It’s no wonder Netflix got its hooks into Ryan Reynolds (and he into them). With great films like Free Guy and 6 Underground, not to mention his Deadpool series, he’s becoming reliable–still far to go to become the next Tom Cruise, but well on his way. In his new movie The Adam Project, which started this weekend on Netflix, you get a lot: an almost family friendly, coming of age, sci-fi movie (with lightsabers). It feels like director Shawn Levy, known for everything from Stranger Things to The Pink Panther to Night at the Museum to Free Guy and Lassie (and being Eugene’s brother) completely understands what it took to make a great 1980s Steven Spielberg sci-fi movie. It has spectacular special effects like you’d see in Guardians of the Galaxy, but they take a backseat to a story of relationships and second chances. It belongs alongside E.T. the Extra-Terrestrial, Explorers, The Last Starfighter, Starman, Flight of the Navigator, D.A.R.Y.L., and J.J. Abrams’ own 1980s tribute, Super 8.
Next week another of the onslaught of banked Ryan Reynolds movies (see Hitman’s Wife’s Bodyguard, Red Notice, Free Guy, and the forthcoming Spirited, Deadpool 3, Dragon’s Lair, and Clue) is coming to Netflix (which, since 6 Underground, feels like the Ryan Reynolds channel). His new movie is The Adam Project, a family, coming of age, sci-fi movie (with lightsabers) that looks in every way like an update to the Bruce Willis underrated coming of age-meets-midlife crisis classic from 2000, The Kid.
Yes, Ryan Reynolds’ character (Adam) meets a younger version of himself, and you can just hear the whisper from Peter Pan warning us all not to grow up. Or will it be more like Bruce Willis meeting young Bruce Willis in 12 Monkeys or Bruce Willis meeting young Bruce Willis in Looper? What’s the deal with Bruce Willis meeting himself in movies, anyway?
Check out the trailer below with Ryan Reynolds starring in The Adam Project:
If you’d happened to watched last year’s crime noir film Motherless Brooklyn and not known the screenwriter or director, I wouldn’t fault you if you expected to see Francis Ford Coppola’s name in the credits, or you figured Martin Scorsese finally made the perfect New York picture. But that’s not what you’ll find, because it not only stars Edward Norton, but he wrote and directed the film–his first director effort. And it’s an exciting, stunning, gritty film. The fact that Motherless Brooklyn is even worthy of comparison might be praise enough for the film and its creator, but it goes a step further and surpasses a film it’s frequently been compared to–Roman Polanski’s Chinatown. The fact that Once Upon a Time… in Hollywood and The Irishman were nominated for best film at the Oscars this year, but this wasn’t? That’s a real head-scratcher–or that Norton’s performance as a Tourette’s syndrome-affected private detective trying to find the guys that killed his boss wasn’t even nominated for best actor? Movie lovers and fans of crime noir who missed it should catch its home release. It’s as good as it gets.
Looking for your next game to keep you family occupied this spring? Gamemaker Usaopoly has a recently released board game for fans of Bruce Willis’s John McClane and the Die Hard franchise. It’s the Die Hard: The Nakatomi Heist Board Game. While you’re sheltering at home (you’re doing that, right?) you can order the game from two good sources we found: Amazon here and Entertainment Earth here. Bookmark this link to Entertainment Earth for future reference, because as Amazon reprioritizes shipments, it may be the quickest shipping method for the coming months for all your game and toy purchases.
The Die Hard: The Nakatomi Heist Board Game is a one-versus-one, two, or three players game of stealth, combat, and action-tactics, following the story of the original Die Hard film. The game has several components and plays out with cards and tokens in a sequence of three acts. One player is John McClane and the rest play thieves, moving through Nakatomi Plaza, while the thieves try to stop him and break into the vault. Thieves proceed to break six locks to get to the seventh level, when the FBI breaks in. McClane must complete objectives to get to each new level.
Players have shoot and punch attack actions, and McClane sneaks around the board–yep, walking through glass. Thieves get “line of sight” to draw blood (not “first” blood, that’s a different movie). Thieves get reinforcements, and McClane can get radio support. The game ends when McClane dies, the thieves break into the vault, or McClane kills Hans Gruber.
M. Night Shyamalan is an auteur in a small league of directors that includes Quentin Tarantino, Martin Scorsese, Francis Ford Coppola, Wes Anderson, the Coen Brothers, and Stanley Kubrick. First, you either love or hate each creator’s oeuvre, their signature, their style. But their works are unmistakably their own. Shyamalan’s impact to modern film can’t be overstated. You can look at films before and after his surprise hit The Sixth Sense and see a shift toward films that require that surprise at the end. That trademark is now an integral part of cinema, even though it has been used as a story tool throughout the history of film and storytelling. But his use of this, his success from it, made everyone else jump on the bandwagon. Each of his films has something new to say, but his approach is unique compared to his peers. His take on superheroes is entirely different from anything else, and yet his love for comics and his genius in digging into what makes a great superhero tale proves his knowledge of the genre. If you’re a fan of the modern Detective Comics, where Batman is so dark it’s almost as much horror as superhero crimefighter, then you should check out his trilogy, beginning with Unbreakable, followed by Split, and now streaming on Vudu, GooglePlay, YouTube, Amazon, and other home video media, his third chapter in the trilogy, Glass. It is truly an epic film, the kind of story written by a comics reader and for a comics reader.
Most superhero movies follow a certain formula. The tropes are all there for the plucking, so it’s how the story is told that makes the exceptional superhero movie. Shyamalan’s slowly simmering follow-up returns to Bruce Willis′s David Dunn and Samuel L. Jackson′s Elijah Price from the 2000 first chapter Unbreakable. We find Dunn has continued his pursuit of justice, brilliantly partnered with his own “man in the chair,” his son from Unbreakable, played again by Spencer Treat Clark(Agents of S.H.I.E.L.D., Chilling Adventures of Sabrina) now all grown up, in an intriguing update to the character. Price, however, has been relegated to a medical facility, visited frequently by his doting mother, played by returning actress Charlayne Woodard(Pose, Medium).
Sarah Paulson(Ocean’s Eight) proves exactly why she’s been cast as a young Nurse Ratched from One Flew Over the Cuckoo’s Nest in the coming series Ratched, co-starring in Glass as Dr. Ellie Staple, a psychiatrist studying people who think they are superheroes, out to prove them wrong and get them the mental help she believes they need. Enter Kevin Wendell Crumb, who has multiple personality disorders–24 personalities in all–brilliantly portrayed by James McAvoy(X-Men: Days of Future Past, Dark Phoenix) who introduced the character in the suspense-horror film Split. Split was a surprise for everyone, carefully marketed as just another creepy Shyamalan movie, with the surprise ending that Crumb’s supervillain persona was The Beast, and an even bigger surprise: that Split was a sequel to Unbreakable.
Quentin Tarantino‘s next film, Once Upon a Time in Hollywood, has so many reasons to give it your attention, where do we begin? As heavily advertised, the “retired director” is back as writer and director on his ninth film, and every one of his films gains critical and popular acclaim–from Reservoir Dogs to The Hateful Eight, they’re all notable for Tarantino’s unique brash and violent style. Emphasize that style element because he tends to hit the right mark when searching out throwback vibes for his fans, whether via Pam Grier and Samuel L. Jackson in the 1970s in Jackie Brown or reaching back through time with 1950s nostalgia with John Travolta and Uma Thurman in a retro diner in Pulp Fiction. So where will Tarantino turn for a film set in 1969? Something violent in an era of unique style. So the “Manson family” murders, of course.
The biggest risk for Tarantino (beyond being seen as exploiting a murder still in the national consciousness 50 years later) is casting some major actors, and some not-so-major actors, as actors from the past. The easier question to answer may be “Who isn’t in this movie?” In the leading role is Leonardo DiCaprio as a fictional character based on Burt Reynolds. Brad Pitt co-stars as a character based on Reynolds’ long-time stuntman, Hal Needham. Margot Robbie plays actress and Manson family victim Sharon Tate, who was married to Roman Polanski and pregnant at the time of her murder. Dakota Fanning plays Squeaky Fromme, Bruce Dern plays the rancher that allowed the Mansons to reside on his land where they are believed to have planned the murders, and Lena Dunham plays another Manson family member. Al Pacino plays a Hollywood agent, and from the Tarantino acting troupe, look for bit appearances by regulars Kurt Russell, Tim Roth, and Michael Madsen. As a sad footnote, this will be the last film appearance of Luke Perry, who portrays real-life TV Western star Wayne Maunder, who died just this past November.
