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Tag Archive: Star Trek IV: The Voyage Home


For more than six years we at borg.com have been covering entertainment memorabilia auctions–sales of not merely replicas or mass-produced collectibles, but the real objects seen on film–rare or even one-of-a-kind costumes created by award-winning Hollywood costume designers, detailed props created by production crew, model vehicles created by special effects departments like Industrial Light and Magic, prosthetics created by famous makeup artists, set decoration, concept art, and much more.  Amassing a wide variety of artifacts from classic and more recent film and television history, London and Los Angeles-based Prop Store is hosting its annual auction later this month.  Known for its consignment of some of the most well-known and iconic screen-used props and costumes, Prop Store’s ultimate museum collectibles auction will be open for bidding from anyone, and items will be available at estimates for both beginning collectors and those with deeper pockets.

The Prop Store Live Auction: Treasures from Film and Television will be auctioning off approximately 600 items.  You’ll find the following movies and TV shows represented and more:  3:10 to Yuma (2007), 300, Aliens, Back to the Future films, Blade Runner, Chitty Chitty Bang Bang, The Chronicles of Narnia films, Elysium, Enemy Mine, Excalibur, The Fifth Element, Gladiator, The Goonies, Gremlins 2: The New Batch, Jason and the Argonauts, Hellboy II: The Golden Army, the Indiana Jones films, Iron Man, the James Bond films, Judge Dredd (1995), the Jurassic Park films, Kick-Ass 2, Kingsman: the Secret Service, Lifeforce, Looper, The Lost Boys, The Martian, The Matrix, Men in Black III, Mission: Impossible (1996), The Mummy (1999), Patton, Pirates of the Caribbean series, Predators, the Rocky films, Saving Private Ryan, Scarface, Serenity, Shaun of the Dead, Shawshank Redemption, Sherlock Holmes (2009), Star Trek franchise, Star Wars franchise, Starship Troopers, Superman films, Terminator films, The Three Musketeers (1993), Tropic Thunder, Troy, True Grit, Underworld: Evolution, Who Framed Roger Rabbit, Willow, The Wolfman (2010), World War Z, and the X-Men films.

You can flip through the auction house’s hefty 360-page catalog, or start with a look at what we selected as the best 50 of the lots–what we predict as the most sought-after by collectors and those that represent some of fandom’s favorite sci-fi and fantasy classics and modern favorites.

  • Industrial Light and Magic 17 3/4-inch Rebel Y-Wing filming model from Return of the Jedi
  • Sark (David Warner) Grid costume from the original Tron (1982)
  • Julie Newmar’s Catwoman costume and Burgess Meredith Penguin hat from the classic Batman TV series
  • Buttercup (Robin Wright) Fire Swamp red dress from The Princess Bride
  • Chekov (Walter Koenig) “nuclear wessels” costume, Dr. McCoy (DeForest Kelley) costume, and Sulu (George Takei) double shirt from Star Trek IV: The Voyage Home
  • Full crew set of costumes (Malcolm, Zoe, Wash, Jayne, Inara, Kaylee, River, Book, and Simon) from Serenity (sold as individual costume lots)
  • Jack Nicholson purple Joker costume, plus separate coat and hat, from Batman (1989)
  • Enterprise-D 48-inch “pyro” model from Star Trek: The Next Generation
  • Will Munny (Clint Eastwood) stunt shotgun from Unforgiven
  • Star-lord helmet from Guardians of the Galaxy
  • Thor (Chris Hemsworth) Mjolnir hammer from Thor

  • Ghostbusters and Ghostbusters II jumpsuits made for Bill Murray as Dr. Peter Venkman
  • Witch-king of Angmar crown from The Lord of the Rings: Fellowship of the Ring
  • Val Kilmer Batman suit and cowl from Batman Forever
  • Maverick (Tom Cruise) flight suit from Top Gun
  • Geoffrey Rush Captain Barbossa costume from the first Pirates of the Caribbean film, Curse of the Black Pearl

And there are so many more.  Like…

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We’re back today with the second part of my interview with Nicholas Meyer, director, screenwriter, and storyteller, as we celebrate the 35th anniversary of Star Trek II: The Wrath of Khan, and its return to theaters next month as part of the Fathom Events series.  Meyer directed Star Trek II and Star Trek VI: The Undiscovered Country, and he was a screenwriter on both movies as well as Star Trek IV: The Voyage Home.  He chatted with me about his films and more this past week.  If you missed part one of the interview, check it out here.

CB:  You’ve written words spoken on-screen by Lawrence Olivier (The Seven-Per-Cent Solution), David Warner (Time After Time, Star Trek VI), and Christopher Plummer (Star Trek VI).  Are there any other great actors you maybe fantasize, or would like to write, dialogue for?

