Review by C.J. Bunce
One of the most anticipated titles of DC Comics New 52 is Wonder Woman, and its tight writing by Brian Azzarello is only slightly eclipsed by the brilliant artistry of top artist Cliff Chiang. Chiang’s style alone is enough to make the new Wonder Woman series a title to keep reading. But Azzarello’s developing story steeped (if not fully submerged) in Greek mythology is enticing and leaves you looking for what’s next.
In Issue #1 we meet Wonder Woman in in her London apartment, sleeping naked, of course (she’s a woman superhero in the new DCU so what else would you expect?) shortly after Zola, the soon-to-be mother of an illegitimate daughter of Zeus is pursued by a pair of bow and arrow and mace-toting centaurs released in a Virginia barn by a peacock feathered Hera. (Phew!) The “release” itself is disturbing but that’s where the negative part of Issue #1 ends. The rest is akin to a pretty rousing episode of Xena: Warrior Princess. Not a bad thing at all.
Even if we don’t know what’s going on, Wonder Woman, or Diana, as she prefers to be called, is confident and comfortable as a determined and skillful warrior in the DCU. Apollo, perched high atop his new temple in the tallest building in the world in Dubai, is a modern sleazy type, quick to expend three hanger-on-ers as oracles to catch a glimpse of what transpires as Diana saves Zola, who escapes the Virginia farm with the help of a magic key handed to her by Hermes. Inexplicably Zola lands in the dark of Diana’s London apartment and we’re off on a Xena and Gabrielle-esque ride from then on.
Issue #2 picks up with Diana returning to Mount Olympus carrying the wounded Hermes, stricken by the centaurs before Diana eliminates them. There Diana meets up with her mother, Queen Hippolyta and has a few nice panels of combat with another Amazonian princess in the tribe. A rather punked-out looking daughter of Hera named Strife, sister to Ares the God of War, arrives with a surprising claim on our eponymous superheroine.
The story of Issue #2 may be short and sweet, but the fan is had with Chiang’s art again. If you have seen Chiang’s original artwork before, you will know his work is pristine with not a lot of sketching, just bold lines. Despite all the chatter in advance about Wonder Woman’s new costume, ultimately it does not matter as this Diana is drawn beautifully, as you’d expect a stunning Amazon princess to look in the comic pages. Her characterization as bold, brash, outspoken and brassy is right where Wonder Woman should be. Expect to see Chiang in the next few years emerge as the next Frank Cho.
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