Tag Archive: Aliens


With the exception of the vast expanded universe of Star Wars and Star Trek, no other sci-fi property has branched out in the past ten years in as many exciting ways as the Alien universe.  Every new tie-in novel consistently has been packed with suspense and innovative takes on Weyland-Yutani and its influence years before, during, and after the events of Ridley Scott’s original Alien movie.  Each year fans of Alien celebrate April 26 as Alien Day, reflecting not a specific day inside the Alien universe, but the designation of the moon in the film Aliens: LV426.  Back in 2019 we celebrated the 40th anniversary of the release of the original Ridley Scott film, and the tie-ins keep coming now that the Fox movies fall under the Disney umbrella.  Here’s a list of what you should check out if you’re an Alien fan.  First up, the new novel, Aliens: Infiltrator.

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Alien Alex White

Review by C.J. Bunce

Three years ago here at borg I said no book or film has portrayed the people behind the Weyland-Yutani Corporation as more vile and despicable as author Alex White has envisioned them in the novel Alien: The Cold Forge, a sequel to the second film in the franchise, James Cameron’s Aliens.  In that story the Company is proceeding to fulfill one of its initial ideas: to weaponize the Xenomorphs for military use.  Alien: The Cold Forge was Aliens as if written by Michael Crichton, a blend of Congo and Jurassic Park with aspects of the modern Planet of the Apes trilogy tie-ins and Project X.  As vile, greedy corporate types go, White upped the ante.  White’s sequel, Alien: Into Charybdis, is different, but a must-read for fans of the first chapter in what could have been a trilogy of novels, as this book is nearly twice the length of the first at 560 pages.  A mix of Office Space (without the comedy) meets Rogue One and Dungeons & Dragons, this is a dark adventure in a giant research facility of international IT and network guys duking it out over what goes where and why that just might make readers feel like someone is flipping a die before the characters enter the next room.  Continue reading

Review by C.J. Bunce

In Colonyside, the third novel of Michael Mammay’s Planetside series, battle-hardened mastermind hero and retired marine colonel Carl Butler is “getting too old for this kind of thing.”  With his notorious reputation and knack for getting people close to him killed–and getting alien inhabitants killed, too–his era’s equivalent of the prime directive is even named after him.  Lucky for fans of Planetside (reviewed here) and Spaceside (reviewed here), Colonel Butler, now really just Carl, has a methodical approach to military, politics, and life that shows no signs of waning.   But where Planetside was a military conspiracy-thriller in sci-fi dress, and Spaceside was a future noir mystery, Colonyside is more office politics and low-level squabbling power plays.  The Aliens franchise Colonial Marines vibe of the first two books takes a shift here in a surprising direction.  What begins as something like Predator, an intriguing story of a team going in to re-evaluate a prior action–here a mission gone bad resulting in the death of the daughter of an influential executive–ultimately doesn’t catch the intrigue of the earlier books.

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Just this past Fall, Titan Comics took fans of the Blade Runner movie franchise into their past and future with the comic book series Blade Runner 2019 (review here at borg).  Both the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, the series introduced a new Blade Runner, a female engineered cyborg named Ash.  Beginning next week readers will find Ash ten years later in the pages of Blade Runner 2029 With the ghosts of the Tyrell corporation always in the shadows, Ashina has a new mission, a personal one, and she decides to seek a lost target from her past.

Check out our sneak preview of artwork from Issue #1 of Blade Runner 2029, courtesy of Titan Comics:

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Review by C.J. Bunce

It’s the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, giving fans of either or both a look into the world created by Philip K. Dick in his novel Do Androids Dream of Electric Sheep?  Blade Runner stories continue as Titan Comics looks to the parallel Earth future in Blade Runner 2019.  The first nine issues introduced us to ex-Blade Runner Ash and Cleo, daughter of business magnate Alexander Selwyn.  It’s now 2026.  On returning to Los Angeles, Ash sleuthed out the location of Selwyn, but Selwyn knows Ash is after him, and has created a new Blade Runner.  Of course the ghosts of Tyrell are always in the shadows.

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Review by C.J. Bunce

You’re likely to find as many books on the Alien franchise as any other major sci-fi franchise (and we’ve tried to review all of them here at borg), but for the coming 35th anniversary of the release of the first sequel, Aliens, one of the best chroniclers of blockbuster films has provided the definitive look at the film in the giant hardcover book The Making of Aliens J.W. Rinzler, the writer of some of the best known books about George Lucas’s films and Planet of the Apes, adds to 2019’s The Making of Alien (reviewed here) to give fandom his most readable account yet.

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Review by C.J. Bunce

One of the year’s best military sci-fi novels awaits you in the next Gears of War tie-in novel, Gears of War: Bloodlines Author Jason M. Hough creates a gritty tale of an unthinkable mission by current lead game character and former Gear soldier Kait Diaz and a forgotten, impossible mission by her father, Lt. Colonel Gabriel Diaz.  The story begins in the future at war, after the destruction of Settlement 2.  Kait’s comrade J.D. Fenix is severely wounded.  While Kait awaits his outcome, she is approached by an old man who claims he fought with her father years ago.  The man slips her a secret file, which recounts a mission that determined the fate of her father, marked a turning point in his life, and may influence who she may become.

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Review by C.J. Bunce

The latest Aliens novel will come as a surprise to fans of the Alien franchise and tie-in novels.  More of a video game tie-in than an outer space/sci-fi/horror tale, Aliens: Phalanx finds its confrontation with the gloss black, spike-tailed Xenomorphs on a planet much like audiences saw in the sister series, Predators, where individuals are plucked from across the universe and dropped on an undeveloped planet to survive being hunted by that franchise’s title creatures.  Like something out of a post-apocalyptic nightmare, or the tie-in novels for Warcraft, Tomb Raider, or Gears of War, readers meet up with members of a pre-industrial culture fighting for survival.  Aliens: Phalanx arrives in stores everywhere today and is available to order here at Amazon.

