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Tag Archive: Star Wars concept art


Known for providing George Lucas with the original designs for several spaceships for the original Star Wars, concept artist Colin Cantwell has revealed photographs of his actual model ships created for Lucas in 1975.  Cantwell, who we discussed here at borg back in 2017, has only in the past few years entered the pop culture convention circuit.  For thirty years Cantwell left the movie design business, working at a computer engineering firm in Colorado.  Now 87, Cantwell has embraced fans of his early work, traveling the country, signing prints of his original Star Wars concept art from 1974-75.

At the same time noted artist Ralph McQuarrie was designing characters and environments in his concept art for Lucas, Cantwell designed the first concept artwork for the X-Wing and Y-Wing Fighters, the TIE Fighter, Star Destroyer, Death Star, T-16 Skyhopper, and the original Millennium Falcon, which was rejected and repurposed as Princess Leia’s ship, the Tantive IV Blockade Runner–the first ship seen in the film.  He designed two other ships that were not used in the film, his Landspeeder and Sandcrawler.  Cantwell has been selling prints of his concept art for the past two years, but this month he began to release images on his Facebook page and website of the actual, original models he made–based on his own designs–that he presented to Lucas in 1975.  He’s selling autographed prints of these images now on his website here.

His models were “kitbashed”–he used existing plastic model kit parts and re-purposed them to make a real-world feel for his ships (and without the time, effort, and cost required for molding his own parts).  Industrial Light and Magic would use this concept to create the Star Wars aesthetic, and set decorator Roger Christian used the idea with real world tech to make the future look lived-in, earning an Oscar for doing so (Lucas offered Cantwell the opportunity to create and lead ILM, but he declined).  Cantwell used the body of a dragster kit, painted pill bottles, plastic Easter eggs, and a WWII bomber turret among other model kit parts.

Cantwell’s original designs were substantially used for the final production models, but Cantwell’s actual T-16 Skyhopper model was used by Mark Hamill as Luke’s own ship model in an early Tatooine scene.  Most recently, Cantwell was recognized by Disney and Hot Wheels with a series of replicas, including his Millennium Falcon/Tantive IV, TIE Fighter, X-Wing Fighter, Star Destroyer, and the unused Landspeeder design.

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Review by C.J. Bunce

A new book takes a look behind the scenes of Star Wars: The Last Jedi, Abrams Books’ The Art of Star Wars: The Last JediAs with the prior entries in its series: The Art of Star Wars: The Force Awakens and The Art of Rogue One: A Star Wars Story, it reflects fascinating and interesting images from the film, plus commentary and interviews from director Rian Johnson and his staff of creative professionals.  Most of the concept art provides a look at ideas left behind, with some exceptions, like the exotic new animals and beasts that could be seen throughout the film, like the sea cow, the porgs, fathier horse-like animals, and the crystalline shard foxes.  Johnson notes in the book’s foreword the challenges and hopes of making his new movie “Star Wars-y.”  Browsing this new book, it will be up to each reader and moviegoer to determine if he was successful.

As with past books in the series, the book was created parallel with the final post-production and film release, so a few key spoiler scenes are not included in the film.  Handily, this edition includes a follow-up section including the death of Han Solo that was omitted from The Art of Star Wars: The Force Awakens.  So a few elements are not addressed in this book many fans will want to know about, but perhaps those areas will be included in the behind the scenes volume for Episode IX.  But you will find plenty here to interest any fan–plenty of ship designs and concept art for the film’s new environments and sets.

The Art of Star Wars: The Last Jedi tells two separate stories, one in the text explaining the decisions made by director Rian Johnson and the visual artists and staff, and the second via the concept artwork that was translated to the screen and the artwork left behind.  The book lists 77 creators behind the backgrounds, landscapes, sets, vehicles, props, and costume designs.  It will take the reader who has seen the film five minutes of flipping through the book to realize it is Jock’s final character rendering work that is seen in the final cut of the film that landed in theaters: Old Luke’s fantastic island garb, Rey’s updated costumes, Rose’s and the Resistance’s uniforms, DJ and Leia’s costumes.  Really all the great, final designs that made it to the screen for the main cast came from the pen and paint of Jock.  But for whatever reason Jock was not interviewed for the book.  What were his influences?  Why this or that design?  It’s unfortunate because it really looks like Jock’s designs for Oliver Queen in his Green Arrow: Year One series directly influenced his designs for Old Jedi Master Luke and that would have been great to learn.

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