If you agree with us that the biggest landmark in the visual representation of futurism in science fiction over the last several years was Doug Liman’s Edge of Tomorrow, Luc Besson’s Valerian and the City of a Thousand Planets, and Netflix’s Altered Carbon, then you might also see something similarly new and refreshing–and yet new and different–happening with the new Paramount+ series Halo. As I described it last month here at borg, Halo’s first episode was a dense set-up of a series opener, establishing the world building, the opposing factions and key characters in this new universe extracted from the video game franchise. But the series’ second episode, titled “Unbound,” doesn’t miss a beat in showing viewers an even more layered science fiction story is in play, with plenty of visual surprises.
I don’t like sand. It’s all coarse and rough and irritating. And it gets everywhere.
We have yet to see anyone get a live-action Dune to be exciting yet, and a new San Diego Comic-Con 2021 trailer for the new Denis Villeneuve movie doesn’t give us much hope it will happen anytime soon. One of the reasons Star Wars was so successful was that George Lucas cast relative unknowns in his leading roles, and the new trailer for Dune reveals why that was a good thing. It’s not Frank Herbert’s characters jumping off the screen but familiar faces that stand out, like Aquaman Jason Momoa and his trademark comedy one-liners, Galaxy Guardian Dave Bautista, Star Warrior Apocalyptic Oscar Isaac, Spider-friend Zendaya, and Thanos himself Josh Brolin. (Were there only superhero movies to cast from?) The images in this week’s trailer for Dune, the latest adaptation of Frank Herbert’s sand… er… spice planet world, could easily be spliced from the wide-angle, sparse landscapes of Villeneuve’s recent Blade Runner 2049. He also is conjuring bits of cinema’s sandy sci-fi heritage, like George Miller’s Mad Max: Fury Road, and you may even recognize shots straight out of the Star Wars J.J. Abrams movies (and the prequels), Star Trek V: The Final Frontier, Valerian and the City of a Thousand Planets, The Chronicles of Riddick, and John Carter of Mars. You’ll see a lot going on in this trailer, which inexplicably adapts only the first part of Herbert’s novel. But is there anything new to get audiences back in the theater?
Luc Besson, master of the spy movie and the female assassin, created perhaps his best work in the genre with his 2019 action thriller Anna. Poor distribution and studio problems caused the film to get only a minor theatrical release, but it’s at last widely available, streaming to anyone free on iMDB TV. If you’re like most movie fans and missed it, you’re in for a surprise that rivals many similar action thrillers by one of the greatest writer-directors of our time, including his 1990 film Le Femme Nikita with Anne Parillaud (and its English remake, Point of No Return with Bridget Fonda), and the 1994 movie The Professional (Natalie Portman, Jean Reno). Besson also wrote the screenplays for The Transporter starring Jason Statham (2002), Taken starring Liam Neeson (2008), and Colombiana starring Zoe Saldana (2011). So he knows action, and that’s several assassins, spies, and action sequences in Besson’s personal dossier in additional to his greatest feats, the epic science fiction films The Fifth Element and Valerian and the City of a Thousand Planets. It’s that last film he tapped for the star of Anna, a spy movie that’s not a retread on the director’s past work but a superb achievement, with a badass lead and story even better than another spy favorite, Atomic Blonde.
Ten years of movie reviews. How do you pick the best? Our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too. What makes a great movie? #1 for us is great writing—great storytelling. #2 is re-watchability. Lots of movies are good, but if every time you watch it you enjoy it all over again and maybe find something you didn’t see before, then you likely got far more value from the movie than the price of a movie ticket. #3 is innovation—there’s nothing to top off a good story like new technology surprising us. Finally, the experience must be fun—why else would you devote two hours or more of your valuable time?
So in Casey Kasem style, here are the Top 40 movies we recommend, spanning 2011 to 2021. These are our favorites. How should you use lists like this? If you like what we talk about at borg, you’re probably going to like these movies. If you’ve missed any, odds are you have some new movies to take a look at. Let’s start at #40 and move our way to #1. As with everything borg, we’re stressing genre movies, so don’t expect to see strict dramas or a lot of Best Picture Oscar winners here. Title links are to our original borg review.
Just this past Fall, Titan Comics took fans of the Blade Runner movie franchise into their past and future with the comic book series Blade Runner 2019(review here at borg). Both the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, the series introduced a new Blade Runner, a female engineered cyborg named Ash. Beginning next week readers will find Ash ten years later in the pages of Blade Runner 2029. With the ghosts of the Tyrell corporation always in the shadows, Ashina has a new mission, a personal one, and she decides to seek a lost target from her past.
Check out our sneak preview of artwork from Issue #1 of Blade Runner 2029, courtesy of Titan Comics:
It’s the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, giving fans of either or both a look into the world created by Philip K. Dick in his novel Do Androids Dream of Electric Sheep?Blade Runnerstories continue as Titan Comics looks to the parallel Earth future in Blade Runner 2019. The first nine issues introduced us to ex-Blade Runner Ash and Cleo, daughter of business magnate Alexander Selwyn. It’s now 2026. On returning to Los Angeles, Ash sleuthed out the location of Selwyn, but Selwyn knows Ash is after him, and has created a new Blade Runner. Of course the ghosts of Tyrell are always in the shadows.
Once you’ve seen a film by Denis Villeneuve, you can spot his work instantly. The images in this week’s trailer for Dune, the latest adaptation of Frank Herbert’s sand planet world of characters could easily be spliced from the wide-angle, sparse landscapes of Villeneuve’s recent Blade Runner 2049. He also is conjuring bits of other directors’ sci-fi works, like from the last successful sandscape flick, George Miller’s Mad Max: Fury Road, and you may even spot shots straight out of Ridley Scott’s Prometheus. You’ll see a lot going on in this trailer, but is there anything new?
It’s what Blade Runner fans have been waiting for, and if your appetite was whetted by the movie Blade Runner 2049, then you’re going to want to check our the next era of Blade Runnerstories as Titan Comics goes back to a parallel Earth future in Blade Runner 2019. The future is now. It’s been worth the wait, as the new story looks and feels like we’re back inside Philip K. Dick’s original vision in his novel Do Androids Dream of Electric Sheep? In the neo-noir city of Los Angeles, 2019, Ash, a veteran Blade Runner, is working the kidnapping of a billionaire’s wife and child. Is the CEO of the new Canaan Corporation any better than those behind the Tyrell Corporation? Written by Academy Award-nominated screenwriter Michael Green(Logan, Blade Runner 2049), with co-writer Mike Johnson(Supergirl, Star Trek), get ready for Blade Runner to experience the treatment we’ve seen in recent years for franchises like Firefly, Planet of the Apes, and Alien, as another new world of science fiction storytelling opens up. Green and Johnson have written a perfect first chapter.
This very first original, in-canon story set in the Blade Runner universe is illustrated by Andres Guinaldo(Justice League Dark, Captain America) with brilliant color work by Marco Lesko. You’re going to see something surprising in Guinaldo’s artwork–not only is this the world of Philip K. Dick, Ridley Scott, and Syd Mead′s neo-noir future, readers will see influences from cyberpunk and tech-noir classics like John Carpenter′s Escape from New York, Luc Besson′s The Fifth Element and Valerian and the City of a Thousand Planets, Neill Blomkamp′s Elysium,James Cameron′s The Terminator and Aliens, Robert Rodriguez′s Alita: Battle Angel, and the other futureworlds adapted to film from Philip K. Dick′s stories. It all probably comes down to the versatility, breadth, and influence of concept artist Syd Mead, but the creators do give due credit to Dick, Scott, Hampton Fancher, David Peoples, Michael Deeley–and Mead–for the look and feel of their new story.
The first issue arrives next Wednesday, and you can pick from four cover options, from Stanley “Artgerm” Lau, Andreas Guinaldo, John Royle, and an original concept piece by Syd Mead.
Check out our sneak preview of the first issue of Blade Runner 2019, courtesy of Titan Comics, plus a new trailer for the series released just today:
It’s not often a sequel surpasses the first novel in the series, but that’s the place where Spaceside lands. And that’s saying something, because Michael Mammay′s Planetsidewas one powerful first novel. I first reviewed Planetside before its release only a year ago here at borg, and its combination of military thriller and sci-fi action story was one of last year’s best sci-fi reads. Happily for readers of Mammay’s first story, the protagonist this round is again Colonel Carl Butler, that ex-military mastermind who keeps getting pulled back into danger. Imagine Edge of Tomorrow’s General Brigham a few years after the war or Starship Troopers’ Lieutenant Rasczak if he’d lived to fight another day, and you’ll have an idea of what you’re in for with Colonel Butler.
But this story and this style is different for Mammay. I saw Planetside as military conspiracy-thriller in sci-fi dress, but this time Butler is part investigator in a planetside mystery as a bit of a future noir or tech noir detective. Where Planetside featured plenty of the grunt-side action of Robert Heinlein’s Starship Troopers, this story delves more into the strategy and corporate politics (think Weyland Corp.), providing a fine standalone story. Yet for those that take on the first novel (as they should), Spacesidefleshes out the secrets of why Butler was thrust far away across the galaxy to deal with the alien race called the Cappans in the first place. Two books in and readers will be asking for more–Mammay has concocted one of the best science fiction universes around. So just when a new series of Blade Runner novels is on its way, Spaceside fits the bill as a worthy read-alike of a future, cybernetically enhanced human trying to stay alive while he’s constantly dodging bullets (although Butler’s borg nature is downplayed for much of the story). More like Ridley Scott’s Blade Runner than Philip K. Dick’s source novel, Mammay’s story is a compelling character study that amps up the intrigue.
Instead of spending most of this novel’s adventure in outer space as the title might suggest, ex-Colonel Butler finds himself grounded, exiled, shunned, and scorned for the murders of millions of Cappans resulting from his decisions in the pages of Planetside. Instead Butler is relegated to leading corporate team-building sessions where he takes groups on virtual reality combat missions with him as the real-life war hero. It’s embarrassing, but it pays the bills, and it keeps him busy after his wife left him and took half his money. That’s until the CEO calls him into his office to investigate a hacking of a major rival corporation–after all, his title has the word “security” in it. If Butler can figure out what went wrong at the rival, then his own company can make sure it doesn’t happen to them, too. Or so his CEO figures.
The master of the assassin sub-genre is back again. You may know him for writing and directing The Fifth Element (starring Bruce Willis and Milla Jovovich), and Valerian and the City of a Thousand Planets (starring Cara Delevingne and Dane DeHaan), but you may also know Luc Besson as the writer and director of the 1990 film Le Femme Nikitawith Anne Parillaud (and its English remake, Point of No Return with Bridget Fonda), and the 1994 movie The Professional(Natalie Portman, Jean Reno). He’s also written the screenplays for The Transporter starring Jason Statham (2002), Taken starring Liam Neeson (2008), and Colombiana starring Zoe Saldana (2011). Then he tied together his science fiction sense with his trademark badass woman leading role in 2014 with Lucy, starring Scarlet Johansson. That’s several assassins, spies, and action sequences in Luc Besson’s personal dossier.
Besson is writing and directing his next film, too. It’s called Anna, and he’s tapped the actress behind the unforgettable alien woman from Valerian and the City of a Thousand Planets,Sasha Luss (who played the ill-fated Princess Lïhio-Minaa) as the title character. From its first trailer (check it out below), Anna seems to be part Red Sparrow and part Atomic Blonde. Or another La Femme Nikita. But it’s going to be very difficult for fans of spy movies to differentiate this latest entry from Atomic Blonde, especially if the film is really structured as revealed in the trailer. It looks like it could be a remake, but it isn’t.
Some credibility and gravitas come from the presence of Academy Award-winning actress Helen Mirren, whose own badass spy and assassin role in REDand RED 2should come to mind. Other actors in the film include Luke Evans(The Fast & Furious series, The Hobbit series) and Cillian Murphy(28 Days Later, Tron: Legacy, The Dark Knight Rises).
