With DC Comics’ summer Rebirth reboot, many monthly series turned bi-weekly, and we’ve now already seen the first eleven issues published of many series. Like the many reboots before it, DC Comics introduced the Rebirth continuity to re-ignite its fan base after the success of the prior reboot–the New 52–dissipated. So many shake-ups and change-ups occurred in the New 52 that you’d pretty much need to read the entire DC Comics line to keep up with what has happened to even the key Justice League superheroes. With two issues per month that’s difficult for any reader to keep up with.
One of the better sellers in this year’s Rebirth line is the Green Arrow title. Under the New 52 Oliver Queen encountered as many changes to his character as anyone. In fact fans of Green Arrow were probably better served subscribing to the Arrow tie-in comic book to the television series to get a dose of the classic crusader. As likely as not the success of the CW Network series coupled perhaps with fans’ hopes for big changes from the New 52, and a restoration of the essential Oliver Queen, could account for the sales success of Green Arrow in DC’s Rebirth universe.
Otto Schmidt served as artist and colorist on the series in the introductory chapters. Bringing Oliver’s older look back to the character, complete with the goatee, was a move in the right direction. Schmidt used the supersuit of the modern update yet his style conjures up both Neal Adams and Mike Grell’s key design elements that defined Green Arrow’s look for decades. Writer Benjamin Percy, who was the writer on the series before the Rebirth kicked in, re-introduced the second key element that defines Oliver: his partnership with Black Canary. The lack of the Arrow-Canary partnership contributed to the wane of Oliver’s story in the New 52–as a solo character Queen was just too much like everyone else. Percy’s other shift is reminding everyone that Queen is first and foremost a fighter for social justice. In contrast to the billion dollar company he sometimes owns and sometimes loses, Queen is the ultimate anti-corporate superhero. So these three elements: his look, his partnership with Black Canary, and his brand of justice, form the framework for what could be a solid Green Arrow series going forward.
Plenty is left to be done. Queen’s social justice efforts have only scratched the surface with eleven issues already in the can. Instead, Percy has opted for some frivolous, but fun, nostalgia: several scenes are spent restarting a romance between Oliver and Dinah, and he’s brought back classic secondary characters like Shado and Eddie Fyers, both from Mike Grell’s definitive Green Arrow series The Longbow Hunters. With the story now firmly set in Seattle, also as Grell had done with the setting–and not Star City–we can see some good attempts are being made to rediscover what made the 1980s and 1990s Green Arrow worth reading about.
DC Entertainment and the CW released a first look at the new costume for Oliver Queen’s superhero incarnation the Arrow at the DC panel at San Diego Comic-Con Saturday night. This suit was crafted by Maya Mani, who also crafted supersuits for Arsenal (Colton Haynes), Black Canary (Katie Cassidy), Speedy (Willa Holland), and Ray Palmer’s Atom. The original costumes for the series had been designed by Academy Award winning costumer Colleen Atwood.
The new look seems to pull more from the New 52 look at the Smallville supersuit more than any classic look for the character. Those football pad shoulder pieces are going to take a bit to grow accustomed to.
Sunday the cast appeared again, this time with Amell in the new garb claiming the “Green” in the Green Arrow title, and mentioning the change from Starling City to the classic Star City.
The panel showed a video (below) recapping the series highlights from 2015 so far. What it really does is emphasize that Ra’s Al Ghul has the worst name in comicdom and that no one at Warner Bros. must have any idea how it is intended to be pronounced (your guess is as good as ours, but just look at each cast member to see how many different ways it can be said).
Neal McDonough joins CW’s Arrow this season as villain Damien Darhk (sometimes DC Comics seems like it attended the George Lucas school of character naming, doesn’t it?). McDonough crosses the divide from the Marvel universe, formerly playing the awesome Dum Dum Dugan in Captain America: The First Avenger, Agents of S.H.I.E.L.D., and Agent Carter. We’ve also been fans of his work in everything from Quantum Leap to Star Trek: First Contact, from The X-Files to Timeline, and Walking Tall to RED 2.
Here’s the video montage from the panel at Comic-Con:
With so many on-going monthly series in the DC Comics New 52 universe, it’s sometimes difficult to find an entry point into the DC Comics titles because of continuing story arcs. If you’ve dumped one or more titles and want to get back in, where do you start?
One entry point for you may be Detective Comics, Issue #30, the beginning of a new story arc titled “Icarus.” In this first chapter we don’t learn what Icarus is, but we do meet up with an interesting Batman, moving on past the death of son Damian. We also meet Elena Aguila and her daughter Annie, a motorbike daredevil who looks like she’s cut out to be the next Robin. Similar to one of the main story threads in the Arrow TV series, Elena and Bruce Wayne are forging an alliance to restore the welfare of the citizens in the community of Gotham’s East End Waterfront District.
Replacing Wayne’s plans to commercially develop that area of town, and the likely deals with businessmen in Gotham City that he is going to need to cancel to do it, will no doubt create some enemies for Wayne in the process.
Oliver Queen is dying, out in the desert, left for dead and we don’t know why. Jeff Lemire takes us back three weeks to Seattle to understand what led to this moment. From Lemire’s first issue writing for Green Arrow to today, he has given us an entirely new Green Arrow, and although he chose to keep the trick arrows, not a lot of characteristics would make the new angry young man familiar to long-time fans. Over the last ten issues, 2013 has seen what the New 52 sees as Oliver Queen.
In the five-issue story arc titled “The Kill Machine,” a mysterious hunter, also an archer, called Komodo has destroyed Queen’s life, causing his business and friends to be taken away. Komodo brings along his psychopath of a daughter, too—think Hit Girl and Big Daddy or Boba and Jango and you’ll get the idea. Komodo even has the image projected to him of an even badder bad guy a la the Emperor called Golgotha. Queen has been set up—Oliver Queen is a wanted man for the murder of the leader of the old Queen Industries. Lemire then pulls us back into the history of Queen’s father, his friend, and that island where Queen was stranded for years. Like the ghost of Obi-Wan, a spirit guide of sorts called Magus is trying to steer Oliver on the path away from destruction, to the truth. And going along with the Star Wars metaphors, Oliver confronts Komodo to learn the truth about his father.
Review by C.J. Bunce
Sexual assault, child abuse, gay-bashing, drugs, prostitution, armed robbery, biogenic weapons, and street gangs–what dealt with all of these subjects in its opening chapters? A comic book series? DC Comics is finally compiling Mike Grell’s definitive Green Arrow comic book series that began in February 1988 and ran for more than a decade to November 1998. Gritty and real, it’s the Oliver Queen fans cheered for as he cleaned up the streets of not Star City or Starling City, but the dark alleys of Seattle, Washington.
Except for Morton Weisinger and George Papp who created Green Arrow in 1941, and Denny O’Neill and Neal Adams who re-imagined the character nearly thirty years later, Mike Grell did more than anyone to define the urban archer for the ages. Grell actually took over after O’Neill and Adams created their landmark Green Lantern/Green Arrow series in the early 1970s. But he made Green Arrow his own with 1987’s Green Arrow: The Longbow Hunters, a three-issue mini-series that finally awakened DC Comics to the potential of Green Arrow and his long-time girlfriend Black Canary. In 1988 Grell made Oliver Queen throw away his trick arrows and use penetrating broadheads that actually killed the bad guys. And in none of the storylines was Queen ever referred to as Green Arrow, a component maintained in CW’s Arrow series.
In brightest day, in blackest night, no evil shall escape my sight.
For the past nine years Geoff Johns has been writing DC Comics’ Green Lantern monthly series, including tales interweaving the stories of Earth’s five Green Lanterns: Hal Jordan, Guy Gardner, John Stewart, Kyle Rayner, and the New 52 creation Simon Baz. In the first DC Comics prestige format comic book in a long time, Johns says farewell to writing for Green Lantern this week in Green Lantern, Issue #20. Although it’s not a good entry point for readers not familiar with the Green Lantern Corps, it is a must read for fans both of Geoff Johns’s writing and his many Green Lantern stories now available in various trade editions. Johns is probably the single most important contributor to Lantern lore since O’Neil and Adams’ run in the 1970s and it’s his Hal Jordan, like it or not, that ended up in the big screen adaptation back in 2011.
