Hiroshi Sakurazaka’s All You Need is Kill is an example of a spectacular Japanese novel that translated perfectly to the English language and Western audiences in the movie adaptation,Edge of Tomorrow, later renamed Live. Die. Repeat. Kotaro Isaka’s Bullet Train, initially re-titled from its original name Maria Beetle, is the next Japanese novel on its way to the big screen, not starring Tom Cruise but Brad Pitt, expected to arrive in theaters next year. It’s not what you’d expect, which is good or bad, depending on your tastes. Despite that evocative title, it’s surprisingly not an action thriller. It’s billed as social satire, like the French graphic novel turned Chris Evans movie and TV series, Snowpiercer, and that’s pretty much what readers should expect from Bullet Train, the novel, arriving in its first English edition in U.S. book stores next week. If Snowpiercer was your thing, you may want to pre-order Bullet Train now here at Amazon.
The Taking of Pelham 1-2-3, Unstoppable, Murder on the Orient Express, Strangers on a Train, The Lady Vanishes, Von Ryan’s Express, Butch Cassidy and the Sundance Kid, Silver Streak, Source Code, and yes, Snowpiercer, are the top 10 movies you probably think of featuring train action (oh, and don’t forget the original action movie, 1903’s The Great Train Robbery, discussed here and remade several times, plus props are due for train flicks The Commuter and Trading Places). In each of these, a train goes out of control, or it gets highjacked, or hit by an avalanche, someone is kidnapped or killed, or the train is the target of a terrorist attack–all the kinds of dangers that couple well with a fictional speeding train.
I think they are just terribly comfortable. I think everyone will be wearing them in the future.
Since–like everyone else–actors are unable to do their jobs until the risk of the COVID-19 pandemic has passed, many have offered up some of their time over the past 120 to 150 days to provide fans with extra interviews, table reads (like the Community table read we discussed here at borg), and comic-cons at home, creating some content for the fan base we wouldn’t have otherwise had access to without this strange new normal of sheltering at home, social distancing, and masks. If you don’t subscribe to or know what Quibi is, you may have missed the latest–an ensemble of actors from popular to more obscure re-enacting scenes from Rob Reiner’s fan-favorite fantasy, comedy, and romance, The Princess Bride.
The style is all intentionally low budget–think of the kind of backyard films you might have made as a kid, and in fact, the film is called Home Movie: The Princess Bride. But it’s great fun, all filmed with quarantine safety rules in place (those filming together were already living together), and the kind of thing any classic film fan base would be overjoyed to see created. The best part is learning who had actual historical costumes in their closet to work with (Mad Men man Jon Hamm had a Renaissance shirt in his closet, as did comedic actors Neil Patrick Harris and David Spade, and Rogue One’s Diego Luna), those who didn’t, and who might be better actors than you’ve given them credit for.
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. This year we selected 25 characters that rose to the top. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on. Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
In 2018 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked as well had the characters been swapped for males. We had a former MI-5 agent, bounty hunters, assassins, doctors, defenders, advanced superhumans, superheroines, warriors, witches, and even a few cyborgs–with a roster evenly split between television and movie characters.
Better yet, here’s something we haven’t said before. Several of our selections this year were played by women over 50.
