Advertisements

Tag Archive: Alien: Covenant


Review by C.J. Bunce

When you have made as many movies as have been in the Godzilla franchise (31, more than James Bond movies), you run the risk of making a sequel or reboot that ends up like Independence Day: Resurgence, or Jurassic World: Fallen Kingdom, or Man of Steel, or Alien: Covenant.  For some moviegoers, a quick fix with lots of CGI in one of their favorite universes is good enough.  Godzilla: King of the Monsters has many things in common with these movies, without quite being as good as any of them, or Godzillas of the past.  Inasmuch as moviegoers will see the great effort taken to be faithful to its predecessors, by bringing more than just Godzilla to the picture, by bringing in a significant number of character actors that will be familiar to audiences, and by trying to create more spectacular visuals than came before, the latest Godzilla movie, opening today, doesn’t match either the monster mayhem or the humor of its 20th century predecessors.

Stuffed with every over-used creature and action trope, some used repeatedly, Godzilla: King of the Monsters suffers from taking itself too seriously.  Its single attempt at levity is Get Out’s Bradley Whitford as a wise-cracking scientist who seems to be channeling Brent Spiner in the Independence Day movies.  But beyond that, this is a family drama, more talk and human family in-fighting than Godzilla screen-time, between Stranger Things star Millie Bobby Brown as Madison and her separated parents played by Kyle Chandler (Super 8) and Vera Farmiga (The Commuter) (in that way it suffers the flaws of the 2014 Godzilla).  For some credibility we get Oscar-nominated actor Ken Watanabe (Isle of Dogs, The Last Samurai, Batman Begins) to remind us of the creature’s 65 years as a Japanese kaijū icon.  Other than that, the production skipped Japanese actors for this installment.  The best character and performance comes from Charles Dance (Pride and Prejudice and Zombies, Bleak House, Gosford Park), who plays a terrorist.  His character is the lone voice who speaks sense in a film that only makes sense if you also believe ocean drillers are the best choice to pilot a space shuttle to save the world from an oncoming asteroid.  Armageddon, War of the Worlds, Cloverfield, The Day After Tomorrow, Pacific Rim and every other disaster movie is rolled up into a single package here.  Direction and decisions are all over the place.  Even in a crazy, kooky, over-the-top monster movie, audiences deserve a plot with a foundation with a smidge of reality, especially if the talking heads scenes get equal time with the clashing creatures.  So if you decide to see Godzilla: King of the Monsters in the theater, you’ll need to throw all logic and reason aside and try to enjoy the ride.

Although this wasn’t clear in the trailers, Godzilla: King of the Monsters is more than another franchise installment, it’s a direct sequel to Gareth Edwards’ 2014 Godzilla movie.  Five years later the world is learning how to live as 17 titans (monsters like Godzilla) surface across the globe.  Watanabe joins other returning cast members, including Oscar-nominated actress Sally Hawkins (The Shape of Water, Blue Jasmine, Layer Cake), Oscar-nominated actor David Strathairn (Sneakers, The Firm, Eight Men Out, Memphis Belle), as they attempt to cause the titans to join forces in support of Godzilla instead of his three-headed dragon competition Ghidorah.  The best of the encounters finds the flying Rodan taking on a convoy of jet fighters, in a sweeping, well-choreographed scene that you’d expect from a Godzilla movie, although this scene and the rest of the monster scenes are mostly fuzzy and don’t make the most of high-definition camera capabilities or CGI.

Continue reading

Advertisements

borg Hall of Fame 2018

It’s been another long year of great entertainment.  Before we wrap our coverage of 2018, it’s time for the sixth annual round of new honorees for the borg Hall of Fame.  We have plenty of honorees from 2018 films and television, plus many from past years, and a peek at some from the future – 40 in all.  You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology.  Wearing a technology-powered suit alone doesn’t qualify a new member.  Tony Stark aka Iron Man was an inaugural honoree because the Arc Reactor kept him alive.  The new Spider-Man suit worn by Tom Holland is similar to Tony’s, but as far as we can tell it’s not integrated with Peter Parker’s biology.  Similarly Peni Parker, seen outside her high-tech SP//dr suit in Spider-Man: Into the Spider-Verse, and Black Manta from Aquaman (and decades of comics before), seem to be merely wearing tech suits.  We’d love a reason for a Mandalorian to make the cut, like Boba Fett, or Jango Fett, since nobody has more intriguing armor.  Maybe Jon Favreau’s new television series will give us something new to ponder next year.

Also, if the creators tell us the characters are merely robots, automatons, or androids, we take their word for it.  Westworld continues to define its own characters as androids (like Star Trek: The Next Generation’s Lt. Commander Data throughout the TV series), and not cyborgs (going back to Michael Crichton’s original story), so we continue this year to hold off on their admittance unless something changes, like the incorporation of living biological (blood, cells, etc.) materials.  Are we closing in on admitting individuals solely based on a breathing apparatus that may allow them to breathe to in non-native atmospheres?  Only if integrated (surgically).  Darth Vader has more borg parts than his breathing filter.  We assume new honoree Saw Gerrera does as well.  With more biological enhancements we’d allow Tusken Raiders, Moloch, and Two Tubes from the Star Wars universe, and Mordock the Benzite from Star Trek, but wouldn’t that also mean anyone in a deep sea suit or space suit is a cyborg?  Again, integration is key.  Ready Player One has humans interacting with a cyber-world with virtual reality goggles and other equipment, but like the Programs (as opposed to the Users) in the movie Tron, this doesn’t qualify as borg either, but we’re making an exception this year for the in-world Aech, who is a cyborg orc character, and two Tron universe characters.

Already admitted in 2017 were advance honorees that didn’t actually make it to the screen until 2018.  This included Josh Brolin’s new take on Cable in Deadpool 2 and Simone Missick’s Misty Knight after her acquisition of a borg arm in Marvel’s Luke Cage.  New versions of Robotman and Cyborg are coming in 2019 in the Doom Patrol series, but they are already members of the revered Hall of Fame.  Above are the new looks for these two earlier honorees.

So who’s in for 2018?

Continue reading

Review by C.J. Bunce

The early 2018 release Alien: Covenant is now streaming on Amazon Prime, Vudu, and other streaming services.  It is the second act of a two-part story focusing in major part on the android* named David, the continuation of non-human humanoids we first encountered in the Ridley Scott’s original 1979 film Alien with Ash, and later Bishop, and others.  Continuing David’s quest from Scott’s follow-up, 2012’s Prometheus (yes, this is that “sequel to a prequel” we discussed here at borg back in 2012), David has embarked on a search for the creation of mankind prompted by his creator, Peter Weyland, played by Guy Pearce.  David’s cold, deliberate calm is disturbing–he is a robot, he is emotionless, despite improvements on earlier models that make him appear kind, even sincere.  Yet, as we learned in Prometheus, David is little, if any, evolved more than the decision-making by HAL 9000 of 2001: A Space Odyssey.

Is David’s ruthlessness carried forward into Alien: Covenant?  You’ll need to watch the movie to find out.  There you’ll meet an upgraded version of David’s android design.  Also played brilliantly by Michael Fassbender, the android Walter replaces David as assistant to the humans in Alien: Covenant as they embark on a mission to settle a colony in deep space, led by James Franco‘s Branson, Billy Crudup‘s Oram, and Katherine Waterston‘s Daniels.  In a great dual performance by Fassbender, Walter encounters David as the story progresses.  And that’s where David’s Drawings come into play.

Disturbing and grotesque.  David, as part of his quest from Weyland, studies, researches, and documents lifeforms he encounters.  Many of these are in the form of sketches, sketches that can be found on the screen in the film, and in the new bound portfolio volume called David’s Drawings, from production artists Dan Hallett and Matt Hatton (see our preview below).  The artwork is meticulous, like something out of Gray’s Anatomy So the drawings are both in-universe props, and a real-world document of the filmmakers.   In more than 200 images, the boxed set (featuring a hardcover of drawings and a second volume including interviews with the artists) features the complete arc of his journey from David’s studies of flora and fauna, to his more sinister experiments on creatures, and the film’s most disturbing, surprise revelation.

Continue reading

Review by C.J. Bunce

As much as you may hear general moviegoers asking if we may be near the end of the Alien franchise–and earlier this month Alien director Ridley Scott said as much, that the franchise has basically “run out”–you probably won’t hear that from fans of Alien who keep coming back for more.  But no worry: two future movies are expected from the franchise.  Along the way tie-in authors continue to expand the universe before and after the first film that premiered way back in 1979.  The best of these so far is arguably Tim Lebbon’s Alien: Out of the Shadows (reviewed here at borg.com along with an interview with the author here).  In that novel Lebbon cleverly intercut between films a new tale of Ellen Ripley encountering xenomorphs again.  Earlier this year we reviewed an anthology, Alien: Bug Hunt here, and a new interactive in-world book in the Alien universe will be reviewed here soon.  Ridley Scott returned to direct another film in the series this year with Alien: Covenant, and a new tie-in novel bridges the gap between 2012’s Prometheus and Covenant.  Titled Alien: Covenant–Origins, it features the return of one of fandom’s favorite writers, Alan Dean Foster, and readers will find the story completely unexpected.

Since the 1970s Foster has written famous science fiction expansion stories that brought classic films home to audiences before the days of home video, including the novelization of the original Star Wars and the first Star Trek tie-ins.  His success with those would lead him to write the novelizations of the first three Alien films and Alien: Covenant, Terminator: Salvation, The Chronicles of Riddick, the first two Transformers movies, Star Wars: The Force Awakens, Star Trek (2009), Star Trek Into Darkness, adding to a catalog of books that include The Thing, The Black Hole, Outland, The Last Starfighter, Starman, and AlienNation.  So Foster knows the Alien world well and with Alien: Covenant–Origins, Foster looks beyond the monstrous xenomorphs of the franchise to the political and corporate machinations behind the first effort to colonize outer space by Earthlings.  Springboarding off what we can imagine to be a Michael Crichton’s Rising Sun-inspired corporate takeover of CEO Peter Weyland’s tech company by competitor Hideo Yutani after the events of Prometheus find Weyland lost in space, we encounter the new Weyland-Yutani Corp. as it prepares to send a ship full of colonists to habitable planet Origae-6.  But on Earth the company first encounters espionage, intrigue, and sabotage, earthbound topics wrestled with similarly in Carl Sagan’s classic novel Contact. 

More action-thriller than sci-fi, Foster plants us into a mad dash to get the Covenant into space, with Yutani’s daughter kidnapped, assassination attempts, and a strange faction bombarding the company at every step to stop all efforts to go into space to avoid what one human is foreseeing as an invasion of horrible alien demons in Earth’s future if Weyland-Yutani proceeds with its flight.  It’s the same warning Sagan and NASA encountered from members of the public when the United States sent two Voyager space probes to the edge of the galaxy and beyond in the 1970s–what if aliens find us and they’re not so friendly?

Continue reading

Author Simon Ward has crafted a new behind-the-scenes account of a sci-fi film, this time the latest entry and third Ridley Scott-helmed film in his Alien series, Alien: Covenant.  As you would expect, The Art and Making of Alien: Covenant features hundreds of photographs from what is probably the goriest film in the series.  Like another sci-fi/horror mash-up film 10 Cloverfield Lane, it also has its share of surprises, particularly as it leaves viewers in suspense as they learn the kind of horror film unfolding isn’t what they first thought.  Ward’s new book doesn’t reveal all the surprises, but enough to encourage readers to wait until they’ve seen the film to read the book.  Since a book like this is mainly for the diehard Alien fan, this won’t be an issue to most of its readers.

The Art and Making of Alien: Covenant, like Ward’s previous works The Art and Making of Independence Day: Resurgence (reviewed here at borg.com) and Aliens: The Set Photography (reviewed here) is more about the making of the film than a traditional “art of” film resource.  so don’t look for the typical concept art.  You will see plenty of film stills, behind the scenes shots with the actors, and some good visuals of the film’s set design.  Ward also moves step-by-step through the film, pulling in production staff and actors to give insight into the filmmaking process for this unique movie.

Ward interviewed director Ridley Scott, revealing Scott’s thought process behind this film and its place in the series, each key cast member discusses their view of their characters.  Concept artist Steve Burg describes the differences between Alien: Covenant and the last film in the series, Prometheus.  Creatures supervisor Conor O’Sullivan reveals the influences in the new Xenomorph designs.  Director of photography Dariusz Wolski provides a look at scene set-up and his lighting and cinematography choices.

Continue reading

Is this a stand-up fight or another bug hunt?

Would Aliens–that epic sci-fi war movie sequel to the groundbreaking sci-fi horror tale Alien–have been half as great without the performance of Bill Paxton as Colonial Marine Private Hudson?  Tens of thousands of fans came out to celebrate Paxton and his performance in the film when news spread of his passing this February.  Always willing to recite a line from one of his movies for fans, you have to think he would have loved a read like Aliens: Bug Hunt, a new anthology from Titan Books.  Aliens: Bug Hunt hones in on the gritty band of spacefaring soldiers as 19 authors share 15 new short stories of the Alien universe.

The new release, just after the Aliens 30th anniversary and nicely timed to this month’s theatrical release of Alien: Covenant, provides stories before and after Aliens, some sci-fi, some horror, action and drama, or a mix of each.  One story tells the tale of Corporal Hicks before the events in Aliens, and a personal mission to locate the cause of his wife’s death.  Another story details an operation of the Marines in an encounter with a hostile alien menace unrelated to the Xenomorphs.  One story provides insight into the synthetic Bishop and how he came to be the determined and decisive crew member we met in the series.

The anthology was edited by Jonathan Maberry with new works by Maberry and a “usual suspects” list of tie-in book writers and more.  Dan Abnett, Rachel Caine, Larry Correia, Keith R.A. DeCandido, David Farland, Matt Forbeck, Ray Garton, Christopher Golden, Heather Graham, Brian Keene, Paul Kuppenberg, Tim Lebbon, Marina J. Lostetter, James A. Moore, Yvonne Navarro, Weston Ochse, Mike Resnick, and Scott Sigler contributed stories.

Continue reading

alien-covenant

Directed by Ridley Scott and written by John Logan, Alien: Covenant is coming to theaters this summer.  It is another of those rare and unusual films:  The prequel that is also a sequel.  It is the sequel to Prometheus (2012), so it is the second installment in the Alien franchise chronologically, prequel to the original Alien (1979), and the sixth movie produced in the series.

The film tracks a colony ship, the Covenant, which arrives at a habitable planet and finds Michael Fassbender’s cyborg David, who we last saw at the end of Prometheus.  Fassbender plays dual roles, as the Weyland Corporation’s creation is also a member of the Covenant, as seen in the below preview.

alien-covenant-trailer

Fassbender, Noomi Rapace, and Guy Pearce return from Prometheus in Alien: Covenant.  New players include James Franco, Katherine Waterston (Fantastic Beasts and Where to Find Them), Billy Crudup (Watchmen), Danny McBride (Superbad, Fanboys), Demián Bichir (The Hateful Eight), Carmen Ejogo  (Fantastic Beasts and Where to Find Them), Amy Seimetz (Stranger Things), Jussie Smollett (Revenge), Callie Hernandez (Machete Kills, Sin City: A Dame to Kill For), Nathaniel Dean (Farscape), and Alexander England (Gods of Egypt).

Check out this unusual preview, the first five minutes of the film: Continue reading

alien-covenant-clip

On Christmas Eve 20th Century Fox released the first trailer for Ridley Scott’s next gory chapter in the Alien cycle, Alien: Covenant.  In a bit of a deja vu, only four years ago we saw the first trailer and images of Ridley Scott’s touted reboot of the Alien franchise in the 2013 theatrical release Prometheus.  Like the trailer for Prometheus, we are left scratching our heads.  Alien: Covenant is the sequel to Prometheus, and prequel to the original Alien, yet the trailer makes the new film look an awful lot like the original Alien.  Is Scott really releasing a cloaked remake of Alien, banking on some idea similar to the formula J.J. Abrams succeeded with in last year’s Star Wars: The Force Awakens (a remake of sorts of the original Star Wars)?

Assuming the trailer reflects the final film, which admittedly is not always the case, Alien: Covenant may appeal to fans of the horror and sci-fi shocker Alien.  But what about the fans of the Alien sequel Aliens, which focused more on the action above the science fiction and horror components?

crudup

Viewers are left to assume that blood-and-gore horror is going to take center stage in Alien: Covenant, although we’ll no doubt get some bits and pieces of sci-fi and some action along the way.  The story revolves around the crew of the colony ship Covenant.  The crew encounters a planet that is not what it seems and a familiar face–Michael Fassbender’s synthetic borg David, survivor of the doomed Prometheus expedition.

Check out this trailer for Alien: Covenant:

Continue reading

rocket

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed.  The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip).  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2017 calendar!

Most coming out in the second half of 2017 don’t even have posters released yet.  We’ve included descriptions and key cast so you can start planning accordingly.

What do we think will be the biggest hits of the year?  How about Star Wars: Episode VIII or Wonder Woman?   Luc Besson’s Valerian and the City of 1,000 Planets?  Ghost in the Shell?  Or Beauty and the Beast? 

justice

You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049, Thor: Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me.   And The Six Billion Dollar Man is finally on its way.  Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.

So wait no further, here are your genre films for 2017:

Continue reading

Aliens rock music video 1980s

Following on its success with last year’s Back to the Future Day celebration and the annual Star Wars Day (May the Fourth), 20th Century Fox has created a new day to bring fans back to the Alien franchise.  Although we believe they should have gone with Mother’s Day, April 26, 2016, is being targeted for the first Alien Day in honor of the doomed world, LV-426, where Sigourney Weaver’s Ripley first encountered the vile xenomorphs in 1979’s Alien.  This means bringing the movie back for a limited theatrical release and plenty of product tie-ins.  It’s all in anticipation of Fox’s release of Ridley Scott’s next Alien franchise film next year, Alien: Covenant, starring Michael Fassbender.

Aliens Funko

For action figure fans, NECA is releasing Lieutenant Vasquez, Newt, and Kenner-style Ellen Ripley figures, and Funko is releasing a Kenner-style Queen, Power Loader and Ripley figure set and Super 7 will offer several figures.  Hot Toys will sell a 1:6 scale Ripley figure.  Look for Kotobukiya to release a 1:10 scale xenomorph.  Sideshow and Medicon Toy company will also release new Alien figures.

Alien Invasion Lebbon

Titan Books is releasing a new Tim Lebbon tie-in novel, Alien: Invasion.  (Check out our review and interview with Lebbon here at borg.com of Lebbon’s first awesome Alien novel Alien: Out of the Shadows).  And Alien: Out of the Shadows will get its own audiobook featuring the voice of Rutger Hauer.  Insight Editions will release a new book, The Weyland-Yutani Report.

Continue reading