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Tag Archive: Warner Bros


Although it still has that same look and feel of the recent Man of Steel and Batman v. Superman: Dawn of Justice–it actually looks more like last year’s Suicide Squad–at last DC Entertainment and Warner Bros. revealed the first full-length, team-up trailer for Justice League this weekend.  We’ve seen Ben Affleck’s Batman, with his best work probably his cameos in Suicide Squad, and we’ve seen Gal Gadot’s Wonder Woman previewed in Batman v. Superman.  Jason Momoa’s Aquaman and Ezra Miller’s Flash have had some screen time in various images from Warner Bros. promoting this film.  So what’s new is this preview really gives us a better look at Ray Fisher’s Cyborg.

Justice League is another Zack Snyder creation, hitting theaters this year along with Wonder Woman, and from the opposing brand Logan, Guardians of the Galaxy, Vol. 2, and Spider-man: Homecoming.  Will Justice League deliver enough punch to equal The Avengers?  Is there enough “wow” factor to take on all the superhero movies hitting theaters this year?

This Justice League (dropping the “America”) is consistent with the more recent incarnations of the DC squad, but it’s definitely not the Superfriends most older fanboys and fangirls are familiar with.  Cyborg is definitely the new kid on the block.  Former J. Jonah Jameson actor JK Simmons (who voiced the character as recently as 2015) will take some getting used to as the new Commissioner Gordon.  But the biggest challenge will be viewing DC Entertainment’s opposing Barry Allens.  The Flash rose to become the best superhero series on television last year, with the lovable Grant Gustin as the great speedster.  It’s hard to explain a need for two actors in the same role in the same year from the same studio–it’s not like the dueling Quicksilvers over at Marvel in The Avengers and The X-Men films emerging from separate studios.

Check it out for yourself–here’s the latest trailer for Justice League:

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About three months out and the marketing for the 2017 superhero film Wonder Woman continues as DC Entertainment and Warner Bros. released a third trailer this weekend.  What will likely fair quite well at the box office will also probably be one of the biggest moneymakers for a movie set during World War I.  Taking a cue from the Marvel Universe’s first golden age adaptation Captain America: The First Avenger, DC’s first Wonder Woman solo effort ties back not to World War II but “the Great War.”  With Monster director Patty Jenkins leading the first big-screen film featuring the most popular superheroine of all–and no Christopher Nolan or Zack Snyder–we have much hope for this film, even if the glimpses at its cinematography, camera angles, and action sequences borrow plenty from Snyder’s 300.

Gal Gadot returns from last year’s Batman v Superman as Wonder Woman with Star Trek’s Chris Pine as the first man the Amazon warrior meets, Colonel Steve Trevor.  Gadot tweeted a new poster for the movie Saturday:

The new trailer shows some scenes from the film’s version of Wonder Woman’s origin story.  More humor is infused this time around, too.  Both Gadot and Pine look promising as these classic comic book characters.

Check out the latest trailer, trailer #3, for Wonder Woman:

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Beyond the summer blockbuster and the winter holiday hits, every year movie studios shuffle in a stream of contenders during the interim, fighting for your movie dollars.  Today we’re highlighting three new trailers for high adventure movies coming your way over the next three months.  This weekend will see the latest in one of the oldest movie franchises, King Kong, as Kong: Skull Island arrives in theaters.  The Warner Bros. production stars Tom Hiddleston, Brie Larson, Samuel L. Jackson, and John Goodman, and, of course, the return of Kong.

Appropriately enough Amazon Studios is releasing a true life adventure story next month about the search for a lost city of the Amazon.  The Lost City of Z stars Charlie Hunnam (Pacific Rim, Crimson Peak), Robert Pattinson (Harry Potter, Twilight), Sienna Miller (G.I. Joe: The Rise of Cobra, Layer Cake), Tom Holland (Captain America: Civil War, Wolf Hall), and Angus Macfadyen (Braveheart, Timeless, Chuck, Psych).

And Disney reports the end of its enormous box office hit series is coming with the fifth entry in the Pirates of the Caribbean series premiering in May.  Pirates of the Caribbean: Dead Men Tell No Tales looks as swashbuckling and fun as the franchise’s prior entries.  Javier Bardem, Brenton Thwaites, Kaya Scoledario–and Sir Paul McCartney!–join Johnny Depp and the rest of the cast.

Check out these new trailers for three high adventure movies: Continue reading

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This year Buffy Summers, one of the greatest characters in the history of sci-fi and fantasy television and the #1 kick-ass heroine of all time in any medium celebrates a major benchmark as the television series Buffy the Vampire Slayer turns twenty.  Dark Horse Comics–publisher of the Buffy comic books and related characters from the series including titles featuring Angel, Spike, and Faith–announced this past week that a new trade edition of its Buffy the Vampire Slayer: The High School Years monthly series is available for pre-order, and an adult coloring book for the series was released last week.

The television series was groundbreaking, its first episode airing March 10, 1997, on The WB.  With high school and college as a backdrop, the incomparable showrunner Joss Whedon was able to address racism, identity, bullying, guilt, death, first love, and heartbreak using demons as metaphors.  Never before on television had a teenage girl been empowered like Buffy, with smart writing, lovable characters, fun monster-of-the-week episodes, action-packed choreographed battles, and emotional and dramatic arcs that continued over seven years from 1997 to 2003.  Buffy Summers, played by Sarah Michelle Gellar, would go on to inspire other great shows with smart, strong, and empowered young women, including Veronica Mars and iZombie.

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It’s a subject of debate among Buffy fans, but some of the best episodes and story arcs of the series can be found in the first seasons of the series.  Dark Horse’s new collected edition of Buffy the Vampire Slayer: The High School Years, titled Parental Parasite, taps into fans’ nostalgia, taking readers back to the first season of the series, when Buffy’s mom starts to want more “quality time” just as Buffy must secretly fend of monsters as part of her nightly slaying duties.

Dark Horse has taken Buffy all the way into four seasons of stories beyond the finale of the TV series.  Check out a cover gallery after the cut, and links to hardcover and trade editions of Seasons 8, 9, 10, and 11.

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pena-shepard Warner Bros. has finally released the first trailer to the comedy reboot of the classic 1977-1983 television series CHiPs.  The original drama series, starring the suave Erik Estrada and Larry Wilcox as California Highway Patrol officers Ponch and Jon, didn’t have the comedy you’re going to see in this reboot.  No, this is an all-out, Rated R, Deadpool-level humor comedy.  Think the movie remake of 21 Jump Street and you’ll get the vibe.

And it’s so, so wrong.

But it also looks like it could be pretty funny, if you’re not bothered by wall-to-wall crotch jokes.  The big win is Ant-Man’s Michael Peña as an undercover FBI agent pretending to be Ponch.  Hollywood is finally recognizing Peña as a charismatic rising star.  Comedic actor Dax Shepard is Jon, and real-life wife Kristen Bell (Veronica Mars) also plays his wife in CHiPs.  The couple is most recognizable these days from their long-running series of Samsung appliance commercials.  Shepard wrote and directed the movie.

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The film is peppered with actors you might find in serious police procedurals, which should lend something weighty to the humor.  They include Isiah Whitlock, Jr. (Law & Order, The Wire), Vincent D’Onofrio (Emerald City, Law & Order: Criminal Intent, Men in Black), Richard T. Jones (Judging Amy, Godzilla, Super 8, Hot Pursuit), Wilmer Valderrama (Awake, That ’70s Show), and Jane Kaczmarek (St. Elsewhere, Law & Order).

Check out this first trailer for Dax Shepard’s CHiPs:

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What a year!  The world’s a changing place and no less so than with the welcome onslaught of new movies, television shows, books, comics, and everything else that entertained us in 2016.  All year long we tried to keep up with the best of what Hollywood had to offer and honed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our picks for our annual Best of the Best list.  We watched all of nearly two dozen TV series, and enough of others to know we’d seen enough.  We watched dozens of new movies, reviewed more than three dozen books (and read even more), and kept up with dozens of comic book titles.  We witnessed the 75th anniversary of Wonder Woman, Green Arrow, Archie, and Captain America, the 50th anniversary of Star Trek and Charles Schulz’s Great Pumpkin, Rocky turned 40, and it was the 30th anniversary of Aliens and Labyrinth.  And the Cubs finally won the World Series.

Today we reveal the best genre content of 2016–with our top categories from movies and television Best Sci-Fi Fix, Best Fantasy Fix, Best Superhero Fix, Best Animated Fix, and Best Borg, followed by our Best in Movies picks.  The big winner was Rogue One, taking 13 spots, followed by Doctor Strange with three.  Come back later this week for our TV and print media picks, our special look at Kick-ass Heroines of 2016, followed by our annual borg.com Hall of Fame inductees.

