Tag Archive: Atomic Blonde


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Review by C.J. Bunce

You’ll want to check out the end of the first issue of Titan Comics and Hard Case Crime’s new series Gun Honey to learn how writer/creator Charles Ardai came up with the title.  Gun Honey is a new comic book series about a woman who can get the weapons you want for the right price.  The series is a mix of international locales a la James Bond, with the style movie audiences saw and heard in Guy Ritchie’s 2015 movie The Man from U.N.C.L.E.–you can almost hear the soundtrack.  She’s the latest of a long line of anti-hero, badass femmes fatales in comics dating back to Miss Fury.  And artist Ang Hor Kheng does the character and the genre justice, providing a sexy new character in a world of intrigue, duplicity, and the need for an alter ego.

Check out a preview of the first issue below, along with a preview of several of the series’ incredible cover variants from the likes of Bill Sienkiewicz, Robert McGinnis, Adam Hughes, Kendrick Lim, Jay Anacleto, Chris Wahl, Kendrick Lim, Ivan Tao, Warren Louw, Lesley Li, Fay Dalton, Andrea Camerini, and more.

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SMART GIRL COVER B

Review by C.J. Bunce

Spanish artist Fernando Dagnino (Superman, Resurrection Man, Suicide Squad) has designed the future of Blade Runner in the continuation series of Ridley Scott and Syd Mead’s future world for Titan Comics over the past few years.  Now fans of his artwork can see Dagnino take his work further in his own series.  In Smart Girl, readers will meet Yuki, a multitasking gynoid in the future called a Smart Girl, as in “smart phone” (the male Smartdroids are called Smart Boys)–human-like tools created exactly like the domestic assistant Synths of BBC’s Humans television series.  But like the Emergency Medical Holograms of Star Trek Voyager fame, the time comes when Yuki is no longer the latest, most advanced model, and it’s time for her to be replaced by the new androids and be deactivated.  Yuki becomes self-aware, and like the Replicants of Blade Runner, she decides she has more to offer the world and makes her escape before it’s too late.

Writer and illustrator Dagnino offers a black and white future noir comic that leans into what he does best–those shadows and layouts that feel like the stuff of 1950s pulp novels.  As much as I’d love to see his work in color, the black and white works for this tale of the bleak not-so-distant future.  Yuki is Atomic Blonde and Alita upgraded.  The story is tech-forward like Altered Carbon.  Dagnino’s style is familiar in a good way, mixes of Mike Grell layouts, Phil Noto characters, and the action and appeal of Jackson Herbert–the best of the modern Miss Fury artists.  If you like speculative science fiction, issue-driven narratives wrestling with timeless questions in the manner of the best of Alan Moore and Frank Miller, this should be your next graphic novel.

Check out our sneak preview of Fernando Dagnino’s new graphic novel, Smart Girl:

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Anna movie pic

Review by C.J. Bunce

Luc Besson, master of the spy movie and the female assassin, created perhaps his best work in the genre with his 2019 action thriller Anna Poor distribution and studio problems caused the film to get only a minor theatrical release, but it’s at last widely available, streaming to anyone free on iMDB TV.  If you’re like most movie fans and missed it, you’re in for a surprise that rivals many similar action thrillers by one of the greatest writer-directors of our time, including his 1990 film Le Femme Nikita with Anne Parillaud (and its English remake, Point of No Return with Bridget Fonda), and the 1994 movie The Professional (Natalie Portman, Jean Reno).  Besson also wrote the screenplays for The Transporter starring Jason Statham (2002), Taken starring Liam Neeson (2008), and Colombiana starring Zoe Saldana (2011).  So he knows action, and that’s several assassins, spies, and action sequences in Besson’s personal dossier in additional to his greatest feats, the epic science fiction films The Fifth Element and Valerian and the City of a Thousand Planets It’s that last film he tapped for the star of Anna, a spy movie that’s not a retread on the director’s past work but a superb achievement, with a badass lead and story even better than another spy favorite, Atomic Blonde. 

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Gunpowder Milkshake is a title that reminds me of ice cream companies referring to their products as “concretes.”  If your product doesn’t sound appetizing, how do you expect to get anyone to try it?  If it’s a movie, maybe you need to hire a cast that includes Karen Gillan, Carla Gugino, Lena Headey, Michelle Yeoh, Angela Bassett, and Paul Giamatti.  For those that can get past the goofy title, the trailer for StudioCanal’s new in-your-face action romp looks like fun: a mix of John Wick, Kingsman, Kill Bill, and The Librarians, complete with an R rating for violence. 

So many badass women performers, we’re hoping it takes up several spots in our annual kick-ass heroines list.

Milkshakes

It’s not quite Tarantino style, but it has the lighting and over-the-top camera work that reminds us of Atomic Blonde, Hotel Artemis, and the silly/sweet vibe of Baby Driver–all good movies to be compared to.  And it features the young co-star of My Spy, Chloe Coleman.  

Check out the trailer below for the summer action flick, Gunpowder Milkshake.