These are the Best Kick-Ass Genre Heroines of 2018:
Enfys Nest(Solo: A Star Wars Story). For the first half of Solo: A Star Wars Story, Enfys Nest was the leader of a band of pirates, a character as cool and ruthless as anyone Han Solo ever faced. But once she took off her mask, it became clear how important she was, how significant her mission was–even more so than Han Solo’s own pursuit of mere wealth. She foreshadowed what Han would later find with Leia, an early glimpse at a rogue and scoundrel who actually had some good in him. When they joined forces, it made their characters even better. And she became one of the best warriors in the Star Wars universe since the original trilogy. (Disney/Lucasfilm)
Okoye(Black Panther, Avengers: Infinity War). Is there any woman warrior as powerful and impressive in a fantasy movie this year as Danai Gurira’s Okoye? We can’t think of any. A smart commander, a brave soldier, a loyal ally. Stalwart, devoted, steadfast, strong physically, intimidating and wise, with a keen unwavering ferocity, she represented the best of Wakanda, and fought bravely to defend the world at the last stand against Thanos. (Disney/Marvel)
Higgins(Magnum PI). Few television characters are as beloved as Jonathan Higgins in the original Magnum, p.i. So it was going to be risky having any actor step into the role John Hillerman made famous. So when the show honored the original character and late actor with such a finely tuned, updated character and actor, we took notice. Perdita Weeks’s Juliet Higgins is everything Robin Masters was–the character we all thought Higgins was in secret. We don’t know whether we’ll learn the truth this time around and what that truth will be, but as an ex-British secret service agent, she’s a James Bond for Thomas Magnum to partner with–literally running alongside the show’s star and fighting and shooting her way as an equal. And the result? Every episode of the first season was full of great action and fun. (CBS) Continue reading →
In all the flurry of late spring and early summer movie releases, don’t forget to see that X-Men movie sequel that drifted into theaters with less fanfare than the original two years ago. That’s Deadpool 2, still in theaters nationwide in its fourth week, but probably phasing out soon. So get to the theater before it’s gone. More Ryan Reynolds sass and wisecracking, less of the supporting cast from the original, but more new characters fans of Marvel Comics and Marvel Comics-at-the-movies will want to see more of, Deadpool 2 has one big surprise you won’t glean from the trailers: It’s a classic X-Men comic book story.
Take away the R-Rated humor and the jokes and you’ll find the backbone is a plot bringing the entirety of 20th Century Fox’s X-Men franchise full circle. The themes of that very first story from the first film in 2000, the movie called X-Men, return. In X-Men we met young teenager Rogue (Anna Paquin), struggling with her abilities and the burden they place on her. Despite the superhero vs. superhero storyline, the real villain was Senator Kelly, trying to pass a federal Mutant Registration Act (similar in plot development as the legislation that divides the Avengers in Captain America: Civil War). Here we meet an out-of-control and mistreated mutant from New Zealand called Firefist (Julian Dennison), and the villain is another Senator Kelly-type trying to do-away with the mutants, played by familiar British actor Eddie Marsan. Coming back to this theme 18 years later is a smart move–even in a flurry of humor we’re reminded that the stories were sourced in an effort to address teen readers trying to fit into the world.
New characters Cable (Josh Brolin) and Domino (Zazie Beetz) are perfect transformations from comic to screen. Cable is an expertly realized cyborg, not just a fill-in character but a fully developed new player in Marvel Studios’ arsenal. Domino is a reminder that members of Marvel’s B-team line-up can steal the show (like Evan Peters’ Quicksilver in X-Men: Days of Future Past) when written well. Any kid or kid at heart will appreciate a battle scene between Colossus (Stefan Kapicic) and Juggernaut (Ryan Reynolds) complete with its own humorous operatic accompaniment. Time travel plays a key element in the story and Brolin’s cyborg is every bit as compelling as Arnold Schwarzenegger’s from the Terminator series, and the writers and director David Leitch (Atomic Blonde, John Wick) tap into that with dropped references every chance they get.
20th Century Fox’s second Deadpool film now has a real trailer, or as “real” as Deadpool would tolerate. Deadpool 2, which doesn’t seem to have a catchier subtitle yet, brings back Ryan Reynolds’ merc with a mouth superhero (Green Lantern, RIPD) and his girlfriend Vanessa, played by Morena Baccarin (Firefly, Gotham), with the returning support team of Colossus (Stefan Kapicic), Negasonic Teenage Warrior (Brianna Hildebrand), Weasel (T.J. Miller), Blind Al (Leslie Uggams)–and that taxi driver. The sequel to the #2 highest Rated R box office moneymaker of all time introduces the fan-favorite borg from the comics, Cable, to the Marvel movie realm, and this trailer shows Josh Brolin looks to be the perfect casting choice.
The two new trailers were hijacked by Deadpool, as was the promotional summary for the film, which really says it all:
“After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor – finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover.”
The movie also has a new teaser poster mocking 1983’s Flashdance. The international trailer is an edited version from the U.S. release, with an added glimpse of Colossus. Check out both trailers of the new trailers for Deadpool 2:
