Advertisements

Tag Archive: Titan Books


James Bond returns as we salute Sir Roger Moore, who passed away last week–the first franchise film James Bond actor to leave us.  This time Bond is back in the 1960s adaptations of six of his adventures in Goldfinger, the latest volume of The Complete Ian Fleming’s James Bond: The Classic Comic Strip Collection.  In addition to Goldfinger, you’ll find adaptations of the short stories and novels Risico, From A View To A Kill, For Your Eyes Only, The Man With The Golden Gun, and The Living Daylights.  These are restored editions of the original comic strip title that pre-dated the film adaptations.  But it’s a challenge not to read them in your head in the voices of the actors that portrayed them.

You haven’t heard of Risico?  Risico is a drug trafficking story that hails from Ian Fleming’s For Your Eyes Only, a collection of Bond short stories that also featured From a View to a Kill and Quantum of Solace, all adaptations themselves of plots for a Bond television series that was never filmed.  It’s always a curiosity to wait and see what the next Bond film will be titled, with almost all pulled from a Fleming novel, short story, or, in the case of Goldeneye, a Bond concept.  Risico is not only an unused film title, but an interesting story, adaptable to the modern day–prime fodder for another Daniel Craig outing–and the classic comic strip here is a fun introduction to this Fleming story.

The standout creator in this new book is late artist John McLusky, who is superb in his ability to keep a dialogue-heavy series full of action and intrigue.  McLusky is responsible for all the Bond trope visuals–the look and feel of Bond that carried over into the movie versions.  The streamlined but completely fleshed-out adaptations were provided by writers Henry Gammidge and Jim Lawrence.

Continue reading

Advertisements

When you think of the Alien franchise, what iconic images come to mind?  Sigourney Weaver’s Ellen Ripley in a giant power loader suit or going face-to-face with a Xenomorph?  The first facehugger?  Hicks, Hudson and Vasquez realizing they were facing something hopeless?  Queen of sci-fi Veronica Cartwright’s scream at the first terrifying chest burst?  Ridley holding Jonesy finally sighing with relief that they survived the alien onslaught?  Dozens of these and other iconic images are packed into a new adult coloring book, Alien: The Coloring Book, coming this May from Titan Books.

The adult coloring book business is gaining steam with publishers taking extra efforts to see that the artwork inside meets the standard of the franchise.  Alien: The Coloring Book has pulled together artwork that resembles the actors and key scenes from the movie, but also does so in a visually interesting manner and conforms to the whole point of these books: to give fans a chance to color their favorite scenes (in or outside the lines).

Creating scenes from all of the Alien movies featuring heroine Ellen Ripley are artists Leandro Casco, Wellington Diaz, Vinz El Tabanas, Salvador Navarro, Guilherme Raffide, Rubine, Vincenzo Zerov Salvo, Adriano Vicente, and Daniel Wichinson.  Eighty pages provide Xenomorphs, chestbursters, Xenomorph eggs, your favorite characters, spacesuits, ships, Ridley Scott’s futuristic sets and H.R. Giger-inspired designs.  One of the fun illustrations features Lance Henriksen’s cyborg Bishop playing mumbletypeg with the hand of Private Hudson (played by the late Bill Paxton).

Continue reading

Review by C.J. Bunce

When you think of the 1985 movie Fletch, you probably think of Chevy Chase’ s humorous, over-the-top take on undercover reporter I.M. Fletcher.  But Fletch the movie was only loosely based on the award-winning mystery novels by author Gregory Mcdonald.  Mcdonald wrote dozens of novels before his death in 2008.  One of those is Snatched, a kidnapping story reprinted this year for the first time in 30 years by Titan Books’ Hard Case Crime imprint.

Originally published in 1978 as Who Took Toby Rinaldi? in the U.S. and Snatched in the UK, Mcdonald crafted a thriller about the botched kidnapping of the eight-year-old son of a Persian Gulf region ambassador to the United Nations as he readies a proposal with global impact before the U.N.  The proposal itself is a bit of a Pelican Brief MacGuffin, but the real action follows a thug named Spike as he hides the abducted boy, Toby Rinaldi.  Toby was on his way to meet his mother Christina for a visit to a Disneyland-esque theme park in California called Fantazyland.  Key to the action and tension are the efforts and setbacks faced by Christina as she attempts to catch the kidnapper, despite her husband’s foreign security squad in the U.S. trying to keep the kidnapping secret.

   

Snatched is a great read.  Its slow, simmering pace reflects nailbiters of the 1960s-1970s like The Taking of Pelham 1-2-3, Charley Varrick, Magnum Force, or Bullitt.  Many of the characters are intentionally frustrating.  The characters are frustrated, and that is channeled to the reader page after page.  Toby’s father is caught between the direct demands of his king and responsibility to family.  The political factions behind the kidnapping plot–a small group of tried and tested, denizen mercenaries whose failure to communicate and coordinate because of their own personal distractions cause them to trip over each other as they attempt what might otherwise be the simplest of crimes.  Despite Mcdonald’s Fletch character translated to the big screen, make no mistake:  Snatched is not a comedy.  It’s also low on violence, other than a little boy in jeopardy as the main plot point, which is handled deftly by Mcdonald.

Continue reading

the-great-wall-the-art-of-the-film-cover

Review by C.J. Bunce

The best thing about reading a book about the making of a film, without first watching the film, is that your view of the book is not skewed by your opinion of the film.  If you knew nothing about The Great Wall, the new behind-the-scenes look in The Great Wall: The Art of the Film will prompt you to want to see it.  Not only will you find incredible concept art, set design, costumes, and props, the book itself is unique.  In the past five years “making of” film and art books have vastly improved in quality.  Abbie Bernstein’s new book from Titan Books features the best quality images, the best layouts, and the best book design of any book yet reviewed at borg.com–the book itself has a traditional Chinese book binding and gilded edges.  It also features an element left out of many film books these days–it includes images of the entire film, and doesn’t remove spoiler elements, such as, in this case, detailed images of the film’s monsters and ending (the art book for Star Wars: The Force Awakens provided no final image of Luke Skywalker and several costumes and props, as an example).

An icon of China cinema, the man behind several “art house” films in China and the opening ceremony at the Beijing Olympics, director Zhang Yimou discusses in the book why The Great Wall is unique and how it became the biggest production in China film history.  If you have watched stunning Chinese film work over the years and aren’t a fan of dubbed or subtitled films, the barrier is language–how can you connect U.S. and Chinese film audiences?  Yimou intended just that by making a Hollywood-esque film as a Chinese production in English with a cast and crew from dozens of nations, including more than 100 on-set translators.  Beyond that goal, the powerful imagery of the film as displayed throughout The Great Wall: The Art of the Film, is the stuff of Academy Award-winning costume design and art design.

greatwall001

Along with interviews with Zhang are chapters featuring producer Peter Loehr, actors Matt Damon, Pedro Pascal, Jing Tian, and Willem Dafoe.  The most visually stunning chapters detail The Nameless Order, with Zhang’s color coding of each fighting corps, including the royal blue Crane Corps–the fighting unit consisting entirely of women.  We see frosted plastic pages displaying each corps symbol, and poster quality designs highlight each leader, along with their shields and weaponry.  Detailed sections feature the creation and design of the film’s monsters–the mythical Tao Tei–and how WETA and Industrial Light and Magic created them.  And each key sequence of the film is revealed with photographs of special effects and the actors in action.

Continue reading

oliver-queen-dossier-arrow

It’s arrival brought us a new age in superhero television series–arguably the best comic book TV adaptation since the original 1980s series The Flash that starred John Wesley Shipp.  It’s Arrow, the CW Network’s groundbreaking story of Oliver Queen starring Stephen Amell.  Unlike the successful Marvel Comics movie series, Arrow looked outside the comic book’s core stories and expanded the source material to allow the inclusion of B, C, and D level villains plus many superheroes, ultimately including most of the second tier Justice League members.  Surpassing the DC’s movie efforts and Marvel’s attempts at small-screen serials, Arrow has continued to make comic books come alive for four years since we first reviewed the world premiere viewing of the pilot at San Diego Comic-Con here at borg.com back in July 2012.

The stories have been different but loyal to its origins.  Instead of Star City or Seattle the stories were based in Starling City.  Sidekicks nicknamed Speedy became split into his sister Thea and Roy Harper.  Two Black Canary characters were formed from two sisters instead of the mother and daughter split in the classic stories.  And Green Lantern is not in the picture at all.  Along the way the series split off Barry Allen’s Flash into his own fun series, a dozen other heroes and villains joined DC’s Legends of Tomorrow, and this year CW’s DC on TV ties in Supergirl.  So many untapped stories can now be told as the DC universe is apparently unshackeled barring only interconnected stories with Batman, Wonder Woman, Green Lantern, and Aquaman, who will be featured on the big screen next year instead.

arrow-tie-in-a

Tomorrow night the fifth episode of Season 5 airs.  For those fans who want to delve into an “in-universe” look at Oliver Queen and his efforts to save his city, Titan Books has released Arrow: Oliver Queen’s Dossier, a detailed, 160-page scrapbook of notes, newspaper articles, documents, and records collected by Starling City’s emerald archer as he investigated crimes in the first three seasons of the TV series.

Continue reading

triggerman_1_cover_a    peepland_1_cover_c

Some of our favorite books we’ve reviewed at borg.com are the pulp noir novels from Titan Books’ Hard Case Crime imprint.  We’ve read the obscure-but-excellent, previously unpublished or out-of-print works from the likes of Stephen King, Gore Vidal, Ed McBain, Michael Crichton, and more, all from one publishing house.  Next month Hard Case Crime is turning to the comic book medium to offer new, serialized stories that could have come straight from early 20th century magazines.  And we have previews below for borg.com readers.

First up is Triggerman, Issue #1, available in comic book stores this week.  It’s a Prohibition era story from producer/screenwriter/director giant Walter Hill (Deadwood, Red Heat, Aliens film series, Last Man Standing, Geronimo, Rustler’s Rhapsody, Crossroads, 48 Hrs, Brewster’s Millions, The Getaway, The Long Riders), French writer Matz, and the artist known as Jef, who supplies some evocative, classic pulp style imagery.  It’s billed as a Lawless meets Bonnie & Clyde story.  Fans of Road to Perdition will love this series.

triggerman_1_cover_b    peepland_1_cover_d

Peepland, Issue #1, begins a semi-autobiographical, neo-noir tale from novelists Christa Faust (Money Shot, Nightmare on Elm Street) & Gary Phillips (The Underbelly, The Rinse).  Peepland is billed as Taxi Driver meets Goodfellas, with gorgeous art from Andrea Camerini (Il Troio).  Fans of Howard Chaykin’s Satellite Sam should check out this new series.

Here are preview pages and cover art, courtesy of Hard Case Crime:
Continue reading

Westlake Forever and a Death Hard Case Crime

Whether you knew him as Tucker Coe, Curt Clark, Samuel Holt, Timothy J. Culver, J. Morgan Cunningham, Judson Jack Carmichael–or Richard Stark–you’ve probably read something by hard-boiled crime novelist and mystery writer Donald E. Westlake.  His most famous of these were probably his Parker novels, written under the pen name Richard Stark.  Westlake passed away eight years ago, but after more than 100 novels have hit the bookstores over the decades yet another as-yet unpublished Westlake novel will be released next year.

True to form as the latest groundbreaking imprint for true crime fans, Titan Books’ Hard Case Crime will be releasing Westlake’s Forever and a Death next year.  Aficionados of Ian Fleming’s James Bond novels and all the movie adaptations should take note.  Forever and a Death was actually the title of a “what if” of sorts.  Westlake submitted a story with this title (as well as alternate titles Dragonsteeth, Never Look Back, Nobody Dies, and On Borrowed Time) as a possible script for the movie that would have been the sequel to Goldeneye.

It turns out Eon Productions rejected the story so Westlake rewrote the story, swapping out the name James Bond.  That novel is carrying a cover similar to all the other exceptional Hard Case Crime retro-style poster artwork covers we’ve seen so far (J.K. Rowling has even called the Hard Case Crime series design “stunning”).  The cover for Forever and a Death was painted by artist Paul Mann.  And it looks like it would fit in with the exquisite Richie Fahey and Roseanne Serra cover art that graced the line of 14 paperback Bond novels for Fleming’s centenary celebration back in 2008, like these:

Continue reading

50 Years 50 Artists book Star Trek

Review by C.J. Bunce

Last year CBS Consumer Products reached out to fifty artists of varying backgrounds and media across ten countries and commissioned works for an art exhibition commemorating the 50th anniversary of the original Star Trek series.  The result was featured at Michael J. Wolf Fine Arts gallery in San Diego’s gaslight district during San Diego Comic-Con this year, followed by a stint in Las Vegas for the annual Star Trek convention.  It then heads to the Canadian National Exhibition in Toronto from mid-August to early September before heading to the England for the Destination Star Trek Europe convention in October and continuing its worldwide tour through August 2017.

Next week Titan Books is releasing an oversized coffee table edition to accompany the exhibition, featuring all fifty artists and their Star Trek contribution.  Similar in design to the successful Star Trek: The Art of Juan Ortiz, reviewed here at borg.com, Star Trek: 50 Artists/50 Years, is a colorful, beautifully illustrated guide for the Star Trek fan that appreciates artists interpreting the franchise.  The hardcover exhibition catalog showcases some artists known for their Star Trek work and others who have never dabbled in the Trek universe before.   Media used in these interpretations include paper, sculpture, metal, ceramics, and textiles, some hand-created and others via computer.  The book includes a foreword by Star Trek film director Nicholas Meyer, and interviews with the artists.

Paul Shipper The Cage Star Trek 50 Years 50 Artists

Paul Shipper’s “Star Trek Inception: The Cage”

Not surprisingly, the work of successful comic book cover artists Joe Corroney and J.K. Woodward is featured, Corroney with two vibrant retro style posters, and Woodward with a painting showing key Klingons throughout all the Star Trek series and films.  A photograph incorporating the Vulcan salute by Leonard Nimoy was also included in the show.  As with any non-juried exhibition, a few works don’t quite seem to stir the senses as the others, but those that do are of high-quality and well-conceived.  Comic book artist and animator Dusty Abell’s poster thoughtfully includes an element of each of the 79 original episodes if the original series.  It would be no surprise to find Viennese children’s illustrator Amir Abou-Roumié’s whimsical look at Star Trek characters in a future San Francisco, titled “Homestead,” at the Met.  Disney, Hasbro, and DreamWorks freelance artist Sue Beatrice’s metal sculpture “On the Edge of Forever” is an exquisitely detailed timepiece featuring the starship Enterprise. 

Continue reading

luke-obiwan-peering-into-lightsaber

Review by C.J. Bunce

Roger Christian’s success is a testament to the idea of thinking outside the box.  If you stop in the middle of age-old processes, no matter what you’re doing and what field you’re in, and consider trying a different method, you may trigger something special.  In Roger Christian’s new memoir Cinema Alchemist: Designing Star Wars and Alien, it is the old Hollywood method of making movies that is the villain of sorts, with Christian coming to the rescue as the hero with a new way of creating movie magic for audiences in 1977.  And it just so happens he came to the rescue of George Lucas and landed a gig making of one of the greatest science fiction fantasy of all time, the original Star Wars, and the greatest sci-fi horror film of all time, Alien.

In Cinema Alchemist you learn Christian’s modern method of set decoration and design perfected in Star Wars, a method copied by many, that he would soon use again for Alien.  Ridley Scott specifically chose Christian to create the same look he came up with for the Millennium Falcon in his new ship the Nostromo and other sets.

Cinema Alchemist

In any memoir you can expect some amount of hyperbole, although Christian likely deserves a pass simply because the Academy Awards endorsed his work as set decorator of Star Wars with an Oscar.  So he is certainly the real deal.  Countless Star Wars fans have spent years re-creating his original design for the lightsaber, tracking down the original camera parts he used, as well as re-creating all the rifles and pistols used in the film.  Christian had his hands in the creation of R2-D2, C-3PO, the landspeeder, the Sandcrawler, Luke’s Tatooine homestead, the Millennium Falcon, the giant dinosaur skeleton in the desert sand, Mos Eisley and the Cantina, and set after set created for the film.

original R2-D2

George Lucas and the R2-D2 prototype Christian helped to create with a light fixture and metal bits and pieces Lucas called “greeblies”.

The value of the book is in Christian’s accounts of prop making, set design, and using found objects like old airplane scrap metal to create a “real world, lived-in” feel on Star Wars and Alien in light of severe time and money constraints, plus Christian’s personal recollections of conversations and observations with George Lucas on Star Wars and Ridley Scott, H.R. Giger, and Moebius on Alien, and his play-by-play of the filming of the Alien chest-buster scene, arguably the most famous horror scene of modern cinema.  After reading Cinema Alchemist, you will absolutely watch Star Wars and Alien differently, and notice details of the film you haven’t seen in your previous 300 viewings of the films.  That is quite a feat.

Continue reading

New Pompeii cover

Review by C.J. Bunce

In a thick 459 pages, British author Daniel Godfrey begins a new time travel series full of twists and turns in New Pompeii, his first novel from a major publisher (Titan Books).  Billed as a novel in the tradition of Michael Crichton, New Pompeii is evocative of Crichton’s early novels, but more closely follows the plotting and style of the time travel science fiction novels of Connie Willis (Lincoln’s Dreams, To Say Nothing of the Dog) and the pacing of a Tom Clancy thriller.  Fans of Crichton’s Timeline and Westworld, Philip K. Dick’s short stories and his novels Time Out of Joint and Man in the High Castle, Doctor Who’s “timey wimey” stories and films like TimeCop will appreciate this new entry in the time travel and parallel universe sub-genres.

Despite a daunting 75 chapters, New Pompeii is a quick read.  Godfrey follows Nick Houghton, a history scholar who has yet to earn his doctorate as he is inexplicably courted into joining a venture with a corporation that promises the impossible–Novus Particles plucks people from just before the point of death and brings them into the present, cheating the timeline manipulation restrictions like the field trips in Ray Bradbury’s “A Sound of Thunder.”  Think Philip K. Dick’s Paycheck meets Final Destination.  The company is not a secret–it is well documented that it saved a flight of passengers from a plane crash.  But why are all the survivors now committing suicide?  Who is the ghost student that has been emerging from a bathtub at a college campus over the course of thirty years?  And how do you hide an ancient civilization in the modern world?

Told in short, alternating chapters from the perspective of Nick as he walks among ancient Romans in a secluded Eastern European town in the present day, and college student Kirsten Chapman as she appears unstuck in time across a span of time periods like Jennifer Jones in Portrait of Jennie or Billy Pilgrim in Kurt Vonnegut, Jr.’s Slaughterhouse Five, the truth behind the corporation’s purpose is slowly revealed.  You won’t find a lot of complexity in the time travel elements here, which makes this appealing for the most casual sci-fi reader.  Fans of any Star Trek or Doctor Who time travel story will be familiar with the rules here.

Continue reading

%d bloggers like this: