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Tag Archive: Will Smith


Review by C.J. Bunce

Not every motion picture warrants a behind the scenes look at the production, cast and crew, but it’s easy to see why Gemini Man does.  Producer Jerry Bruckheimer and director Ang Lee pushed moviemaking to its next level with this year’s film about the impact of cloning and clone technology bundled in a big-budget action film starring down-to-earth film star Will Smith.  Lee shot the film in 120 frames per second instead of the standard 24, and he used both 4K resolution and 3D, utilizing a unique camera rig.  Boasting the first major motion picture to star the same actor in two roles as the same man at different ages, required adapting current technology to get the job done, but the project steeped for several years for the technology to be ready.  Michael Singer′s new book Gemini Man: The Art and Making of the Movie digs into the film process with extensive interviews with Bruckheimer, Lee, and the key cast and crew, revealing the extensive work required to get the film from idea to screen.

Singer takes readers from the film’s inception 20 years ago as a Disney film to the first day of shooting last year when production finally began, to each major scene and set piece.  Fans of the movie will find it all here, from Will Smith’s scenes as an assassin spotting his target aboard a speeding train, to his character’s return home back in Savannah, Georgia, to the motorcycle action sequence in Cartagena, Colombia, to the castle in Budapest, Hungary, and Smith facing off against a younger version of himself, to the Gemini compound and secrets that bring the story all together and illustrate the humanity behind the futurism.

The best sections in the book recount the motion capture/performance capture process and Smith and his double playing opposite each other in key action scenes.  The author doesn’t leave readers to be guided by second-tier production staff, instead having the top filmmakers on the picture themselves discussing in their own words how they changed technology step-by-step to bring Gemini Man to life.  This includes interviews with producer Bruckheimer, co-producer David Ellison, director Lee, actors Will Smith, Mary Elizabeth Winstead, Benedict Wong, Ralph Brown, and Douglas Hodge, Smith’s double, Jalil Jay Lynch, plus director of photography Dion Beebe, production designer Guy Hendrix Dyas, visual effects supervisor Bill Westenhofer, technical supervisor Ben Gervais, costume designer Suttirat Anne Larlarb, stunt coordinator J.J. Perry, and more.

Here is a look inside Gemini Man: The Art and Making of the Movie:

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Review by C.J. Bunce

If a movie project languishes for twenty years, thee might be several reasons to explain why.  Gemini Man, in theaters now, has had both Tony Scott and Jerry Bruckheimer involved in the idea behind the film, but the timing didn’t seem right for them–digital technology had not yet evolved where an actor portraying a 51-year-old could fight himself at age 23, in a believable way.  Now here we are in a Hollywood (New York City, Atlanta, Toronto, etc.) where motion capture performances are the norm.  It’s not a spoiler if it’s in the movie poster, and that’s the case with Gemini Man.  The movie is Will Smith, a retiring government assassin, who must face off against a younger version of himself, raised and trained for combat.  So it shouldn’t surprise you that Gemini Man: The Official Movie Novelization, is a character study of what might happen when an assassin meets himself.

If you’re a fan of science fiction, a rush of prior stories and films should come to mind.  First of all the novelization, which does not give an author credit, instead listing the screenplay writers, Darren Lemke, David Benioff, and Billy Ray, reads very much like an early Philip K. Dick short story expanded to be novel (or movie) length.  The spoiler (if you can call it that) is that there aren’t many surprises.  How would a trained assassin react when confronting a younger clone of himself?  This is a single sitting read, filled with some interesting characters (the kind you’d find in supporting roles in any film, like Mission: Impossible, the Bourne Legacy films, Tomb Raider, or even Dick adaptations like Paycheck.  It’s also heavy on the action, something that would be spotlighted with CGI in the film, leaving the characters in the novel to internalize what is happening on the big screen.  The story feels like it was written for Will Smith.  His character Henry Brogan is the same guy we’ve seen Smith play in Bright, Suicide Squad, I am Legend, Hitch, I, Robot, Enemy of the State, and Independence Day.  Which fortunately means we have a likable protagonist.

