars pavilion at booth #2913 inside the convention hall.  The Prop Store is featuring one Serenity costume set to sell at auction at a later date, on display at booth #3845.  And CBS gives those not attending SDCC 2017 an opportunity to check out a dozen new Star Trek: Discovery costumes at the Michael J. Wolf Fine Arts Gallery in San Diego.

Inside the convention center, the Star Wars display features Resistance pilot uniforms for Poe Dameron, Nien Nunb, and Dameron’s wingman, Abednedo alien C’ai Threnalli, as well as one of the film’s BB-8 droids.  At the Prop Store display, several costumes from various movies and TV series are on display, including one of the Malcolm Reynolds costumes used in the Firefly TV series sequel Serenity, worn by Nathan Fillion.

 

At the Michael J. Wolf Fine Arts Gallery, Star Trek fans can see a display of new Starfleet, Klingon, and Vulcan costumes and props from Star Trek: Discovery, and get a photo sitting in one of three originals of the captain’s chair used in the new series.  Costumes include a new Starfleet EVA spacesuit and one of James Frain’s costumes worn as Sarek in the series.  New Starfleet props of the tricorder, phaser, and rifle echo original series props, where Klingon bladed and disruptor props are entirely new, reflecting a more ornate design scheme than fans have seen before.  Intimidation is clearly key to the new Klingons, who still sport their cloven-toed boots and familar tradition–small etched lettering on the knife blade on one d’k tagh blade states in Klingonese, “There is honor in death.”

Binderup trek 3

Check out a few photos:

Continue reading

Star Wars Celebration 2017 is almost here.  This year the convention will take place in Orlando, Florida, April 13-16 at the Orange County Convention Center.  Hundreds of exclusive licensed collectibles will be available at this year’s show in light of the franchise’s 40th anniversary celebration.  But Gentle Giant wins the nostalgia award for its choice of throwback exclusive ideas–a reproduction of the Dianoga from the 1978 Star Wars Death Star Space Station playset in a jumbo format.

First unveiled at the Gentle Giant booth at San Diego Comic-Con in 2010, the toy company began to re-create the original line of 3 3/4 Star Wars Kenner action figures in the size of the original large-sized action figures–about 12 inches tall.  The company releases limited numbers of each figure with card backs and packaging reflecting the style of the originals.  The company creates the jumbo figures from digital scans of the small figures.  So if you fondly remember your first figure was C-3PO, you could purchase a giant version of the figure to display, or play with, at home.  We at borg.com awarded Gentle Giant’s prototype, rocket-firing jumbo Boba Fett the best action figure release of the year here back in 2013.

So taking the first Star Wars creature toy ever released and offering it again in this anniversary year is inspired.  The Dianoga was the only included figure in any of the regular release original Star Wars playsets–all others had to have been purchased separately (the only other “monster” from the movie to be made into a toy in the early years after Star Wars would be the Dewback).  The Dianoga came with its own “garbage”–three sheets of yellow, blue, and white Styrofoam broken into bits, to soften the fall of Luke, Leia, Han, and Chewbacca from their famous fall into the trash compactor.  Gentle Giant advertises this new exclusive release, too, will include foam garbage.

Continue reading

luke-in-stormtrooper-disguise

Over the past 20 years movie and TV props have become less and less expensive to build, and far easier to fabricate compared to props of science fiction movies from the 1950s through the 1970s, especially considering the realism modern audiences demand.  Just as Hollywood studios have used modern tech to make props easier and cheaper, even toy replicas look as good as their screen-used source material.  In the Star Trek Enterprise series, as an example, the studio found it cheaper in later seasons to use the licensed Art Asylum commercially available toy replicas on set.  That’s right, the toy replaced the need for an original for the studio.  Now, many cosplayers create their own props via home 3D printers, a new idea for making movie props when we first discussed 3D printers here at borg.com back in 2011.

The look of Star Wars props, the realism, the incorporation of real-world gadgetry in seemingly “real feeling” ways via adding on odds and ends from model kits and parts from electrician shops and auto garages (called “greeblies”) all goes back to Star Wars art designer Roger Christian, who created the look that would be replicated in every other science fiction movie created since.  (Check out his autobiographical account previously reviewed here at borg.com if you missed it).  Just as many other props from Star Wars were based on real-world weapons, the standard Stormtrooper blaster, the BlasTech E-11, was built from a British-made Sterling L2A3 sub-machine gun.

toy-blaster

Disney released one particularly well-suited toy Stormtrooper blaster that has a size and look that will make cosplayers at any level proud, easily modifiable for the classic Star Wars trilogy and this month’s prequel movie Rogue One: A Star Wars Story, which incorporates the classic troopers with only minor modifications as seen in the trailers.  The toy blaster fits–and more importantly is easily removable from–any replica Stormtrooper holster, and can also be used to supplement any Imperial uniform costume.  It also comes with lights and sound that can be preserved as part of a needed modication from its white toy design to the black version used onscreen.  The recommended toy E-11 Stormtrooper blaster is no longer being produced but it is still available in small quantities here at Amazon.com.  It is typically available from $25-30 and with a can of flat black spray paint and some silver paint for weathering, it’s an inexpensive and quick way to sport a professional looking prop for your Star Wars cosplay, especially when many builders on the Web will try to sell you custom versions for hundreds of dollars that would be indistinguishable from the modified toy to most anyone seeing you in Stormtrooper armor.  The following is a brief tutorial to get you there:

Continue reading

PH-left-angle

Last week Disney and Lucasfilm released information on a new line of Star Wars: The Force Awakens replica props and helmets from PropShop Studio Editions for sale at this link.  These are high-end replicas taking advantage of current 3D scanning imagery, an idea I suggested in an article on 3D printing posted here at borg.com four years ago.  The new line of Star Wars generated plenty of press because the new costume pieces are fairly pricey:  a melted Darth Vader helmet is selling for $3,500 (limited to 500 units), a Kylo Ren helmet is $2,000, a Finn Stormtrooper helmet is $1,750 (limited to 500 units), and Poe Dameron’s X-Wing pilot helmet is $1,500.  The props are similarly priced: Chewbacca’s crossbow is $2,500, Rey’s staff and lightsaber and Kylo’s lightsaber are each $1,500.

VH-stand

Sound like the holy grail for cosplayers?  Hold that thought.  Here is the description for Finn’s helmet:

  • Created using the original 3D digital data from the actual FN-2187 Stormtrooper Helmet featured in the film in combination with advanced digital manufacturing processes, and then hand-finished by a highly skilled artisan. The original blood marking has been laser scanned and projected onto this helmet, and a special paint effect process has been applied to identically recreate the surface texture pattern.
  • Made of a composition of 3D printing materials, forged items, and cast items
  • Includes a chip to authenticate the serial number that is printed on the Certificate of Authenticity
  • Delivered in an exclusive, custom wooden crate inspired by the packaging used for the original prop
  • Limited Edition of 500
  • Certificate of Authenticity and Authenticity Medallion included

Continue reading

aston martin db10 james bond spectre

Christie’s & Eon Productions are auctioning off 24 lots from last year’s latest James Bond entry, SPECTRE, now out on Blu-ray and reviewed here at borg.com last week.  An online-only sale will offer 14 of the 24 lots, open for bidding beginning tomorrow, February 16, 2016, through Tuesday, February 23, 2016, with an invitation-only live auction being held on Thursday, February 18, 2016, at Christie’s in London.  The live auction is also open to Internet and telephone bidders.

1.  Blu-ray disc signed in gold marker pen by Daniel Craig plus James Bond’s blue initialed ‘JB’ Tom Ford cufflinks worn by Daniel Craig

Each set with oval lapis lazuli panels engraved with the monogram ‘JB’ for James Bond, to single-link connections, signed Tom Ford, 15mm wide, in maker’s case and card box.  Bond’s cufflinks were personalized for SPECTRE, designed by Jany Temime and made by Tom Ford.  Daniel Craig as James Bond wore these cufflinks throughout the film with each of his suits apart from the ‘mother-of-pearl’ version which he wore with his dinner suit (see Lot 15).  They are one of two pairs held in the EON archive.

Estimate: $4,300–7,100

spectre day of dead james bond mask skull cane

2.  James Bond’s Day of the Dead Costume worn by Daniel Craig

Designed by Costume designer Jany Temime and mask designer Robert Allsopp.  The set includes:

  • Black frock coat with white hand painted bones, size IT38
  • Skull mask with elastic fastening
  • Black leather gloves, size M
  • Black top hat, 100% wool with grosgrain ribbon hat band ‘Jaxton Victorian’, size 7 ⅝” (61 cm.)
  • Skull cane

This is one of three Day of the Dead Costumes worn by Daniel Craig (the other two are retained by EON) in the pre-title sequence of the film.  Bond is in pursuit of assassin Sciarra.

Estimate: $17,000–25,000

3.  Longines ‘Conquest Heritage’ watch

This is the 18-carat rose gold automatic wristwatch worn by Ralph Fiennes as M in SPECTRE.  With a diameter of 35 mm, this model in 18-carat rose gold displays a sunray silver dial with pink applied indices, “dolphine” hands with superluminova and date aperture at 12 o’clock.  Fitted with a self-winding mechanical calibre L633, it indicates the hours, the minutes and the seconds.  The caseback is decorated with a gold and enamel medallion representing a constellation.  One of only two worn by Ralph Fiennes in SPECTRE, the other retained by Omega.

Estimate: $7,100–9,900

4.  Final Legal SPECTRE script signed by Sam Mendes, Michael G. Wilson and Barbara Broccoli

Estimate: $4,300–7,100

spectre ring gold oberhauser blofeld christoph waltz

5.  Oberhauser’s SPECTRE gold ring worn by Christoph Waltz

The ring is made of 9 carat yellow gold, with 7 tentacle octopus logo rendered in distressed black, and has some marks on back of ring.  This is one of only two gold rings made for the film, the other is retained by EON.

Estimate: $5,700–8,500

Continue reading

BBTF auction cover

Entertainment memorabilia store and auction house ScreenUsed will be holding a Back to the Future auction this Saturday, October 24, 2015, in Los Angeles, with more than 125 original screen-used and production made props and wardrobe memorabilia, including an original hoverboard from Back to the Future II.  It’s all part of the 30th anniversary of Back to the Future and Back to the Future Week.

