Tag Archive: Star Wars: The Rise of Skywalker


 

Such a large bounty for such a small package.

Topps has released the first trading card set in its more than 40-year run of Star Wars trading cards exclusively devoted to a single character.  And who would that be?  Everyone’s favorite Yoda mini-me lookalike, The Child, who the world has branded Baby Yoda.  Unlike many of the Star Wars series Topps has created over the years, this will be easy for everyone to get the complete base set, as it sells in a single box.  The Mandalorian: Journey of the Child Trading Cards follows the adventures of The Child as viewers of the Disney+ TV series (and anyone with the Internet) saw, but now you’ll have the best key framed images from season one.  You can pick up the set now for about $11 here at Amazon. 

A man of your skill should make short work of this.

Plus, there are variant cards for collectors outside the base set, for those wanting to go on the hunt.  These are the cards you are looking for:

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Review by C.J. Bunce

As the ninth and final film in the Skywalker Saga arrives in a home video release, the fifth volume from Abrams Books chronicling the entirety of the Disney-era Star Wars concept artwork is here.  The Art of Star Wars: The Rise of Skywalker does not disappoint in showing readers the expansive designs for a film that stepped ahead of its predecessor with more ships, more action, more aliens, more weaponry, and more costume designs.  Our only hope is that Abrams obtains the rights to create a similar volume continuing this series of books, documenting the first season of The Mandalorian.  One thing every fan will notice who has watched all eleven movies in the franchise–more than ever readers can now clearly see elements from each prequel, each original trilogy episode, and each Star Wars Story film incorporated into the sets, ships, and characters in this final installment.

As with the first two books in the trilogy, this look at the Star Wars: The Rise of Skywalker shows paths taken and, more interestingly, paths not taken by production designer Rick Carter, franchise veteran Kevin Jenkins, and the rest of the art design team.  This includes alternate costumes for Rey, Finn, Poe, Lando, Zorii, and Jannah, new pilots, stormtroopers, droids, and new worlds of creature concepts.  Probably more than the past volumes in the series, this book has close-up detailed views at props, including lightsaber and other weaponry, all in search of that design element that says “Star Wars” to the movie audience.

Phil Szostak lets the artwork take center stage in this fourth book in the series (he also wrote The Art of Star Wars: The Force Awakens, The Art of Star Wars: The Last Jedi, and The Art of Solo: A Star Wars Story, all reviewed here at borg)–prior books had more textual commentary.  Star Wars: The Rise of Skywalker (reviewed here and available in all digital formats today), the ninth and final episode in the Skywalker family story in the universe George Lucas created, saw the return of director J.J. Abrams and his strategy of evoking the trilogy to maximum benefit, with many images inspired by original Ralph McQuarrie concepts.  So it may come as no surprise that The Art of Star Wars: The Rise of Skywalker feels like a book of original trilogy designs.  The artwork from dozens of contributors mirrors the iconography, the color patterns, the lighting, the costuming, and set pieces from The Return of the Jedi especially.

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Review by C.J. Bunce

The “Moviemaking Magic/Cinemagic” series from Abrams Books is my current favorite book format for genre tie-in non-fiction works.  Check out my reviews of the volume on the Marvel Studios Heroes and Villains here, and the first volume on Star Wars, The Moviemaking Magic of Star Wars: Creatures and Aliens, here.  The format is interactive, featuring several series of foldout photographs that allow the reader to see the changes in design over time, like ships from concept to realized model.  And these books allow for hundreds of photographs and how-to film production process accounts and interviews, arranged in an easy to reference chronology.  With the latest film in theaters, Star Wars: The Rise of Skywalker, Abrams has published the next look behind the scenes at the production process, The Moviemaking Magic of Star Wars: Ships and Battles, the most comprehensive account of the 11-film franchise’s models, sculptures, concept artwork, and their creators since Sculpting a Galaxy was released in 2005 when we only had six films available (you can see my review of that book here).