As last stories go, Johns manages to do something unprecedented with his last issue–the book seems like a memorial not only to Green Lantern Hal Jordan but oddly a memorial of sorts for Johns himself. You might ask yourself: Is Johns seriously ill? Did I not get the memo? The format begs these questions because a full nine pages are offered as mini-notes from friends and admirers of Johns congratulating him for his long run on the series. It’s strangely self-indulgent, but if you can skip over these tombstone-like epitaph pages, the ads for the continuing Green Lantern (featuring Hal Jordan), Green Lantern Corps (featuring John Stewart), Green Lantern: New Guardians (featuring Kyle Rayner), and Red Lanterns (featuring Guy Gardner) monthly series, Johns’ sign-off note to fans and four pages documenting his past works in trade editions, there is still a complete story here, including panel art, splash pages and a fold out poster contributed by the likes of Ethan Van Sciver, Ivan Reis, Patrick Gleason, Cully Hamner, Aaron Kuder, Jerry Ordway, Christian Alamy, Mark Irwin, and Marc Deering. I think even diehard fans of Johns would probably rather see the nine pages of commentary replaced with all of the commentary on one page in a smaller font and more story and art.
Beginning this week you might have a double take at your local comic book stores as several incentive alternate covers grace DC Comics’ New 52 line issues numbered 19. They feature the 58-year-old perpetual 12-year-old Alfred E. Neuman getting his own cosplay on as one of 13 superheroes. This week check out Alfred as Green Arrow and Green Lantern. As the online harbinger of all things Green Arrow that’s the one we picked up, but we think that Green Lantern cover pretty much exemplifies all things MAD the best.
Other great covers include this nice run-in with Supergirl:
Fresh off their writing and art projects from New 52’s Batgirl and Green Arrow, DC Comics creators Gail Simone and Freddie Williams II are bringing real-world politics “Occupy Wall Street” style this May in their new monthly series The Movement.
The advance industry catalog Previews.com provided the following teaser this week:
We are faceless. We are limitless. We see all. And we do not forgive.
Who defends the powerless against the GREEDY and the CORRUPT? Who protects the homeless and poverty-stricken from those who would PREY upon them in the DARK OF NIGHT?
When those who are sworn to protect us abuse their power, when toxic government calls down super-human lackeys to force order upon the populace... finally, there is a force, a citizen's army, to push order BACK.
Let those who abuse the system know this as well: We have our OWN super humans now. They are not afraid of your badges or Leagues. And they will not be SILENCED.
We are your neighbors. We are your workers. And we are your children.
Win. Count us in. Where do we buy the RISE bracelets?
As someone who bailed a few issues into Scott Snyder and Greg Capullo’s Batman: The Court of Owls story arc in the monthly Batman comic book which spanned the bulk of the first year of the New 52, I found that I really enjoyed the crossover follow-on story as compiled in the late February hardcover release, Batman: Night of the Owls. While you are either left scratching your head or enjoying the ride as the Batman “Death of the Family” story arc wrapped last week with Batman Issue #17, this new trade edition is one way to check out some other New 52 titles you might not otherwise try. And it’s fun watching how several writers can make a crossover take place in one night over 14 issues.
It’s the first crossover of the New 52. Batman: Night of the Owls collects 360 pages, including Batman Issues #8-9, plus the tie-ins from Batman Annual #1, Nightwing Issues #8-9, and Issue #9 of All-Star Western, Batgirl, Batman and Robin, Batman: The Dark Knight, Batwing, Birds of Prey, Catwoman, Detective Comics and Red Hood and the Outlaws.
First appearing in DC Comics in 1983, the character of Katana, formerly a member of Batman’s Outsiders, was rejuvenated as a member of the Birds of Prey in the New 52 last year, replacing Barbara Gordon/Batgirl as the third team member. If you haven’t seen her before, what you need to know is that Katana’s real name is Tatsu and she has been busy seeking vengeance against the Yakuza for killing her husband. With her trusty Soultaker sword by her side she’s a force to be reckoned with, and she will be featured as a newer breed of superhero in the new Justice League of America beginning next week with Justice League of America Issue #1 (not to be confused with the Justice League series). But if you want to get an early look at Katana, you can pick up Issue #1 today of her own new monthly series. We at borg.com previewed Issue #1 this week and think this series will be an interesting and unique addition to the New 52 line-up.
Written by Ann Nocenti with art by Alex Sanchez, the story is packed with the spirit of ancient Eastern influences, swordplay and mysticism. Nocenti counts herself a fan of Akira Kurasawa and Katana’s story will be familiar to fans of his films. Artist Alex Sanchez has created a modern yet ancient-inspired fictional setting in his Japantown, part of San Francisco. DC Comics has shared with borg.com some original art pages from Katana, Issue #1 reprinted here.