Tag Archive: tech-noir


Just because Netflix canceled after only one season 2021’s best sci-fi TV series, best western TV series, best space fantasy series, best retro fix, with the best TV soundtrack, best costumes, best actors and guest stars, and best borg on TV, doesn’t mean we can’t keep reliving the fantastic live-action reboot/homage series Cowboy Bebop One more way we’re going to do that is with Cowboy Bebop: Making the Netflix Series, coming next month from Titan Books.  It’s the official companion book to the Netflix TV series featuring concept art, sketches, behind-the-scenes photography and interviews with the cast and production crew.  Check out a preview below, courtesy of the publisher.

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Review by C.J. Bunce

I’d wager even story creator Philip K. Dick would be impressed with the futurism and dark beauty of Adult Swim and Crunchyroll’s new Japanese and American half-hour animated series Blade Runner: Black Lotus Is the mysterious drifter Elle a young woman with amnesia or a new type of replicant that can fool the Voight-Kampff test?  What does it mean to be an android or cyborg with feelings and memories?  Those are the questions asked in the first five episodes of the excellent new series, now streaming on Adult Swim and the Adult Swim app.

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Review by C.J. Bunce

If you’ve read his book James Cameron’s Story of Science Fiction (reviewed here) or watched his accompanying series, you can tell that James Cameron is first and foremost an artist.  With an artist’s eye he has created some of the biggest science fiction movies ever made, from The Terminator to Aliens to The Abyss and Avatar.  For the first time Cameron is revealing the contents of his sketchbooks and personal art archives and discussing his creative process and inspiration.  Insight Editions’ giant chronicle Tech Noir: The Art of James Cameron, arrives in bookstores next week and available for pre-order here.  Fans will find a collection of rare and never-before-published art that reveals how this award-winning director has translated his ideas to film, often employing advanced film-making technologies to realize his unique vision.  But as readers will find, it all begins with pen, pencil, and paint.

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Review by C.J. Bunce

The new Netflix series Cowboy Bebop, an adaptation of the 1999-2001 anime series, is so good, so well-written, so jazz-filled, stylish, cool, and sexy that you won’t deny it’s the best streaming series yet.  It’s not only the best science fiction series in years, but also solid noir, solid space Western, peppered with martial arts action.  If you loved the space life of Firefly, the dark future Earth noir of Altered Carbon and Blade Runner, and the lived-in future realism of Alien and Outland, you’re in for some great television.  Funny dialogue, actors inhabiting their characters, cool noir vibe, the drudgery of life as a space pilot and exploits of a space bounty hunter.  It’s as good as TV gets.  It’s as good as sci-fi and space westerns get.

But what’s the best part?  The music?  The style?  The characters?  The lived-in sci-fi world?  The dog?  Or the year’s coolest borg character?

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Tick tick tick… It’s almost here: the premiere of season one of the live-action version of the anime series Cowboy Bebop And now we have a full-length trailer that leans harder into the sci-fi elements of the series.  It stars John Cho (Star Trek) as a Bruce Lee-inspired bounty hunter named Spike Spiegel, Mustafa Shakir (Luke Cage) as the show’s larger than life cyborg and former investigator Jet Black, Geoff Stults (Stargirl) as Jet’s former partner Chalmers, and Daniella Pineda (Jurassic World: Dominion) as bounty hunter Faye Valentine.  And a corgi (his name is Ein).  Imagine what Firefly would look like if directed by Quentin Tarantino, and you have Netflix’s 10-episode live-action series Cowboy Bebop

Check out another great trailer:

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Bebop pic

Running for 26 episodes between 1999 and 2001, the future noir anime series Cowboy Bebop arrived as an instant classic for the medium that many have called the greatest anime of all time, a Japanese sci-fi Western three years before Firefly.  Imagine what Firefly would look like if directed by Quentin Tarantino, and you have the new teaser-trailer for Netflix’s 10-episode live-action series Cowboy Bebop, coming in 30 days. 

bEBOP SHIP

It has the style and the throwback vibe of The Man from U.N.C.L.E. as well as a cool soundtrack, and comic book-style scene-change pan slides with the characters participating in the movement.  The series stars John Cho (Star Trek) as a Bruce Lee-inspired bounty hunter named Spike Spiegel, Mustafa Shakir (Luke Cage) as the show’s larger than life cyborg and former investigator Jet Black, Geoff Stults (Stargirl) as Jet’s former partner Chalmers, and Daniella Pineda (Jurassic World: Dominion) as bounty hunter Faye Valentine.  And a corgi (his name is Ein).

You don’t want to miss the teaser and opening credits–take a look at both below.

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COWBOYBEB_Unit

Running for 26 episodes between 1999 and 2001, the future noir anime series Cowboy Bebop arrived as an instant classic for the medium, a Japanese sci-fi Western three years before Firefly.  A new Netflix series is on its way this year, starring John Cho (Star Trek) as bounty hunter Spike Spiegel, Mustafa Shakir (Luke Cage) as the show’s cyborg, former investigator Jet Black, Geoff Stults (Stargirl) as Jet’s former partner Chalmers, and Daniella Pineda (Jurassic World: Dominion) as bounty hunter Faye Valentine.  The television series is also coming to comics–writer Dan Watters and artist Lamar Mathurin are creating a monthly comic–and we have a preview of the Issue #1 cover artwork below.

CB#1_Cover_A CB#1_Cover_C

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SMART GIRL COVER B

Review by C.J. Bunce

Spanish artist Fernando Dagnino (Superman, Resurrection Man, Suicide Squad) has designed the future of Blade Runner in the continuation series of Ridley Scott and Syd Mead’s future world for Titan Comics over the past few years.  Now fans of his artwork can see Dagnino take his work further in his own series.  In Smart Girl, readers will meet Yuki, a multitasking gynoid in the future called a Smart Girl, as in “smart phone” (the male Smartdroids are called Smart Boys)–human-like tools created exactly like the domestic assistant Synths of BBC’s Humans television series.  But like the Emergency Medical Holograms of Star Trek Voyager fame, the time comes when Yuki is no longer the latest, most advanced model, and it’s time for her to be replaced by the new androids and be deactivated.  Yuki becomes self-aware, and like the Replicants of Blade Runner, she decides she has more to offer the world and makes her escape before it’s too late.

Writer and illustrator Dagnino offers a black and white future noir comic that leans into what he does best–those shadows and layouts that feel like the stuff of 1950s pulp novels.  As much as I’d love to see his work in color, the black and white works for this tale of the bleak not-so-distant future.  Yuki is Atomic Blonde and Alita upgraded.  The story is tech-forward like Altered Carbon.  Dagnino’s style is familiar in a good way, mixes of Mike Grell layouts, Phil Noto characters, and the action and appeal of Jackson Herbert–the best of the modern Miss Fury artists.  If you like speculative science fiction, issue-driven narratives wrestling with timeless questions in the manner of the best of Alan Moore and Frank Miller, this should be your next graphic novel.

Check out our sneak preview of Fernando Dagnino’s new graphic novel, Smart Girl:

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Some of the best dystopian futurism in years came to a conclusion this year in the pages of Titan Comics’ Blade Runner 2019, the official comic book sequel to the cult classic 1982 science fiction film directed by Ridley Scott.  Co-written by Michael Green, the Academy Award-nominated screenwriter of Logan, Blade Runner 2049, and Murder on the Orient Express, and prolific comics writer Mike Johnson (Batman, Star Trek, Transformers) with artwork from Andres Guinaldo (Nightwing, Justice League Dark), this year’s Blade Runner 2019 story arc found an ex-Blade Runner named Ash returning from the Off-World colonies to the rain-soaked future Los Angeles.  A new Replicant will lead an animated series from Cartoon Network’s Adult Swim this fall, taking Philip K. Dick’s Replicants into the untapped territory of the year 2032 in Blade Runner: Black Lotus.  Check out the very Alita: Battle Angel-evoking series coming this fall in this first trailer, released at San Diego Comic-Con 2021 aka Comic-Con @Home this weekend:

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Review by C.J. Bunce

Last year Titan Comics took fans of the Blade Runner movie franchise back to the future with the comic book series Blade Runner 2019 (reviewed here at borg).  Both the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, the series expanded the franchise based on characters and settings created by Philip K. Dick.  Then the series went back 20 years before the theatrical sequel in Blade Runner 2029 Now for the first time writers K. Perkins, Mellow Brown, and Mike Johnson, and artists Fernando Dagnino and Marco Lesko are taking the entire franchise–the canon stories and timeline–back before the original Ridley Scott movie in the series Blade Runner Origins Dick’s universe is one of borgs called Replicants and those who hunt them, called Blade Runners.  This is the story of the first Blade Runner, and we assume we’ll see another prequel one day about the creation of the first Replicants.

   

Check out our sneak preview of artwork from Issue #1 of Blade Runner Origins and 18 series variant covers below.

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