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Tag Archive: 20th Century Fox


20th Century Fox slipped in one more trailer in advance of San Diego Comic-Con, a new trailer for Bohemian Rhapsody.  It took a few years to get this film going, with Sacha Baron Cohen and Bryan Singer involved along the way and both dropping out.  But the result looks set to be a legendary music biopic, and Rami Malek is shown in more scenes conjuring Freddie Mercury like Val Kilmer mirrored Jim Morrison in Oliver Stone’s The Doors.  All those clips of hit songs pieced together provide only a glimpse of the breadth of the catalog of great tunes created by Queen.

Freddie Mercury was one of a kind, any way you describe him.  As we said with the release of the first trailer for Bohemian Rhapsody, it’s great that audiences have had the chance to see Rami Malek in a critically acclaimed major performance (Mr. Robot) before he goes all-in with such a beloved personality.  And it’s not only Malik.  Ashes to Ashes and Midsomer Murder’s Gwilym Lee is a ringer for Brian May, too.

Here’s the next great trailer for Bohemian Rhapsody:

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The second trailer for The Predator is out, and this time we get some clips of the latest incarnation of the classic intergalactic headhunter in action.  20th Century Fox released the first full movie trailer for the autumn release of The Predator in May, and the studio’s buzz for the alien’s return is now gearing up.  Cinematographer Larry Fong (Watchmen, Super 8, Kong: Skull Island) has said audiences shouldn’t expect a CGI-heavy film (like those recently flooding cinemas), but more old-school practical effects including a live-action Predator as seen in the original film.  From this new trailer, it looks like that means not just one–but at least two–Predators.

Although we initially surmised that the film would disregard the 21st century sequels, it looks like director Shane Black (who played the joking marine in the original Predator) is merely setting the film between 1990’s Predator 2 and 2010’s Predators.  The role of Jake Busey places the new film 30 years after the first sequel.  He plays the son of the character played by his dad, actor Gary Busey, in Predator 2.  The new trailer shows more of Boyd Holbrook, who played the cyborg villain of last year’s Oscar-nominated film Logan, and Sterling K. Brown, who played the king’s brother in Black Panther and the defendant in Marshall.

Other actors appearing in the movie include Lochlyn Munro (Riverdale), Yvonne Strahovski (Chuck, Dexter, The Handmaid’s Tale), Olivia Munn (X-Men: Apocalypse, Iron Man 2), Keegan-Michael Key (Tomorrowland), Thomas Jane (Buffy the Vampire SlayerCrow: City of Angels), Trevante Rhodes (Westworld), and Edward James Olmos (Battlestar Galactica).

Now check out this new trailer for The Predator:

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Review by C.J. Bunce

In all the flurry of late spring and early summer movie releases, don’t forget to see that X-Men movie sequel that drifted into theaters with less fanfare than the original two years ago.  That’s Deadpool 2, still in theaters nationwide in its fourth week, but probably phasing out soon.  So get to the theater before it’s gone.  More Ryan Reynolds sass and wisecracking, less of the supporting cast from the original, but more new characters fans of Marvel Comics and Marvel Comics-at-the-movies will want to see more of, Deadpool 2 has one big surprise you won’t glean from the trailers:  It’s a classic X-Men comic book story.

Take away the R-Rated humor and the jokes and you’ll find the backbone is a plot bringing the entirety of 20th Century Fox’s X-Men franchise full circle.  The themes of that very first story from the first film in 2000, the movie called X-Men, return.  In X-Men we met young teenager Rogue (Anna Paquin), struggling with her abilities and the burden they place on her.  Despite the superhero vs. superhero storyline, the real villain was Senator Kelly, trying to pass a federal Mutant Registration Act (similar in plot development as the legislation that divides the Avengers in Captain America: Civil War).  Here we meet an out-of-control and mistreated mutant from New Zealand called Firefist (Julian Dennison), and the villain is another Senator Kelly-type trying to do-away with the mutants, played by familiar British actor Eddie Marsan.  Coming back to this theme 18 years later is a smart move–even in a flurry of humor we’re reminded that the stories were sourced in an effort to address teen readers trying to fit into the world.

New characters Cable (Josh Brolin) and Domino (Zazie Beetz) are perfect transformations from comic to screen.  Cable is an expertly realized cyborg, not just a fill-in character but a fully developed new player in Marvel Studios’ arsenal.  Domino is a reminder that members of Marvel’s B-team line-up can steal the show (like Evan Peters’ Quicksilver in X-Men: Days of Future Past) when written well.  Any kid or kid at heart will appreciate a battle scene between Colossus (Stefan Kapicic) and Juggernaut (Ryan Reynolds) complete with its own humorous operatic accompaniment.  Time travel plays a key element in the story and Brolin’s cyborg is every bit as compelling as Arnold Schwarzenegger’s from the Terminator series, and the writers and director David Leitch (Atomic Blonde, John Wick) tap into that with dropped references every chance they get.

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Review by C.J. Bunce

A new edition of novels based on Marvel Comics characters is being published beginning this month from Titan Books, including reprints of past novels as well as entirely new works.  First in the series is Stuart Moore’s 2013 prose novel Civil War, based on the giant, 98-issue, comic book event from 2006 and 2007 (not a novelization of the Marvel Studios movie).  The release of the novels is well-timed to capture new readers drawn in by Avengers: Infinity War, and Moore’s Civil War is the perfect follow-up for fans of the movie looking for more stories featuring the majority of the publisher’s roster of superheroes.  Just like the movie Captain America: Civil War only loosely tapped into concepts from its source material in the comic books, this novel may be a little jarring to those who only follow the movies.  But Moore’s book is a great way to see even more characters than made it into Captain America: Civil War or Avengers: Infinity War working together and against each other.  In short:  It’s a blast to read.

As in the Marvel Cinematic Universe, Civil War the novel features a split between Earth’s superheroes, pitting Steve Rogers’ Captain America against Tony Stark’s Iron Man.  But the similarities end there.  A devastating explosion that kills hundreds of people resulting from a failed attempt by the New Warriors (a young superhero team filming a reality show) prompts American citizens to fear the superhero community and push for an invasive regulation of superheroes.  Stark initially opposes the Act, but ultimately favors it as the lesser of two evils and the best way for superheroes to continue to serve and protect.  Captain America and those loyal to him see the new Superhero Registration Act as a fascist restraint on their freedom and refuse to comply.  In the conflict that ensues Moore streamlines the original story from the comic books into an exciting and engaging read, drawing together most of the Marvel universe’s major characters and many minor characters.

Thor, Nick Fury, and Scott Lang are dead, Hulk has been exiled off-planet, and Wolverine and the X-Men refuse to take sides, not participating in the story, except for Storm.  The Fantastic Four’s Ben Grimm and Doctor Strange remain neutral, but the rest choose sides, with Sue Richards, Hawkeye, and Spider-man switching sides throughout the story.  Falcon, Cloak & Dagger, Johnny Storm, Tigra, Prince Namor, Dr. Hank Pym, Black Panther & Storm, Daredevil, Ms. Marvel, Cassie Lang, Luke Cage, The Punisher, and newly appointed S.H.I.E.L.D. director Maria Hill all have key roles, with She-Hulk, Captain Marvel, Valkyrie, and Black Widow actively involved as well.  But the bulk of the character development follows Peter Parker, revealing for the first time to the world he is Spider-man, by far the most engaging and endearing hero of this tale.  The leadership challenges of Captain America and Iron Man as they oppose each other and keep Maria Hill and S.H.I.E.L.D. at bay is the girth of the story with a great thread involving Sue Richards as she struggles to deal with her husband Reed who she feels is on the wrong side of the issue Act implementation.

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The Predator is back.  Today 20th Century Fox released the first full movie trailer for the autumn release of The Predator, the eagerly awaited sequel in the Predator franchise.  And this first trailer looks pretty fun.  Will this sequel finally approach the original Arnold Schwarzenegger sci-fi classic from 1987?  The Alien franchise seems to have raked in the big box office bucks for decades while the Predator films haven’t moved past the original.  All indications point to director Shane Black (who played the joking marine in the original Predator) leaving aside 2004’s Alien vs. Predator, 2007’s Aliens vs. Predator: Requiem, and 2010’s Predators.  The role of Jake Busey places the new film 30 years after the first sequel.  He plays the son of the character played by his dad, actor Gary Busey, in Predator 2.

If you’re a fan of the next generation of character actors, The Predator may be what you’re looking for.  Boyd Holbrook, who played the cyborg villain of last year’s Oscar-nominated film Logan, plays Quinn McKenna, a member of a military assassin squad.  Sterling K. Brown, who played the king’s brother in Black Panther and the defendant in Marshall, plays a government agent.  Lochlyn Munro, star of Riverdale and guest star in every genre TV series since 1989, plays a General.  Chuck, Dexter, and The Handmaid’s Tale co-star Yvonne Strahovski plays a character named Emily.  X-Men: Apocalypse and Iron Man 2’s Olivia Munn, featured heavily in the trailer, is Casey Bracket, a scientist researching the aliens.  Comedian and actor Keegan-Michael Key and Buffy the Vampire Slayer and Crow: City of Angels’ Thomas Jane co-star as members of the strike force.  Westworld’s Trevante Rhodes plays a member of the team named Williams.  Young Wonder star Jacob Tremblay is the kid that sets the story into motion, with a package in the mail.  And for a dose of gravitas, look for Edward James Olmos as a general in the movie.

This is the plot description for the film:

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series.  Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species.  When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

Now check out this trailer for The Predator:

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Sometimes so many trailers are in the queue it’s time to stack ’em, pack ’em and rack ’em.  For us, that means it’s time for another installment of Trailer Park.  We have a new Deadpool 2 trailer, reportedly the final trailer, and this time we meet the supporting characters.  We have two new Solo: A Star Wars Story television spots you might have missed (do you say Han rhyming with Stan, like Lando does, or Han rhyming with Ron, like everyone else does?).  We have the first look at Denzel Washington returning as Robert McCall in Equalizer 2.  Plus another TV spot for next week’s Avengers: Infinity Wars.  What else… one more trailer for Jurassic World: Fallen Kingdom.  That’s a lot of sequel trailers.  You’d think we were already living in The Stacks.

And posters!  The studios have released several new movie posters to gawk at, including a late-breaking UK poster for Solo, a Deadpool 2 poster by Deadpool co-creator Rob Liefeld (an homage to New Mutants, Issue # 98), a poster for Equalizer 2, and, directly from Jamie Lee Curtis, the first look at the return of Michael Myers in the late 2018 release of the Halloween reboot.

    

So what are you waiting for?  Check out these six trailers:

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20th Century Fox’s second Deadpool film now has a real trailer, or as “real” as Deadpool would tolerate.  Deadpool 2, which doesn’t seem to have a catchier subtitle yet, brings back Ryan Reynolds’ merc with a mouth superhero (Green Lantern, RIPD) and his girlfriend Vanessa, played by Morena Baccarin (Firefly, Gotham), with the returning support team of Colossus (Stefan Kapicic), Negasonic Teenage Warrior (Brianna Hildebrand), Weasel (T.J. Miller), Blind Al (Leslie Uggams)–and that taxi driver.  The sequel to the #2 highest Rated R box office moneymaker of all time introduces the fan-favorite borg from the comics, Cable, to the Marvel movie realm, and this trailer shows Josh Brolin looks to be the perfect casting choice.

The two new trailers were hijacked by Deadpool, as was the promotional summary for the film, which really says it all:

“After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry’s hottest bartender while also learning to cope with his lost sense of taste.  Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor – finding a new taste for adventure and earning the coveted coffee mug title of World’s Best Lover.”

The movie also has a new teaser poster mocking 1983’s Flashdance.  The international trailer is an edited version from the U.S. release, with an added glimpse of Colossus.  Check out both trailers of the new trailers for Deadpool 2:

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Sarah Michelle Gellar’s Buffy Summers is an ageless heroine.  Buffy the Vampire Slayer is one series you can revisit, find something new, and marvel at the dialogue of Joss Whedon’s greatest character, greatest writing, and greatest production, over and over.  And yet somehow Buffy, the series, turned 20 this year.  Twentieth Century Fox is rewarding fans of the series by releasing a new boxed set of all seven seasons of the series next month.  The 39-disc DVD set contains all 144 episodes of one of the smartest, funniest, and action-filled series, featuring arguably the greatest heroine of all.  Unfortunately, no Blu-ray release appears to be in the works yet.

Buffy the Vampire Slayer: The Complete Series 20th Anniversary Edition DVD Boxed Set will include some extra features, which might entice fans who have purchased previous editions of the series.  It includes a Buffy the Vampire Slayer comic book from Dark Horse Comics featuring an exclusive variant cover and “coloring sheet.”  Seasons 1-7 also include special features material from prior releases.

But Buffy the Vampire Slayer is not the only series from Joss Whedon celebrating an anniversary this year and getting a new boxed set.  Firefly turned 15 this year, and Twentieth Century Fox is issuing a Blu-ray anniversary edition for Browncoats everywhere.  This boxed set will also be released next month and it features some new inserts, including a Firefly poster and collectible character cards.

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Here I come to save the day!

This year marks the 75th anniversary of Mighty Mouse, who first appeared in short animated films from Terrytoons for 20th Century Fox throughout the 1940s, including one that was nominated for an Academy Award.  So what better time to bring back the powerful mouse who can protect Pearl Pureheart from Oil Can Harry, and maybe even save us all?  Dynamite Comics is answering the call with a new monthly series beginning today with an initial story arc that deals with bullying.

Mighty Mouse was created by Ralph Bakshi (known also for Fritz the Cat, the animated The Lord of the Rings, and the Kim Basinger flick Cool World) and Paul Terry, whose cartoons with sound beat Walt Disney’s Steamboat Willie to cinemas in 1928 (one of the first animators to use cel animation).  Mighty Mouse would appear as part of the Saturday morning cartoon line-up in various versions in each of the 1950s, 1960s, 1970s, and 1980s.  A rather odd update, the 1980s version would feature a crossover episode with Bakshi’s Mighty Heroes characters, a group of middle-aged lawyers that included a superhero called Diaper Man, and comedian Andy Kaufman would make famous for another generation the Mighty Mouse theme song in a skit for Saturday Night Live in the 1970s.  Marvel Comics produced a 10-issue comic book series in 1990-1991.

        

Today, writer Sholly Fisch and artist Igor Lima are bringing the classic mouse to the 21st century.  It’s a book for kids of all ages–the kind of comic book to introduce young kids to the medium.  A boy is getting bullied in school, and he’s a young artist and fan of the classic Mighty Mouse cartoons.  As he is watching television, a portal across dimensions interferes with his show, and with the characters within the television.  The third wall is breached as a boy meets his hero.

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Beware the light.

Review by C.J. Bunce

On first viewing of Logan, this year’s most critically acclaimed superhero film, a viewer may love it or leave it.  It’s not your typical Marvel Comics adaptation, full of f-bombs and the bloodiest of action and violence.  Yet it’s also a finely crafted final chapter to the successful X-Men film saga and a tribute to Hugh Jackman’s unprecedented nine-film run as Logan.  Last week 20th Century Fox showed a limited screening arranged by the director of Logan in black and white, called Logan: Noir.  The version is also included on the Blu-ray release available everywhere tomorrow.  If you haven’t seen Logan, skip the theatrical version and go straight to Logan: Noir and if you have seen Logan prepare for a completely different experience with this special edition of the film.

Logan: Noir would be more aptly titled Logan: Black and White, as this is not so much classic noir than a modern Western tale shown in black and white.  Thankfully writer/director James Mangold (Cop Land, 3:10 to Yuma, The Wolverine) carefully and elegantly filmed Logan with an eye for the stark contrasts that black and white film once regularly captured so well.  Parts of the film will reach into your chest and hold you breathless, revealing the full potential of a comic book based film–and more specifically a superhero film.

Its bleak, cold landscapes are evocative of a John Ford (Stagecoach, The Man Who Shot Liberty Valance, The Grapes of Wrath) Western.  Its slow, calculated scenic pans are something Stanley Kubrick (Lolita, Dr. Strangelove) could only have hoped to have achieved in his early work.  Inasmuch as Hugh Jackman is a classic, Western, antihero archetype in his so-far-gone, washed-up, tired and grizzled Logan–former Wolverine of the X-Men–he appears far lonelier and resigned to a dismal, unrelenting future in black and white.  The cold contrasts in this Logan somehow create a vision more true to the Old Man Logan of the comic book source material.

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