Tag Archive: X-Men: Days of Future Past


Review by C.J. Bunce

The latest novel re-issue from the Marvel universe is an adaptation of Chris Claremont and John Byrne’s original story arc from the pages of 1981’s series The Uncanny X-Men: X-Men: Days of Future Past You may have read the original classic comics, you may have seen the ground-breaking 2014 team-up movie, and now author Alex Irvine digs deeper into the original story that remains among comic book readers’ most acclaimed stories.  A recurring trope–the banning of individuals with superpowers–is the background for this story of a former member of the X-Men, Kate Pryde, who is sent back to the past from the dark, not-so-distant future on the brink of Armageddon.

Kate is sent back in time to try to change an event in the past, the murder of Senator Kelly by Raven aka Mystique, and the deaths of several others including Charles Xavier and Moira MacTaggert.  The deaths are the impetus to the creation and domination of Sentinels, giant robots that can track and destroy mutants–or anyone else–with ease.  X-Men stories tend to include so many characters that readers only get to view a few character arcs.  Writer Alex Irvine keeps his story crisp and constantly moving forward.  Here we see Kate Pryde returned to the past and in doing so she swaps consciences with her 13-year-old self–new X-Men recruit Kitty Pryde, begrudgingly taking the name of Sprite, who will one day embrace the code name Shadowcat.  She is sent to the past by the telepathic Rachel Summers, the future daughter of Scott Summers and Jean Grey aka Phoenix.

Irvine keeps his story to a core band of players.  In the future, it’s Logan aka Wolverine, Magneto, Ororo aka Storm, and Kate’s husband Peter Rasputin aka Colossus.  In the past, Kate in the form of Kitty must convince Storm, Logan, Colossus, Kurt Wagner, aka Nightcrawler, Moira and Charles to prevent Mystique, the Blob, and others from the Brotherhood of the Hellfire Club headed up by Emma Frost from wreaking havoc on Senator Kelly’s congressional hearing.

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Review by C.J. Bunce

After a few packed years of superhero movies, Dark Phoenix is going to be a target for comparison.  No single Marvel movie this year–including Captain Marvel and Avengers: Endgame–really merits entry on a “best of the best” list, yet all had good, even great, moments, and easily belong in a top 25 superhero movie list.  Dark Phoenix now joins that group.  Instead of a galaxy-changing upheaval, first-time director and award-winning writer-producer Simon Kinberg marked the end of the X-Men movie saga with a personal story.  It’s a story of struggle and tragedy more attuned to the X-Men characters and the cinematic stories 20th Century Fox has told since we first met Patrick Stewart’s professor and Ian McKellen’s metal-manipulating frenemy way back in the year 2000.  Although it’s not as compelling and cinematic as James Mangold’s gold standard Logan or the incredible team-up in X-Men: Days of Future Past, actress Sophie Turner leads an emotional journey for her all-powerful Jean Grey that first began in X-Men: Apocalypse, really backing up that tagline from the movie posters: Every hero has a dark side.  They really meant it.

Kinberg wrote the original script for the Dark Phoenix in X-Men: The Last Stand, but he gets a lot closer to the spirit of the source material this time.  The key conflict mimics Marvel’s Jim Shooter and Chris Claremont’s reported struggle when they developed the character of Dark Phoenix, asking whether Jean Grey is irretrievably bad or bad only because she is possessed by a dark force.  At the same time most of the cosmic oddities are stripped from the comics story, but not all, pulling the necessary elements from the original tale in a more accessible way for audiences.  Jessica Chastain′s new villain and her compatriots from afar are very much the same as found in the comics, all but in name.  The opening act in particular is perfectly executed, beginning with a nicely cinematic launch of the Space Shuttle Endeavour, and a return to the stealth fighter that Nicholas Hoult′s Beast had been building in X-Men: Apocalypse.  If you’ve seen the trailers or know the story then the subject of the scene is no surprise–a rescue of the astronauts aboard from a giant solar flare, directed by James McAvoy′s Professor X from Earth, but led in space by Jennifer Lawrence′s Mystique, who grew to be the front-line commander of the team in the last film.  The most entertaining superhero of all the X-Men movies is back, Evan Peters′ Quicksilver, this time using his speed and time-stopping powers to assemble the astronauts for rescue in the character’s third and final awesome show-stopper.  He’s accompanied by the teleport-wielding Kurt Wagner aka Nightcrawler, providing actor Kodi Smit-McPhee the first of several key scenes that showcase his unique superhero, and round out a building arc for the typically background superhero.

