Review by C.J. Bunce

If you’ve read his book James Cameron’s Story of Science Fiction (reviewed here) or watched his accompanying series, you can tell that James Cameron is first and foremost an artist.  With an artist’s eye he has created some of the biggest science fiction movies ever made, from The Terminator to Aliens to The Abyss and Avatar.  For the first time Cameron is revealing the contents of his sketchbooks and personal art archives and discussing his creative process and inspiration.  Insight Editions’ giant chronicle Tech Noir: The Art of James Cameron, arrives in bookstores next week and available for pre-order here.  Fans will find a collection of rare and never-before-published art that reveals how this award-winning director has translated his ideas to film, often employing advanced film-making technologies to realize his unique vision.  But as readers will find, it all begins with pen, pencil, and paint.

Cameron is a life-long fan of pulp science fiction, comic books, and industrial design, and it comes through in his illustrations.  Influenced by Kirby, Steranko, and Frazetta, his creations from doodles to detailed and refined works later in his career show the progression of a monster-loving kid who turned his passion into his job.  That began by honing his skills creating poster art and concept art for Roger Corman.  Although the bulk of the art in Tech Noir was created before and during Aliens, he explains how it influenced his ideas for later films.

Similar to modern working artists like Alex Ross, you can see how their early sketches, even as teenagers, reflect the building blocks of their profession.  His layouts for a comic from his youth called The Mummy are as advanced as some current creators’ efforts.  Readers will find Harryhausen inspiration, fantasy world Conan sketches, lots of Jack Kirby space fantasy, improving into science-inspired realism in his college days.

Cameron’s sketch work probably reached its height as the actual sketch prop of Kate Winslet used in his Academy Award-winning film Titanic.  Visual narrative is a key theme of Tech NoirMany of Cameron’s recollections of his creations may be contrived–can anyone remember the rationale for every notebook sketch they created 40 years ago?–but the point of the book is also viewing Cameron try to come to terms with his own inspirational sources.

Readers will also find Cameron was working on cyborgs before taking on The Terminator.  Later works in the book include sketches of the power loader and aliens as implemented in his movie Aliens.  His monster and fantasy works seems to migrate naturally into his ideas for Avatar.

Tech Noir includes a foreword by Guillermo del Toro.  Spaceships, weapons, aliens, sci-fi future.  A unique journey into the mind of a creative visionary, Tech Noir is an exploration of one of cinema’s most successful directors.  Tech Noir: The Art of James Cameron is now available for pre-order here at Amazon, arriving in bookstores December 14, 2021.