But the real challenge is casting Steve McQueen, Bruce Lee, Connie Stevens, and Mama Cass Elliot in the film–highly-recognizable icons. Those roles go to Homeland and Life’sDamian Lewis as McQueen, Empire and Inhumans’Mike Moh as Lee, Dreama Walker(Gran Torino) as Stevens, and Rachel Redleaf as Cass. We only get a brief look at Redleaf and longer view of Moh as Lee (with a decent vocal impersonation) in the first trailer for the film–Lee had been working on a film with Sharon Tate. Tarantino also invited in a league of children of well-known actors for his film, like Andie MacDowell’s daughter Margaret Qualley(IO), Bruce Willis and Demi Moore’s daughter Rumer Willis(Hawaii Five-O), Uma Thurman and Ethan Hawke’s daughter Maya Hawke(Stranger Things), Kevin Smith’s daughter Harley Quinn Smith(Supergirl),Clifton Collins, Jr.(Star Trek 2009) grandson of Western actor Pedro Gonzalez-Gonzalez, and one more relative, Tarantino’s wife, Daniella Pick(Pick Up, Exit).
Along with real-world characters, Tarantino pulled in some familiar actors from the late 1960s and 1970s, including Nicholas Hammond, known for role as Peter Parker in TV’s The Amazing Spider-Man, a regular face from the 1970s and 1980s: Martin Kove (The Karate Kid), and Brenda Vaccaro(Airport ’77, Capricorn One). And even frequent TV guest star Spencer Garrett is a ringer for any number of Disney film stars from the 1960s (and he’s the son of actress Kathleen Nolan (Magnum, p.i., The Incredible Hulk)). There are many more familiar actors in this one, including James Marsden (X-Men), Emile Hirsch (Into the Wild),Lorenza Izzo(The House With a Clock in Its Walls),Sydney Sweeney(The Handmaid’s Tale), and Buffy the Vampire Slayer favorite Danny Strong. (With so many extras listed as Playboy Bunnies, it’s probably fair to expect a cameo from someone playing Hugh Hefner, too).
In case you missed it, here is the first trailer for Once Upon a Time in Hollywood:
It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019. Are you going to see them all? Heck no. These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far. We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.
What looks to top the list for most fanboys and fangirls? The last of the nine films in theStar Wars saga. Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.Shazam!is DC’s contribution. Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix). M. Night Shyamalan finishes his dark superhero trilogy with Glass. Arnold Schwarzenegger and Linda Hamilton return in Terminator. Jordan Peele is back with another horror film with Us.
Do you like sequels? This is your year. Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet Sematary—Disney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year. Yep, lots and lots of sequels are coming.
Some films don’t have locked-in release dates yet. Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:
Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)
Some of these films will have revised release dates, or get pushed to 2020.
So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):
January
Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.
Serenity– Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.
King of Thieves– Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.
Universal dropped its next trailer for the third film in M. Night Shyamalan’s superhero trilogy, Glass. They’re all being brought together in today’s trailer by the writer/director of The Sixth Sense, Signs, The Village, The Happening, Wayward Pines, and Lady in the Water–Samuel L. Jackson returning as Elijah aka Mr. Glass, the seemingly fragile, self-aware comic book villain of the title, Bruce Willis as the unbreakable hooded vigilante David Dunn, and James McAvoy as Patricia/Dennis/Hedwig/Barry/Jade/Orwell/Heinrich/Norma or just The Beast.
Shyamalan’s psychological horror-thriller Split was a real genre buster–one of those odd movies that really didn’t seem to fit into the genre you thought you were getting from the previews, like Midnight Special. But we’d learn only at the end we were inside not only the mind of a sociopath, but the mind of a particularly twisted supervillain from the darkest edge of comic book land. How many more theater seats would have been filled if moviegoers had known Split was the sequel to Shyamalan’s cult-favorite superhero movie Unbreakable?
Glass is arriving just on the heels of last year’s Split. Unbreakable arrived in theaters way back in 2000. It all is coming together a bit like J.J. Abrams disjointed, multi-genre Cloverfield movie series. Take a look at the latest trailer from Universal for Glass:
The trailers didn’t lie. With only a month to go, The Meg might be the most fun movie you’ll see this summer. The Meg has everything: a stellar international cast with plenty of chemistry, big action scenes, great sets, and even some drama. For Jason Statham fans, look for another must-see Statham movie with his tough-as-nails deep-sea diver Jonas Taylor getting in and out of some big crises. For fans of underwater adventure movies like The Abyss, Leviathan, and Sphere, a better movie has arrived. A combined production from China and the U.S., it also pushes past last year’s much bigger budget action film The Great Wall–the combination of the two cultures from these films is setting up the future of action films. If you liked the Pacific Rim franchise, recent Godzilla movies or Battleship, you’ll probably find The Meg a better all around production. For an only PG-13 rating, it’s loaded with blood, chum, and other viscera (the newfound terror gobbles up plenty of characters both major and minor), but it balances that out with some good worldbuilding, likeable characters, and plenty of humor along the way.
The trailers also didn’t give anything important away. Beginning with a John Hammond-esque deep-sea research base, we meet a perfect set-up of international personalities, led by Chinese superstar Bingbing Li (Resident Evil, Transformers series) as a scientist working with her father (1911 and Eat Drink Man Woman’s Winston Chao) on breaking through a new-found barrier to the deep sea. The movie is really two films–the first a slowly-building drama detailing the background and players in the research facility, and the second a 1980s/1990s Sylvester Stallone, Bruce Willis, or Steven Seagal action-rescue movie (think Cliffhanger, Under Siege, Striking Distance, Executive Decision), sensibly swapping out the much younger Statham (who played Stallone’s #1 guy in The Expendables series), the modern incarnation of this brand of action star. For the action, we learn Statham’s Taylor quit diving for a rescue operation five years past that didn’t go as planned. He returns thanks to an old friend working at the facility (played by Fear the Walking Dead’s Cliff Curtis) when Taylor’s ex-wife, played by Australian actor Jessica McNamee, is piloting an exploratory vessel, along with scientists played by Japanese-American actor Masi Oka (Heroes, Hawaii Five-O) and Ólafur Darri Ólafsson (Fantastic Beasts: The Crimes of Grindelwald, BFG), which runs aground with the help of a mysterious creature. Rounding out the cast is The Office’s Rainn Wilson as the show’s Hammond, an Elon Musk-inspired exec who funded the facility, Rush Hour’s Page Kennedy as another scientist, and the new lead of the CW’s Batwoman, Ruby Rose, whose character designed the facility. Rose proves in The Meg she’s got the right stuff to dawn that red cape.
Based on Steve Alten’s 1997 science-fiction/horror book Meg: A Novel of Deep Terror, this fish tale is somewhat Michael Crichton-lite. It’s surprisingly better than all the Jurassic sequels, as well as Crichton’s lesser action film adaptations like Congo and Sphere. But the marketing may have set expectations off-kilter in one regard: The shark–the megalodon–of the title may have you thinking Jaws or Sharknado. It’s neither. Think Godzilla and King Kong and you’ll be much closer. The chemistry among the cast is what makes The Meg really stand out. Statham and Bingbing Li (only six years apart in real life) make a great pair I’d love to see again. Statham and Curtis seem like they really have been pals for years. Young actor Sophia Cai may be the next best child actor, holding her own with both Statham, Li, Kennedy, and the rest of the crew. The camaraderie of everyone involved and top-level production values (thanks to King Kong and The Lord of the Rings’ Oscar-winning production designer Grant Major) beg for a sequel or series.
Another “prequel that is also a sequel” is in the works, and this time it’s for one of the action genre’s biggest franchises. Director Len Wiseman confirmed at a Television Critics Association event that casting for both a young John McClane and young Holly Gennero will be part of a new film: Die Hard: Year One. Wiseman is waiting for a final script from writers Carey W. Hayes and Chad Hayes. He said that story will feature both a flashback element and a future story. The past will focus on McClane in the 1970s. And Wiseman said he and Bruce Willis want to be part of the process to select the actor who portrays the young McClane.
Back in 2015 when the idea for this movie first surfaced, one logical casting idea was floated: Why not Joseph Gordon-Levitt? Gordon-Levitt played a young McClane character in Looper, and he also has the acting chops to come back for more for such an iconic character. No one else seems that obvious, yet Nicholas Hoult might be a good choice considering his age and significant (and critically acclaimed)action performances in the X-Men series and Mad Max: Fury Road. Another choice that would be difficult not to rule out is Jai Courtney, who played McClane’s son in 2013’s A Good Day to Die Hard.
It also seems obvious that the script writers should look to the two pieces of source material that have already been written. First would be the novel that inspired the film series, Roderick Thorp’s Nothing Lasts Forever (reviewed here at borg.com), the sequel to the 1966 novel The Detective, which was turned into a movie starring Frank Sinatra. If you’re looking to get into the shoes of McClane, this would be the place to begin. But next would be renowned writer Howard Chaykin’s own take on the same title, his comic book series Die Hard: Year One published by BOOM! Comics in 2010 (reviewed here at borg.com). It doesn’t appear the new script writers are looking to these two books for ideas, but note the covers above to the Chaykin series have a great vibe fans would no doubt love to see on the big screen.
