Thor: Love and Thunder is almost here, featuring the return of Taika Waititi as director and voicing the large Thor pal Korg, plus the long-awaited scene of Chris Hemsworth′s Thor and his hammer Mjolnir passing him over for Natalie Portman′s Jane Foster to become the next Thor, as envisioned in the 1970s by Donald Glut and Rick Hoberg in the pages of What If…? and re-introduced only recently by writer Jason Aaron in the monthly Thor comics. Now we have the second trailer, featuring glimpses at even more fun–and Christian Bale and his black-and-white-toned villainy.
Here it is, the next trailer for Thor: Love and Thunder:
Thor: Love and Thunder is almost here, featuring the return of Taika Waititi as director and voicing the large Thor pal Korg, plus the long-awaited scene of Chris Hemsworth′s Thor and his hammer Mjolnir passing him over for Natalie Portman′s Jane Foster to become the next Thor, as envisioned in the 1970s by Donald Glut and Rick Hoberg in the pages of What If…? and re-introduced only recently by writer Jason Aaron in the monthly Thor comics. As we saw at the end of Avengers: Endgame, Valkyrie (Tessa Thompson) is the new King of Asgard. In this trailer she looks… bored with that. And Thor, sans eye patch, is trying to find himself, looking like he’s ready to drift off into the sunset. Feels like a bit of a downer. But it’s just a trailer. It does have swashbuckling Ravager pirate Thor flying a Viking Tours longboat led by goats Toothgnasher and Toothgrinder, with a cocktail bar complete with neon sign, and his blue-haired girlfriend (is that Sif?).
It doesn’t give us a look at the villain Gorr played by Christian Bale yet, but here it is, the first trailer for Thor: Love and Thunder:
It was without question Marvel’s biggest delay. Not only was Black Widow originally expected to arrive in theaters May 1 last year, getting a delay and never a proper theatrical release, it simply was Kevin Feige’s big misfire by not thinking to make it earlier in the Marvel Cinematic Universe’s 23 movies. Content-wise it could have arrived around 2013 as part of the Phase II of the series, and ultimately must be wedged somewhere between Captain America: Civil War and Avengers: Infinity War. For those not yet ready to return to theaters, it’s been a long wait. Finally Disney+ has dropped its $30 premium for its subscribers and Vudu and other streaming providers have it where it should have been, at a sell-through price of $19.99.
So how does Black Widow stack up with respect to the previous Marvel movies, and did Marvel make the best superheroine movie of them all with Scarlett Johanson’s solo movie? First of all, the big word to describe this movie is “surprising.”
Three things should get you to take a second look at both the 2013 movie Snowpiercerand the new behind the scenes book Snowpiercer: The Art and Making of the Film, just released from Titan Books. First, it’s been a really hot summer almost everywhere and the movie is all about freezing cold temps. Second, everyone loves Chris Evans, and it’s time to revisit his work outside of the supersuit and shield. Third, after winning three Oscars in 2020, for Best Director, Best Screenplay, and Best Picture, everyone should also go back and revisit the works of Korean director Bong Joon-ho. After the film suffered a long and clunky path to theaters thanks to the Weinstein scandal, the end result–even if it was far removed from its source material–was an interesting action movie, notable for actor Song Kang-ho, too. It’s been seven years since Snowpiercer, the highly, almost ludicrously improbable story of a train carrying the last humans on Earth akin to Noah’s Ark, finally arrived in wide release (see my review here), but now it gets a thorough investigation in Snowpiercer: The Art and Making of the Film, which was also delayed, this time for the COVID-19 pandemic. In the intervening years a prequel tie-in TV series took off. For all the above reasons, it’s a good time to hunker down and take a look at this book and its one-of-a-kind vision.
Like an episode of Monk or Murder She Wrote, the next film from writer/director Rian Johnson (Looper, Star Wars: The Last Jedi) is a straightforward mystery. Knives Out comes in on the heels of the similar looking Ready Or Not, and it’s a mash-up of sorts, aiming to have that ensemble cast variety of the last Thanksgiving movie release mystery, Murder on the Orient Express, while trying to bring back the nostalgia of the famous comedy whodunnit movie, Clue. It’s the 85th birthday of the family patriarch and the families of his three children arrive to celebrate. The next morning the patriarch is found dead. Arriving in theaters next week and marketed toward the Thanksgiving holiday crowd, Knives Outturns out to be a mixed bag.
The reason to check it out is as you’d expect: the cast. The cast choices would be a dream assemblage for any film. James Bond Daniel Craig facing off against Captain America Chris Evans? Legend Christopher Plummer delivering a performance as good as his last Oscar-winner? Jamie Lee Curtis, Michael Shannon, and Toni Collette playing against type? And top it off with Don Johnson, poised to have his own career second wind as a leading man. But the real star performance comes from Ana de Armas(Blade Runner 2049). de Armas, a ringer for a Tru Calling-era Eliza Dushku, plays a nurse to Christopher Plummer’s character. Incredibly charming and engaging, de Armas is also given the biggest opportunity to show the most emotional range in the film. A plus for Bond fans, this movie will serve as a preview of sorts for movie audiences of No Time to Die, as de Armas plays the next “Bond girl” opposite Daniel Craig’s master spy in theaters next spring.
Not a recommended movie for taking on a date, and ultimately a questionable choice for Thanksgiving, one of the conceits (which may take viewers outside the realm of reality) is a character who vomits with each lie. By the end of the film it becomes an in-your-face gross-out, making viewers watch one character… covered… for an entire scene. As a story element this “human lie detector” is also a writers’ crutch, a trick that skips over some story challenges viewers would normally be able to work through on their own.
After 21 movies and a decade of superheroics, the end arrived this weekend with Marvel Studios′ Avengers: Endgame, already setting new box office records. Nearly every seat at multiple screenings at my local theater was sold out this weekend, as was the case across the country. Which means many have seen it, but even more haven’t. You can’t review a film without some details, so if you haven’t seen it yet, do yourself a favor: bookmark this and come back later. The short version: If you’re a superhero fan and you’ve followed the previous entries in the Marvel Cinematic Universe, you won’t want to miss it. But re-watch bothAvengers: Infinity War and Captain Marvel first. I’ve no idea how anyone will follow the events in the film without first seeing at least these two films. Endgame is a good wrap-up to the first major story arc in the franchise and a fine segue into the future of the films. But it’s not perfect (what ever is?) and I’m going to walk through some goods and bads from the film.
That means “there be spoilers ahead” so consider yourself forewarned if you continue.
Note to email subscribers: Clicking on the link will take you into the full review.
If you don’t want to see anything about Avengers: Endgame you might want to skip the latest trailer, which reveals some trickery by Marvel Studios in its earlier trailers–although with time travel bringing anyone back into the fold it’s not just possible but a likely scheme to mess with Thanos, and anything can happen. Take a look at the new trailer below, along with a new poster including the key cast at least one version of what we’ll see in the film.
If you don’t see Captain Marvel first (reviewed here at borg), one thing is clear: you’re not going understand what’s going on in Avengers: Endgame. As Marvel fans will see in one of the codas for the current film in theaters, everything is coming together, and in today’s trailer the Avengers Assemble–that also means new uniforms.
It’s good seeing most of the Avengers back again, even if there’s still no sign of the last recruit, Tom Holland’s Spider-Man. The only quirk: Danai Gurira’s Okoye is in the poster, but her name was the only actor not included in the first poster released today in the above-the-title list of actors (she is listed below the title, along with those not pictured: Benedict Wong, Jon Favreau, and Gwyneth Paltrow)–contractual deals tend to be specific about what actors get the top of the marquee listing and who doesn’t, but this decision tends to stand out. But Marvel updated that a few hours later (shown updated to the right above). And in the realm of trickiness, note that the original poster included 19 names, many of which were omitted this time–reflecting the characters who vanished in Avengers: Infinity War, like Benedict Cumberbatch.
Take a look at the next trailer–if you dare–for Avengers: Endgame:
This month Marvel is celebrating the first ten years of the Marvel Cinematic Universe with a look back at the first three phases of the films in a new hardcover book, Marvel Studios: The First Ten Years. With the March 2019 release of Captain Marvel the official fourth phase of the MCU will begin. With that shift to a new era quickly approaching, as well as an uncertain future thanks to the imminent completion of the acquisition of the X-Men characters, and the 10-year benchmark, it’s a good time to assess all Marvel Studios president Kevin Feige was able to pull together beginning way back when we first saw Robert Downey, Jr. don the Iron Man armor for the first time. This nostalgic trip back over the past decade will be published by Titan in conjunction with Marvel.
Readers will find interviews with Feige, co-president Louis D’Esposito, Stan Lee, Jon Favreau, Kenneth Branagh, Anthony and Joe Russo, James Gunn, Robert Downey, Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Benedict Cumberbatch, Jeremy Renner, Paul Rudd, Mark Ruffalo, Chadwick Boseman, Evangeline Lilly, Karen Gillan, Don Cheadle, Sebastian Stan, Gwyneth Paltrow, William Hurt, and Josh Brolin. Multi-page sections focus on each of the 22 films in the series. High-quality color photographs accompany the discussion of each film in chronological order, most with behind-the-scenes images, like a great image of all the parts to Ant-Man’s helmet laid out on a table.
Fascinating discussion points include D’Esposito pointing out how the produces intentionally made each new film a different genre, not just a superhero movie. He also indicates that casting Robert Downey, Jr. was the most important casting decision of the franchise. Guardians of the Galaxy director James Gunn talks about using the soundtracks on set for everyone to get the feel of the two Guardians movies. The book even provides some preview information for next year’s Captain Marvel movie. And there are several Easter eggs that most fans will have never read about anywhere else, often 10 or more for each film (the Collector and the Grandmaster are brothers?). Here are a few pages from Marvel Studios: The First Ten Years:
Coming in at about the same price as the actor’s screen-used prop blaster from Return of the Jedi this summer (discussed here at borg), Harrison Ford proved again he is #1 among pop culture and entertainment memorabilia collectors. At Prop Store‘s entertainment memorabilia live auction in London yesterday, called Treasures from Film and Television (which we previewed from San Diego Comic-Con here in July), one of the fedoras worn by ford in Raiders of the Lost Ark brought record bids for a prop from the franchise, taking in an estimate of between $522,500 and $558,000, including fees and taxes. Ford’s Han Solo blaster sold in June for $550,000 (before tax). The hammer price for the hat was £320,000 when the winning bid was placed and the hammer struck, or about $424,755. Provenance for this hat was not provided by Prop Store in its catalog, but the company said it could be screen-matched through identifying marks to several key scenes in the movie. An Indy bullwhip from Indiana Jones and the Temple of Doom sold for $74,460, including buyer’s premium, at the auction.
One of the other auction lots worn by Ford was supposed to be the crown jewel of the auction, a simple stylized blue jacket worn in The Empire Strikes Back said to have been screen-matched to the film’s Cloud City scenes. Although it was expected to garner $660,000 to $1.3 million, bidders were just not willing to push bids past the $600,000 mark and the seller’s minimum reserve price. The jacket was one of the only hero costume pieces from the original trilogy to be offered at public auction.
This week’s big star prop of the Prop Store auction was crowded among other Hollywood props on display at San Diego Comic-Con this past July.
Several other key props from the four corners of genredom sold in excess of six figures (including buyer’s premium and net of taxes) in yesterday’s auction. A light-up T-800 endoskeleton from Terminator II: Judgment Day (1991) fetched a massive price of $326,500. A Christopher Reeve costume from Superman (1978) and Superman II (1980) sold for $212,200. A Hayden Christensen Anakin Skywalker lightsaber from Star Wars: Revenge of the Sith (2005) sold for $180,000 and an Ian McDiarmid Emperor lightsaber from the film sold for $114,000. A background First Order Stormtrooper helmet from Star Wars: The Last Jedi surprised everyone, selling for a whopping $180,000. A Johnny Depp costume from Edward Scissorhands (1990) sold for $106,100. Of several original comic book art pages that sold, the star was Page 15 from The Amazing Spider-Man (1966), Issue #32, by artist Steve Ditko, which fetched $155,000.
More than two dozen other memorable props and costumes from sci-fi, fantasy, superhero, and horror classics fared well (prices quoted include pre-tax conversion from British pound, including buyer’s premium): Continue reading →
Ten years in the making. Eighteen movies leading up to this weekend in the gigantic new blockbuster, Avengers: Infinity War. Never before have superhero fans seen so many superheroes on-screen at once: Iron Man (Robert Downey, Jr.), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Captain America (Chris Evans), Black Widow (Scarlett Johansson), Doctor Strange (Benedict Cumberbatch), War Machine (Don Cheadle), Spider-man (Tom Holland), Black Panther (Chadwick Boseman), Vision (Paul Bettany), Scarlet Witch (Elizabeth Olsen), Falcon (Anthony Mackey), Heimdall (Idris Elba), Nebula (Karen Gillan), Winter Soldier/Bucky Barnes (Sebastian Stan), Loki (Tom Hiddleston), Okoye (Danai Gurira), Wong (Benedict Wong), Shuri (Letitia Wright), Drax (Dave Bautista), Gamora (Zoe Saldana), Rocket (Bradley Cooper) and Groot (Vin Diesel), Mantis (Pom Klementieff), and Star-Lord (Chris Pratt).
So many movies, especially superhero movies, depend greatly on the success of the villains. Spider-man: Homecoming is great in part because of Michael Keaton’s Vulture. Black Panther is great in part because of Michael B. Jordan’s Killmonger. And Thor: Ragnarok was great in part because of a load of solid villains: the CGI-created Surtur, Cate Blanchett’s Hela, and Jeff Goldblum’s Grandmaster (and even a great supporting tier of antagonists including Tessa Thompson’s Valkyrie, Tom Hiddleston’s Loki, and Karl Urban’s Skurge). So now, at last, Josh Brolin moves past his cameos in Guardians of the Galaxy and Avengers: Age of Ultron to give us a big dose of one of comic books’ best-known villains, Thanos.
Marvel Studios promised to tie everything together, including every magical talisman holding the six Infinity Stones, of which filmgoers have encountered five so far: The blue Space Stone (seen held in the Tesseract in Captain America: The First Avenger), the yellow Mind Stone (seen in the Scepter in The Avengers), the red Reality Stone (seen held in the Aether in Thor: The Dark World), the purple Power Stone (seen in the Orb in Guardians of the Galaxy), and the green Time Stone (seen in the Eye of Agamotto in Doctor Strange).
So did directors Anthony and Joe Russo deliver as promised? Continue reading →