NM:  I’ve also worked with Jason Robards and John Lithgow (both in The Day After).  I’ve worked with some really wonderful actors.  Fantasizing about working with actors is interesting.  When I listened to the Chandos recording of the music from Henry V–the Olivier film with Christopher Plummer reciting or acting out the various Shakespeare vocal parts–I thought, “Wow, I’d really love to work with this man.”  And I wrote the part of Chang in Star Trek VI specifically for him.  That’s the first time I’ve ever written for an actor other than the Star Trek cast.  I said to my casting director Mary Jo Slater, “Whatever you do, don’t come back without him.  Because there’s no movie unless it’s him.”  It would take me longer than this conversation to rustle around in my brain other actors I’d love to work with–Benedict Cumberbatch–sure, of course.

Nicholas Meyer directing the production crew, with Christopher Plummer as General Chang, on the Klingon courtroom set of Star Trek VI: The Undiscovered Country.

CB:  Your Time After Time co-star Malcolm McDowell joined Star Trek in the seventh movie in the series, Star Trek Generations, after you were no longer with the franchise, and it always seemed to me to be an obvious choice to get him into the Star Trek universe.  Did he ever contact you about taking on a Star Trek role?

NM:  No… we never discussed it.  David Warner, who actually has been in two Star Trek movies (as Chancellor Gorkon in The Undiscovered Country and St. John Talbot in Star Trek V: The Final Fronter), was the great post-war Hamlet with the RSC (Royal Shakespeare Company), and I think Malcolm at one point was a spear carrier in that company at the time when David was this huge star.  In Time After Time they used to kid each other about those times.  Something about carrying a pack of cigarettes under your costume.

CB:  You have said you see yourself first as a writer and have been writing and telling stories since you were five years old.  Are you as excited today to sit down and craft a story as you were in 1982?

NM:  I think when I get going the answer is yes, and if it’s going well the answer is yes, and the hours can go by and I look up and it’s a week later.  But as I’ve gotten older, the process of actually starting, of facing what used to be a blank page, which is now a blank screen, having done it again and again and again…  Most of the stuff I’ve written has never been produced.  Most of the stuff I’ve written for books I’m happy to say has been published, but I haven’t written that many books.  But most of my screenplays–including probably my best screenplays–have never been done.  So as you get older and you embark on this again and again and again there is a kind of a weariness of picking up the yoke and putting it on your shoulders.  That said, getting paid for telling stories beats work any day.

On the Star Trek II: The Wrath of Khan Engineering set, that’s Catherine E. Coulson (later Twin Peaks’ Log Lady) with the camera, director Nicholas Meyer (in Starfleet captain’s jacket) and James Doohan as Scotty, filming the emotional finale.

CB:  In your memoir The View From the Bridge, you mentioned some of your best ideas or solutions when writing come while doing laundry, while in the tub, or even building a model boat.  What was your biggest revelation and strangest place you found it?

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Star Trek Beyond Fly spot USS Enterprise inside Starbase Yorktown

Review by C.J. Bunce

In the fiftieth year of Star Trek, fanboy Simon Pegg proved that the franchise has never been stronger.  Probably more so than any prior entry in the now 13-movie catalog, Star Trek Beyond found a way to be the most loyal to the original series, with the writers weaving a story you could also find comfortably set within Star Trek: The Next Generation and Star Trek Voyager.  And director Justin Lin showed that an action heavy film can also tell a good story.

Get ready.  Star Trek Beyond, opening this weekend in theaters everywhere, is also the most fun of the Star Trek movies since Star Trek IV: The Voyage Home, thanks to clever and witty dialogue and circumstances that put the Bones and Spock relationship at center stage.  By movie’s end, diehard Star Trek fans will find themselves trying to categorize the latest big budget blockbuster against the past even-numbered films, generally regarded as the cream of the crop.  That consideration alone elevates the movie into the top echelon of all Trekdom, a welcome jolt for the franchise.

Better than the admittedly good Abrams contributions Star Trek and Star Trek Into Darkness, Star Trek Beyond taps more subtlely into throwbacks we love, like a look at the Enterprise itself and spacedock in a way we haven’t seen since Star Trek: The Motion Picture and Star Trek III:  The Search for Spock.  And speaking of the original Star Trek III, this third reboot mirrors many key moments from that film, despite having an entirely different plot.

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What does it mean to serve on a ship on a long voyage?  What toll does it take on the captain and his or her crew?  Beginning with a humanitarian mission that we think Jean-Luc Picard would have appreciated, including an in-world guest actress (Sofia Boutella) like none other we’ve seen in Star Trek, featuring a strong actor–Idris Elba–as a brilliantly conceived unique–yet also familiar–villain, and dividing up the crew in twos to highlight the strengths of the characters–Star Trek Beyond is practically flawless.  Star Trek Beyond is not just good Star Trek, it’s great Star Trek.