The book is targeted at a younger audience, but Star Wars fans of any age will appreciate the detail and information they may not have read about before, including notes from George Lucas from the first idea for the film, his treatment for The Star Wars, to Colin Cantwell and Joe Johnston′s concept drawings, all the way through the two “Star Wars story” movies Rogue One and Solo, and all nine Skywalker saga films, including a preview page of concept art from The Rise of Skywalker.  The original trilogy gets the biggest share of the coverage, including the full run of major ships, how they were developed, and what method was used to get them on the big screen, but the 21st century films and the prequels also get significant sections.  Readers will follow the development of filmmaking methods old and new: full-sized sets and vehicles like the landspeeder and X-wing fighter, scale models (both small and large scale), kitbashing, matte painting, and CGI.

Fans of the Millennium Falcon specifically will not want to miss this book.  They can track the development of the many models and designs used across the original trilogy, which had to be resurrected for the final trilogy with a side trip to an early, modified version of the ship for Solo: A Star Wars Story.  Coverage includes concept art, unused designs, and photos of the pocket-sized models through the multiple full-sized, walk-on creations. The various Death Star space stations and Star Destroyers get similar handling in the book.

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Review by C.J. Bunce

With the much anticipated ninth episode Star Wars: The Rise of Skywalker here at last, writer/director J.J. Abrams has succeeded again at managing a major film franchise challenge and making the best of it.  With Star Trek in 2009, he took a waning property and shot new life into it, but came up short four years later when he tried again and delivered Star Trek Into Darkness, heavily milking the nostalgia of the fan base with its retread of Star Trek: The Wrath of Khan.  In 2015 Abrams was handed the keys to the other big space franchise, where he revitalized a left-for-dead movie saga and delivered Star Wars: The Force Awakens, notable for the introduction of Daisy Ridley’s curious and mysterious desert scavenger Rey, arguably one of the most fleshed out characters in the entire franchise with this final installment.  Fortunately Abrams’s return to Star Wars will likely net better results for its fanbase with a movie that rises to become the best in the final trilogy, or at least as good as his The Force Awakens.  Is this still George Lucas’s Star Wars?  No, but that just shows the power and unique status of the original trilogy–even Lucas couldn’t capture the magic again with his prequels.  The Rise of Skywalker is the kind of movie that could be judged on its merits as a J.J. Abrams movie and separately as a Star Wars sequel.  Whether you as a viewer like this installment or not will depend on your own expectations.

Abrams may be at his best, with his unique style, lens flares and all, when he gives fans what they want.  Abram’s success this holiday season is a bit of a salvage effort, bringing Rey back as the focal hero/heroine of the story, incorporating some of the saga’s best “Jedi being Jedi” sequences, and tapping into the nostalgia for the 1977 original in bite-sized bits instead of leaning on it like he did so unapologetically with Star Trek Into Darkness.  If only Abrams had made all three Star Wars films, this third chapter could have been much tighter, and the whole trilogy would likely be better received by most of the fanbase.  As a viewer if you don’t (or can’t) just sit back and enjoy the cameo performances, throwbacks, and Easter eggs, you’ll get the feeling that using two directors instead of one over the three films is the crux of any problems in The Rise of Skywalker.  Upon its release, the previous installment The Last Jedi felt like it belonged to an entirely different story than The Force Awakens.  Plot threads created by Abrams were summarily abandoned.  Key characters were eliminated without explanation.  New plot threads came from out of nowhere.  In short, the director-flipping was the big mistake from a storytelling perspective.  Abrams has the extensive portfolio behind him to demonstrate he would have been the right choice to direct all three films.  So this time Abrams had a greater task than ever before, because he was stuck making major course corrections, all to get this tale back on track, re-focused again on Rey.  The necessary patchwork aside, The Rise of Skywalker will go down as one of Abrams’ best works.

