Tag Archive: Terry Moore


Named after the late beloved comic book creator Mike Wieringo, the first ever ‘Ringo! Awards were presented during an irreverent and humor-filled ceremony Saturday night at the end of the second day of Baltimore Comic-Con 2017.  This year the annual Harvey Awards were renamed in Wieringo’s honor.  Wieringo was an artist best known for his work on DC Comics’ The Flash, Marvel Comics’ Fantastic Four, and his co-creation Tellos (discussed earlier this year here at borg.com).

Voters from more than 100 countries selected the nominees and winners were picked from a final ballot by members of the comic book industry creative community.  Presenters last night included Mark Waid, Darryl “DMC” McDaniels, Amy Chu, Tom Brevoort, Walter and Louise Simonson, Terry and Robyn Moore, Kazu Kibuishi, Charlie Kochman, Lora Innes, Thom Zahler, Todd Dezago, and Craig Rousseau, with a keynote speech provided by multiple Eisner Award winner and Mouse Guard creator and David Petersen.

The ceremony provided two Hero Initiative awards, the Dick Giordano Humanitarian Award to Joshua Dysart, and the Lifetime Achievement Award to Marv WolfmanMultiple winners included John Lewis, Andrew Aydin, Nate Powell for their civil rights story March: Book III, winning for Best Original Graphic Novel and Best Non-Fiction Comic Work, and Skottie Young, recognized as Best Cartoonist and for his I Hate Fairyland as Best Humor Comic.

Darryl (DMC/Darryl Makes Comics) McDaniels awards Best Cover Artist ‘Ringo! Award to Frank Cho.

Here is the list of winners selected from the final ballot:

Best Cover Artist–Frank Cho (who accepted the award singing the “Thank You Very Much” song from Oliver)

Best Series–Vision (Marvel Comics)

Best Letterer–Todd Klein

Best Colorist–Laura Martin

Best Humor Comic–I Hate Fairyland, Skottie Young, Jean-Francois Beaulieu (Image Comics)

Best Original Graphic Novel–March: Book III, John Lewis, Andrew Aydin, Nate Powell (Top Shelf Productions)

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Skybourne Baltimore variant cover Frank Cho     Motor Girl 1 Terry Moore

Two of the big five comic book writer/artists known particularly for their renderings of women are each launching creator-owned series this year.  Eisner and Harvey Award winner Frank Cho, probably the #1 cover artist known for his fantastic women as well as his humor and storytelling, is launching his own mini-series through BOOM! Studios in September, and Eisner and Harvey award-winning Terry Moore, known for his smart and quirky women-focused stories, is publishing a new series through his Abstract Studios imprint.  Both titles will feature strong women characters.

Frank Cho, first recognized for his humor and pin-up art in University² and Liberty Meadows, has gone on to create some of the finest mix of superheroes and classical artwork of any living artist.  As recently as this summer he provided the most beautiful Wonder Woman cover art in years for DC Comics.  We’ve raved about his cover art here five years ago, but he’s created a lifetime of great work since then.  We wait with bated breath for more projects like his cover to cover work on Savage Wolverine, Mighty Avengers, Shanna the She-Devil, and his X-Men Schism arc.  This may be that next series.

His new project, Skybourne, a project we first heard about in early 2015, follows two immortals, Grace Skybourne and her brother Thomas, and their battle against the legendary Merlin of medieval lore.  Here is the description from the publisher:

Skybourne Midtown variant cover Frank Cho     Skybourne cover Frank Cho

* Full of fast-paced action, Skybourne is James Bond with fantasy elements thrown in and is unlike anything Frank Cho has ever done before.
* The legend of King Arthur is alive and well in the modern day world.  Only one man, Skybourne, can stop the evil Merlin from destroying the world.

But we ask again each year:  Whatever happened to the very cool and promising Guns & Dinos, which we first previewed five years ago here at borg.com Skybourne, Issue #1 of 5, written and drawn by Cho, is scheduled for release in comic book stores September 7, 2016.  Check out a preview below.

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Hawkeye issue 11   Afterlife with Archie main cover

The annual Harvey Award nominations close tomorrow.  The nominees for best works in the comic book industry are being voted on by comic book creators, with the final award ceremony to be held at Baltimore Comic-Con on September 6, 2014.  The recently combined publisher BOOM! Studios and imprint Archaia lead this year out of the gates with 30 nominations.  Independent publisher IDW Publishing received no nominations and the biggest, DC Comics, received only one.  Probably not surprisingly one of our favorite books, Marvel Comics’ Hawkeye, is a top contender, along with David Petersen’s latest Mouse Guard work.

More of our favorites are recognized again this year: Francesco Francavilla’s Afterlife With Archie is up for Best New Series and Mike Norton’s Battlepug for best online comic.  Here are the 2014 nominations for 2013 works, followed by this year’s Eisner Award winners for those that may have missed their announcement during the busy weekend of SDCC 2014.

2014 Harvey Award Nominees

Best Writer

James Asmus, Quantum and Woody, Valiant Entertainment
Matt Fraction, Hawkeye, Marvel Comics
Matt Kindt, Mind Mgmt, Dark Horse Comics
Brian K. Vaughn, Saga, Image Comics
Mark Waid, Daredevil, Marvel Comics

Best Artist

David Aja, Hawkeye, Marvel Comics
Dan Parent, Kevin Keller, Archie Comics
Nate Powell, March: Book One, Top Shelf Production
Chris Samnee, Daredevil, Marvel Comics
Fiona Staples, Saga, Image Comics
Jeff Stokely, Six Gun Gorilla, BOOM! Studios

Best Cartoonist

Matt Kindt, Mind Mgmt, Dark Horse Comics
Comfort Love and Adam Withers, Rainbow in the Dark, uniquescomic.com
Terry Moore, Rachel Rising, Abstract Studios
Dan Parent, Kevin Keller, Archie Comics
David Petersen, Mouse Guard: The Black Axe, BOOM! Studios/Archaia
Paul Pope, Battling Boy, First Second

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Chasing the Dead cover 1 Chasing the Dead cover 2

Chasing the Dead is a 2007 supernatural thriller novel by Joe Schreiber.  Schreiber has written several genre novels including Star Wars: Red Harvest, Star Wars: Death Troopers, Star Wars: Darth Scabrous, and Supernatural: The Unholy Cause, as well as No Doors No Windows, Eat the Dark, Perry’s Killer Playlist, and Au Revoir Crazy European Chick.  IDW Publishing writers Matthew Scott and Tim Westland have begun to adapt Schreiber’s Chasing the Dead into a monthly comic book series.

Chasing the Dead  takes readers for a very intense ride.  We meet Susan Young, now separated from the man she married who was a childhood friend.  They both shared a secret, and now their secret has impossibly returned and their daughter is now thrust into what reads like a suspenseful horror movie plot.  A 13-year-old boy and 12-year-old girl are playing at a park in a town that has a rash of child murders.  A strange car slowly pulls up and instead of another abduction the little boy grabs a knife and strikes back at the attacker, killing him, but not before noticing something unworldly about the killer.

Tomorrow Issue #3 is being released and we’re previewing the first seven pages below.  Want to get caught up?  Keep reading for an overview of Issues #1 and #2, and why you might want to check out this series.

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By C.J. Bunce

You can spend your weekend at Comic-Con wandering the exhibit floor looking for mass market collectibles, talking with dealers of original art, talking with writers and artists of current and classic comic books, attend panels and see comic and other creators, TV and movie stars and get the low-down on coming projects, go offsite for parties and studio and publisher events–the biggest problem is doing all you want when there is nowhere close to enough time to do it in.  If you’re in for only a few days, you really have to pick up your pace and narrow down what you want to see.  Since I spent a whole day in panels and did not stay for the entire weekend, any encounters I had with creators and studio celebrities were pretty much based on happenstance this year.  Many creators are now friends, others I gawk at like everyone else from afar.  So who did I see?

First of all, in panels I saw the cast of Community, Firefly, and the new series Arrow, including guys I’d love to talk in person someday–Alan Tudyk and Adam Baldwin, David Boreanaz and Emily Deschanel from Bones, and the guy you may know as Bud from Married with Children, David Faustino, who is doing voice work now for Nickelodeon, and he voiced the character Mako as part of the Legends of Korra panel.  As I mentioned earlier in the week, waiting in line allowed me to meet and get a photo with Joss Whedon.

The Soup host Joel McHale, Firefly star Nathan Fillion, former Angel star David Boreanaz and Korra’s David Faustino really stood out as funny guys in these panels–surprisingly quick-witted people who got the crowd cheering with everything they said.

I saw the main cast of the Syfy Channel series Haven during their signing session.  They really looked like they were having a good time–like they really get along with each other.  Also signing in the Sails Pavilion were Richard Anderson, who was the classic character Oscar Goldman from one of borg.com’s favorite borg shows: The Six Million Dollar Man, and Cindy Morgan from the original Tron and Caddyshack.  I hoped to run into Bruce Boxleitner, JK Woodward and Scott and David Tipton but my panel schedule caused me to miss meeting them.

On the exhibit floor I watched Lou Ferrigno (The Incredible Hulk) and Kevin Sorbo (Hercules) talk with fans and sign autographs.

Arnold Schwartzenegger was coming into the hall and I staked out a photo op location but his handlers moved him out of the hall so I missed seeing him.

As a Star Trek fan, I was very happy to finally meet and have a nice conversation with Brent Spiner.  He was a great guy who was as nice in person as you’d hope him to be from years of watching his lovable character Data.  I also had a brief chat at day’s end with Levar Burton, also a friendly guy, signing photos of Geordi LaForge for fans.  I’d met Marina Sirtis before so I didn’t chat with her this round, but she was also signing Counselor Deanna Troi photos in the hall.

Earlier this year I reviewed Table Top, a new, fun Web series hosted by Wil Wheaton with the Geek and Sundry creators.  I met him near a Starbucks and shared my feedback with him on his show.  We talked about some of the games and he graciously introduced me to his wife and friends.

Wheaton is truly “one of us” and a really personable guy.  Of everyone at the Con, he is probably my first pick of someone you’d like to wander the Con halls and chat with.  Another show host, Blair Butler was attending the Con from the popular genre cable channel G4.

Of the comic book realm, I met Cat Skaggs, a well-known comic book artist who was signing cover prints to Smallville Season 11 #1 and she sketched a great Green Arrow bust for me.

I also met Neal Adams–a comic book legend who created the look of the Silver Age Green Arrow and I finally was able to add one of his sketches to my folio.  Neal was sketching non-stop for fans just like the newer, younger artists in Artist Alley–a real “working artist” even after all these years.

I ran into my friend Freddie Williams II also, and he also was busy sketching for fans throughout the Con and selling original art from his various DC Comics series.

David Petersen, known best for his Mouse Guard work, was working on commissions for attendees and selling shirts and art at his booth in Artist Alley.  I also lucked into getting a sketch from him and enjoyed talking with his wife, who manned the booth when he was doing signings elsewhere.

I ran into Frank Cho again this year and he said he is still expecting to get Guns & Dinos out soon.  He was selling a great pin-up calendar featuring Brandy and the Liberty Meadows gang.  More on that in future posts.  A nominee for the Eisner in two categories this year, Rachel Rising creator Terry Moore was busy talking with fans.

As with last year, Jim Lee could be found at several panels and signing throughout Comic-Con.

As with Freddie Williams, I met up with several folks from back in the Midwest.  I ran into artist Ande Parks and met his wife, while hanging with Sean and William from Elite Comics and Chris Jackson who runs Planet Comicon.  Parks was chatting with his frequent cover artist Francesco Francavilla, this year’s Eisner cover artist of the year winner, and someone we have talked about here at borg.com all year long for his great cover art.  I ran into Star Trek author Kevin Dilmore twice on the exhibit floor–my third year seeing Kevin at the Con.  It’s crazy how you can be in your hometown and never run into anyone, and then fly to San Diego and see so many people from back home.

Review by C.J. Bunce

Rachel Rising disturbs me.  Terry Moore’s art disturbs me.  Most of all, Terry Moore’s story disturbs me.

The thing is… it’s supposed to.

Everyone is creepy in the quaint, pastoral town called Manson.  If you need help in Manson, you pretty much have no one to turn to.  Soon you will be dead or undead, or living or working with some unspeakable horror in your midst.  Remember young Billy Mumy’s character in the Twilight Zone episode “It’s a Good Life”?  I’m convinced he lived in Manson.  And the neighbor across the street?  An adorable little girl named Zoe who has just lost her family and house.  And her newly proposed foster family has a psycho in it.  Of course, Zoe just killed a few people herself.  Including her babysitter.  You see, every time Zoe sees the beautiful blonde woman, someone dies.  Sometimes by her own hand.  Who is that woman, who can be seen only by a few people, and why can she push her will onto others?

But the story is not about Zoe.  It’s about Rachel.  In the beginning Rachel is dead, pulling herself from a shallow grave by getting a foothold on…what’s that?  Someone else’s corpse.  She’s been strangled.  But Rachel has come back for more, despite being repeatedly knocked back down.  She doesn’t understand why she’s alive any more than we do.  Along this strange trip Rachel meets a woman in the bathroom at a local jazz club and can’t help but sharing that she won’t make it to her wedding day.  Rachel has seen the woman’s coming death.  Petrified the woman rushes away.  Minutes later the woman is pushed off the roof, onto Rachel, killing both in the process.

Meanwhile Zoe and the fiancée accidentally (?!) intentionally (?!) meet up in the woods to hide their recently murdered victims.  And little Zoe finishes off the fiancée.  Why not?  And why is she so vicious about it?  It’s all bad in the quaint, pastoral town of Manson.

In the beginning, and a bit of a deja vu later, Rachel’s aunt Johnny and brunette BFF named Jet can’t believe that Rachel is dead (again).  Aunt Johnny works as a mortician, and unfortunately she knows this victim all too well.  But Johnny and Jet are even more surprised when she sits up alive.  Rachel is more dead than alive, the doctor tells her.  He also thinks Rachel is the angel of death.  But he has his own issues.  He is living at home with a 30-year old corpse.

It’s all so eerie, spooky and… oogy.

Later, Rachel and Johnny and Jet and Zoe’s stories intersect, and they collide with an 18-wheeler.

Then bodies inexplicably burst out of the town’s cemetery.  Jet dies in the car wreck, to return and join Rachel as another member of the undead.  Is she a zombie?  The doctor says no.  Is she an angel?  Jet won’t believe it.  Just prop her body up in front of a television, she’ll be all right.

Moore is at Issue #8 of the series and there is no sign of saving any of us from this town ravaged by an unknown evil.  How does this mild-mannered writer of Strangers In Paradise and Echo create such a horrific tale?  What unspeakable skeletons are hiding within the Moore household?  I really don’t want to know.

Probably most surprising is the juxtaposition between Moore’s beautiful lead females, Rachel and Jet and Zoe, and the ghoulish, macabre, palpable darkness that seems to emanate from the crossroads in the woods.  Like Frank Cho’s women and Adam Hughes’ women, you’d know Terry Moore’s women if you were pushing your way through the halls at the San Diego Convention Center at Comic-Con and ran into one.  They are the ladies with the little slightly askew noses and the bright all-knowing eyes.

Beautiful fall leaves stretch across the open grave.  It’s getting cold in Manson.  It’s snowing, but is that really snow that’s falling?  I shudder to think where this is going.  I may just cover my eyes for the rest and crawl back into bed.  Someone please leave the lights on.

Rachel Rising has been nominated for not one but two Harvey Awards: Best New Series and Best Continuing or Limited Series.  It made the Horror Writers Association Bram Stoker Award 2012 Reading List.  And we will find out in a few weeks whether it secures the Eisner Award for Best Continuing Series and the coveted Best Writer/Artist Award to Moore for his work.

Moore is scheduled to be at Comic-Con again this year and we hear he is bringing original art for sale.  He and wife Robyn’s Abstract Studios will be featured in a panel in Room 23ABC on Comic-Con Thursday.  Issues #1-6 are now available at Amazon as the Rachel Rising: The Shadow of Death trade paperback and more recent issues are available at comic book stores everywhere.

If you have spent much time at all chatting it up with comic book writers or editors at comic conventions, you have probably heard several mentions of the phrase “creator-owned comic” or “creator-owned project.”  The conversation usually goes like this:

Fanboy: Hey, Awesome Comic Book Creator, what are you working on?

Awesome Comic Book Creator: I am working on a big project right now featuring Huge Comic Character for [insert DC Comics or Marvel here].  [And then they look like they are pondering something deeply as they say:] I am also working on a creator-owned project that I have had in the works for several years.

It was Frank Cho last year at Comic-Con who let us in on a project he had been thinking about for years:  Guns & Dinos, a project he said he had been thinking about ever since an image came to him of an archaeologist discovering an arm with a modern gun in a dig along side a dinosaur.  Guns & Dinos (yet to be released) is a creator-owned project he was trying to generate interest in.

Hitting the stores this month was a new book with an odd title: Creator-Owned Heroes #1.  It’s a collaborative new ongoing book between writing partners Jimmy Palmiotti and Justin Gray (who are at the top of my favorite comic writers right now with their All-Star Western series), Steve Niles, Kevin Mellon, and Phil Noto.  The point?  Get away from big publishing house content and bring some diversity into comics–stories you might not see reaching readers from the big houses.

The book features two eleven page stories that will have readers easily coming back next month.  It also has several interviews with the creators in the nature of “here’s what this is all about.”  It also includes photos of the creators with fans at conventions, an interview with a cosplayer who Palmiotti asked to create the costume of one of the stories, and an interview with Neil Gaiman.

The two stories were superb.  We’ll come back to those.

For the first issue of a new type of publication I didn’t have any issue with the interviews and explanations.  That said, I’d rather have more than 11 page stories or a third story for future issues.  $3.99 is a fine price but a comic sized magazine with columnists as opposed to news is not really something I think can last too long.  And I haven’t read much new from Gaiman in the last several interviews with him I’ve seen so that didn’t add much value for me.  I am interested in what these creators think, but are most comics readers readers who just want to read new stories or do they also care about the behind-the-scenes so much?

So back to what is great about this book–two very interesting stories.  First Palmiotti, Gray and Noto take on cool muscle cars in a dismal, futuristic world of survival in American Muscle.  Great title, great idea.  The dialogue is believable, the images make the reader feel the environment.  I just hope future issues focus let us in on the cars themselves (they probably can’t specify actual makes and models because of licensing reasons from the auto dealers).   Niles and Mellon give us one part Leeloo Dallas, one part human-Cylon, one part David 8, one part la femme Nikita, and one part Ultraviolet in their Trigger Girl 6.   That actually should give you all you need to decide whether to check out this one.  I’ll just say the pacing of the story was spot-on and the dialogue and art top-notch.  I also really liked the color choices in both stories.  If this is what creator-owned is, then give us more please.

The publisher of Creator-Owned Heroes is Image Comics.  I’ve always viewed Image as sort of a “fourth network” like Dark Horse and Dynamite.  I do wonder why Creator-Owned Heroes didn’t try something like Terry Moore and his Abstract Studios publishing company.  If you don’t make it big at the major publishing houses I would think Moore has created the model to make it big on your own.

C.J. Bunce
Editor
borg.com

By C.J. Bunce

Comic-Con International just announced its nominations for the Will Eisner Comic Industry Awards 2012 and we’re ecstatic two borg.com favorites were nominated:  Terry Moore was nominated for his new dark series Rachel Rising as Best Continuing Series and the coveted Best Writer/Artist Award, and Mike Norton was nominated for his Battlepug book for Best Digital Comic.

Other notable nominees include DC New 52 writer Jeff Lemire, who had a big year with several comics, including Animal Man, Flashpoint: Frankenstein and the Creatures of the Unknown, Frankenstein: Agent of S.H.A.D.E., and Sweet Tooth.  Also, Grant Morrison and Frank Quitely were nominated for Best Graphic Album – Reprint for their stunning story of bionic animals: WE3: The Deluxe Edition. Francesco Francavilla was nominated as Best Cover Artist for his Black Panther, Lone Ranger, Lone Ranger/Zorro, Dark Shadows, Warlord of Mars, and Archie Meets Kiss.

Here, Best Publication for Young Adults nominees Gene Yang and Vera Brosgol sign books along with borg.com writer Elizabeth C. Bunce after the Diversity in Young Adult Books panel at Comic-Con last summer:

Congratulations to all the nominees!

Best Short Story
“A Brief History of the Art Form Known as Hortisculpture,” by Adrian Tomine, in Optic Nerve #12 (Drawn & Quarterly)
“Harvest of Fear,” by Jim Woodring, in The Simpsons’ Treehouse of Horror #17 (Bongo)
“The Phototaker,” by Guy Davis, in Metal Hurlant vol. 2 (Humanoids)
“The Seventh,” by Darwyn Cooke, in Richard Stark’s Parker: The Martini Edition (IDW)
“The Speaker,” by Brandon Graham, in Dark Horse Presents #7 (Dark Horse)

Best Single Issue (or One-Shot)
Daredevil #7, by Mark Waid, Paolo Rivera, and Joe Rivera (Marvel)
Ganges #4, by Kevin Huizenga (Fantagraphics)
Locke & Key: Guide to the Known Keys, by Joe Hill and Gabriel Rodriguez (IDW)
Princeless #3, by Jeremy Whitley and M. Goodwin (Action Lab)
The Unwritten #24: “Stairway to Heaven” by Mike Carey, Peter Gross, and Al Davison (Vertigo/DC)

Best Continuing Series
Daredevil, by Mark Waid, Marcos Martin, Paolo Rivera, and Joe Rivera (Marvel)
Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
Rachel Rising, by Terry Moore (Abstract Studio)
Ultimate Comics Spider-Man, by Brian Michael Bendis and Sara Pichelli (Marvel)
Usagi Yojimbo, by Stan Sakai (Dark Horse)

Best Limited Series
Atomic Robo and the Ghost of Station X, by Brian Clevinger and Scott Wegener (Red 5)
Criminal: The Last of the Innocent, by Ed Brubaker and Sean Phillips (Marvel Icon)
Flashpoint: Batman – Knight of Vengeance, by Brian Azzarello and Eduardo Risso (Vertigo/DC)
The New York Five, by Brian Wood and Ryan Kelly (Vertigo/DC)
Who Is Jake Ellis? by Nathan Edmondson & Tonci Zonjic (Image)

Best Publication for Early Readers (up to age 7)
Beauty and the Squat Bears, by Émile Bravo (Yen Press)
Benjamin Bear in Fuzzy Thinking, by Philippe Coudray (Candlewick/Toon Books)
Dragon Puncher Island, by James Kochalka (Top Shelf)
Nursery Rhyme Comics, edited by Chris Duffy (First Second)
Patrick in a Teddy Bear’s Picnic, by Geoffrey Hayes (Candlewick/Toon Books)

Best Publication for Kids (ages 8-12)
The All-New Batman: The Brave and the Bold, by Sholly Fisch, Rick Burchett, and Dan Davis (DC)
Amelia Rules: The Meaning of Life … And Other Stuff, by Jimmy Gownley (Atheneum)
The Ferret’s a Foot, by Colleen AF Venable and Stephanie Yue (Graphic Universe/Lerner)
Princeless, by Jeremy Whitley and M. Goodwin (Action Lab)
Snarked, by Roger Langridge (kaboom!)
Zita the Space Girl, by Ben Hatke (First Second)

Best Publication for Young Adults (Ages 12-17)
Anya’s Ghost, by Vera Brosgol (First Second)
Around the World, by Matt Phelan (Candlewick)
Level Up, by Gene Yang and Thien Pham (First Second)
Life with Archie, by Paul Kupperberg, Fernando Ruiz, Pat & Tim Kennedy, Norm Breyfogle et al. (Archie)
Mystic, by G. Willow Wilson and David Lopez (Marvel)

Best Anthology
Dark Horse Presents, edited by Mike Richardson (Dark Horse)
Nelson, edited by Rob Davis and Woodrow Phoenix (Blank Slate)
Nursery Rhyme Comics, edited by Chris Duffy (First Second)
The Someday Funnies, edited by Michel Choquette (Abrams ComicArts)
Yiddishkeit: Jewish Vernacular and the New Land, edited by Harvey Pekar and Paul Buhle (Abrams ComicArts)

Best Humor Publication
The Art of Doug Sneyd: A Collection of Playboy Cartoons (Dark Horse Books)
Chimichanga, by Eric Powell (Dark Horse)
Coffee: It’s What’s for Dinner, by Dave Kellett (Small Fish)
Kinky & Cosy, by Nix (NBM)
Milk & Cheese: Dairy Products Gone Bad, by Evan Dorkin (Dark Horse Books)

Best Digital Comic
Bahrain, by Josh Neufeld, www.cartoonmovement.com/comic/24
Battlepug, by Mike Norton, www.battlepug.com
Delilah Dirk and the Turkish Lieutenant, by Tony Cliff, www.delilahdirk.com
Outfoxed, by Dylan Meconis, www.dylanmeconis.com/outfoxed
Sarah and the Seed, by Ryan Andrews, www.ryan-a.com/comics/sarahandtheseed01.htm

Best Reality-Based Work
Around the World, by Matt Phelan (Candlewick)
Green River Killer: A True Detective Story, by Jeff Jensen and Jonathan Case (Dark Horse Books)
Marzi: A Memoir, by Marzena Sowa and Sylvain Savoia (Vertigo/DC)
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)
Vietnamerica, by GB Tran (Villard)

Best Graphic Album – New
Bubbles & Gondola, by Renaud Dillies (NBM)
Freeway, by Mark Kalesniko (Fantagraphics)
Habibi, by Craig Thompson (Pantheon)
Ivy, by Sarah Olekysk (Oni)
Jim Henson’s Tale of Sand, adapted by Ramón K. Pérez (Archaia)
One Soul, by Ray Fawkes (Oni)

Best Graphic Album – Reprint
Big Questions, by Anders Nilsen (Drawn & Quarterly)
The Death Ray, by Dan Clowes (Drawn & Quarterly)
Richard Stark’s Parker: The Martini Edition, by Darwyn Cooke (IDW)
WE3: The Deluxe Edition, by Grant Morrison and Frank Quitely (Vertigo/DC)
Zahra’s Paradise, by Amir and Khalil (First Second)

Best Archival Collection/Project – Strips
Flash Gordon and Jungle Jim, by Alex Raymond and Don Moore, edited by Dean Mullaney (IDW/Library of American Comics)
Forgotten Fantasy: Sunday Comics 1900-1915, edited by Peter Maresca (Sunday Press)
Prince Valiant vols. 3-4, by Hal Foster, edited by Kim Thompson (Fantagraphics)
Tarpé Mills’s Miss Fury Sensational Sundays, 1944-1949, edited by Trina Robbins (IDW/Library of American Comics)
Walt Disney’s Mickey Mouse vols. 1-2, by Floyd Gottfredson, edited by David Gerstein and Gary Groth (Fantagraphics)

Best Archival Collection/Project – Comic Books
Government Issue: Comics for the People: 1940s-2000s, edited by Richard L. Graham (Abrams ComicArts)
The MAD Fold-In Collection, by Al Jaffee (Chronicle)
PS Magazine: The Best of Preventive Maintenance Monthly, by Will Eisner (Abrams ComicArts)
The Sugar and Spike Archives, vol. 1, by Sheldon Mayer (DC)
Walt Simonson’s The Mighty Thor Artist’s Edition (IDW)

Best U.S. Edition of International Material
Bubbles & Gondola, by Renaud Dillies (NBM)
Isle of 100,000 Graves, by Fabien Vehlmann and Jason (Fantagraphics)
Like a Sniper Lining Up His Shot, by Jacques Tardi and Jean-Patrick Manchette (Fantagraphics)
The Manara Library, vol. 1: Indian Summer and Other Stories, by Milo Manara with Hugo Pratt (Dark Horse Books)
Night Animals: A Diptych About What Rushes Through the Bushes, by Brecht Evens (Top Shelf)

Best U.S. Edition of International Material – Asia
A Bride’s Story, by Kaoru Mori (Yen Press)
Drops of God, by Tadashi Agi and Shu Okimoto (Vertical)
Onward Towards Our Noble Deaths, by Shigeru Mizuki (Drawn & Quarterly)
Saturn Apartments, vols. 3-4, by Hisae Iwaoka (VIZ Media)
Stargazing Dog, by Takashi Murakami (NBM)
Wandering Son, vol. 1, by Shimura Takako (Fantagraphics)

Best Writer
Cullen Bunn, The Sixth Gun (Oni)
Mike Carey, The Unwritten (Vertigo/DC)
Jeff Jensen, Green River Killer: A True Detective Story (Dark Horse Books)
Jeff Lemire, Animal Man, Flashpoint: Frankenstein and the Creatures of the Unknown, Frankenstein: Agent of S.H.A.D.E. (DC); Sweet Tooth (Vertigo/DC)
Mark Waid, Irredeemable, Incorruptible (BOOM!); Daredevil (Marvel)

Best Writer/Artist
Rick Geary, The Lives of Sacco and Vanzetti (NBM)
Terry Moore, Rachel Rising (Abstract Studio)
Sarah Oleksyk, Ivy (Oni)
Craig Thompson, Habibi (Pantheon)
Jim Woodring, Congress of the Animals (Fantagraphics), “Harvest of Fear,” in The Simpsons’ Treehouse of Horror #17 (Bongo)

Best Penciller/Inker or Penciller/Inker Team
Michael Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size Super-Ginchy Special (Image)
Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)
Chris Samnee, Captain America and Bucky, Ultimate Spider-Man #155 (Marvel)
Marcos Martin, Daredevil (Marvel)
Paolo Rivera/Joe Rivera, Daredevil (Marvel)

Best Cover Artist
Michael Allred, iZombie (Vertigo/DC)
Francesco Francavilla, Black Panther (Marvel); Lone Ranger, Lone Ranger/Zorro, Dark Shadows, Warlord of Mars (Dynamite); Archie Meets Kiss (Archie)
Victor Kalvachev, Blue Estate (Image)
Marcos Martin, Daredevil, Amazing Spider-Man (Marvel)
Sean Phillips, Criminal: The Last of the Innocent (Marvel Icon)
Yuko Shimizu, The Unwritten (Vertigo/DC)

Best Coloring
Laura Allred, iZombie (Vertigo/DC); Madman All-New Giant-Size Super-Ginchy Special (Image)
Bill Crabtree, The Sixth Gun (Oni)
Ian Herring and Ramón K. Pérez, Jim Henson’s Tale of Sand (Archaia)
Victor Kalvachev, Blue Estate (Image)
Cris Peter, Casanova: Avaritia, Casanova: Gula (Marvel Icon)

Best Lettering
Deron Bennett, Billy Fog, Jim Henson’s Dark Crystal, Jim Henson’s Tale of Sand, Mr. Murder Is Dead (Archaia); Helldorado, Puss N Boots, Richie Rich (APE Entertainment)
Jimmy Gownley, Amelia Rules! The Meaning of Life … And Other Stuff (Atheneum)
Laura Lee Gulledge, Page by Paige (Amulet Books/Abrams)
Tom Orzechowski, Manara Library, with L. Lois Buholis (Dark Horse); Manga Man (Houghton Mifflin); Savage Dragon (Image)
Stan Sakai, Usagi Yojimbo (Dark Horse)

Best Comics-Related Journalism
The AV Club Comics Panel, by Noel Murray, Oliver Sava et al., www.avclub.com/features/comics-panel/
The Beat, produced by Heidi MacDonald et al., www.comicsbeat.com
The Comics Journal, edited by Gary Groth, and The Comics Journal website, www.tcj.com, edited by Timothy Hodler and Dan Nadel (Fantagraphics)
The Comics Reporter, produced by Tom Spurgeon, www.comicsreporter.com
TwoMorrows Publications: Alter Ego edited by Roy Thomas, Back Issue edited by Michael Eury, Draw edited by Mike Manley, and Jack Kirby Collector edited by John Morrow

Best Educational/Academic Work
Alan Moore: Conversations, ed. by Eric Berlatsky (University Press of Mississippi)
Cartooning: Philosophy & Practice, by Ivan Brunetti (Yale University Press)
Critical Approaches to Comics: Theories and Methods, edited by Matthew J. Smith and Randy Duncan (Routledge)
Hand of Fire: The Comics Art of Jack Kirby, by Charles Hatfield (University Press of Mississippi)
Projections: Comics and the History of 21st Century Storytelling, by Jared Gardner (Stanford University Press)

Best Comics-Related Book
Archie: A Celebration of America’s Favorite Teenagers, edited by Craig Yoe (IDW/Yoe Books)
Caniff: A Visual Biography, edited by Dean Mullaney (IDW/Library of American Comics)
Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard (Fantagraphics/Marschall Books)
Genius Isolated: The Life and Art of Alex Toth, designed by Dean Mullaney (IDW/Library of American Comics)
MetaMaus, by Art Spiegelman (Pantheon)

Best Publication Design
Genius Isolated: The Life and Art of Alex Toth, designed by Dean Mullaney (IDW/Library of American Comics)
Jim Henson’s Tale of Sand, designed by Eric Skillman (Archaia)
Kinky & Cosy, designed by Nix (NBM)
The MAD Fold-In Collection, designed by Michael Morris (Chronicle)
Richard Stark’s Parker: The Martini Edition, designed by Darwyn Cooke (IDW)

   

Review by C.J. Bunce

If you’re lucky enough to land yourself a copy of Terry Moore’s Rachel Rising, Issue #1 or #2, do yourself a favor and grab it and pick up a few extra for your friends as this one is very hard to come by.  For whatever reason, comic retailers have not ordered big enough quantities.

If you’re not familiar with Terry Moore, his two big series over the past two decades were the mega-hit Strangers In Paradise and the more recent supernatural series Echo.  This year at Comic-Con Moore was selling his how-to ‘zine How to Draw Women.  If there is one thing he knows, it is drawing the female form.  Moore’s style is truly his own–he uses very few lines to capture incredible expressions and emotion in his characters.  I’d put Moore’s women drawings in an exclusive league with Frank Cho and Michael Turner, with Cliff Chiang soon to be a member of that elite group.

In Strangers In Paradise, Moore used a close relationship between roommates to create an ongoing drama that want on to form several volumes.  In Echo, he moved into more of the fantasy realm.  With Rachel Rising, he has landed firmly in the dark, creepy, macabre world of comics.  His art in all three series is black and white–something that might put off readers of other books, but Moore uses black and white’s starkness and contrasts to create a moods you won’t find in DC Comics or Marvel Comics titles.  I haven’t even mentioned yet that Moore is the writer, penciller and inker of his books, which are published by his wife.  Serving triple duty must be tough, but Moore makes it all look easy.

In Issue #1, Rachel wakes up in the woods in a shallow grave.  Over the course of Issue #1 and #2, Rachel encounters people who know her but don’t believe she really is Rachel.  She learns she has lost three days of her life.  Her glowing eyes reveal something, but what that means fully is not yet revealed.  She finds an aunt who she tries to get to help her, but her aunt is a strange breed who claims to see dead people, and as she is a mortician, she gets plenty of opportunity.

Is this going the way of Eliza Dushku’s TV series Tru Calling?  That would be fun.  In Tru Calling she worked in a morgue where dead people talked to her.  Terry’s dark-haired characters look a bit like Dushku.  When Echo came out, I asked Moore about the naming process and he said he was unaware that Dushku was playing a character starting about the same time on Joss Whedon’s short-lived Dollhouse TV series.   All just a crazy coincidence.   I’ll just go out on a limb and nominate Dushku for a role in a future movie based on Moore’s books.

But don’t think Moore’s friendly style is not as ghoulish as the next guy’s stories.  There are plenty of cringeworthy scenes in these first two issues, including the subtle but disturbing aunt who proceeds to perform “mortician’s work” while rambling away with Rachel.  As many questions about Rachel and Company are asked as are answered, so we can look forward to a good progression of story over several issues.

I first met Terry and his wife Robyn, who is the publisher of his books under the Abstract Studios label, at Comic-Con back in 2008 when Echo was released.  I got to Terry’s booth early enough that he spent the Friday sketching his famous characters Francine and Katchoo for me as my favorite superhero team Green Arrow and Black Canary.  Robyn couldn’t be nicer.  My wife and I met up with Terry and Robyn again at Comic-Con this year at Jeff Smith’s 20th anniversary of Bone party (that’s Terry above in San Diego this July), and we had a great time chatting.

I’d hoped to review this series sooner, but could not track down Issue #1.  I finally had to drive three hours away to find a copy of Issue #1 and I am hoping the distributors get their acts together so it will be easier to track down Issue #3, due out soon.

The first full day of the 42nd annual Comic-Con got off to a great start Thursday at the San Diego Convention Center with the first of tens of thousands of fanboys and fangirls and writers, artists, actors and everyone and anyone from the entertainment industry packing the venue.  Lots of oversized swagbags and swag to carry in them and big displays from major creative properties.  Several major events are celebrated this year, including the 35th anniversary of Star Wars throughout the convention.

But today Comic-Con really emphasized the COMIC in Comic-Con.  Artists and writers packed both Artists Alley and the main aisles.  Echo and Strangers in Paradise creator Terry Moore was signing at his booth (his 15th year at the Con):

Fan favorite David Petersen (Mouse Guard) revealed an exclusive to borg.com tonight:  Years in the making, Friday will be the debut at Comic-Con of his boxed set Mouse Guard role playing game with a limited quantity available at Comic-Con.  Here he is signing at his booth:

Legendary fantasy author Peter S. Beagle (The Last Unicorn, Tamsin) shared stories about his writing and inspired others at his booth in Artists Alley.  Freddie Williams II (Captain Atom, Robin) and his wife Kiki were jam-packed up until closing with fans at Freddie’s booth.

But not all the fun was to be had on the convention floor.  Another popular franchise celebrates a benchmark this year.  Scholastic/Arthur A. Levine Books hosted an invitation-only bash tonight at the Hilton Bayfront to commemorate the 20th anniversary of Jeff Smith’s comic book franchise Bone.  Guest of honor Smith was on hand, as well as a who’s who of the comic book and sci-fi/fantasy genres.  Terry Moore and his wife Joann, were in attendance, as was David Petersen and his wife.  Legendary artist Sergio Aragones celebrated as well, along with Judd Winick (Green Arrow writer, among other noted DC work) and Patrick Scullin (Super Siblings).  Attendees included Scholastic/Arthur A. Levine artists and authors Elizabeth C. Bunce (Liar’s Moon, StarCrossed, A Curse Dark as Gold), Kazu Kibuishi (Amulet), Ted Naifeh (The Good Neighbors), Jake Parker (Missile Mouse), Dan Santat (Sidekicks), Raina Telgemeier (Smile), and Doug TenNapel (BadIsland).

Here, the crowd toasts Jeff Smith (far left).  Next to Jeff is Joann and Terry Moore, far left is Judd Winick next to Jeff’s wife and business partner Vijaya.

Here Elizabeth C. Bunce, Lisa Yee (Millicent Min), and Sheila Marie Everett, Scholastic publicist, celebrate at the party for Jeff Smith.

No industry has a more welcoming group of people than the Comic-Con crowd.  Writers and artists shared stories into the night and everyone had a great time.

And Comic-Con wouldn’t be Comic-Con without some great costumes, including this group of Slave Leias at the Lucasfilm booth:

More to come tomorrow!

And we’ll post more updates throughout Comic-Con and over the coming weeks.

C.J. Bunce

Editor

borg.com