The big takeaway from Dark Phoenix may be that it’s clear the material is capable of being recycled and resurrected many times, by different writers, directors, and actors.  Famke Janssen’s performance of Jean Grey was excellent in the original X-Men trilogy.  Sophie Turner’s performance is equally good.  In a few years we’ll see it all over again, which is pretty much what the Phoenix is all about.  Dark Phoenix will likely be accused of copying the empowered women theme of Captain Marvel.  In actuality Dark Phoenix was completed earlier, in October 2017, and if Dark Phoenix hadn’t been delayed by the Fox-Disney merger, the positions would no doubt be flipped to some extent.  The timing and similarities reportedly prompted Fox to go back and make some revisions.  But who says audiences can’t embrace two movies released within 90 days about the two most powerful superheroines in the Marvel pantheon?  Captain Marvel was able to generate far more buzz, and it’s a more upbeat story, so Dark Phoenix is unlikely to make a dent by comparison to that billion dollar box office hit.  But the acting and script for Dark Phoenix is probably a few degrees better, and the wrap-up of so many beloved characters makes Dark Phoenix a more important chapter for its franchise.

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Does every hero have a dark side?  It’s impossible Quicksilver has a dark side.  But we’ll find out in five weeks as the 12th film in the longest running superhero movie series sees its second-to-last film with the theatrical premiere of Dark PhoenixThe series that started with X-Men in 2000 began as a knockout with the stellar casting of Patrick Stewart as Professor X, Ian McKellen as Magneto, and Hugh Jackman as Wolverine, ultimately interweaving two separate casts that would include the likes of Jennifer Lawrence as Mystique, Michael Fassbender as a younger Magneto, and James McElvoy as a younger Professor X.  With eleven films across 19 years we’d meet our favorite (or second favorite) Marvel superheroes and supervillains shine in X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.

Every hero has a dark side.

This week post-merger Fox released ten new character posters for the new film spreading that message.

 

Dark Phoenix was written and directed by Simon Kinberg, and stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, Evan Peters, and Jessica Chastain.  Kinberg has promised Dark Phoenix will be a more faithful adaptation of Chris Claremont and John Byrne’s Dark Phoenix Saga than seen in X-Men: The Last Stand.

Here are all ten posters:

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Dark Phoenix represents one of X-Men fans’ favorite classic X-Men stories.  We have already seen one take on the Dark Phoenix story, as Famke Janssen’s Jane Grey destroyed everyone she cares about in X-Men: The Last Stand, but after the timeline manipulation in X-Men Days of Future Past we learned again the lesson of the Terminator movies: The future’s not setThere’s no fate but what we make for ourselves–A common theme of comics, too, as characters are killed and reborn again and again.  Dark Phoenix was written and directed by Simon Kinberg, and stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, Kodi Smit-McPhee, Evan Peters, and Jessica Chastain.  Kinberg has promised Dark Phoenix to be a more faithful adaptation of Chris Claremont and John Byrne’s Dark Phoenix Saga.

For those of us who loved the X-Men movies, this is the winding down of a great era, highlighted by the casting of Hugh Jackman as Wolverine, Patrick Stewart as Professor X, and Ian McKellen as Magneto.  Who will ever forget one of the finest adaptations to film of any superhero from any comic book as Evan Peters became Quicksilver, defending his fellow mutants in the Pentagon?  And the high point of any superhero movie (from Marvel Comics, DC Comics, or anyone else) must be the Academy Award nomination for best screenplay for Logan last year.  Like the competing films in the Avengers films, there were as many high as low points, but some greatness happened throughout X-Men, X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.