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Today we continue yesterday’s interview with former Paramount art coordinator and Star Trek archivist, Penny Juday…

CB:  How often does Star Trek enter your thoughts now that you no longer work for Paramount?  I heard that Star Trek video supervisor and graphic artist Denise Okuda introduced you to your husband, Anthony Fredrickson, while working on Deep Space Nine.

PJ:  We talk about it every day.  Not that we want to—it just is I used to tell everyone who would listen, and probably still do—that Star Trek paid for my house, my car, my clothes, my pets, my food, my gas, well you get the idea.  If I owned it Trek bought it for me since we both worked for Trek for so many years which was considered a coup in the film industry—to get a show that lasted that long was unheard of.  As far Anthony… poor guy … apparently had a crush on me for eight years.  He was very shy. Most people didn’t even know who he was, just the guy in graphics.  So he never really asked me out.  I had no idea.  He would talk to me at lunch, bring me little trinkets, hover when I was in the DS9 art department–always so sweet to me.  We were very good friends.  So one day Denise Okuda and I are picking up some crew jackets, I was complaining bitterly about the lack of great guys to date.  So she tells me about the guy who sits next to her and how he has been in love with me for many years. “Anthony?”  I said.  Yes, I just couldn’t believe my ears.  Then all the clues hit me–I am just oblivious at times, I guess.  So the game was afoot: I was invited to an Oscar party, I call Anthony and ask him to lunch, I take him to my favorite spot near Paramount, I ask him if he would like to go to this party with me, just as friends—I didn’t want to frighten him.  He tells me he has other plans. “Rats,” I thought.  Oh, well.  We are almost finished with lunch and he tells me he has changed his mind and he will alter his plans.  “Great,” I said, “I will pick you up.”  I got the car washed, I flew to Vegas to my favorite guy and had my hair done, I bought a new outfit.  Now I had never seen him in anything but a T-shirt and jeans.  He comes out in a navy blue double breasted jacket.  Man, who is this?  It was over for me.  I made up my mind as did he apparently and we have been together ever since.

Penny and husband Anthony Fredrickson, former Star Trek scenic artist.

CB:  Do you still watch the series and Star Trek movies?  What are your favorite episodes and scenes as a fan of Star Trek, and are there any of your favorites that you were part of creating?

PJ:  My favorite scenes are endless.  I think “Trials and Tribble-ations” from Deep Space Nine is probably my favorite of all, then “Little Green Men,” also from Deep Space Nine, where Quark is making the military look very smart.  The comedies are the best.  I know it wasn’t a comedy show, but I wish they had done more.  It worked so well.  On the other hand you have actors like Avery Brooks and Patrick Stewart, with their backgrounds and complete ability to become any character they choose, and so convincing.  Watching them work, I would get goose bumps being around them.  That’s not to say that I am pretty sure all the girls got goose bumps being near them.  Sorry, got lost there.  Watching Christopher Plummer in the Klingon court room, my very first experience at being on a Star Trek set… that was a surprise for me.  I was speechless.  The scenes are endless because I felt Star Trek was one of the best shows ever made.  And the pranks, moving an entire company from Paramount out to locations, just being on set and watching the cast and crew.

The production set went retro for the Deep Space Nine time travel episode “Trials and Tribble-ations.”

CB:  I have always been a fan of Trials and Tribble-ations, too.  What was your involvement with that episode and what was it like to have all those actors walking around in Original Series garb, with 1960s-style props and sets?

PJ:  That show made just about all of us nostalgic.  We loved it.  It was a great challenge to make it look like the real thing, so to speak.  The best part was the tribbles, of course.  A fun note:  Bob Key, who was in charge of the fabric drapery department, was working at Desilu at the time and remembers how the tribbles were made.  Not a tough thing really, but he was very important for choosing colors and types of fur (fake of course) that was used.  I was surprised any of the tribbles made it through the show as stuff vanished as if on a transporter pad constantly.

Penny discussing Viceroy prop knife on DVD extras for Star Trek Nemesis.

CB:  You have appeared in several video and DVD featurettes, including “Penny’s Toy Box” where you give fans a glimpse at Nimoy’s maroon Starfleet uniform from Star Trek: The Undiscovered Country and various prop masks and weapons.  Before the Christies and It’s a Wrap auctions (where Paramount sold off most of the Star Trek collection) you were the caretaker of the archive of thousands of pieces of Hollywood history.  You also set up the museum at the Star Trek Experience that used to be in Las Vegas as well as the traveling museums that have circled the planet.  What are your favorite props or costumes from the franchise and are there any specific props or costumes that you, as a Star Trek insider for so many years, consider to be the most iconic?

PJ:  I felt the most awed I think working with Mr. Shatner’s costumes.  Even though they were from the features and not the original series it was so cool to be able to be the caretaker of things he had used and worn.  Quite a few of the costumes in the Las Vegas museum were reproductions as so many things were missing.  I have a lot of great stories about putting the collection together.  One of my favorites is Kirk’s broken reading glasses that McCoy gave him [in Star Trek II: The Wrath of Khan]… of course those were long gone so “the game was afoot” to find a matching pair.  I can’t tell you how many older eyeglass shops I was in with photo frame grab in hand showing it to shop owner after shop owner.  Nothing.  So one lovely day my gang and I are having lunch on Larchmont Blvd, which is blocks away from Paramount Studios.  I see this tiny eyeglass shop that has obviously been there for many years.  It hit me that the prop master might have gone there having been so close to the lot, duh.  I took my photo and my chance and went in.  A young clerk went to get the owner and must have thought I was nuts… this small elderly gentleman comes out, examines the photo, I explain why I want them, he says “not only do I have the exact same pair, but I sold the originals to the prop master and I have the case they came in.”  Yup…

Captain Kirk’s birthday present from Dr. McCoy in Star Trek II was a pair of glasses that came from a shop very close to home.

The other experience I will never forget… we had a DeForest Kelley costume from one of the early films.  I knew he was small, meaning very thin, but do you think it dawned on me just how thin?  I bought a teenage boy mannequin for Mr. Kelley’s costume just to make sure I would have no issues getting the piece of iconic history into place.  Not to be… there we were days before opening, mannequins are very expensive.  I can barely get the pants over the thighs and not even close to going over the back side sitting area of the large fiberglass doll… So I go the art director and explain the problem, feeling not very bright of course, he says let me dwell on this for a bit as life is utterly crazy of course trying to get The Experience open.  A few hours later he shows up with a hack saw… there the two of us were on the floor hacksawing off the buttocks of the mannequin.  I was laughing so hard I could barely help get this done.  We still barely got the pants on.

Center is DeForest Kelley’s Leonard McCoy costume from Star Trek IV: The Voyage Home, that Penny had to put on a very small mannequin at the former Star Trek: The Experience in Las Vegas.

CB:  You now have a business designing jewelry, and some of the jewelry has been worn on TV.  Can you share some details about that?

PJ:  My shop is called The Lost Box which is in downtown Tehachapi, California.  There is a webstore, www.thelostbox.com, which is currently wiped out from the holidays so I am working to get more goodies listed.  I specialize in one of a kind wearable artworks of jewelry like the steampunks which seem to be a favorite as I cannot keep them in stock.  I also work with precious and semi-precious stones and metals.  I love getting a strand of amethyst stones and making it into an incredible piece of jewelry that will be worn for hopefully generations to come.  And one of my pieces, a copper beaded strand, will be on an episode of NCIS.  The guest star has it on.  There are more pieces out to other shows.  I am just not sure when they will air. Having been in the business for so many years really helps with contacts and getting the jewelry used on the shows.

Penny’s silver steampunk jewelry like this can be seen on the NCIS TV series.

CB:  I know that today you run a cat rescue shelter.  Can you tell us more about that?

PJ:  There are always dumped and stray cats on the lots at the studios.  Now it’s even epidemic, I might add.  Anyway, after feeding and trying to care for as many as I could that were living under our lot trailer, a co-worker tells me of a person on the lot who has proclaimed that she is the cat caregiver.  I called her.  The beginning of the end for me!  (Just kidding).  She jumped right in and helped out several of them.  As we talked I learned her goal is to make a real cat rescue and non-profit organization.  Here we are 15, 16 years later with preciouspaws.org.  I call it “recycling kitties.”  We save them, clean them up and find homes–we hope.  Donations are so way down as you might imagine these last two years that it has become a struggle to keep the doors open.  We do have a great back up team, like most the Brady Bunch cast is huge in supporting us–Susan Olsen just did an interview with The Today Show with brand new kittens.  I do not know when it will air.  Going back to the beginning… I had no intention of really getting involved.  I was busy with school, the films, etc., however, I started working with the cats just three months after my twin and nephew were killed so I figured this was given to me to help with the horrible grief.  So here I am… my twin was a rescuer as well.  Since I can remember we were always rescuing something, and we became known on the lot as the rescuers–right down to little birds, we got the call.  So many stories about them, I could write a book just about the cats alone: the “coffee can” rescue, the “cat under the manhole cover,” the “cat caught in the gate,” the “long-haired calico dumped in a stair well,” where I took her home and Anthony said, “where’d you get the carpet?” So her name was “car’pet.”  Then there were the tiny babies we would find scattered about the lot that took us three litters before we were able to catch the mom with trickery.  A lot of people on the lot spent time on that rescue.  If Paramount only knew how much money they spent helping us!  For anyone able to donate to preciouspaws.org, please check out the website as donations are always appreciated.  Donations can be sent any time to Penny at ahabbud [at] aol [dot] com!

Thanks, Penny!

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