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Tag Archive: Aliens


Is this a stand-up fight or another bug hunt?

Would Aliens–that epic sci-fi war movie sequel to the groundbreaking sci-fi horror tale Alien–have been half as great without the performance of Bill Paxton as Colonial Marine Private Hudson?  Tens of thousands of fans came out to celebrate Paxton and his performance in the film when news spread of his passing this February.  Always willing to recite a line from one of his movies for fans, you have to think he would have loved a read like Aliens: Bug Hunt, a new anthology from Titan Books.  Aliens: Bug Hunt hones in on the gritty band of spacefaring soldiers as 19 authors share 15 new short stories of the Alien universe.

The new release, just after the Aliens 30th anniversary and nicely timed to this month’s theatrical release of Alien: Covenant, provides stories before and after Aliens, some sci-fi, some horror, action and drama, or a mix of each.  One story tells the tale of Corporal Hicks before the events in Aliens, and a personal mission to locate the cause of his wife’s death.  Another story details an operation of the Marines in an encounter with a hostile alien menace unrelated to the Xenomorphs.  One story provides insight into the synthetic Bishop and how he came to be the determined and decisive crew member we met in the series.

The anthology was edited by Jonathan Maberry with new works by Maberry and a “usual suspects” list of tie-in book writers and more.  Dan Abnett, Rachel Caine, Larry Correia, Keith R.A. DeCandido, David Farland, Matt Forbeck, Ray Garton, Christopher Golden, Heather Graham, Brian Keene, Paul Kuppenberg, Tim Lebbon, Marina J. Lostetter, James A. Moore, Yvonne Navarro, Weston Ochse, Mike Resnick, and Scott Sigler contributed stories.

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When you think of the Alien franchise, what iconic images come to mind?  Sigourney Weaver’s Ellen Ripley in a giant power loader suit or going face-to-face with a Xenomorph?  The first facehugger?  Hicks, Hudson and Vasquez realizing they were facing something hopeless?  Queen of sci-fi Veronica Cartwright’s scream at the first terrifying chest burst?  Ridley holding Jonesy finally sighing with relief that they survived the alien onslaught?  Dozens of these and other iconic images are packed into a new adult coloring book, Alien: The Coloring Book, coming this May from Titan Books.

The adult coloring book business is gaining steam with publishers taking extra efforts to see that the artwork inside meets the standard of the franchise.  Alien: The Coloring Book has pulled together artwork that resembles the actors and key scenes from the movie, but also does so in a visually interesting manner and conforms to the whole point of these books: to give fans a chance to color their favorite scenes (in or outside the lines).

Creating scenes from all of the Alien movies featuring heroine Ellen Ripley are artists Leandro Casco, Wellington Diaz, Vinz El Tabanas, Salvador Navarro, Guilherme Raffide, Rubine, Vincenzo Zerov Salvo, Adriano Vicente, and Daniel Wichinson.  Eighty pages provide Xenomorphs, chestbursters, Xenomorph eggs, your favorite characters, spacesuits, ships, Ridley Scott’s futuristic sets and H.R. Giger-inspired designs.  One of the fun illustrations features Lance Henriksen’s cyborg Bishop playing mumbletypeg with the hand of Private Hudson (played by the late Bill Paxton).

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alien-covenant-clip

On Christmas Eve 20th Century Fox released the first trailer for Ridley Scott’s next gory chapter in the Alien cycle, Alien: Covenant.  In a bit of a deja vu, only four years ago we saw the first trailer and images of Ridley Scott’s touted reboot of the Alien franchise in the 2013 theatrical release Prometheus.  Like the trailer for Prometheus, we are left scratching our heads.  Alien: Covenant is the sequel to Prometheus, and prequel to the original Alien, yet the trailer makes the new film look an awful lot like the original Alien.  Is Scott really releasing a cloaked remake of Alien, banking on some idea similar to the formula J.J. Abrams succeeded with in last year’s Star Wars: The Force Awakens (a remake of sorts of the original Star Wars)?

Assuming the trailer reflects the final film, which admittedly is not always the case, Alien: Covenant may appeal to fans of the horror and sci-fi shocker Alien.  But what about the fans of the Alien sequel Aliens, which focused more on the action above the science fiction and horror components?

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Viewers are left to assume that blood-and-gore horror is going to take center stage in Alien: Covenant, although we’ll no doubt get some bits and pieces of sci-fi and some action along the way.  The story revolves around the crew of the colony ship Covenant.  The crew encounters a planet that is not what it seems and a familiar face–Michael Fassbender’s synthetic borg David, survivor of the doomed Prometheus expedition.

Check out this trailer for Alien: Covenant:

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ripley-and-newt

Aliens is a film like no other, a rare sequel that is arguably as good or better than the original.  It’s horror, but even more so than the original Alien, it is a science fiction classic in its own right.  Aliens was ahead of its time, a successful blockbuster from James Cameron, who quickly put together a story treatment and sold the studio on his vision of the follow-on to Ridley Scott’s unique and acclaimed original.  Last month here at borg.com we reviewed Aliens–The Set Photography, a new book chronicling the creative work behind Aliens released for the film’s 30th anniversary.  Action-packed with top-notch acting from Sigourney Weaver and a great supporting cast, plus some of Stan Winston’s best creature work, Aliens rightfully is getting the 30th anniversary treatment this month in Blu-ray.

Aliens is one of about a dozen science fiction or horror films to earn Academy Awards.  It won two, for visual effects and sound editing.  It was also nominated for art direction, sound, film editing and original score.  Better yet, Sigourney Weaver earned her much deserved first nomination for best actress.  Weaver’s Ellen Ripley is among science fiction’s best performances, and Weaver the core of what made the franchise and this film successful.  The anniversary release includes two previously released versions, the 1986 original theatrical version and the 1991 extended edition.  If you missed the extended edition, it’s well worth your time.  Ripley gets more screen-time, and more character development, including the dichotomy between the death of Ripley’s daughter mirroring the Alien queen’s protection of her offspring–it’s great fun to see a character you think you know in scenes not included in the original version you saw in the theater.

aliens-30th-anniversary-edition-release

The extended edition commentary track is as good as you’ll find on any disc.  Where most releases these days include the director or producer and one or two cast members, the commentary accompanying the extended edition includes a treasure trove of content and insights into the film.  You’ll hear details on movie making from director James Cameron, producer Gale Anne Hurd, the late, great, alien effects creator Stan Winston, visual effects supervisors Robert Skotak and Dennis Skotak, miniature effects supervisor Pat McClung, and actors Michael Biehn, Bill Paxton, Lance Henriksen, Jenette Goldstein, Carrie Henn, and Christopher Henn.

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Predator Life and Death 1 cover    Predator Life and Death 1 cover B

A new seventeen-part sci-fi/horror series begins next month from Dark Horse Comics.  Predator: Life and Death is a four-part series that begins a cycle that spans the worlds of Predator, Aliens, Aliens v. Predator, and Prometheus–similar to Dark Horse’s popular Fire and Storm cycle.  Writer Dan Abnett will interconnect four stories, and we have a preview below of the first issue for borg.com readers.

Colonial Marines on the planet Tartarus battle extraterrestrial hunters over the possession of a mysterious spaceship.  Weyland-Yutani is after the ship, and the marine captain wants to protect the crew.  But neither is likely to get their way when a band of Predators attacks.

Predator Life and Death 1 cover C     Predator Life and Death 2 cover

Artist Brian Thies and colorist Rain Beredo have created a look that mixes Michael Golden’s The ‘Nam series with classic Sgt. Rock.  Issue #1 of Predator: Life and Death is a great looking war comic.  Check out a preview after the break:

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cover_template_text    STII vinyl

The great composer James Horner died last year in a plane crash, leaving behind a legacy of some of the biggest and most memorable soundtracks that defined nearly 40 years of film history.  One of the most memorable for sci-fi fans is his score to Star Trek II: The Wrath of Khan.  To celebrate Star Trek’s 50th anniversary, Mondo–the guys known for their redux poster interpretations–are releasing an extended LP edition of Wrath of Khan with music never before available on vinyl.  And the release includes Mondo’s killer level of artwork interpreting Khan and Kirk on Ceti Alpha V and the Genesis Planet.

But Mondo didn’t stop there.  The vinyl albums reflect the look and colors of the Mutara Nebula, where the Enterprise and the Reliant faced off.

10WoK-Discs2--FINAL2_1024x1024    STII LP reverse

Horner’s work on Wrath of Khan is impressive and established Horner as a major film composer.  His score adapts themes from Prokofiev’s Alexander Nevsky and Romeo and Juliet, and Horner would work cues from classical masters in many of his film scores over the course of his career.  Order your copy of Horner’s Star Trek II: The Wrath of Khan 2-LP set today here at the Mondo shop.

Never heard of James Horner?  You certainly have heard his work.  His last score will be featured in the remake of The Magnificent Seven due in theaters September 23, 2016, but the variety of films he wrote for is unprecedented.  He wrote themes that made many an actor look good–many in multiple films, including Arnold Schwarzenegger, Sigourney Weaver, Mel Gibson, Harrison Ford, Matthew Broderick, Russell Crowe, Jennifer Connelly, Ed Harris, Denzel Washington, Julia Roberts, and Brad Pitt, and collaborated on movies with the likes of big filmmakers, including Ron Howard, Steven Spielberg, James Cameron, Ridley Scott, Phil Alden Robinson, Wolfgang Petersen, Jean-Jacques Annaud, Michael Apted, Joe Johnston, and Edward Zwick.

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Killjoys

Two new sci-fi series are coming your way this month with another to follow later in the year, all on the Syfy Channel.  The Friday night line-up includes the mercenary show Killjoys and the psychological outer space thriller Dark Matter.  A release date for the dark Them vs. Us series The Expanse has not yet been released.

In Killjoys, a Canadian production by Lost Girl writer Michelle Lovretta, three bounty hunters including genre and Syfy veteran Aaron Ashmore (Warehouse 13, Lost Girl, Smallville, Veronica Mars) chase their deadly targets across the galaxy in what looks to be a fun, Firefly style show.

Dark Matter, another Canadian production, features a six-person crew of a spacecraft who all had their memories wiped and must work together to learn why.  The preview has this series looking like a darker version of the Star Trek: The Next Generation episode “Conundrum,” where the crew was mind-wiped in order to use their technology to take sides in a battle between two warring factions.  Look for genre veteran Roger E. Cross (Arrow, Orphan Black, The Returned, Eureka, 24, Star Trek Enterprise, The X-Files) as one of the stars of the show, and Lost Girl’s Zoie Palmer as “The Android.”

Dark Matter

Based on the James S.A. Corey’s novel Leviathan Wakes, The Expanse stars Thomas Jane (The Punisher, Medium, Buffy the Vampire Slayer), Shohreh Aghdashloo (Grimm, 24), Steven Strait (Sky High), Cas Anvar (Lost, Leverage, Source Code, In Plain Sight), and Wes Chatham (The Hunger Games: Mockingjay).  This series has a bit of an Aliens universe vibe.  A spaceship crew finds a derelict vessel with secrets that could spell doom for the human race.

Here’s the preview for Killjoys:

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Predator Fire and Stone variant

A universe of terror drawn to one world.  As the Perses begins her long journey home, a deadly stowaway forces the crew into a savage conflict.  While the crew defend themselves against this unseen predator, the hunter itself stalks a much more substantial game

Dark Horse Comics expands its Fire and Stone line with the new Predator: Fire and Stone series, coming to comic book stores in October.  After the break, courtesy of Dark Horse we have a first look at the series Issue #1.

Check out past previews of the multi-part series, Prometheus: Fire and Stone, here, Aliens: Fire and Stone here, and Alien vs. Predator: Fire and Stone here.

Predator Fire and Stone cover art

Joshua Williamson will write the series with artwork by Chris Mooneyham.

Here is your preview of Issue #1:

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Prometheus_fire_and_stone1   Grendel vs The Shadow Matt Wagner

We have a variety of previews today, courtesy of Dark Horse Comics and Dynamite Comics.  New series include a monthly based on the TV series, Bob’s Burgers.  Another features a tie-in to the Alien universe, with Prometheus: Fire and Stone.  A third series based on NBC’s Grimm begins this week with Grimm: Portland, Wu.  And Matt Wagner’s anti-hero Grendel finds his way to 1930s New York in Grendel vs The Shadow.

Tomorrow, Dynamite is publishing the first Bob’s Burgers comic book series.  Based on the animated show, it will be written by Rachel Hastings, Mike Olsen, Justin Hook, and Jeff Drake, with art by Frank Forte, Brad Rader, Bernard Derriman, and Tony Gennaro.  And Grimm: Portland, Wu is a one-shot written by Marc Gaffen and Kyle McVey, with art by Daniel Govar.

GrimmPortland-Cover   D.E. Comic Page Template.eps

From Dark Horse, Grendel vs. The Shadow features a story and art by Matt Wagner.  Grendel will find its way to store shelves September 3, 2014.  Also from Dark Horse, Prometheus: Fire and Stone, with a story by Paul Tobin and art by Juan Ferreyra, hits comic book stores September 10, 2014.

Check out the four previews, after the break.

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emily-blunt-edge-of-tomorrow

Review by C.J. Bunce

The challenge will fall to the coming years.  Watching and re-watching Edge of Tomorrow to count how many days take place in the movie.  How many days Tom Cruise’s character dies.  How many days Emily Blunt kills him, putting a new spin on the phrase “blunt force trauma”.  if you read movie ads or trailers none of these are a surprise.  Live.  Die.  Repeat.  No more apt tagline has ever been attached to a movie.

For decades soldiers could look to classic war movies for inspiration.  John Wayne performances, like his Sgt. Stryker from Sands of Iwo Jima or Gregory Peck’s General Savage come to mind.  Michael Ironside left an enduring mark with his Lt. Raszcak in Starship Troopers.  Now there’s a new movie to absorb some inspiration to take action, survive, and maybe even win in that next impossible battle beyond the next trench.

ALL YOU NEED IS KILL

Loosely based on the world created by 39-year-old Japanese author Hiroshi Sakurazaka’s war novel All You Need is Kill, which we gave rave reviews to earlier here at borg.com, Edge of Tomorrow is also completely different.  If you think you want to read the novel before the movie, hold off.  The first 30 minutes might leave you frustrated.  If you haven’t read the novel, Edge of Tomorrow stands by itself as a butt-kicking, take no prisoners, tale of a future in its last days before domination by an otherworldly threat.  That said, after the movie you’ll be in for an even better ride with the book.

The action and war sequences will have you comparing it to Aliens and Predator.  The otherworldly threat is of the Ender’s Game and Starship Troopers variety.  The story’s hook will have you thinking of the best video game you ever played.  Sakurazaka’s well-developed world, steeped in good science fiction tradition, is key to making this otherwise improbable story play out in an engaging way that will have you quickly jumping in for the ride.  The hook is the Groundhog Day reset of each day, and that part is a good part of the fun, but you’ll find a lot more with these characters and their persistence.

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