Literally a society on the run, locals must strategize their movements to get from place to place, actually living among the Xenomorphs that they not surprisingly refer to as “demons.”  Writer Scott Sigler details in more than 500 pages–the longest Alien tie-in yet–his characters’ journey, all toward the ends of touching back into more of the familiarity of the Alien universe.  The conceit of the films is that humans could stand any chance against the Xenomorphs.  Readers’ suspension of disbelief will be pressed even further here, when those being asked to survive in the tale do not benefit from the full arsenal of Weyland/Yutani’s corporate-backed armament as found in the Aliens movie and prior stories.

Billed as a “medieval” tale, Aliens: Phalanx is probably more about “going medieval,” survival in the modern sense, more than anything that touches on the actual Middle Ages (as a historian I wouldn’t have guessed the Middle Ages presence here over, say, an early North or Latin America construct).  In fact, without the title and cover art, for most of the novel readers wouldn’t know they were reading an Aliens universe story.  The environment, the worldbuilding, the culture, the lack of naming convention all lend the book to have been readily adapted to an alien world of any sci-fi franchise, or even something like Cowboys and Aliens, as the vibe is more something out of S. Craig Zahler’s Bone Tomahawk–primitive culture but not so primitive antagonists in a horrifying, primal bid for survival.

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Super7, the toy company known for its wide variety of action figure licenses and its retro Kenner style carded, 3.75-inch action figures, greatly surpassed its delivery at last year’s Toy Fair (shown here and here) by bring hundreds of prototype figures, card back mock-ups, and final versions to New York Toy Fair 2020 this past weekend.  More than the typical sneak peek, Super7 previewed a huge variety of action figure cards for its ReAction line, with pre-ordering forecasted for later this year and some items available now here at Amazon.

New action figure licenses at the show include Army of Darkness, An American Werewolf in London, Aliens, Andre the Giant, Back to the Future II, Knight Rider, The Munsters, Archie, Red Dawn, Beavis and Butt-Head, The Hunchback of Notre Dame, Son of Frankenstein, Spongebob Squarepants, Halloween II, and a new line of NBA All Stars.  Bands with new figures seen for the first time in the Super7 line include RUN DMC, Notorious B.I.G., and Ol’ Dirty Bastard.

Plus past figure lines will see more additions this year.  Those include Universal Studios Monsters, Peanuts, several Teenage Mutant Ninja Turtles, The Nightmare Before Christmas, lots of Transformers, Toxic Crusader, Thundercats, Ghost, Misfits, Mars Attacks, Alien, Chucky, and Robocop, and Super7 displayed several final figures this weekend that were previewed last year here at borg, including They Live, Teen Wolf, Major League Baseball All Stars, MLB Mascots, and characters from the Rocky movie series.

Take a look at close-up views of just a sampling of the action figures on display at this year’s event:

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Review by C.J. Bunce

Only mere seconds into Farmageddonthe next big production from frequent Oscar-winner and stop-motion pioneer Aardman Animations–and viewers will feel the pangs of their favorite classic Steven Spielberg movies, complete with a magical score that has all the beats of a John Williams-esque adventure, thanks to composer Tom Howe.  This is a return to the lovable Aardman underdog Shaun the Sheep, star of several series and films who we last saw on the big screen in 2015’s Shaun the Sheep movie.  But this time our lovable wooly hero encounters an alien visitor and the resulting effort by directors Will Becher and Richard Phelan with writers Jon Brown, Mark Burton, and Nick Park may be Aardman’s most effective, most lovable, and most far-reaching crowd-pleaser to date.  A direct-to-Netflix presentation, it also stands a chance at being a contender for best full-length animated film at next year’s Oscars.

Shaun the Sheep steps in for Spielberg’s Elliott in this modern close encounter with a lovable extra-terrestrial named Lu-la, so adorable that she may even make Baby Yoda go “awww.”  The impeccable stop-motion animation viewers expect from Aardman is here, as well as the cast of endearing anthropomorphic farm animals, but the heartfelt story, unthinkably successful chemistry between clay characters, exquisite visual effects, lighting, and cinematography, and an emotional score make for a triumph of sci-fi and family storytelling, proving a common language is not necessary to understand relationships between someone that might be a bit different.  Here that’s a sheep and an alien, but the story is effective enough that kids (and attentive adults) will apply the message to everyone.  In fact, Aardman proves language isn’t necessary at all–the story is told entirely without spoken English dialogue, relying on expressive visuals, animal voices, and sound effects, making it truly internationally (or intergalactically) enjoyable.

This fun new sci-fi/fantasy adventure begins with a dog guarding his sheep–a motley but crafty band who live at the farm including Shaun–followed by a great homage to Looney Toons classic barnyard antics as the show establishes the farmyard bond between sheep and dog and dog and man.  The man and dog– The Farmer and Bitzer–show Aardman going back to its roots, what first made the filmmaker internationally known through its award-winning shorts.  Wallace and Gromit could be cousins to this man and dog duo, and anchoring the film with the ensemble here again (as with past Shaun stories) instead of going off in a different direction was a wise choice.  It takes a special combination to merge classic animation with expert laugh-out-loud comedy situations, and the creators at Aardman are the closest thing I’ve ever seen to the spirit and creativity of Jim Henson.  The story is sweet and can appeal to a variety of audiences.  The older crowd can try to spot all the influences, and the young at heart can marvel at Farmageddon′s sheer joyous presentation.

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