The novelization brings in bits and pieces from across decades of science fiction, from addressing the question of how you select who you clone (from Star Wars: Attack of the Clones), to how you control your newly minted human military weapon (from The Manchurian Candidate), to how you survive when the world is crashing in on you (from the Jason Bourne, Shooter, and Mission: Impossible movies), to how you react when you learn you are not really you (from RoboCop, Moon, and the new series Living with Yourself).

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Review by C.J. Bunce

What defines the Men in Black the best?  The neuralyzer?  The Noisy Cricket?  The suits?  Or maybe its the sunglasses.  1997, 2002, 2012, and 2019.  Plenty has changed in 22 years since the first Men in Black movie, but readers of a new book on all four films in the MiB franchise will learn a lot hasn’t changed.  As part of the release of the latest entry in the series, Men in Black International, Titan Books partnered with Columbia Pictures to put together Men in Black Films: The Official Visual Companion to the Films, an oversized, chrome, hardcover guide spanning the creation of the MiB universe and each film from the original comic books to the new movie.

Writers Lisa Fitzpatrick and Sharon Gosling interview the directors, writers, visual effects crew, and other artists and actors from each movie to find out why the series has resonated with sci-fi audiences.  Moving between images from the film, the characters, and plots, to what happened behind the scenes to develop the ideas from page to final film, readers will get two views of the films: one in-universe and one real-world.  It’s told chronologically, giving equal treatment to each film.  Along with stars Will Smith, Tommy Lee Jones, James Brolin, and now Chris Hemsworth and Tessa Thompson, you’ll see familiar characters from the past played by Tony Shalhoub (Galaxy Quest), Michael Stuhlbarg (The Shape of Water), Luke Cage stars Rosario Dawson and Mike Colter (Luke Cage), and Rip Torn (Defending Your Life), and you’ll meet new characters played by Emma Thompson and Liam Neeson.

The writers find lots of common threads with the first three films because of the overlap in creators, so look for some deep dives into the moviemaking process from director of the first three films, Barry Sonnenfeld, producers Laurie MacDonald and Walter F. Parkes (and how they coordinated ideas with executive producer Steven Spielberg), production designer Bo Welch, set decorator Cheryl Carasik, and, of course, Rick Baker, monster (and alien) maker, plus dozens more.  It’s all a nostalgic look back to some of the major creators that guided the look of Hollywood in the 1980s and 1990s.  It includes commentary from comic book creator Lowell Cunningham and the several writers that had a hand in the screenplays.  From the great futuristic props to those sunglasses and black suit changes, every major talent behind the camera gets to share where the ideas came from, with full-color photographs documenting the production steps along the way.

Here is a look inside Men in Black Films: The Official Visual Companion to the Films, courtesy of Titan Books:

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarentino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Review by C.J. Bunce

It’s the largest direct to television film yet made, the $90 million new Christmas weekend Netflix-only release Bright.  And it’s a welcome addition to the world of mash-ups.  It’s a fantasy, action, police procedural.  It’s a Will Smith movie and a high-octane Assault on Precinct 13 and Training Day-inspired shoot-’em-up.  It’s The Lord of the Rings meets Adam-12.  And it’s also like a new film in the Alien Nation series or an episode of the short-lived Syfy series Defiance.  The biggest downfall is that the opportunities for new stories within its massive world building merits more than just a one-shot story.

Joel Edgerton is fantastic as an Orc LAPD officer named Nick Jakoby who’s partnered with a human cop named Daryl Ward, played by Will Smith.  It’s a parallel world where the past 2,000 years of Earth history have been blended with the trope world of classic high fantasy stories.  Evil little fairies annoy and harass and cause mischief.  Elves are refined and tend to run everything.  Dragons fly unassuming across the night sky.  Orcs are the dregs of society and humans are stuck somewhere in the middle.  A Bright can be of any race, and federal agents responsible for magic are attempting to make certain a certain evil Bright is not reunited with a magic wand–an event that could return a dark power to annihilate the planet.

When Daryl and Nick pick up a Bright carrying a magic wand, gangs of humans and Orcs will stop at nothing to possess the wand–a rare object that can grant its owner any and every wish.  But only a Bright can handle a wand, and like the One Ring from The Hobbit series, the temptation to take the wand is great–too great for some poor saps without self-control.  The movie moves into a full-length action chase scene, with Daryl and Nick mirroring the cops in a very similar situation from Alien Nation.  And also like Alien Nation, the subtext is a reflection of all of the ills of society.

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smith-and-friend

We first previewed Bright last winter here at borg.com.  It’s a police procedural.  It’s high fantasy.  It’s even an urban fantasy.  And it’s a supernatural action movie.  In Bright, the December release starring Will Smith, we get to see a mash-up of the science fiction classic Alien Nation and the short-lived Karl Urban series Almost Human.  This time the lead cop, played by Will Smith, is not partners with an alien but an Orc.  That’s an Orc of Middle Earth fame played by Joel Edgerton, the co-star of last year’s brilliant film Midnight Special (and you may know him as young Uncle Owen from the Star Wars prequels).  It has the look of John Carpenter’s They Live and Attack on Precinct 13.

So get ready for fantasy–not science fiction, other than the parallel Earth–a Los Angeles where Humans, Orcs, Fairies, and Elves have lived and co-existed throughout our history.  It’s good ol’ classic fantasy, so there’s an epic quest for a talisman–a wand–a powerful and illegal wand, and the two LAPD cops are searching for it as they protect a female Elf.  And Will Smith gets to wield a sword.

ward-sword

Bright is directed by David Ayer (director of Suicide Squad, Fury, Street Kings, and writer for Training Day, The Fast and the Furious) and written by Max Landis (Victor Frankenstein, Dirk Gently’s Holistic Detective Agency), with co-stars Noomi Rapace (Alien: Covenant, Prometheus, Sherlock Holmes: A Game of Shadows), Edgar Ramirez (The Girl on the Train, Domino), Dawn Olivieri (Heroes), and Ike Barinholtz (Suicide Squad).  

Here’s the latest trailer for Bright: 

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smith-and-friend

It’s a police procedural.  It’s high fantasy.  It’s even an urban fantasy.  And a supernatural action movie.  That’s a heckuva mash-up.

It’s Bright, a new movie starring Will Smith.  Although this kind of fantasy tale has appeared in novels, we haven’t seen this story on the big screen.  Maybe Highlander?  Defiance?  On paper it looks like the science fiction classic Alien Nation and the short-lived Karl Urban series Almost Human–except the lead cop, played by Will Smith here, is not partners with an alien but an–wait for it–an Orc.  That’s an Orc–those typically vile fantasy bad guys from Middle Earth–played by Joel Edgerton, the co-star of last year’s brilliant film Midnight Special (and you know him as young Uncle Owen from the Star Wars prequels).  And it has the look of John Carpenter’s They Live (official images of the Orc makeup have not yet been released for publication).

That’s right.  We’re talking fantasy, not science fiction, other than the parallel Earth.  The setting for Bright is a parallel universe Los Angeles where Humans, Orcs, Fairies, and Elves have lived and co-existed throughout our history.  It’s good ol’ classic fantasy, so there’s an epic quest for a talisman–a wand–a powerful and illegal wand, and the two LAPD cops are searching for it as they protect a female Elf.  And Will Smith gets to wield a sword.

ward-sword

Bright is directed by David Ayer (director of Suicide Squad, Fury, Street Kings, and writer for Training Day, The Fast and the Furious) and written by Max Landis (Victor Frankenstein, Dirk Gently’s Holistic Detective Agency), with co-stars Noomi Rapace (Alien: Covenant, Prometheus, Sherlock Holmes: A Game of Shadows), Edgar Ramirez (The Girl on the Train, Domino), Dawn Olivieri (Heroes), and Ike Barinholtz (Suicide Squad).  Continue reading

Worst Heroes Ever

It looks like the great preview that accompanied the premiere of Star Trek Beyond this week.  Suicide Squad finally has a great trailer that should entice everyone to climb aboard, courtesy of DC Entertainment and Warner Bros. at San Diego Comic-Con Saturday.  With brief but good looks at each of the key characters it is now established that this is definitely a take on the classic war movie The Dirty Dozen–the original and ultimate film about a band of prisoner misfits setting out to save the world.

This time we get a good look at each of the Worst Heroes Ever and for a motley group of villains, they’re looking pretty good.  And Warner Bros. is having a big day with its movie preview releases at Comic-Con.

Adam Beach (Everwood, Hawaii Five-0), is Slipknot, Jai Courtney (Jack Reacher, Terminator: Genisys) is Captain Boomerang, Cara Delevingne is Enchantress, Karen Fukuhara is Katana, Joel Kinnaman (RoboCop) is Rick Flagg, Margot Robbie (Pan Am, The Wolf of Wall Street) is Harley Quinn, Will Smith (Men in Black, I, Robot) is Deadshot, Adewale Akinnuoye-Agbaje (Lost, Thor: The Dark World) is Killer Croc,  and they star along with Jared Leto as The Joker in the comic book take on The Dirty Dozen, as a group of super villains are released from prison to complete a hero’s mission.  And look for Jay Hernandez as Chato Santana aka El Diablo, a character created by our pals Jai Nitz, Phil Hester, and Ande Parks in 2008’s excellent six-issue series El Diablo: The Haunted Horseman (be sure to check it out at Amazon.com here if you haven’t read it yet).

flying bat

So this is it–the final trailer for Suicide Squad:

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suicidesquad-poster-cereal-full    suicide squad -characterposters-batch1-poster8

How much marketing do you need to advertise a movie anyway?  For DC Entertainment, when your The Dirty Dozen-style ensemble cast movie features twelve distinct lead characters, that apparently means you role out 24 new posters.  That’s what happened this week–DC released two sets of character studies, one rancid candy cereal poster, and one comic booky explosive cast poster, giving fans of the team and movie poster collectors a new collect ’em all project.

Or you can view them all in high quality digital format below.

For cosplayers, it’s the first really good view of costume details.  Anyone else have the urge to Photoshop some extra characters (or friends) into the big cast poster?

suicide squad -characterposters-batch1-poster6    suicide squad -characterposters-batch2-poster9

Here’s the roster: Adam Beach (Everwood, Hawaii Five-0), as Slipknot, Jai Courtney (Jack Reacher, Terminator: Genisys) as Captain Boomerang, Cara Delevingne as Enchantress, Karen Fukuhara as Katana, Joel Kinnaman (RoboCop) as Rick Flagg, Margot Robbie (Pan Am, The Wolf of Wall Street) as Harley Quinn, Will Smith (Men in Black, I, Robot) as Deadshot, Adewale Akinnuoye-Agbaje (Lost, Thor: The Dark World) as Killer Croc, and Jay Hernandez as El Diablo.  Viola Davis plays Amanda Waller, head of the agency A.R.G.U.S., and Jared Leto will play The Joker.

Check out all 24 of the new Suicide Squad posters after the break:

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MIB IV Jump Street Men in Black

Men in Black is now firmly footed in the annals of modern classic sci-fi.  With Men in Black III, starring Will Smith as Agent J, Tommy Lee Jones as Agent K, and Josh Brolin as a young Agent K., MIB delivered one of the best third entries in any movie franchise.  Check out our earlier review of Men in Black III here at borg.com.

We have not yet discussed the movie reboot of the TV series 21 Jump Street or its hilarious sequel 22 Jump Street–a very different series than the Men in Black.  We loved the buddy cop comedy team.  Multiple Academy Award nominee Jonah Hill (Moneyball, Superbad), and action star Channing Tatum (G.I. Joe, The Hateful 8) provide the ultimate comic relief as two cops that go undercover in high school and Spring break.  Hill is one of the best actors of his generation and Tatum’s suave charm can do no wrong.

2121 Jump Street

In the end credits for 22 Jump Street, mock-ups of any and every sequel were shown as sort of a forward-looking flashback of all the sequels that could one day be made.  So why not a mash-up where the Jump Street duo go undercover with the alien defenders?

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