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Best Sci-Fi Fix – Rogue One: A Star Wars Story (Lucasfilm).  Although the franchise is more space fantasy than science fiction, all the elements of the best sci-fi were crammed into Rogue One.  Epic space battles, aliens, and loads of sci-fi technology.  A compelling story.  We’re wagering this film will be a classic we go back to for years to come, upsetting Star Wars: The Force Awakens as the third best of the eight films in the series.  It’s everything a sci-fi fan could want.

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Best Fantasy FixThe Huntsman: Winter’s War (Universal Pictures).  Like Rogue One it was a prequel that was also a sequel.  Better than the original Snow White and the Huntsman, this early 2016 release provided a high-fantasy story rooted in the classic fairy tale, rewarding viewers midway with a surprise change-up.  Three tough female leads, four brave (and funny) dwarves, two epic quests, a fairy tale romance, and elaborate costumes and sets made for a perfect fantasy film.

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Best Superhero FixThe Magnificent Seven (MGM/Columbia Pictures).  When we first reviewed The Magnificent Seven we were surprised it had adapted the Yul Brynner version and Akira Kurosawa’s earlier Seven Samurai so well.  We were even more surprised at how well the cast, and cast of characters, worked together to create a true ensemble piece.  It rivaled every attempt by the studios to make a great superhero team-up, and, but for the Western garb and setting, it rates as the year’s best of the superhero genre.  Runner-up, a close contender for the win was the second appearance of Evan Peters as Quicksilver doing his speedster business slow-motion style again in X-Men: Apocalypse.

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Best Retro FixStranger Things (Netflix).  It’s a TV series that would have made a solid movie hit in 1982.  So many series appear unexpectedly these days with a full season ready to stream immediately.  Most demonstrate why they couldn’t cut it with the networks or a major cable channel.  Not so with some of Netflix’s series, especially the surprise hit Stranger Things.  With a nicely eerie soundtrack, title font, a Twin Peaks-meets Steven Spielberg coming of age film cul-de-sac for the setting, and  John Carpenter meets Stephen King vibe, it’s no wonder Stranger Things was the #1 talked about series this year.  Our favorite part, besides the young heroine of the show, was the attention to throwback clothes, toys, posters, and 1980s pop culture references.  It’s a series we’ll revisit in the future, and look forward to in its second season.

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Best Borg/Best Movie Villain – Darth Vader (Rogue One: A Star Wars Story).  Darth Vader returned in his best scene of the franchise outside of The Empire Strikes Back in Rogue One: A Star Wars Story.  It wasn’t James Earl Jones’s return to voice one of the best villains in the history of cinema that grabbed us, but the full-on rampage Vader takes to pursue the stolen Rebel plans in the film’s finale.  Director (and lifelong Star Wars fan) Gareth Edwards gave fans exactly what they wanted, utilizing an impressive UK creature actor Spencer Wilding to do his bidding as the imposing Lord of the Sith.  We also got a peek at what little of the man remained years after his battle with Obi-Wan Kenobi.  We saw inside his cybernetic suit of armor via a scene featuring him floating in a bacta tank.  Darth Vader remains one of the greatest borgs of all time.

Want to know who we picked for best in effects, soundtrack, and best sci-fi, fantasy, comedy, and horror movies of the year?  Take a look after the cut…

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Seven months out and the marketing for the 2017 superhero film Wonder Woman is in full force.  DC Entertainment and Warner Bros. have released the next trailer for the 2017 release Wonder Woman, along with three new character posters.

Taking a cue from the Marvel Universe’s first golden age adaptation Captain America: The First Avenger, DC’s first effort at a Wonder Woman ties its first story back not to World War II but World War I.  With Monster director Patty Jenkins helming the first big screen film featuring Wonder Woman–and no Christopher Nolan or Zack Snyder, we may have hope for this film, yet the cinematography, camera angles, and action sequences in the previews unequivocally owe plenty to Zack Snyder’s 300. 

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Gal Gadot returns from this year’s Batman v Superman as Wonder Woman with Star Trek’s Chris Pine back on a motorcycle, this time as Steve Trevor.

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Both Gadot and Pine look promising as these classic comic book characters.

Check out the latest trailer for Wonder Woman:

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It’s arrival brought us a new age in superhero television series–arguably the best comic book TV adaptation since the original 1980s series The Flash that starred John Wesley Shipp.  It’s Arrow, the CW Network’s groundbreaking story of Oliver Queen starring Stephen Amell.  Unlike the successful Marvel Comics movie series, Arrow looked outside the comic book’s core stories and expanded the source material to allow the inclusion of B, C, and D level villains plus many superheroes, ultimately including most of the second tier Justice League members.  Surpassing the DC’s movie efforts and Marvel’s attempts at small-screen serials, Arrow has continued to make comic books come alive for four years since we first reviewed the world premiere viewing of the pilot at San Diego Comic-Con here at borg.com back in July 2012.

The stories have been different but loyal to its origins.  Instead of Star City or Seattle the stories were based in Starling City.  Sidekicks nicknamed Speedy became split into his sister Thea and Roy Harper.  Two Black Canary characters were formed from two sisters instead of the mother and daughter split in the classic stories.  And Green Lantern is not in the picture at all.  Along the way the series split off Barry Allen’s Flash into his own fun series, a dozen other heroes and villains joined DC’s Legends of Tomorrow, and this year CW’s DC on TV ties in Supergirl.  So many untapped stories can now be told as the DC universe is apparently unshackeled barring only interconnected stories with Batman, Wonder Woman, Green Lantern, and Aquaman, who will be featured on the big screen next year instead.

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Tomorrow night the fifth episode of Season 5 airs.  For those fans who want to delve into an “in-universe” look at Oliver Queen and his efforts to save his city, Titan Books has released Arrow: Oliver Queen’s Dossier, a detailed, 160-page scrapbook of notes, newspaper articles, documents, and records collected by Starling City’s emerald archer as he investigated crimes in the first three seasons of the TV series.

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Where DC Entertainment has been limping along in its efforts to bring superheroes to the big screen in recent years, it has ruled the airwaves on network television thanks to the CW Network and the creative team of Greg Berlanti, Marc Guggenheim, and Andrew Kreisberg.  What Zack Snyder and Christopher Nolan have failed to capture–the same interesting, exciting, rich stories, character development, action, and fun of comic books–these guys have delivered, tapping into what fanboys and fangirls want most.

Are their shows perfect?  Definitely not.  The budget for television series doesn’t allow the freedom of big budget movies.  The stories adapted to the small screen have also changed many things from the comics and when the characters themselves have fans of multiple versions of each character… well, you can’t be all things to all people.  Yet, DC on TV has fared better than on film.  We’d all rather see the relationships build between superheroes, even if they are the B-team superheroes, than costly explosion-filled disaster movies posing as superhero stories.  Yes, we’re talking about you, Man of Steel, Batman v Superman, and The Dark Knight Rises.

The CW Network has cornered the market on the best of DC on TV.  And this Fall with the addition of Supergirl from ABC, we now will have a superhero series every night from DC and Warner Bros.  If DC really had its act together it would see that Fox’s Gotham switched from Monday nights to Fridays, for a full weekday schedule, but that doesn’t look like it will happen.

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This past week, to preview the new season and what characters we can look forward to, including–at last–Martian Manhunter (the last remaining key Justice League character to make it to the modern live-action DC Universe) the CW released a follow-up to last year’s Superhero Fight Club video.  Check it out:

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CW’s The Flash proved to be the best comic book adaptation to any size of screen in 2015, and it looks like it could be heading that way in 2016, too.  Where Arrow soared into the lead spot in prior years, The Flash and its less dark story unfolded in its second season as the cast began to gel.  This year the all-out fun circumstances marked it as a favorite among fans of the source material–comic books.

As The Flash–which ended with a great appearance of 1980s Flash actor John Wesley Shipp donning The Flash suit once again–returns for Season 3, Grant Gustin’s Barry Allen is entering the realm of a loose tie-in to DC’s “Flashpoint” series story.  As previewed at San Diego Comic-Con last weekend, that means Barry Allen finally does what we all would probably do–go back in time and prevent the death that changed his life.  But what will this action, this manipulation of the timeline, mean for the future, and his relationships with all those around him?

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For one we get to see Wally West as The Flash.  But what else?  Check out this preview for The Flash Season 3:

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