Will Star Wars, or more specifically, the Skywalker saga with this three-part conclusion, endure the test of time?  If audiences continue to believe in its value as entertainment, there is no reason why studios can’t keep going back to this material repeatedly–think Shakespeare’s plays, Doyle’s Sherlock Holmes, Shelley’s Frankenstein, Dickens’s Ebenezer ScroogeRecall how even more recent stories like the Terminator, Predator, and Halloween (and Star Trek) film series have continued to make sequels and wholesale reboots, disregarding a film that doesn’t do as well and continuing like it was never made.  There’s no reason that can’t happen someday with Star Wars.  So those fans who still want to see the Expanded Universe on the big screen–the complexities and triumphs of both Timothy Zahn’s sequel trilogy and Dark Horse Comics’ many stories like Dark Empire that did so much more with heroes Luke and Leia–just wait.  Someday the right new visionary will step in and make it happen, but fans will need to accept new actors as their heroes, just like we saw with the latest Star Trek trilogy.

Want to dig in further?  Spoilers follow.

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It’s been another long year of great entertainment.  It’s time for the seventh annual round of new honorees for the borg Hall of Fame.  We have several honorees from 2019 films and television, plus you’ll find some from the past, and a peek at some from the future – 28 new borgs or updated variants in all, bringing the borg Hall of Fame total to 221.

You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology Wearing a technology-powered suit alone doesn’t qualify a new member.  Tony Stark aka Iron Man was named an honoree because the Arc Reactor kept him alive, not because of his incredible tech armor.  The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but it’s not integrated with Peter Parker’s biology.  Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse and Black Manta from Aquaman are merely wearing tech suits.  We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, or the new Mandalorian from the series, since nobody has more intriguing armor.  Maybe the second season coming next fall will give us something new to ponder.

Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it.  Again, integration is key, but in the Hall, once a member, always a member.  

So let’s get on with it.  Who’s in for 2019?

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When we created last year’s preview of 2019 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and homed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our annual picks in our Best Movies of 2019.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our print media picks, and our annual borg Hall of Fame inductees.  And if you missed it, check out our Best Kick-Ass Genre Heroines of 2019 here.  Wait no further, here are our movie picks for 2019:

Best Film, Best Superhero Movie, Best Re-Imagining on Film Shazam! (Warner Bros.).  Movies are supposed to be a wonder, right?  What brought the magic of the movies back to theaters more than Shazam?  Why did DC take so long to adapt a superhero to the scene perfectly?  Who cares–they finally did it.  Faithful to the character from the #1 selling superhero book of the 1940s, this was the superhero movie many of us have been waiting for for the past 50 years (or more).  Full of superhero fun, one of the best training montages ever, Zachary Levi’s boyish hero was perfectly matched to Jack Dylan Grazer’s take on best pal Freddy.  It’s also the only superhero movie we can think of that got better as it went along, culminating in a fantastic, satisfying third act and finale.  This is what we want more of.  And it was the first DC superhero movie of the millennium that could be watched and enjoyed by the entire family.  Honorable mention: Glass (Universal), Spider-Man: Far From Home (Sony Pictures).

Best Fantasy Movie, Best Adventure Movie, Best Comedy MovieJumanji: The Next Level (Columbia Pictures).  The only issue with this film was that its status as a sequel will prompt some to not recognize it for the gigantic success it truly is.  With adventure scenes bigger and better than anything in the entire Indiana Jones franchise, two movies in and director Jake Kasdan proved a sequel can actually be as good as the original.  The four stars didn’t miss a beat, swapping roles and adding new laughs, and the new characters inside and outside the game were perfectly spliced in to tell a new tale.  The bridge crossing scene is now the adventure film scene to beat.  An epic fantasy that’s loads of fun.  Honorable mention for Best Fantasy Movie: Shazam! (Disney/Marvel), Captain Marvel (Disney/Marvel).

Best Movie Borg, Best Borg Film – Arnold Schwarzenegger’s Carl, Terminator: Dark Fate (Paramount Pictures).  It would have been almost impossible for James Cameron and director Tim Miller not to get this right, a new thread through time reuniting Linda Hamilton’s Sarah Connor and a new T-800 with Arnold back with another take on his greatest borg of all time.  New characters and new effects kept the franchise from getting boring, but this was more than just getting by, a big sci-fi spectacle with great cyborg battles, and easily the best cyborg fix this year.

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It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 26 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits.  So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina.  At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker.  This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, an emperor (not empress!), and even a cyborg–with a roster evenly split between television and movie characters.

Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2019:

Aughra (The Dark Crystal: Age of Resistance).  If there was a greater woman character in the history of fantasy film, we don’t know who that would be.  We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year.  Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season.  She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)

Black Widow (Avengers: Endgame).  After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos.  And yet she still didn’t get the fanfare that Tony Stark did.  We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)

Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw).  As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all.  If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock?  (Universal)

Agent M (Men in Black: International).  Valkyrie Tessa Thompson is back on the list again, this time as the first movie lead Woman in Black, earning her nebulizer with the help of her Thor-world partner Chris Hemsworth.  As a little girl, Molly witnessed an alien as her parents were zapped by Men in Black, and she worked her entire life to be able to get into the CIA or FBI, hoping one would be the entry point into the secret organization.  Agents O and High T would recognize her value to the team, as she saved the planet from the latest menace. (Columbia/Sony)

Cyclone Mei (The Legend of the Condor Heroes).  Even as an evil witch, Viola Mi’s master of the Nine Yin White Bone Claw and Heart Destroying Palm techniques became a sympathetic villain after her husband died at the hands of young Guo Jing and she became blind.  Even blind she used internal techniques to defeat anyone she perceived as a threat.  Master of the whip with fearsome claws, beautiful and fierce Mei Chaofeng once joined her husband as the “Twin Masters of the Dark Winds” to possess a forbidden manual of martial arts, and would leave mountains of bodies in their wake as they sank deeper into the dark teachings.  (iQIYI)

Sarah Connor (Terminator: Dark Fate).  We were excited when we heard Linda Hamilton would return to the franchise 27 years after she had a major transformation from waitress into the woman who would save 3 billion lives.  One of Sci-Fi’s two best-known kick-ass heroines (along with Ellen Ripley), original terminator target Sarah Connor lost none of that drive and determination to continue to kill Terminators into the 21st century.  As a grandma surrogate and mentor to the next generation of leadership, we’ve no doubt the future is safe again.  (Paramount/20th Century Fox)

Special Agent Dinah Madani (Marvel’s The Punisher).  For the entire second season, Amber Rose Revah’s DHS agent was hot on the trail of taking down Billy Russo’s villain Jigsaw.  Who knew she’d need to get through his psychiatrist first.  She was always tough and good at her job, but proved herself in the final two episodes of the series.  (Netflix)

Leia Organa (Star Wars: Rise of Skywalker).  Princess or General, Carrie Fisher’s Leia Organa was one of the 1970s brand of kick-ass heroines, although we still wish she’d had the opportunity to show her stuff just as Rey was able to in the third trilogy movies.  We prefer seeing her as she continued after the original trilogy in Timothy Zahn’s novels, the Dark Empire comics, and the 20 years of the Expanded Universe stories, where we saw her realize power as great as Luke and the rest of the Jedi Order.  (Disney/Lucasfilm)

Captain Marvel (Captain Marvel/Avengers: Endgame).  Brie Larson’s take on Captain Marvel was an end-to-end story about being tough and taking charge.  An entry in the Marvel Cinematic Universe that didn’t fit the mold of past films, it allowed audiences to meet her for the first time and ramp up our appreciation for all she could do in short order.  Soon enough she’d be integral to relocating Thanos after The Snap, and she’d return one more time in the final battle to try to turn the universe back to the way it was.  (Disney/Marvel)