In addition to the hoverboard, the auction includes mock newspapers from the movies, “Save the Clock Tower” brochures, a car driven by Biff Tannen in Back to the Future II, a copy of the infamous Gray’s Sports Almanac, one of Mary Steenburgen’s 19th century dresses from Back to the Future III, and other items from the production set.

BTTF 2 Sports Almanac

A portion of the auction proceeds will go to the Michael J. Fox Foundation for Parkinson’s Research.

View the Screenused auction catalog here in your browser or download the Screenused auction catalog here in PDF format.

Hoverboard

Click here to register for the Screenused auction on iCollector and bid now!

C.J. Bunce
Editor
borg.com

Rebel Blockade Runner

The most expensive Star Wars prop and the most iconic single Star Trek costume sold at auction this past week.  A new record was set for the highest sale price for a television costume, the market proved yet again that even the slightest Star Wars item takes top dollar, and sci-fi again rules the private collectors’ market for screen-used costumes, props and other entertainment memorabilia.  It all happened at auction house Profiles in History’s latest Hollywood memorabilia auction, held in Calabasas, California over three days September 30 through October 2, 2015.

Profiles in History reported that it tolled $7.3 million in sales in the auction.  The biggest news came from a production model of the Rebel Blockade Runner, the first ship seen at the beginning of the original Star Wars, which set the record for the sale of any Star Wars production piece.  It sold for double the catalog estimate at $450,000.  The prior record for a Star Wars item was $402,500, TIE Fighter filming miniature from Star Wars that sold at Profiles in 2008.

George Reeves’ The Adventures of Superman television series earned its rightful place in the history of television, with his supersuit selling for $216,000, the most for any known sale of a television costume.

Superman George Reeves

Star Trek fans saw the most iconic Star Trek costume with the best provenance recorded sell for $84,000.  That was one of Leonard Nimoy’s blue tunics from the original series, accompanied by the documentation whereby a fan won the costume from a studio promotion back in the 1960s.  No other original series piece has sold with better provenance back to the studio.  Other Star Trek items sold included an original series third season McCoy standard blue uniform for $57,000, and an incomplete Class A Spock uniform for $14,000.

Everyone wants to get their hands on original Star Wars items–the most difficult of the major franchises to collect since most items remain with Lucas or Lucasfilm.  A small section of the Death Star barely seen in Return of the Jedi sold for a whopping $39,000.  And even though it wasn’t screen-used, a lot consisting of prototype pieces of the most cosplayed sci-fi outfit ever, Carrie Fisher’s “Slave Leia” outfit from Return of the Jedi, sold for $96,000.  Finally, in the top echelon of sales at the auction, a special effects camera used to film Star Wars sold for $72,000.

Then there’s Indiana Jones.  One of Harrison Ford’s screen-used bullwhips sold for $204,000, a fedora went for $90,000, and one of his shirts and leather jackets each sold for $72,000.

Jurassic Park cane

Other notable, classic, genre pieces sold, including:

From Forbidden Planet, a light-up laser rifle ($66,000), a light-up laser pistol ($27,500), and a Walter Pidgeon Dr. Morbius costume ($24,000).

From Jaws, a Robert Shaw Quint harpoon rifle ($84,000) and machete ($27,000).

Continue reading

A close up for Bruce the shark in Jaws

Review by C.J. Bunce

In time for the 40th anniversary of the movie Jaws, Titan Books issued an updated edition of Jaws: Memories from Martha’s Vineyard, a rare and unusual chronicle of the making of a film.  Told via photographs and interviews from the locals who helped literally make the film, from construction crews to performers tapped to play key roles in the movies, Memories offers yet another view of the making of the first modern summer blockbuster.

What differentiates this book from other works on this movie (or any other movie) is the “local” perspective.  Instead of giving the standard Hollywood view of the “making of” a movie using interviews with the crew and producers as you’d normally find on the TV and Film shelf, the authors, Jaws memorabilia collectors Matt Taylor and Jim Beller, take a historical research approach.  They rely on primary source material, through hundreds of hours of interviews with every islander who would speak with them, newspaper clippings from 1974, scrapbooks and photo albums that have sat on shelves for 35 years, including plenty of information never before seen by the general public.  The result is a story told in photos rarely seen for any film or film franchise–something you’d only find from years of books published about Star Wars, Star Trek, and the Indiana Jones movies.

Amity Island billboard in production

The story is told chronologically, day by day from the selection of the filming locations on Martha’s Vineyard in Massachusetts to pre-production and on through the wrap-up of filming.  The memorabilia and ephemera pictured includes everything from the remnants of the actual boats used in the movie to the more mundane, like checks and contracts for day laborers.  Yet every piece is interesting, like candid Polaroids showing Robert Shaw’s first day on set and Spielberg at the cabin he lived at during the shoot.  The experience of sifting through all that remains of the production is a bit like spending a weekend at a small town local library researching any historical event from a town’s past.

Continue reading

%d bloggers like this: