Tag Archive: The Italian Job


Review by C.J. Bunce

Ryan Reynolds (Deadpool) and director Michael Bay (Transformers, Armageddon) are going to surprise a lot of people this December.  Their new film, a direct-to-Netflix, big-budget action spectacle called 6 Underground, is the kind of movie that belongs on the big screen leading the box office rankings.  It has big, over-the-top, expensive action sequences that leave last year’s seemingly impossible to beat Mission: Impossible–Fallout, in its wake.  It also stuffs about two movies into one: giving the audience a slight breather between action sequences, its edits are sharp and quick, so much so it offers one of those strobe warnings upfront, with an amazing new weapon we haven’t yet seen anywhere that it keeps for its third act.  If you loved the team of crooks in Baby Driver, the good guys seeking revenge of The Italian Job, and the speed of The Fate of the Furious, get ready for the next watchalike.  It’s Leverage on steroids.  It’s the best direct-to-Netflix movie yet–and a whole lotta fun.

Reynolds is a billionaire genius fed up with not being able to do good with his money by following the rules.  He fakes his death and recruits and tries to maintain an international band of six “ghosts” who have complementary mad skills and are willing to leave their lives (including names) behind to change the world.  This includes an incredible driver played by Dave Franco (Now You See Me), a badass ex-CIA spook played by French actress Mélanie Laurent (Inglourious Basterds), a hitman played by Mexican actor Manuel Garcia-Rulfo (The Magnificent Seven), a doctor played by Puerto Rican actress Adria Arjona (True Detective), and a parkour whiz played by Brit actor Ben Hardy (Bohemian Rhapsody, X-Men: Apocalypse).  When one of the team dies in a messy job, Reynolds’ character, known only as One, recruits an ex-marine sharpshooter played by Corey Hawkins.  And the movie gets bigger and better.

Although the opening 20-minute action scene will be talked about for years, it’s Hawkins arriving new to the team as Seven where the story takes off.  He was willing to leave the military service behind because he was held back–he tried to save his fellow soldiers in an attack but was ordered not to–but with this new team he finally has the freedom to do all he can for the greater good, all under his own terms.  Reynolds as Reynolds–the same snarky, smartass character he played in Deadpool and Life and R.I.P.D. and Green Lantern is here, and he makes it work yet again, thanks to funny banter and a team of actors and characters with chemistry.  He carries the leading action man role that would normally be taken by Jason Statham and twists it a bit, not doing all those kicks and physical feats, but getting in the middle of the action and staying there with all the other stunt-heavy moves going on around him (not that he doesn’t get to play in the punches, too).  If that weren’t enough, 6 Underground also has amazing international settings and gorgeous, James Bond universe-type cinematography thanks to photography by Bojan Bazelli (The Ring, The Sorceror’s Apprentice, Snake Eyes).

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Review by C.J. Bunce

The biggest action film of the summer is easily the most enjoyable film of the year.  That’s Fast & Furious Presents: Hobbs & Shaw, a movie that gets so many genre formulas right it just can’t miss.  Certainly one of the better entries in the Fast & Furious franchise, it knows what works and uses it.  That’s a sure-bet cast of Dwayne Johnson and Jason Statham, Mission: Impossible–Fallout’s Vanessa Kirby, Idris Elba in the ultimate badass role as a James Bond spy gone bad with Superman powers, lots of futuristic cyborg tech, and an understanding of why audiences come to the movie theater in the first place.  Hobbs & Shaw is a movie for people who like movies.

The trailers gave audiences a glimpse at what to expect, and they delivered on all promises: laugh-out-loud funny dialogue, nonstop action, road races and camera angles that the franchise is known for, and lots of surprises and callbacks, and a script that doesn’t take itself seriously.  There’s something for everyone here.  If you’re after only the fast cars, action, and speed of the franchise, this entry measures up.  And that family drama that the regular franchise leads Diesel, Paul Walker, and Jordana Brewster built the franchise on is here, too.  This time that includes digging into the past between Statham’s Deckard Shaw and sister Hattie, played by Kirby, and Helen Mirren back again as their mother (Luke Evans’ brother Owen from the last film may or may not be mentioned this time), and Johnson’s Luke Hobbs is pals with his young daughter at home and returns to the family he left behind years ago in the Samoan Islands.

But stuntman-turned-director David Leitch (Atomic Blonde, Deadpool 2, John Wick) and script writers Chris Morgan (writer of five prior Fast & Furious films) and Drew Pearce (Hotel Artemis, Mission Impossible: Rogue Nation) know why audiences are really buying tickets, and you just need to drift over their previous film credits to see why they were tapped for Hobbs & Shaw.  Hattie is a badass equal to Charlize Theron’s Atomic Blonde (Theron also co-starred in the most recent sequel), any of the four lead characters could give Leitch’s John Wick a run for his money, and moviegoers will hardly remember last year’s much-lauded Mission Impossible: Fallout’s action scenes after they see this.  (A few casting spoilers follow).

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Parker as priest

Review by C.J. Bunce

It was one of our 24 films to look for in 2013 that we previewed here at borg.com at the end of last year.  With Parker you have Jason Statham’s umpteenth role as a thief who knows how to fight.  Really, how can you go wrong?

Parker (Jason Statham) is a professional thief, whose old friend and mentor Hurley (Nick Nolte) asks him to do a job with a five-man crew he hasn’t worked with before, made up of Melander (The Fantastic Four I and II and The Shield’s Michael Chiklis), Carlson (Wendell Pierce), Ross (Star Trek 2009’s #2 Romulan Clifton Collins Jr.).  The result is a successful crime, but the men betray him, shoot him, and leave him for dead, and the bulk of the movie is Parker’s efforts after recovery to locate and plan the ultimate revenge for the crew.

Parker_2013_Movie_Poster

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