Cara Dune (The Mandalorian).  A master of hand-to-hand combat as well as crack sharp-shooter, the latest Star Wars heroine (played by Gina Carano) helped the Mandalorian take down an AT-ST in their first go. Once a shock trooper with the Rebel Alliance and a fighter after the Battle of Endor, Cara is just the help the Mandalorian and The Child need going forward in the series.  (Disney/Lucasfilm)

Sue Lynn Blackbird (Stumptown).  Always the smartest person in the room, and ten steps ahead of everyone else, Tantoo Cardinal’s Sue Lynn runs the local Tribal Casino, but she does much more.  She’s a businesswoman who always negotiates from the power position.  Her leadership role means she has the power to excommunicate anyone who isn’t acting in the best interests of the tribe–or give them another chance.  She’s also tough enough to forgive and mentor younger walking disasters she encounters from time to time. (ABC)

Emperor Philippa Georgiou (Star Trek: Discovery). We’ve always loved Michelle Yeoh, but the series writers for her latest character held back in the first season of the series. At last viewers got the full monte when the mirror version of the series lead character’s captain returned not only to help her, but to eliminate any who got in her way, and proceed to take over the secret spy agency of the prime world timeline. Up there with Jaylah from Star Trek Beyond, “Mirror Georgiou” is one of the new breed of badass Star Trek character.

Christine Gavin (Wu Assassins).  Vikings star Katheryn Winnick makes her second showing on the list, this time as San Francisco undercover police officer Christine Gavin.  Expecting to find the ringleader of a major crime syndicate, she began her work gaining the trust of a man in a local chop shop, only to discover a larger world existed beyond the world we see every day.  Possessing some major martial arts skills and a street fighting manner, she didn’t lose a fight all season long, and helped battle evil in both dimensions.  (Netflix)

Grace (Terminator: Dark Fate).  Sent from the future to save a young woman who has the potential to go forward and lead a rebellion against a new technological apocalypse, Mackenzie Davis’s Grace stepped up to fight a new brand of Terminator.  A human that volunteered to undergo enhancements to make herself into a full-fledged cyborg, she would fulfill her mission, giving the ultimate sacrifice for the future of humanity. (Paramount/20th Century Fox)

Huang Rong (The Legend of the Condor Heroes).  Quick thinking with a photographic memory, Yitong Ling’s Rong’er met her future husband on one of her outings in beggar garb disguised as a man, practicing her skills as a thief and 13th century grifter.  Young and easy to underestimate, with the witty banter of Buffy the Vampire Slayer and an almost supernatural ability to coerce anyone to do her bidding, her charismatic traits were only matched by her mastery of enough schools of martial arts to prevent anyone from learning who taught her.  Raised on Peach Blossom Island by her father, she learned how to confuse an enemy, and is able to convince Hong Qigong to teach her even more, all in exchange for her cooking–hey, you can be a badass and also a master chef.  (iQIYI)

Maudra Fara (The Dark Crystal: Age of Resistance). Refusing to recognize Seladon’s claim to the position of All-Maudra, she’d challenge her for the Living CrownFara assumed the title of Maudra after Vala, her mother, had been killed during the First Battle of Stone-in-the-Wood, and she would prove to be the fiercest of all the Gelflings, male or female.  Who wouldn’t follow her into harm’s way?  Alice Dinnean was the puppeteer behind the scenes, with Lena Headey supplying her voice.  (Henson/Netflix)

Grace (Ready Or Not).  Samara Weaving’s character Grace made for the perfect bride on her wedding day… who married into a family of psychopaths that required she first beat them in a wedding night game of hide and seek–to the death.  A horror movie that was also a suspense thriller, Ready Or Not ran circles around the similar Knives Out from an entertainment and excitement standpoint.  Grace had to shoot though her in-laws and extended family to survive the night, somehow finding the mettle to defend herself when the unthinkable became the thinkable–and for audiences it was so much fun!  (Mythology/Vinson)

Vedek Kira Nerys (Deep Space Nine: What We Left Behind).  In this year’s Deep Space Nine documentary, the creators of the series returned to give viewers a glimpse at what Season 8 would have looked like had they been able to continue, complete with Kira as Vedek, in charge of the space station and taking her seven year character arc into new places.  It’s the same grit Nana Visitor gave to her performance, and the spirit of the original shown through as she joins with her former Starfleet colleagues at the show’s cliffhanger.

Agent Francesca “Frankie” Trowbridge (Whiskey Cavalier).  Lauren Cohan’s Frankie had it all, and unfortunately for fans the show was canceled after only one season.  But what a season!  This agent was every bit 100% James Bond but she also used her looks and smarts to double as “Bond girl” when the mission called for it.  In hand-to-hand combat or with a weapon, whatever bad guys the writers threw at her, nobody could get past her for long. (ABC)

Zan Hui (Wu Assassins).  Cold and near emotionless, Hong Kong movie star JuJu Chan’s Zan was ruthless as henchwoman to the leader of the Triads.  But she was also ambitious, and at her first opportunity she didn’t hesitate to act.  Incredibly skilled in kung fu and street fighting as well as weaponry, she didn’t need the supernatural skills of the other characters to make an impact.  (Netflix)

Two (6 Underground).  Melanie Laurent’s Camille was ready to join One and his secret force of ghosts, undoing some of the damage she’d done while CIA operative.  Quiet and saying little most of the time, she reveals to the squad’s hitman she knows all she needs to navigate international politics.  Take down a government led by a murderous villain and replace him with someone better?  Count her in.  (Netflix)

Gunnhild (Vikings).  An entire series could be written around Ragga Ragnars’ strong and proud warrior.  As shield-maiden, she doesn’t hesitate to lead the fight with her sword onto the battlefield.  Also kind and humble, she also doesn’t hesitate to make sure her niece and nephew are protected when she has a dream that they are in danger.  As Queen of Kattigat she proves she’s the right person at the right time in history.  (History)

Dex Parios (Stumptown).  Taking a character from the comic books to the screen, Cobie Smulders made ex-Marine Dex her own.  Her P.I. is a walking disaster, always “this close” to succeeding, and always trying to claw her way back from the last worst decision she could have made.  Somehow she is able to look after her brother.  She makes Jessica Jones look like a lightweight, always her own worst enemy.  But if she keeps fighting back in this city, she may just make it after all. (ABC)

Amelia Wren (The Aeronauts).  Nobody else on the list had to climb to the top of a balloon in freezing cold temperatures with frostbitten, unusable fingers at a height of more than 30,000 feet.  And Felicity Jones’s Amelia Wren was based on a real person.  Does it get more badass than that?  That she was a composite character doesn’t matter–she’ll make audiences breathless as she performs one death-defying feat after another in her two-hour flight. (Netflix)

Bell Mallory (The Man in the High Castle).  In the series’ alternate histore, while the Eastern United States was still being fought over by the Nazis and a small band of resistance fighters, Frances Turner’s Bell Mallory rescued San Francisco and led a revolt that removed Japanese occupation from the entire west coast.  Undercover op?  Whatever it takes.  A strategist and brains behind taking out a slew of leaders, she knew who to trust and who not to, and her decisions helped put the U.S. back into American control. (Amazon Studios)

Deet (The Dark Crystal: Age of Resistance).  The nicest gelfling of the Grottan clan you could ever meet, she befriends plant and animal alike.  Once she experiences a vision by touching Vliste-Staba, the Sanctuary Tree located in the Mountains of Grot, the nature loving soul joins the resistance.  And when the Skekses are ready to destroy Thra, she is the only one who can muster the power to stop them.  An unlikely hero, we don’t yet know the extent of the price she paid for restoring the balance of Thra.  Performers Beccy Henderson and Nathalie Emmanuel couldn’t have created a better heroine.  (Netflix)

And that’s this year’s list.  Keep coming back the remainder of this month as we reveal the rest of our Best in Film, Best in TV, and Best in Print, and our borg Hall of Fame inductees for 2019.