For Fox’s long string of connected X-Men films, this is the end.  Check out this final trailer for Dark Phoenix:

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In less than four weeks pop culture convention Planet Comicon Kansas City returns, this time to celebrate its 20th year.  Even more than before the event is hosting a pantheon of nationally recognized comic book writers and artists for its seventh year in the downtown Kansas City, Missouri, venue at the giant Bartle Hall facility at the Kansas City Convention Center.  The show runs Friday, March 29 through Sunday, March 31.  Bring your stacks of comics for autographs from your favorite creators–we’ve included here only a few important and familiar books by creators scheduled to be at the event.  Attendees will see some of the biggest names and most popular character creators spanning fives decades of comics, including:

Chris Claremont, writer and creator of dozens of characters including Rogue, Mystique, Phoenix, Emma Frost, Legion, Gambit, and Captain Britain.  His classic books include a long run on Uncanny X-Men, including the popular story arcs The Dark Phoenix Saga and Days of Future Past, adapted into X-Men: Days of Future Past, multiple X-Men movies, and this summer’s coming film Dark Phoenix.

Jim Starlin, writer/artist and creator of Thanos, Drax the Destroyer, Gamora, the Master of Kung Fu, and the first graphic novel published by Marvel Comics, The Death of Captain Marvel.  His classic books include Batman: The Cult, Batman: A Death in the Family, and Cosmic Odyssey.

Jim Steranko, writer/artist known for his unique 1960s style, his work on Nick Fury, Agent of S.H.I.E.L.D., plus memorable runs on Captain America and X-Men.  He was also a creator of concept art designs for Raiders of the Lost Ark.

Fabian Nicieza, writer known for creating Deadpool in the pages of The New Mutants, and working on dozens of key superhero titles.  His classic books include New Warriors and Psi-Force.

Keith Giffen, artist and creator of Rocket the Raccoon and Lobo.  His classic books include several issues of Legion of Super-Heroes.

Kevin Eastman, writer and creator of Teenage Mutant Ninja Turtles.

Steve McNiven, artist and creator of Marvel Comics’ Civil WarMcNiven is known for his cover art on dozens of Marvel titles.

Bob McLeod, artist and creator of The New Mutants.  (A concept that is the subject of 20th Century Fox’s last slated Marvel project, the coming late summer big-screen release The New Mutants).

And that’s not all…

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It’s hard to believe the reboot cast of the X-Men franchise is at its fourth film with this summer’s 20th Century Fox release, Dark Phoenix Despite delays caused by studio mergers, this last film before who-knows-what will happen couldn’t look better, an exciting topper on the X-Men movie franchise.  With eleven of thirteen films released so far since the first film, X-Men, arrived with Patrick Stewart, Hugh Jackman, and Ian McKellen in 2000, it’s become the seventh highest grossing film franchise ever.  With a pretty stuffed superhero film market only getting bigger this year (the last of the Fox Marvel films, The New Mutants, follows in August), Dark Phoenix could be the film that dodges the hype, bringing a classic film story and legion of familiar characters into what will hopefully be a solid comic book story adaptation.  Since X-Men: First Class, James McAvoy‘s Professor X, Michael Fassbender‘s Magneto, Jennifer Lawrence‘s Raven, Nicholas Hoult‘s Beast, and (with X-Men: Days of Future Past) Evan Peters‘ Quicksilver are among the best actor/character combinations of all the superhero films.

One of the best parts of X-Men: Apocalypse was the re-introduction of Jean Grey, with Sophie Turner providing an engaging take of the character, along with what might be the best incarnation in any medium of the normally bland Scott Summers, improved upon by actor Tye Sheridan.  Argue it how you want, Marvel Comics has long established the most powerful superhero to be Jean Grey as Phoenix.  And yet among the weakest of the eleven films was X-Men: The Last Stand, the first attempt at revealing her power.  With Dark Phoenix, fans get to see another attempt.  Were the X-Men movies to be transferred a few years earlier into the Marvel Cinematic Universe of Disney, would we be seeing some version of Jean Grey in the position of Carol Danvers/Captain Marvel, poised to eliminate Thanos in Avengers: Endgame?  Or Deadpool, also, for that matter, who has similarly been nestled in the Fox version of Marvel and written to destroy Thanos before)?

Whatever the climax of Avengers: Endgame, it’s good to know another superhero movie awaits this summer.  Check out the new poster and this stellar new trailer for Dark Phoenix:

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It must be going forward if 20th Century Fox releases an actual trailer for the movie, right?  After the last contract is inked it may very well be that only thirteen “X-Men movies” were ever made, before Disney steps in and recombines the Marvel X-Men adaptations into Disney’s Marvel Cinematic Universe.  For those of us that loved the X-Men movies, this is the winding down of a great era of movies, highlighted by the casting of Hugh Jackman as Wolverine, Patrick Stewart as Professor X, and Ian McKellen as Magneto.  Who will ever forget one of the finest adaptations to film of any superhero from any comic book as Evan Peters became Quicksilver, defending his fellow mutants in the Pentagon?  And the high point of any superhero movie (from Marvel Comics, DC Comics, or anyone else) must be the Academy Award nomination for best screenplay for Logan this year.  Like the competing films in the Avengers films, there were as many high as low points, but some greatness happened throughout X-Men, X-Men 2: X-Men United, X-Men: The Last Stand, X-Men Origins: Wolverine, X-Men: First Class, The Wolverine, X-Men: Days of Future Past, Deadpool, X-Men: Apocalypse, Logan, and Deadpool 2.

Only two more films were in the works when negotiations for control of 20th Century Fox’s film group got closer to a deal this year: Dark Phoenix and The New Mutants.  We previewed The New Mutants trailer way back last October here at borg, announcing an expected release date in April 2018, which came and went (the release date currently reflects a long overdue August 2019 premiere in theaters).  At last, 20th Century Fox has released a trailer for Dark Phoenix.

Dark Phoenix represents one of X-Men fans’ favorite classic X-Men stories.  We have already seen one take on the Dark Phoenix story, as Famke Janssen’s Jane Grey destroyed everyone she cares about in X-Men: The Last Stand, but after the timeline manipulation in X-Men Days of Future Past we learned again the lesson of the Terminator movies: The future’s not set–There’s no fate but what we make for ourselves.  

Along with the new official poster, check out this first trailer for Dark Phoenix:

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Review by C.J. Bunce

In all the flurry of late spring and early summer movie releases, don’t forget to see that X-Men movie sequel that drifted into theaters with less fanfare than the original two years ago.  That’s Deadpool 2, still in theaters nationwide in its fourth week, but probably phasing out soon.  So get to the theater before it’s gone.  More Ryan Reynolds sass and wisecracking, less of the supporting cast from the original, but more new characters fans of Marvel Comics and Marvel Comics-at-the-movies will want to see more of, Deadpool 2 has one big surprise you won’t glean from the trailers:  It’s a classic X-Men comic book story.

Take away the R-Rated humor and the jokes and you’ll find the backbone is a plot bringing the entirety of 20th Century Fox’s X-Men franchise full circle.  The themes of that very first story from the first film in 2000, the movie called X-Men, return.  In X-Men we met young teenager Rogue (Anna Paquin), struggling with her abilities and the burden they place on her.  Despite the superhero vs. superhero storyline, the real villain was Senator Kelly, trying to pass a federal Mutant Registration Act (similar in plot development as the legislation that divides the Avengers in Captain America: Civil War).  Here we meet an out-of-control and mistreated mutant from New Zealand called Firefist (Julian Dennison), and the villain is another Senator Kelly-type trying to do-away with the mutants, played by familiar British actor Eddie Marsan.  Coming back to this theme 18 years later is a smart move–even in a flurry of humor we’re reminded that the stories were sourced in an effort to address teen readers trying to fit into the world.

New characters Cable (Josh Brolin) and Domino (Zazie Beetz) are perfect transformations from comic to screen.  Cable is an expertly realized cyborg, not just a fill-in character but a fully developed new player in Marvel Studios’ arsenal.  Domino is a reminder that members of Marvel’s B-team line-up can steal the show (like Evan Peters’ Quicksilver in X-Men: Days of Future Past) when written well.  Any kid or kid at heart will appreciate a battle scene between Colossus (Stefan Kapicic) and Juggernaut (Ryan Reynolds) complete with its own humorous operatic accompaniment.  Time travel plays a key element in the story and Brolin’s cyborg is every bit as compelling as Arnold Schwarzenegger’s from the Terminator series, and the writers and director David Leitch (Atomic Blonde, John Wick) tap into that with dropped references every chance they get.

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Review by C.J. Bunce

Old Man Logan is a 2017 theatrical release we previewed here at borg.com earlier this Fall.  Bryan Singer treated us to a sneak peek at this version of Logan aka Wolverine in this year’s hit superhero flick X-Men: Apocalypse.  If all you know about Logan is the nine films in which Hugh Jackman portrayed the on again/off again X-Men leader, then now is a great time to get caught up on the monthly comic book title that inspired the movie.

Old Man Logan is the second series to follow the exploits of Logan in a post-apocalypse setting–the first was written in the eight-issue Wolverine: Old Man Logan story arc collected here, and the second was published in 2015, collected here.  The current series, now on Issue #14, is available in three trade editions, with Issue #15 due out in comic book stores by year end.

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Old Man Logan may be the best work yet from well-known writer Jeff Lemire, artist Andrea Sorrentino, and color artist Marcelo Maiolo.  Lemire is known for his work on books from Animal Man to Green Arrow, and currently he also pens All-New Hawkeye, Extraordinary X-Men, and Moon Knight.  Lemire tells a tale of a distant future, one overrun by villains and a world without Wolverine to protect it, Logan is a farmer with a wife and kids, whose life is destroyed when the Hulk Gang kills his family.  But the twist is Logan finds himself back in future’s past, able to change the timeline and destroy all of those who one day will ruin his life.  This Logan is an Old West wanderer and drifter, who makes Clint Eastwood’s Man with No Name pale in comparisonThis is Marvel’s answer to Frank Miller’s The Dark Knight Returns at last, a series gritty and dark and full of the kind of what-ifs readers are clamoring for.

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X-Men Days of Future Past Rogue Cut

Review by C.J. Bunce

If you agree last year’s X-Men: Days of Future Past is among the best superhero films of all time, and probably the single best film in the Marvel Universe, then you’ll want to see a new director’s cut released this month: X-Men: Days of Future Past, The Rogue Cut Especially if you haven’t picked up a copy of the 2014 version on Blu-Ray, this new edition brings together the original theatrical release and The Rogue Cut, plus a disc full of new features, making this the definitive edition for most fans.

It’s the lack of a 3D edition that is the only miss with the new release.  For most people that won’t be a problem.  But if you have embraced 3D television technology like us, you’re just going to be buying a new Blu-Ray to add to last year’s superb Ultimate Edition so you can watch each version from time to time–because you just can’t miss this new edit of the film.

If you’re not aware of the quality of this movie by ace director Bryan Singer, check out our review from last year here at borg.com.  On repeat viewings X-Men: Days of Future Past proves its worthiness as a superhero flick future superhero films will be compared to.  This expanded edition certainly does nothing to diminish the original.  It instead provides 17 minutes of additional scenes that explain plot elements skipped over in the original cut and it provides a better character study of nearly every major player: Professor X, Magneto, Wolverine, Mystique, Trask, Beast, Iceman, Kitty Pryde, and of course, Rogue.  More Quicksilver (Evan Peters) would have been fun, but you can’t have everything.  But we do learn more from Singer on his audio commentary about that character’s role, and that of Mystique, Beast, Magneto, and the rest of the mutants in next year’s sequel X-Men: Apocalypse.

Rogue Cut Wolverine Rogue

The features disc includes a nine-part “making of” series and a 30-minute roundtable featuring Singer and most of the show’s stars.  The audio track features Singer and editor/composer John Ottman.  Both provide an excellent look at the storytelling process as adapted to the filmmaker’s role.

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