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Your next shelter-at-home action movie has a second trailer this week.  It’s again coming to Netflix, the one venue reliably delivering movies this year with the pandemic still spiking at new highs across the country.  In The Old Guard, Charlize Theron headlines what looks like Atomic Blonde meets Assassin’s Creed, with a pinch of Aeon Flux, Mad Max: Fury Road, 6 Underground, and Extraction.  Consistently building on her last action hero performance to create the next, best action heroine, Theron’s new film is a mash-up of action and fantasy.

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Who knew audiences would be more excited about the next Netflix movie than whatever is coming to theaters?  Shelter at home is changing a lot of things, but one thing for certain is Netflix can hardly fill the ongoing demand this year for the next theatrical quality movie release.  Charlize Theron headlines what looks like Atomic Blonde meets Assassin’s Creed, with a pinch of Aeon Flux, Mad Max: Fury Road, 6 Underground, and Extraction in her next action movie, The Old GuardConsistently building on her last action hero performance to create the next, best action heroine, Theron’s new film is a mash-up of action and fantasy.

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extraction clip

Review by C.J. Bunce

Thor’s gotta Thor.  In the first scene of the new Netflix action drama Extraction, we catch up with Chris Hemsworth in Australia jumping off a Brazil-esque cliff with the same nonchalance he applied to cut the head off of Thanos.  Here Hemsworth plays Tyler Rake, an ex-soldier turned mercenary with nothing left to live for, taking on his next assignment–a suicide mission for anybody else that he accepts with that bravado the actor regularly taps into whether he’s saving a Starfleet ship in Star Trek (2009) or the Earth from aliens in Men in Black International.  This is another role perfectly suited to Hemsworth’s charm and humor, although the humor part is dialed back this round.

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Review by C.J. Bunce

The biggest action film of the summer is easily the most enjoyable film of the year.  That’s Fast & Furious Presents: Hobbs & Shaw, a movie that gets so many genre formulas right it just can’t miss.  Certainly one of the better entries in the Fast & Furious franchise, it knows what works and uses it.  That’s a sure-bet cast of Dwayne Johnson and Jason Statham, Mission: Impossible–Fallout’s Vanessa Kirby, Idris Elba in the ultimate badass role as a James Bond spy gone bad with Superman powers, lots of futuristic cyborg tech, and an understanding of why audiences come to the movie theater in the first place.  Hobbs & Shaw is a movie for people who like movies.

The trailers gave audiences a glimpse at what to expect, and they delivered on all promises: laugh-out-loud funny dialogue, nonstop action, road races and camera angles that the franchise is known for, and lots of surprises and callbacks, and a script that doesn’t take itself seriously.  There’s something for everyone here.  If you’re after only the fast cars, action, and speed of the franchise, this entry measures up.  And that family drama that the regular franchise leads Diesel, Paul Walker, and Jordana Brewster built the franchise on is here, too.  This time that includes digging into the past between Statham’s Deckard Shaw and sister Hattie, played by Kirby, and Helen Mirren back again as their mother (Luke Evans’ brother Owen from the last film may or may not be mentioned this time), and Johnson’s Luke Hobbs is pals with his young daughter at home and returns to the family he left behind years ago in the Samoan Islands.

But stuntman-turned-director David Leitch (Atomic Blonde, Deadpool 2, John Wick) and script writers Chris Morgan (writer of five prior Fast & Furious films) and Drew Pearce (Hotel Artemis, Mission Impossible: Rogue Nation) know why audiences are really buying tickets, and you just need to drift over their previous film credits to see why they were tapped for Hobbs & Shaw.  Hattie is a badass equal to Charlize Theron’s Atomic Blonde (Theron also co-starred in the most recent sequel), any of the four lead characters could give Leitch’s John Wick a run for his money, and moviegoers will hardly remember last year’s much-lauded Mission Impossible: Fallout’s action scenes after they see this.  (A few casting spoilers follow).

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An all-star cast from the past and present heads up the new action-thriller Hotel Artemis.  The first trailer is out and it looks like a new take on John Carpenter’s Assault on Precinct 13, maybe colliding with Atomic Blonde.  It stars Academy Award winner Jodie Foster as The Nurse–the head of a members-only, exclusive, secret hospital for criminals, built on two concepts: Trust and Rules.  And it all goes spy vs. spy as the bad guys must face even badder bad guys.  Foster looks and sounds great as a tried and true, battle-worn healthcare worker who has clearly encountered any and all kinds of patients and circumstances over the years.  Hotel Artemis–oddly enough–seems to fit right into her catalog of films like Flightplan, Panic Room, Inside Man, and Elysium.

You couldn’t ask for a more exciting cast of Hollywood’s current big names.  Joining Foster, Black Panther and Marshall actor Sterling K. Brown stars as Waikiki, a thief whose team gets wounded in a robbery.  That team includes his brother Honolulu, played by Brian Tyree Henry (Atlanta, Spider-man: Into the Spider-verse).  The real badass of the film is one of our favorites, Atomic Blonde co-star Sofia Boutella as a jet-fueled, Bruce Lee-skilled assassin.  Boutella has conquered the genre with roles in Kingsman: The Secret Service, Star Trek Beyond, and The Mummy.  Who else would you want in your corner but an orderly played by Dave Bautista Chuck, DC and Marvel, Blade Runner, and James Bond–Bautista has played some great parts in cool worlds.  And it doesn’t stop there.  These characters must confront another bad guy group, led by a cocky villain played by Jeff Goldblum.  Hotel Artemis also hosts Jenny Slate (Venom, Zootopia, Parks and Recreation, The LEGO Batman Movie), Zachary Quinto (Star Trek, Heroes), and Charlie Day (Pacific Rim, Pacific Rim: Uprising, It’s Always Sunny in Philadelphia). 

Hotel Artemis is coming from the mind of writer/director Drew Pearce, known for writing big films like Mission Impossible: Rogue Nation and Iron Man 3, plus he’s also writing the next Ghostbusters and Sherlock Holmes movie.  Get ready for a trailer done just right:

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When we created last year’s preview of 2017 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining. We went back and looked at it all and pulled together our picks for our borg.com annual Best Movies of 2017.

As always, we’re after the best genre content of 2017–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each genre, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this week for our TV and print media picks, and our annual borg.com Hall of Fame inductees.  Wait no further, here are our picks for 2017:

Best Sci-Fi Fix, Best Sci-fi Movie, Best Costume DesignValerian and the City of a Thousand Planets.  The Valerian and Laureline comic books turned 50 and brought a big-screen adaptation to theaters.  Director Luc Besson handled the material as a labor of love, and that could be marveled at in every scene, and each nook and cranny of the gigantic visual spectacle he created.  More new wonders, more futuristic ideas that had never been seen on film before, bold otherworldly costumes, and incredible special effects made this film a masterpiece science fiction fans will stumble upon in the future and wonder how it was so overlooked by audiences this summer.  Epic space battles, aliens, and loads of sci-fi technology, while all the other science fiction of the year kept to their familiar territories.  A gripping story about a team just doing their job, but that job is saving an entire race of a doomed planet.  Besson was going for something like Avatar, but he far surpassed it.  Valerian and the City of a Thousand Planets was everything a sci-fi fan could want.

Best Fantasy Fix, Best Fantasy Movie, Best Comedy MovieThor: Ragnarok.  As much as Thor: Ragnarok was a natural progression for Chris Hemsworth’s Thor and Mark Ruffalo’s Hulk, it was amazing how much the film busted genres, becoming more of a Flash Gordon space fantasy like the Guardians of the Galaxy movies than the rest of the Avengers series.   Just like watching classic Flash Gordon and Conan movies, we saw superheroes on a legendary hero’s journey rise and encounter obstacles and make sacrifices, across a landscape of fabulous worlds and colorful characters, and scenes that looked like they were ripped out of your favorite Jack Kirby comic pages.  Another film about family, it incorporated that always fun plot device of having good guy and bad guy join forces, as Tom Hiddleston’s Loki redeemed himself with his brother and their people, if only temporarily.  We met one of the fiercest warriors in Tessa Thompson’s Valkyrie and they all faced off against a trio of well-developed villains.  A great superhero story, too, this was the ultimate fantasy fix.

Best Superhero Fix, Best Superhero Movie, Best Easter EggsThe LEGO Batman Movie.  Even as a spoof of superhero movies and the DC Universe, The LEGO Batman Movie created a genuine story full of heart that any fan of comic books could love.  Will Arnett became our second favorite Batman actor this year behind Michael Keaton, and his Batman reminded us why we can’t wait for the DC Universe to get fun and exciting again.  Hilarious, laugh-out-loud funny with a smart script, full of derring-do and super-powered heroics, and better than this year’s and the last decade of live-action DC at the movies, the animated The LEGO Batman Movie proved more good DC movies are out there just waiting to be made.  Honorable mention: Spider-man: Homecoming.

Best Retro Fix Classic Genre Films Return to Theaters.  With all the new releases in 2017 we were lucky enough to witness the 90th anniversary of Fritz Lang’s Metropolis, while Disney’s The Jungle Book, The Dirty Dozen, and the original Casino Royale turned 50.  Along with Star Wars, Close Encounters of the Third Kind turned 40.  E.T. the Extra-Terrestrial, Star Trek II: The Wrath of Khan, Blade Runner, Tron, and The Dark Crystal turned 35.  Predator, The Princess Bride, and Robocop turned 30.  Many of these made it back into theaters this year, giving us the best Retro Fix we could hope for all year long.  But E.T. the Extra-Terrestrial, Star Trek II: The Wrath of Khan (we even interviewed the best Star Trek director of them all here this year), Close Encounters of the Third Kind, The Princess Bride, and Nausicaa of the Valley of the Wind, on the big screen over only a few weeks?  We can only hope for more in 2018!

Check out the rest of the year’s Best Film and the rest of our picks for the year’s best movies, after the cut…

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