Want to see previous years’ kickass genre heroines?  Here are 2018, 2017, 2016, and 2015.

C.J. Bunce
Editor
borg

It started in the Summer of ’77 and ends this December.  Until someone makes an Episode X, XI, and XII.  (You know they will.)  Until then, we have Disney’s last trailer ever for the Skywalker saga.  If you don’t like that, Disney is ready for you with the very different looking series The Mandalorian in November.  You can’t… resist… the Dark Side (er, we mean Disney).

Lots of questions need answered in Star Wars: Episode IX: The Rise of Skywalker, like:

  • Will the loose ends J.J. Abrams created for Episode VII get addressed?
  • Will the ultimate villain of the final trilogy (Snoke) return or is the Emperor really the surprise villain of Episode IX?  Or is it Kylo?  Or Rey?  Or C-3PO?
  • How is Rey related to the Skywalkers, and if she isn’t related, why the three-film red herring?
  • Will Rey finally get a wardrobe change?
  • How much of Episode IX will Disney spend planting seeds for future movies?
  • Will Chewbacca and the Falcon survive?
  • Will there be an Emperor Rey action figure?

In August Disney rolled out a two-minute clip relying primarily on the nostalgia fans have for the original trilogy, but also carefully selecting other bits from the franchise’s past to get audiences ready for December’s last chapter, with lots of callbacks aimed at your heartstrings.  But don’t forget the last trailer, with that image of Rey with her Darth Maul/Count Dooku/Swiss Army Brand™ lightsaber, and those red lenses on C-3PO, seeming to illustrate Luke stored Darth Vader’s katra in good ol’ ‘3PO all those years ago at a secret off-camera/deleted scene rendezvous on Endor.  Or maybe we’re mixing our franchises.

Another official poster for the movie reveals more in what it doesn’t show: the heroes of the past replaced with the young trio of Rey, Finn, and Poe.  The poster includes some supporting characters from the original trilogy and new faces (or in Keri Russell’s case, masked face) from this last chapter.  Sorry, Merry the Hobbit did not make the poster, but if you look closely he did make the trailer.

Take a look for yourself:

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Sometimes you wish you could go back in time, to decades past where life was simpler and you could grab a magazine at the local bookstore or grocery store rack to get a fix from your favorite movies or TV series.  Back in the 1970s and 1980s sometimes that meant Starlog, Starburst, or Space Wars, Fantastic Films Magazine, or even mags aimed at the younger set, like Dynamite.  Then people like Dan Madsen came along with fan clubs that resulted in titles targeted at specific, single fandoms like The Lucasfilm Fan Club Magazine for Star Wars, and Star Trek Communicator and other titles under variants of those names.  Titan Magazines inherited management of these legacies decades ago, and is still putting out both Star Wars Insider and Star Trek Magazine, and it’s the articles from those mags that fans can “read again for the first time” as Titan launches three new compilation books, Star Wars: The Best of the Original Trilogy, Star Wars: Rogues, Scoundrels, and Bounty Hunters, and Star Trek Picard: The Classic Chronicles.

The two Star Wars books are tied to the anticipation for the release of the final chapter in the original Star Wars saga as Star Wars: The Rise of Skywalker arrives in theaters in December and The Mandalorian series begins streaming in November.  And the Star Trek book is primed to get newer fans up to speed in time for the release of the Star Trek Picard television series.  If you collect the magazines, you have already read this content, but if you haven’t or you threw out your magazines over the years, this is your chance to check out Titan’s targeted looks back at these big franchises.

Vintage photographs, tie-in toys and other products, posters, interviews, and articles full of trivia are reason enough to take a look back through these books.  And those photographs include many you’ve probably not seen before–or at least haven’t seen in a long, long time.  Clocking in at 176 pages, each book has something for every fan of these franchises.  Star Wars: Rogues, Scoundrels, and Bounty Hunters is a must for anyone after lots of detail photographs of Chewbacca and your favorite bounty hunters, something from every previous Star Wars film through Solo: A Star Wars Story.  Star Trek Picard: The Classic Chronicles isn’t just about Patrick Stewart’s Captain Jean-Luc Picard, but is an overview of the entire series and films featuring the NextGen crew.  Star Wars: The Best of the Original Trilogy is perhaps the most nostalgic, with those marketing photographs and accompanying 1970s magazine style art that could have come straight out of Dynamite magazine.

Below are previews of all three books.  Catch up on the past–order these books at your local bookstore or comic book shop or from Amazon at these links: Star Wars: The Best of the Original Trilogy, Star Wars: Rogues, Scoundrels, and Bounty Hunters, and Star Trek Picard: The Classic Chronicles.

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Review by C.J. Bunce

One of the criticisms so far into the third trilogy of Star Wars movies (the third and finale episode, The Rise of Skywalker, is due out this December) is not making the most of the original cast.  This seems to go double with fan expectations for Mark Hamill as Luke Skywalker.  This is not some fault of fandom, it’s how Lucasfilm prepped its fans with great futures for Skywalker and his family, delivered via Timothy Zahn’s original sequel trilogy and then decades of brilliant stories via Dark Horse Comics.  There you’d find Luke Skywalker, grown into the role of Jedi Master, was everything you’d want from the hero we met in the movies.  Now fans can see that future in a History channel series streaming on Netflix, if they only bring along a little imagination.  That series is Knightfall.

The series follows a re-imagined history of the Knights Templar at the dawn of the 14th century.  If you ignore the historicity, good or bad, and see the film as a fantasy tale of knights in conflict and knights in training, you can see why the Jedi Knights were derived from these historic figures.  The Star Wars influence comes full circle as Mark Hamill himself joins the cast as a master knight named Talus in Season 2.  Here is that very same Luke Skywalker as you might have imagined him from Zahn and Dark Horse’s storytelling, war-weary and battle hardened, as he storms his way into the tale, leading and training knights, sometimes Mr. Miyagi style, sometimes with swords, sometimes with surprising methods.  Tilt your head a bit, cover one eye–do what you need to do–but some of Luke Skywalker’s best scenes as a Jedi Knight are in this series.  The very best is Talus’s final scene.  Mark Hamill, and Luke Skywalker, never were cooler than in his final conflict on the series.

Fantasy emphasis over history aside, for those students of the Middle Ages you’ll find a mix of truth and cinema twisted for story purposes, but overall this is that series about knights and swords, the Pope and the twisted King (they’re all twisted, always) and the beautiful Queen that you’re looking for.  The story follows hero Tom Cullen (The Five, Downton Abbey) as Landry, a wise but conflicted Knight Templar, whose band of trusted brothers botch protecting the Holy Grail, the same biblical cup so many medieval tales are based upon, but more of a McGuffin for this version of the tale.  Landry’s band of knights, Pádraic Delaney (The Tudors) as Gawain, and Simon Merrells (DC’s Legends of Tomorrow, Ashes to Ashes) as one of the best knights you’ve seen onscreen as Tancrede lead viewers from enough intrigue to keep them coming back for more.  Olivia Ross (War & Peace) is particularly engaging as Queen Joan, one of the only women characters in the series, and Jim Carter (Downton Abbey) is great fun to watch as the regal yet conniving Pope Boniface VIII.  Of the bad guys, you’ll love to hate Ed Stoppard (Zen, The Frankenstein Chronicles) as King Philip (again, all kings are bad), and Julian Ovenden (Downton Abbey, Charmed) as his on-again, off-again confidante and henchman.  As Cullen’s Landry and the Queen of France fall in love, how both the knight order and the King handle the aftermath is the conflict that plays out over 18 episodes, with the backdrop of a coming battle between France and England beckoning.

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