Just this past Fall, Titan Comics took fans of the Blade Runner movie franchise into their past and future with the comic book series Blade Runner 2019(review here at borg). Both the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, the series introduced a new Blade Runner, a female engineered cyborg named Ash. Beginning next week readers will find Ash ten years later in the pages of Blade Runner 2029. With the ghosts of the Tyrell corporation always in the shadows, Ashina has a new mission, a personal one, and she decides to seek a lost target from her past.
Check out our sneak preview of artwork from Issue #1 of Blade Runner 2029, courtesy of Titan Comics:
It’s the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, giving fans of either or both a look into the world created by Philip K. Dick in his novel Do Androids Dream of Electric Sheep?Blade Runnerstories continue as Titan Comics looks to the parallel Earth future in Blade Runner 2019. The first nine issues introduced us to ex-Blade Runner Ash and Cleo, daughter of business magnate Alexander Selwyn. It’s now 2026. On returning to Los Angeles, Ash sleuthed out the location of Selwyn, but Selwyn knows Ash is after him, and has created a new Blade Runner. Of course the ghosts of Tyrell are always in the shadows.
You’re likely to find as many books on the Alien franchise as any other major sci-fi franchise (and we’ve tried to review all of them here at borg), but for the coming 35th anniversary of the release of the first sequel, Aliens, one of the best chroniclers of blockbuster films has provided the definitive look at the film in the giant hardcover book The Making of Aliens. J.W. Rinzler, the writer of some of the best known books about George Lucas’s films and Planet of the Apes, adds to 2019’s The Making of Alien (reviewed here) to give fandom his most readable account yet.
One of the year’s best military sci-fi novels awaits you in the next Gears of War tie-in novel, Gears of War: Bloodlines. Author Jason M. Hough creates a gritty tale of an unthinkable mission by current lead game character and former Gear soldier Kait Diaz and a forgotten, impossible mission by her father, Lt. Colonel Gabriel Diaz. The story begins in the future at war, after the destruction of Settlement 2. Kait’s comrade J.D. Fenix is severely wounded. While Kait awaits his outcome, she is approached by an old man who claims he fought with her father years ago. The man slips her a secret file, which recounts a mission that determined the fate of her father, marked a turning point in his life, and may influence who she may become.
The latest Aliens novel will come as a surprise to fans of the Alien franchise and tie-in novels. More of a video game tie-in than an outer space/sci-fi/horror tale, Aliens: Phalanx finds its confrontation with the gloss black, spike-tailed Xenomorphs on a planet much like audiences saw in the sister series, Predators, where individuals are plucked from across the universe and dropped on an undeveloped planet to survive being hunted by that franchise’s title creatures. Like something out of a post-apocalyptic nightmare, or the tie-in novels for Warcraft, Tomb Raider, or Gears of War, readers meet up with members of a pre-industrial culture fighting for survival. Aliens: Phalanx arrives in stores everywhere today and is available to order here at Amazon.
Literally a society on the run, locals must strategize their movements to get from place to place, actually living among the Xenomorphs that they not surprisingly refer to as “demons.” Writer Scott Sigler details in more than 500 pages–the longest Alien tie-in yet–his characters’ journey, all toward the ends of touching back into more of the familiarity of the Alien universe. The conceit of the films is that humans could stand any chance against the Xenomorphs. Readers’ suspension of disbelief will be pressed even further here, when those being asked to survive in the tale do not benefit from the full arsenal of Weyland/Yutani’s corporate-backed armament as found in the Aliens movie and prior stories.
Billed as a “medieval” tale, Aliens: Phalanx is probably more about “going medieval,” survival in the modern sense, more than anything that touches on the actual Middle Ages (as a historian I wouldn’t have guessed the Middle Ages presence here over, say, an early North or Latin America construct). In fact, without the title and cover art, for most of the novel readers wouldn’t know they were reading an Aliens universe story. The environment, the worldbuilding, the culture, the lack of naming convention all lend the book to have been readily adapted to an alien world of any sci-fi franchise, or even something like Cowboys and Aliens, as the vibe is more something out of S. Craig Zahler’s Bone Tomahawk–primitive culture but not so primitive antagonists in a horrifying, primal bid for survival.
Super7, the toy company known for its wide variety of action figure licenses and its retro Kenner style carded, 3.75-inch action figures, greatly surpassed its delivery at last year’s Toy Fair (shown here and here) by bring hundreds of prototype figures, card back mock-ups, and final versions to New York Toy Fair 2020 this past weekend. More than the typical sneak peek, Super7 previewed a huge variety of action figure cards for its ReAction line, with pre-ordering forecasted for later this year and some items available now here at Amazon.
New action figure licenses at the show include Army of Darkness, An American Werewolf in London, Aliens,Andre the Giant, Back to the Future II, Knight Rider, The Munsters, Archie, Red Dawn, Beavis and Butt-Head, The Hunchback of Notre Dame, Son of Frankenstein, Spongebob Squarepants, Halloween II, and a new line of NBA All Stars. Bands with new figures seen for the first time in the Super7 line include RUN DMC, Notorious B.I.G., and Ol’ Dirty Bastard.
Plus past figure lines will see more additions this year. Those include Universal Studios Monsters, Peanuts, several Teenage Mutant Ninja Turtles, The Nightmare Before Christmas, lots of Transformers, Toxic Crusader, Thundercats, Ghost, Misfits, Mars Attacks, Alien, Chucky, and Robocop, and Super7 displayed several final figures this weekend that were previewed last year here at borg, includingThey Live, Teen Wolf,Major League Baseball All Stars, MLB Mascots, and characters from the Rocky movie series.
Take a look at close-up views of just a sampling of the action figures on display at this year’s event:
Only mere seconds into Farmageddon—the next big production from frequent Oscar-winner and stop-motion pioneer Aardman Animations–and viewers will feel the pangs of their favorite classic Steven Spielberg movies, complete with a magical score that has all the beats of a John Williams-esque adventure, thanks to composer Tom Howe. This is a return to the lovable Aardman underdog Shaun the Sheep, star of several series and films who we last saw on the big screen in 2015’s Shaun the Sheep movie. But this time our lovable wooly hero encounters an alien visitor and the resulting effort by directors Will Becher and Richard Phelan with writers Jon Brown, Mark Burton, and Nick Park may be Aardman’s most effective, most lovable, and most far-reaching crowd-pleaser to date. A direct-to-Netflix presentation, it also stands a chance at being a contender for best full-length animated film at next year’s Oscars.
Shaun the Sheep steps in for Spielberg’s Elliott in this modern close encounter with a lovable extra-terrestrial named Lu-la, so adorable that she may even make Baby Yoda go “awww.” The impeccable stop-motion animation viewers expect from Aardman is here, as well as the cast of endearing anthropomorphic farm animals, but the heartfelt story, unthinkably successful chemistry between clay characters, exquisite visual effects, lighting, and cinematography, and an emotional score make for a triumph of sci-fi and family storytelling, proving a common language is not necessary to understand relationships between someone that might be a bit different. Here that’s a sheep and an alien, but the story is effective enough that kids (and attentive adults) will apply the message to everyone. In fact, Aardman proves language isn’t necessary at all–the story is told entirely without spoken English dialogue, relying on expressive visuals, animal voices, and sound effects, making it truly internationally (or intergalactically) enjoyable.
This fun new sci-fi/fantasy adventure begins with a dog guarding his sheep–a motley but crafty band who live at the farm including Shaun–followed by a great homage to Looney Toons classic barnyard antics as the show establishes the farmyard bond between sheep and dog and dog and man. The man and dog– The Farmer and Bitzer–show Aardman going back to its roots, what first made the filmmaker internationally known through its award-winning shorts. Wallace and Gromit could be cousins to this man and dog duo, and anchoring the film with the ensemble here again (as with past Shaun stories) instead of going off in a different direction was a wise choice. It takes a special combination to merge classic animation with expert laugh-out-loud comedy situations, and the creators at Aardman are the closest thing I’ve ever seen to the spirit and creativity of Jim Henson. The story is sweet and can appeal to a variety of audiences. The older crowd can try to spot all the influences, and the young at heart can marvel at Farmageddon′s sheer joyous presentation.
Usually a franchise tie-in novel or sequel will be able to serve as a standalone story to create a springboard into the story’s universe for new readers. That’s not the case for readers of the new Gears of War prequel to the Gears 5video game, Gears of War: Ascendance. Author Jason M. Hough takes fans of the games on a journey back into field combat with a group of familiar characters battling close-quarters with the Swarm, with a backdrop focus on the political machinations of Coalition of Ordered Governments’ Minister Jinn and her reliance on Damon Baird and his robot army. Unfortunately the story reads like the down day at a Dungeon & Dragon session, all about a group of characters getting from Point A to Point B, with little happening in between.
The entire novel is a set-up to bring the franchise’s first heroine to the lead position of gameplay, Kait Diaz. The lack of development of the character is unfortunate, because it could have the potential for another alien bug fighter like Ellen Ripley, Rita Vrataski, Dizzy Flores, or Private Vasquez. We meet Diaz following the burial of her mother. She and her team are rescued from this planet only to return later so she can try to save a boy and a girl that she believed were dead when her group had abandoned their location. So readers will be drawn toward her mission. Backstory (available elsewhere) for the video games explains the significance of a special talisman she wears, yet each time it is discussed the reader is ready to learn more about it, but its purpose is ultimately skipped over in this book. And readers don’t get to learn much about what makes Kait Diaz tick. For that, readers will need to look to the game (which has been well-received by gamers).
So Gears of War: Ascendance is truly for fans already familiar with the game and its characters. What a “Gear” even is, and what the opposing factions are and why, what one weapon is versus another–none of these concepts are ever explained (a Gear is a soldier, but is it an elite soldier or any foot soldier?). The Swarm and other beasts are some kind of alien monster inspired by the Arachnid Bugs of Starship Troopers or that creature from Mimic, a kind of giant locust (it’s called the Locust Horde so I assume it looks like a locust) but all creepy like the Xenomorphs of Aliens, and telepathically connected like the hive mind of The Borg from Star Trek. Why are they bad? We don’t know, just as Heinlein treated his antagonists in Starship Troopers, although game players who dig in outside this novel will see they become more than that to Kait Diaz in the game. Opening paragraphs in each section providing some backstory and setting, along with descriptions of characters would have been a welcome addition for those not familiar with the game yet.
It’s what Blade Runner fans have been waiting for, and if your appetite was whetted by the movie Blade Runner 2049, then you’re going to want to check our the next era of Blade Runnerstories as Titan Comics goes back to a parallel Earth future in Blade Runner 2019. The future is now. It’s been worth the wait, as the new story looks and feels like we’re back inside Philip K. Dick’s original vision in his novel Do Androids Dream of Electric Sheep? In the neo-noir city of Los Angeles, 2019, Ash, a veteran Blade Runner, is working the kidnapping of a billionaire’s wife and child. Is the CEO of the new Canaan Corporation any better than those behind the Tyrell Corporation? Written by Academy Award-nominated screenwriter Michael Green(Logan, Blade Runner 2049), with co-writer Mike Johnson(Supergirl, Star Trek), get ready for Blade Runner to experience the treatment we’ve seen in recent years for franchises like Firefly, Planet of the Apes, and Alien, as another new world of science fiction storytelling opens up. Green and Johnson have written a perfect first chapter.
This very first original, in-canon story set in the Blade Runner universe is illustrated by Andres Guinaldo(Justice League Dark, Captain America) with brilliant color work by Marco Lesko. You’re going to see something surprising in Guinaldo’s artwork–not only is this the world of Philip K. Dick, Ridley Scott, and Syd Mead′s neo-noir future, readers will see influences from cyberpunk and tech-noir classics like John Carpenter′s Escape from New York, Luc Besson′s The Fifth Element and Valerian and the City of a Thousand Planets, Neill Blomkamp′s Elysium,James Cameron′s The Terminator and Aliens, Robert Rodriguez′s Alita: Battle Angel, and the other futureworlds adapted to film from Philip K. Dick′s stories. It all probably comes down to the versatility, breadth, and influence of concept artist Syd Mead, but the creators do give due credit to Dick, Scott, Hampton Fancher, David Peoples, Michael Deeley–and Mead–for the look and feel of their new story.
The first issue arrives next Wednesday, and you can pick from four cover options, from Stanley “Artgerm” Lau, Andreas Guinaldo, John Royle, and an original concept piece by Syd Mead.
Check out our sneak preview of the first issue of Blade Runner 2019, courtesy of Titan Comics, plus a new trailer for the series released just today:
With the exception of the vast expanded universe of Star Wars and Star Trek, probably no other sci-fi property has branched out in as many exciting ways as the Alien universe. Every new tie-in novel consistently has been packed with suspense and innovative takes on Weyland-Yutani and its influence years before, during, and after the events of Ridley Scott’s original Alien movie. Each year fans of Alien celebrate April 26 as Alien Day, reflecting not a specific day inside the Alien universe, but the designation of the moon in the film Aliens:LV426. There’s even more reason to look back this year, as 20th Century Fox is celebrating the 40th anniversary of the release of the original Ridley Scott film. Check out the Fox contest (expires tonight) here. The recognizable Reebok stomper worn by Ellen Ripley in Aliens is coming back, too–part of the contest, and expected to be for sale soon here.
Next week for the first time U.S. audiences can access a documentary on legendary Alien concept artist and designer H.R. Giger streaming on OVID.tv, and we’ll be reviewing it soon here at borg. Dark Star: H.R. Giger’s World is a documentary on the artist’s unique vision, available May 3.
An eagerly awaited book for Alien fans is coming. You’ll want to pre-order the new J.W. Rinzler guide to the 1979 film, The Making of Alien,here (we’ll be reviewing it in July).
No book or film has portrayed the people behind the Weyland-Yutani Corporation as more vile and despicable as author Alex White envisioned them in his novel released for Alien Day 2018, Alien: The Cold Forge, a sequel to the second film in the franchise, James Cameron’s Aliens. The Company is proceeding to fulfill one of its initial ideas, to weaponize the Xenomorphs for military use. Alien: The Cold Forge is Aliens as if written by Michael Crichton, a blend of Congo and Jurassic Park with aspects of the modern Planet of the Apes trilogy tie-ins and Project X.
Last year we reviewed Alien Covenant: David’s Drawings by Dane Hallett & Matt Hatton (check out our review here). This boxed edition contains two books, providing readers an insight into the most intriguing character from the Alien prequels. The in-universe sketchbook contains more than 200 illustrations from the set and will take you inside the mind of David. Plus Developing the Art of an Android provides an interview with Hallett and Hatton, the artists behind the sketchwork.
And there’s Jonesy: Nine Lives on the Nostromo by Rory Lucey (reviewed here), which reminds us: In space, no one can hear you meow. Aboard the USCSS Nostromo, Jonesy leads a simple life enjoying The Company cat food and chasing space rodents. Until one day his cryostasis catnap is rudely interrupted. The humans have a new pet and it’s definitely not house trained. This full-color illustrated book offers a cat’s eye view of all the action from the movie Alien.
Not enough? You say you want a full-on fix of Alien today? Check out any of these Alien tie-ins and films previously reviewed here at borg:
