Tag Archive: Tom Clancy


It’s the kind of movie worth returning to the theater to see.  Sean Connery had The Hunt for Red October to represent the long-time James Bond actor showing that even with gray hairs he was as great a leading man as any actor–ever–in a dramatic role.  With 2017’s political thriller The Foreigner, Pierce Brosnan, with his own grey beard of the Marko Ramius variety, at last got to prove he, too, had talent well beyond his work as Bond.  And audiences have never seen Jackie Chan in a role as he played in The Foreigner, delivering the kind of performance that should have earned him Oscar consideration.  It’s been 2.5 years, and at last The Foreigner has made its way to Netflix for a wider audience to marvel at these actors’ performances and David Marconi’s top-notch script in the vein of Tom Clancy and Ken Follett, based on a novel by Stephen Leather.

The Foreigner features the return to the big screen of the two maturing lead actors: 63-year-old international martial arts action star Jackie Chan in his first major English film role since 2010’s remake of The Karate Kid, and 64-year-old international action star Pierce Brosnan, who, despite several smaller roles hadn’t headlined a major hit since his last stint as Bond in 2002’s Die Another Day.  But The Foreigner is more–it’s a triumph–for the actors and for the action genre, providing a showcase of acting talent supported by a solid story that doesn’t miss a step from beginning to end.  What was marketed like it would be another entry in the nature of Transporter or Taken, it’s actually a great follow-up to Patriot Games or Clear and Present Danger.  Timely, riveting, and satisfying on every front, we recommended it here at borg as it arrived in theaters as Oscar-worthy.

Both stars have an entire portfolio of performances they tap into, that they use to foster believability in their characters.  Jackie Chan has already shown audiences he has the physicality to portray an ex-special forces soldier with brains and savvy, part MacGyver and part Rambo, although it typically accompanies his trademark smile and a film full of laughs.  With his grueling physical feats in film after film, he must be the hardest working actor anywhere.  But in The Foreigner we see Chan convey a full spectrum of emotions as he portrays Mr. Quan, a happy, proud father who is devastated and left to seek out the people behind his daughter’s murder.  He’s immensely believable and gives audiences one of the best revenge stories in decades.  Think of the days of Chuck Norris fighting back in a decade of “payback” roles–but Chan brings an added level of authenticity and sincerity.

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Joseon has become a living hell.
No one will get out alive.
“We must stop it at all costs.”

Director Kim Seong-hun hid the secret to the cause of the zombie plague in the Netflix series Kingdom in plain sight, taking the first season to reveal its secret.  In season two the Crown Prince at last will return to confront his father and the clan of thugs that have kept him under guard, but not before the dead evolve into something worse.  The first South Korean series released by Netflix, Kingdom will see its second season arrive on the streaming provider next month, and Netflix has released its trailer (watch it below).  Sprouting from a well-documented, mysterious plague that killed tens of thousands of people in Hanyang (present-day Seoul) during the 19th century Joseon dynasty, the series transports the viewer to a fully realized Korea of the past, complete with opulent sets, costumes, and production values said to have cost nearly $2 million per episode.  The result matches a stunning script (based on a web series by Kim Eun-hee, who counts herself a zombie aficionado and proves it with this series), top acting from a slate of South Korea’s most award-winning actors, and cinematography showing locations most Westerners have never seen, with an exciting Braveheart of the Far East meets The Walking Dead genre action feast.

In the first season the king came down with smallpox, and on his death bed his latest wife, a young pregnant queen (played by Kim Hye-jun) schemed with her father and the king’s supposed confidante, Lord Cho (Masquerade’s Ryu Seung-ryong), to seize control of the throne, conspiring with Cho’s embedded clan of thugs to shun the true heir, the Crown Prince, played by Ju Ji-hoon (The Spy Gone North) as an earnest, Henry V-inspired leader.  The Crown Prince’s tough (and humorous) lieutenant  is back, assisting him on his journey, played by Sang-ho Kim (Octopus), with the doctor who joined them, played by Doona Bae (Jupiter Ascending), and the mysterious rifle-trained warrior, played by Kim Sung-kyu.  His past was the biggest secret that was left up in the air at the end of season one.

Deception.  Murder.  Conspiracy. 

We named Kingdom the best horror series and best import in our end of year wrap-up here at borg last year (read our full review here).  A prince who above all else looks to protect his people and lead them.  Swords and bow and arrow, and early rifles, as the only means of defense.  Gorgeous, truly cinematic imagery.  Western viewers got an incredible look at a beautiful island, forests, waterfalls, bubbling brooks, palatial estates, lakes and mountain views probably never captured for a wide modern audience, thanks to some stunning cinematography.  Fog, night, and fire eerily presented among cinematic storyboarded action sequences.  The music a blending of traditional, medieval, Eastern themes, and sweeping programmatic action movie cues.  The production sets and artistry are probably matched only by History’s Vikings of the current historical and fantasy TV series available.  And the expected horror of the zombie genre–sword beheadings were never filmed so believably.

Here is the trailer for season two of the big budget, cinematic television series, Kingdom:

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

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Review by C.J. Bunce

After more than a decade watching our all-time favorite series take place in Korea (M*A*S*H), it’s refreshing to at last to see in wide U.S. release a quality series set in Korea.  That series is the first South Korean series released by Netflix, a fantastic medieval historic mash-up with zombies called Kingdom, which began streaming this past weekend.  Sprouting from a well-documented, mysterious plague that killed tens of thousands of people in Hanyang (present-day Seoul) during the 16th century Joseon dynasty, this story nestles the viewer in a fully realized Korea of the past, complete with opulent sets, costumes, and production values said to have cost nearly $2 million per episode.  The result matches a stunning script (based on a web series by Kim Eun-hee, who counts herself a zombie aficionado and proves it with this series), top acting from a slate of South Korea’s most award-winning actors, and cinematography showing locations most Westerners have never seen, with an exciting Braveheart of the Far East meets The Walking Dead genre action feast.

The region’s king comes down with smallpox, and on his sick bed his latest wife, a young pregnant queen (played by Kim Hye-jun) schemes with her father and the king’s supposed confidante, Lord Cho (Masquerade’s Ryu Seung-ryong), to seize control of the throne, conspiring with Cho’s embedded clan of thugs to shun the true heir, the Crown Prince, played by Ju Ji-hoon (The Spy Gone North) as an earnest, Henry V-inspired leader.  But is the king really dead, and what other secrets does the queen keep?  Father and daughter bar access to everyone outside their circle, and so the Crown Prince escapes with his trusted and fierce lieutenant Muyeong, played with equal parts grit and humor by Sang-ho Kim (Octopus), conjuring the versatility of Japan’s Toshiro Mifune.  They set out to discover the source of the spreading plague, meeting up with a doctor played by Sense8 and Jupiter Ascending‘s Doona Bae, and (in a twist worthy of a Tom Clancy novel) the realization fosters the Crown Prince’s viability as a real leader against an unthinkable threat.  Rounding out the main cast is a mysterious warrior named Yeong-sin, an angry, defensive villager who buries a group of the dead against local traditions, played by Kim Sung-kyu.  His character is cloaked in his own secret past.

Deception.  Murder.  Conspiracy.  A prince who above all else looks to protect his father the king and be a good leader.  A heroic race to a stronghold via horse cart.  A mother infected who turns on her own child.  Swords and bow and arrow, and early rifles, as the only means of defense.  Gorgeous, truly cinematic imagery.  Western viewers get an incredible look at a beautiful island, forests, waterfalls, bubbling brooks, palatial estates, lakes and mountain views probably never captured for a wide modern audience, thanks to some stunning cinematography.  Fog, night, and fire eerily presented among cinematic storyboarded action sequences.  The music is a blending of traditional, medieval, Eastern themes, and sweeping programmatic action movie cues.  Costume designs in exquisite fabrics and designs at first may seem odd to modern viewers, but their similarity to the garb of Akira Kurosawa films (that Western audiences have had greater access to over the decades) should ease in most viewers.  The production sets and artistry are probably matched only by History’s Vikings of the current historical and fantasy TV series available.  And the expected horror of the zombie genre–sword beheadings were never filmed so believably.

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Review by C.J. Bunce

Much of the best science fiction doesn’t leave us with memorable or lovable characters so much as incredible, imaginative ideas, and prescient or prophetic visions.  When you look to science fiction’s past, examples can be found throughout the works of H.G. Wells, Isaac Asimov, Arthur C. Clarke, Philip K. Dick, and Ray Bradbury.  Great concepts abound, like Wells’ time travel, Mary Shelley stretching the bounds–and horrors–of medical science, Dick always wrestling with the perils and annoyances of technology, and Michael Crichton finding ways to use science to change the future.  Robert J. Sawyer is a current science fiction author building on the ideas of the past, and like all of the above writers who researched the real science behind their characters, he delves deep into his subjects.  In his novel Quantum Night, now available in paperback, he has with surgical precision stitched together a tale of modern truths and horrors, bundled in a story pressing the bounds of psychology and quantum theory to explain why the world may seem to be falling apart, and offering one way to try to repair it.

In a very educational way, Quantum Night is also a refresher in Psychology 101.  Sawyer, one of only three science fiction writers ever to have won the trifecta of writing awards (the Hugo, the Nebula, and the Campbell), references every major theory and experiment from college days along with enough background in quantum theory to support a compelling thriller.  By book’s end you may find yourself staring at strangers and questioning their level of consciousness, conscience, and psychopathy.  You may be sitting next to a psychopathic individual right now, or someone with a mind that may be even more gut-wrenching to discover.  Written in 2015 and taking place in the not-so-distant future, Russian President Vladimir Putin readies to fire nuclear weapons on the United States.  A future U.S. President gets Roe v. Wade overturned, has gotten his country to turn on immigrants and then invades Canada, led by its first Muslim prime minister (here Sawyer predicts the future of the current real-life Calgary mayor Naheed Nenshi), purportedly so the U.S. can secure Canada’s cities when the country no longer is able to control the flow of terrorists.

The story follows a professor of psychology who also serves as an expert witness to defend criminals who have proven to be psychopathic on both established and modern psychopathy tests.  In the latest case he is reminded of his own past on cross-examination–a past he refuses to believe.  As he re-traces his memories he learns his volunteering for psychology experiments in college resulted in six months of erased memories.  And it gets worse–his mind was altered.  Readers encounter a pair of scientists in the past, trying to hone in on those elements of the mind that shape how we think.  The protagonist encounters a lover from his college days who is also in the field, and their relationship and her relationship with her daughter and her brother (now 20 years in a coma), could dictate the fate of everyone’s future with a high-tech tuning fork “sonic screwdriver”-inspired device and one of the 40 giant, real-world synchrotrons.

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Review by C.J. Bunce

The Foreigner features the return to the big screen of two maturing lead actors: 63-year-old, international martial arts action star Jackie Chan in his first major English film role since 2010’s remake of The Karate Kid, and 64-year-old, international action star Pierce Brosnan, who, despite several smaller roles hasn’t headlined a major hit since his last stint as James Bond in 2002’s Die Another Day.  But The Foreigner is more–it’s a triumph–for the actors and for the action genre, providing a showcase of acting talent supported by a solid story that doesn’t miss a step from beginning to end.  What looks like it could be another entry in the nature of Transporter or Taken, it’s actually a great follow-up to Patriot Games or Clear and Present Danger.  If you can get past a title that doesn’t quite fit, you’ll find a fully loaded, political thriller like the novels of Tom Clancy in his heyday–timely, riveting, and satisfying on every front.

Both stars have an entire portfolio of performances they tap into, that they use to foster believability in their characters.  Jackie Chan has already shown audiences he has the physicality to portray an ex-special forces soldier with brains and savvy, part MacGyver and part Rambo, although it typically accompanies his trademark smile and a film full of laughs.  With his grueling physical feats in film after film, he must be the hardest working actor anywhere.  But only now do we see Chan convey a full spectrum of emotions as he portrays Mr. Quan, a happy, proud father who is devastated and left to seek out the people behind his daughter’s murder.  He’s immensely believable and gives audiences one of the best revenge stories in decades.  Think of the days of Chuck Norris fighting back in a decade of “payback” roles–but with Chan there’s an added level of authenticity.  Then there’s Pierce Brosnan, who has that charisma that early on forecasted his destiny to play James Bond.  Brosnan has now stepped into the rarity of being an ex-Bond actor but with similar class and style as exhibited by Sean Connery, who successfully forged a second acting phase of his career in films like The Hunt for Red October and Indiana Jones and the Last Crusade.  At last Brosnan gets to show off that he, too, has an intense, commanding presence, a force to be reckoned with as a mature actor with gravitas, while maintaining his refined appeal and charm.  He also delivers some of the best lines of his career in a convincing, rapid-fire Irish accent as political leader Liam Hennessy.  Chan plays a good man pushed too far who must carve out his own brand of vigilante justice, and Brosnan a very real modern villain, but a layered villain who tries to follow a code within a dangerous cat-and-mouse game.  By film’s end audiences are left eager to find out what these two performers have for us next.

What appeared to be a standard dramatic trailer for The Foreigner served the film well, holding back why the story is so intriguing.  Unlike most trailers these days that give away too much, the trailer for the film provided only a hint at what the story entails, a mainstream drama about domestic terrorism in England and a search by one man to learn the truth when his daughter is killed in an explosion.  London has had more than its share of terrorist incidents and the jarring visuals in the film mirror real-life horrors in England, although the twist is that the villainy is from within, as some faction of the Irish Republican Army is returning out of the past, and ex-IRA leadership and the government in England must play a delicate game of practical politics to learn who exactly is responsible.  Few recent films have shown a balance of timely real-world atrocities while crafting such an intriguing fictional story.  Although not something on the front pages in the U.S., the real-life faction of the IRA began a return to hostilities in 2011, so the story is a bit “ripped from the headlines” and for a U.S. audience a surprising return of those early 1990s themes from Patriot Games.

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New Pompeii cover

Review by C.J. Bunce

In a thick 459 pages, British author Daniel Godfrey begins a new time travel series full of twists and turns in New Pompeii, his first novel from a major publisher (Titan Books).  Billed as a novel in the tradition of Michael Crichton, New Pompeii is evocative of Crichton’s early novels, but more closely follows the plotting and style of the time travel science fiction novels of Connie Willis (Lincoln’s Dreams, To Say Nothing of the Dog) and the pacing of a Tom Clancy thriller.  Fans of Crichton’s Timeline and Westworld, Philip K. Dick’s short stories and his novels Time Out of Joint and Man in the High Castle, Doctor Who’s “timey wimey” stories and films like TimeCop will appreciate this new entry in the time travel and parallel universe sub-genres.

Despite a daunting 75 chapters, New Pompeii is a quick read.  Godfrey follows Nick Houghton, a history scholar who has yet to earn his doctorate as he is inexplicably courted into joining a venture with a corporation that promises the impossible–Novus Particles plucks people from just before the point of death and brings them into the present, cheating the timeline manipulation restrictions like the field trips in Ray Bradbury’s “A Sound of Thunder.”  Think Philip K. Dick’s Paycheck meets Final Destination.  The company is not a secret–it is well documented that it saved a flight of passengers from a plane crash.  But why are all the survivors now committing suicide?  Who is the ghost student that has been emerging from a bathtub at a college campus over the course of thirty years?  And how do you hide an ancient civilization in the modern world?

Told in short, alternating chapters from the perspective of Nick as he walks among ancient Romans in a secluded Eastern European town in the present day, and college student Kirsten Chapman as she appears unstuck in time across a span of time periods like Jennifer Jones in Portrait of Jennie or Billy Pilgrim in Kurt Vonnegut, Jr.’s Slaughterhouse Five, the truth behind the corporation’s purpose is slowly revealed.  You won’t find a lot of complexity in the time travel elements here, which makes this appealing for the most casual sci-fi reader.  Fans of any Star Trek or Doctor Who time travel story will be familiar with the rules here.

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Keira Knightley in Shadow Recruit

Whether or not Keira Knightley wins the Academy Award this year for her role as a World War II codebreaker opposite Benedict Cumberbatch in The Imitation Game (which we reviewed previously at borg.com here) we’re confident she will have one or more Oscars on the shelf years from now.  She was one of our picks in our Best of 2014 review.  A lead actress who could pull off any role, she seems to opt for more quirky and challenging roles.  These include her role as a bounty hunter in Domino, but also classic costume drama parts, like Lara in the remake of Doctor Zhivago, Elizabeth Bennet in Pride & Prejudice, and an against-type Guinevere in King Arthur, genre roles like Padme’s double in Star Wars: The Phantom Menace, a withering-away clone in the disturbing sci-fi drama Never Let Me Go, or Disney franchise star in the Pirates of the Caribbean movies.

Last year Knightley also co-starred in a major studio release, Jack Ryan: Shadow Recruit, as the future Mrs. Jack Ryan opposite Chris Pine, holding her own with the likes of Academy Award winners Kevin Costner and Kenneth Branagh.  The first expansion film of Tom Clancy’s Jack Ryan stories, Jack Ryan: Shadow Recruit is now out on DVD, Blu-ray and On Demand.

Jack Ryan Chris Pine

As Cathy Muller, a role previously played by Gates McFadden, Anne Archer, and Bridget Moynihan, she’s the first actress to take the part beyond emotional support stalwart for Jack.  In a franchise full of large, in your-face-drama: a nuclear sub about to explode in The Hunt for Red October, battling terrorists in Patriot Games or drug kingpins in Clear and Present Danger, and a dirty bomb smuggled into the country taking out an entire city in Sum of All Fears, it’s a big surprise that Shadow Recruit’s big event is tied to a discovery in forensic accounting by Ryan, leading to a potential economic crisis and small scale bombing.  Yet unlike A Good Day to Die Hard, a sequel using a similar plot (proving that once popular franchise is too tired to continue), the prospect of a young couple working together within Ryan’s secret CIA world in Clancy’s universe of global espionage is a bit refreshing.  And Knightley is probably the highlight of the film.

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jack ryan shadow recruit poster

After Tom Clancy’s passing this week, fans of his biggest character, Jack Ryan, have been introduced to a new phase of the movie incarnations of his geopolitical thriller novels with this weekend’s release of the first trailer for Jack Ryan: Shadow Recruit.  Last December we at borg.com listed Jack Ryan as one of the ten characters to watch in 2013, and we included Jack Ryan, the movie, as one of the 24 films we predicted would be worth seeing in 2013.

Since last year’s announcement of Chris Pine taking on the lead, the title was changed to add the subtitle Shadow Recruit, replacing the prior subtitle Shadow One (we think Hollywood really needs to work on their subtitles).  The role of Jack Ryan was, of course, first played by Alec Baldwin in The Hunt for Red October in 1990, followed by Harrison Ford in Patriot Games in 1992 and Clear and Present Danger in 1994.  Ben Affleck then played a younger Jack in the 2002 prequel film The Sum of All Fears.  All four of these movies were based on bestselling Clancy novels, The Hunt for Red October often being listed as one of the best thrillers of all time.  Likewise, The Hunt for Red October is one of the best, and most exciting, movies of all time, with Alec Baldwin’s performance still the standard for future Ryans to be measured against.

Costner and Pine in Jack Ryan

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Green Arrow and Superman

If there is a constant as we look ahead to movie franchises and other entertainment properties in 2013, it is the sequel, spin-off, and remake.  We’re sure someone will provide new content and stories for us for movies and TV from entirely new characters and worlds in 2013, but just take a look at the 24 biggest genre movies coming out next year and it is obvious that Hollywood is following the “tried and true” model of investing in current properties rather than investing money in “the new”.

So with that in mind, what are the big characters to watch out for next year–the characters we already know that seem like they can only get bigger?

Chris Pine as Jack Ryan

10.  Jack Ryan.  Back in the 1980s and 1990s it seemed like Tom Clancy’s Jack Ryan was everywhere, first with Alec Baldwin taking on the role in The Hunt for Red October, then mega-star Harrison Ford in two sequels, followed by a big break and then Ben Affleck in the prequel Sum of All Fears.  With Star Trek star Chris Pine bringing us yet another prequel effort next December, we think a wide audience will come back again to see what this CIA agent has been up to.

Hugh Jackman as The Wolverine

9.  Wolverine.  I’ve always thought Wolverine should be Marvel Comics’ key property.  Spider-man always relied on Peter Parker (well, until recently) who seemed pretty planted in the psyche of the past.  The Avengers seemed too cartoony with characters with too little in common to really be a huge property (happily I was wrong!).  But Wolverine has a certain modern grittiness that readers, especially young readers, would seem to really attach to.  Audiences seem to like Hugh Jackman’s take on the character and his incredible fifth outing as Logan/Wolverine in July, titled The Wolverine should tell us if this will be the end of a big-screen Wolverine for a while or whether he will only get bigger.

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