Tag Archive: CW Network


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In the latest ads for CW’s new teen series Riverdale, the live-action series looks even more like an updated Twin Peaks than in the initial teaser trailer.  CW’s television adaptation of the 75-year-old Archie Comics characters and hometown is only weeks away.  More and more we’re thinking the series has the look and feel of the Archie Comics’ recent successful expanded universe in its Afterlife with Archie and Chilling Adventures of Sabrina series.  Let’s face it–if the new television series really were to look like the monthly comic book, which has run relatively unchanged for its 75-year span, it would basically be a remake of Happy Days. 

However CW’s Riverdale turns out, our fingers remain crossed that we’ll see the infamous Sabrina drop in as a guest star or that the writers will find a way to incorporate at least a good Halloween episode.  Zombies, anyone?  Another classic franchise family, Nancy Drew and The Hardy Boys, are getting their own update next year when Dynamite Comics releases a new monthly series adaptation with a noir, true crime twist: Nancy Drew and The Hardy Boys: The Big Lie.  The common theme seems to be bringing back the classics, but trying to spin them in a way to make them appeal to current audiences, which is nothing really new as adaptations go.

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The first full-length trailer and a second teaser for Riverdale were both released this week. Every classic property should get the CW teen soap opera treatment like Riverdale and Smallville and all the great DC Comics series currently running.  The shows may not be entirely loyal to the source materials, but you can bank on some interesting characters and well-told stories ahead.

Check out this first extended trailer for Riverdale:

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With DC Comics’ summer Rebirth reboot, many monthly series turned bi-weekly, and we’ve now already seen the first eleven issues published of many series.  Like the many reboots before it, DC Comics introduced the Rebirth continuity to re-ignite its fan base after the success of the prior reboot–the New 52–dissipated.  So many shake-ups and change-ups occurred in the New 52 that you’d pretty much need to read the entire DC Comics line to keep up with what has happened to even the key Justice League superheroes.  With two issues per month that’s difficult for any reader to keep up with.

One of the better sellers in this year’s Rebirth line is the Green Arrow title.  Under the New 52 Oliver Queen encountered as many changes to his character as anyone.  In fact fans of Green Arrow were probably better served subscribing to the Arrow tie-in comic book to the television series to get a dose of the classic crusader.  As likely as not the success of the CW Network series coupled perhaps with fans’ hopes for big changes from the New 52, and a restoration of the essential Oliver Queen, could account for the sales success of Green Arrow in DC’s Rebirth universe.

Otto Schmidt served as artist and colorist on the series in the introductory chapters.  Bringing Oliver’s older look back to the character, complete with the goatee, was a move in the right direction.  Schmidt used the supersuit of the modern update yet his style conjures up both Neal Adams and Mike Grell’s key design elements that defined Green Arrow’s look for decades.  Writer Benjamin Percy, who was the writer on the series before the Rebirth kicked in, re-introduced the second key element that defines Oliver: his partnership with Black Canary.  The lack of the Arrow-Canary partnership contributed to the wane of Oliver’s story in the New 52–as a solo character Queen was just too much like everyone else.  Percy’s other shift is reminding everyone that Queen is first and foremost a fighter for social justice.  In contrast to the billion dollar company he sometimes owns and sometimes loses, Queen is the ultimate anti-corporate superhero.  So these three elements: his look, his partnership with Black Canary, and his brand of justice, form the framework for what could be a solid Green Arrow series going forward.

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Plenty is left to be done.  Queen’s social justice efforts have only scratched the surface with eleven issues already in the can.  Instead, Percy has opted for some frivolous, but fun, nostalgia: several scenes are spent restarting a romance between Oliver and Dinah, and he’s brought back classic secondary characters like Shado and Eddie Fyers, both from Mike Grell’s definitive Green Arrow series The Longbow Hunters.  With the story now firmly set in Seattle, also as Grell had done with the setting–and not Star City–we can see some good attempts are being made to rediscover what made the 1980s and 1990s Green Arrow worth reading about.

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In the first trailer for CW’s Riverdale, the live-action series looks more like an updated Twin Peaks than the classic comic book.  But what a way to make an update!  How will we know if Riverdale is a success?  CW’s television adaptation of the nearly 80-year-old Archie Comics universe is only weeks away.  Yet if you look back on your favorite teen television shows you may find writers and casting agents have been pulling from the Archie playbook before.  Just take a look back at Buffy the Vampire Slayer.  Who was a better Jughead than Xander?  And did you ever see the original best frenemies Betty and Veronica in the love-hate relationship of Buffy and Faith?  What about the dynamic of the leads in CW’s previous successful teen-driven, comic book series Smallville?  Will Archie Comics’ own tried and tested formula prove to make Riverdale a keeper?

However CW’s Riverdale turns out, our fingers are crossed that we’ll see the infamous Sabrina drop in as a guest star or that the writers will find a way to incorporate at least a good Halloween episode banking on the success of the publisher’s recent Afterlife With Archie series.  What sure-fire way to please a current audience than delivering a zombie episode?

Riverdale -- "Pilot" -- Image Number: RVD101g_0002.jpg -- Pictured (L-R): KJ Apa as Archie and Lili Reinhart as Betty -- Photo: Katie Yu/The CW -- © 2016 The CW Network. All Rights Reserved.

The first teaser for Riverdale dropped this week.  Although it doesn’t give us much, we get a look at the characters and a glimpse of the creepy tone of the show–a very CW teen-focused looking series.  These kinds of shows have proven to be CW’s niche realm, along with its recent success with superheroes in its five DC Comics series: Arrow, The Flash, DC’s Legends of Tomorrow, iZombie, and Supergirl. 

Check out this first teaser for Riverdale:

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Is a Crisis on Infinite Earths adaptation on its way at last?  Never before have all the pieces been laid out so well to adapt such a major comic book storyline.  We have key player Barry Allen from The Flash, which spun-out of the Arrow series, DC’s Legends of Tomorrow have enough timey-wimey time travel to be able to see, view, and undo anything, and then the CW pulled over Supergirl from ABC this year and brought Superman with her.  So the building blocks are ready.  Is CW and DC Entertainment willing and able?  Next week we’re going to see a step in the right direction with a mega-superhero week.

Monday, the CW begins a four-night crossover event with its four DC Comics-inspired series–and nothing screams comic books louder than a good crossover and major league team-up.  The villains are a bit obscure–the Dominators–aliens Supergirl will encounter Monday night.  The Dominators first appeared in the 1960s in Adventure Comics with a brief reprise in a mini-series called Invasion in 1989, and that’s the take-off point for the villains in next week’s event.

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So it’s “Heroes vs. Aliens,” comic books coming to life in perhaps the biggest character showdown ever, actors donning Academy Award-winning costumer Colleen Atwood’s pantheon of more than 17 hero supersuits (Green Arrow, The Flash, Diggle/Green Arrow 2, Supergirl, Superman, Black Canary, Vixen, The Atom, White Canary, Steel, Wally West, two Firestorms, Speedy, Death Stroke, Martian Manhunter, Heat Wave, and more).  We haven’t seen this many superheroes on TV since the animated Super Friends.

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In the middle of the week, Arrow will see its landmark 100th episode Wednesday night.  Who would have thought any superhero series would survive this long?  Take a look at these previews for crossover week:

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It’s arrival brought us a new age in superhero television series–arguably the best comic book TV adaptation since the original 1980s series The Flash that starred John Wesley Shipp.  It’s Arrow, the CW Network’s groundbreaking story of Oliver Queen starring Stephen Amell.  Unlike the successful Marvel Comics movie series, Arrow looked outside the comic book’s core stories and expanded the source material to allow the inclusion of B, C, and D level villains plus many superheroes, ultimately including most of the second tier Justice League members.  Surpassing the DC’s movie efforts and Marvel’s attempts at small-screen serials, Arrow has continued to make comic books come alive for four years since we first reviewed the world premiere viewing of the pilot at San Diego Comic-Con here at borg.com back in July 2012.

The stories have been different but loyal to its origins.  Instead of Star City or Seattle the stories were based in Starling City.  Sidekicks nicknamed Speedy became split into his sister Thea and Roy Harper.  Two Black Canary characters were formed from two sisters instead of the mother and daughter split in the classic stories.  And Green Lantern is not in the picture at all.  Along the way the series split off Barry Allen’s Flash into his own fun series, a dozen other heroes and villains joined DC’s Legends of Tomorrow, and this year CW’s DC on TV ties in Supergirl.  So many untapped stories can now be told as the DC universe is apparently unshackeled barring only interconnected stories with Batman, Wonder Woman, Green Lantern, and Aquaman, who will be featured on the big screen next year instead.

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Tomorrow night the fifth episode of Season 5 airs.  For those fans who want to delve into an “in-universe” look at Oliver Queen and his efforts to save his city, Titan Books has released Arrow: Oliver Queen’s Dossier, a detailed, 160-page scrapbook of notes, newspaper articles, documents, and records collected by Starling City’s emerald archer as he investigated crimes in the first three seasons of the TV series.

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Where DC Entertainment has been limping along in its efforts to bring superheroes to the big screen in recent years, it has ruled the airwaves on network television thanks to the CW Network and the creative team of Greg Berlanti, Marc Guggenheim, and Andrew Kreisberg.  What Zack Snyder and Christopher Nolan have failed to capture–the same interesting, exciting, rich stories, character development, action, and fun of comic books–these guys have delivered, tapping into what fanboys and fangirls want most.

Are their shows perfect?  Definitely not.  The budget for television series doesn’t allow the freedom of big budget movies.  The stories adapted to the small screen have also changed many things from the comics and when the characters themselves have fans of multiple versions of each character… well, you can’t be all things to all people.  Yet, DC on TV has fared better than on film.  We’d all rather see the relationships build between superheroes, even if they are the B-team superheroes, than costly explosion-filled disaster movies posing as superhero stories.  Yes, we’re talking about you, Man of Steel, Batman v Superman, and The Dark Knight Rises.

The CW Network has cornered the market on the best of DC on TV.  And this Fall with the addition of Supergirl from ABC, we now will have a superhero series every night from DC and Warner Bros.  If DC really had its act together it would see that Fox’s Gotham switched from Monday nights to Fridays, for a full weekday schedule, but that doesn’t look like it will happen.

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This past week, to preview the new season and what characters we can look forward to, including–at last–Martian Manhunter (the last remaining key Justice League character to make it to the modern live-action DC Universe) the CW released a follow-up to last year’s Superhero Fight Club video.  Check it out:

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Next week Riverdale’s most famous band is getting back together.

Archie Comics is releasing a new Josie and the Pussycats monthly series.  Much like its release of its hit Betty & Veronica series this summer, Josie & Co. is getting a premiere with plenty of cover variants with works by J. Scott Campbell, Derek Charm, Colleen Coover, Veronica Fish, Francesco Francavilla, Jessica Garvey, Robert Hack with Steve Downer, Gisele Lagace with Shouri, Alitha Martinez with Kelly Fitzpatrick, Wally McNair, Sam Payne, and Marguerite Sauvage.  The standard cover was drawn by Audrey Mok.  Andre Szymanowicz is providing the colors.  Archie Comics will also release a blank sketch cover version.

Marguerite Bennett and Cameron Deordio are scripting the series.

Josie, Valerie, and Melody make their current debut after Afterlife With Archie’s dark look at the band in the haunted parallel universe of that title’s October issue.  Plus, the CW Network has its own new Archie series premiering in only a few weeks–Riverdale stars K.J. Apa as Archie, Cole Sprouse as Jughead, Camila Mendes as Veronica, Lili Reinhart as Betty, Ross Butler as Reggie, Casey Cott as Kevin, and Madelaine Petsch as Cheryl Blossom.  And of course, the band is in the series as well, with Josie played by Ashleigh Murray, Valerie is played by Hayleau Law, and Melody is played by Asha Brom.  Luke Perry, Lochlyn Munro, and Madchen Amick will also star in the series.

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While you’re waiting for the TV series, check out these covers to Josie and the Pussycats: 

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CW’s The Flash proved to be the best comic book adaptation to any size of screen in 2015, and it looks like it could be heading that way in 2016, too.  Where Arrow soared into the lead spot in prior years, The Flash and its less dark story unfolded in its second season as the cast began to gel.  This year the all-out fun circumstances marked it as a favorite among fans of the source material–comic books.

As The Flash–which ended with a great appearance of 1980s Flash actor John Wesley Shipp donning The Flash suit once again–returns for Season 3, Grant Gustin’s Barry Allen is entering the realm of a loose tie-in to DC’s “Flashpoint” series story.  As previewed at San Diego Comic-Con last weekend, that means Barry Allen finally does what we all would probably do–go back in time and prevent the death that changed his life.  But what will this action, this manipulation of the timeline, mean for the future, and his relationships with all those around him?

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For one we get to see Wally West as The Flash.  But what else?  Check out this preview for The Flash Season 3:

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Worst Heroes Ever

It looks like the great preview that accompanied the premiere of Star Trek Beyond this week.  Suicide Squad finally has a great trailer that should entice everyone to climb aboard, courtesy of DC Entertainment and Warner Bros. at San Diego Comic-Con Saturday.  With brief but good looks at each of the key characters it is now established that this is definitely a take on the classic war movie The Dirty Dozen–the original and ultimate film about a band of prisoner misfits setting out to save the world.

This time we get a good look at each of the Worst Heroes Ever and for a motley group of villains, they’re looking pretty good.  And Warner Bros. is having a big day with its movie preview releases at Comic-Con.

Adam Beach (Everwood, Hawaii Five-0), is Slipknot, Jai Courtney (Jack Reacher, Terminator: Genisys) is Captain Boomerang, Cara Delevingne is Enchantress, Karen Fukuhara is Katana, Joel Kinnaman (RoboCop) is Rick Flagg, Margot Robbie (Pan Am, The Wolf of Wall Street) is Harley Quinn, Will Smith (Men in Black, I, Robot) is Deadshot, Adewale Akinnuoye-Agbaje (Lost, Thor: The Dark World) is Killer Croc,  and they star along with Jared Leto as The Joker in the comic book take on The Dirty Dozen, as a group of super villains are released from prison to complete a hero’s mission.  And look for Jay Hernandez as Chato Santana aka El Diablo, a character created by our pals Jai Nitz, Phil Hester, and Ande Parks in 2008’s excellent six-issue series El Diablo: The Haunted Horseman (be sure to check it out at Amazon.com here if you haven’t read it yet).

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So this is it–the final trailer for Suicide Squad:

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No Tomorrow

Joshua Sasse came out of nowhere last year to headline ABC’s groundbreaking fantasy comedy musical Gallivant.  Sasse’s work as title character Gallivant proved he’s an actor to keep an eye on in future performances.  The CW Network has begun to run previews of a new series featuring Sasse.  He will co-star in a new apocalypse-themed drama comedy from the CW Network, No Tomorrow, with Tori Anderson.  Anderson has appeared in several genre series in her short career so far, including Tru Calling, Smallville, The 4400, Flashpoint, Warehouse 13, and Reign.

From the first extended preview, No Tomorrow is clearly in the realm of The Last Man on Earth, and has some elements in common with ABC’s-now CW’s Supergirl–a young female lead struggling with work and looking for that next big thing to change her life.  For Anderson’s character Evie it is Sasse’s character Xavier who just might be that change for her–she is instantly infatuated with Xavier, but he believes the world is soon coming to an end.  Is he serious or just crazy?  Xavier is set to take Evie along on his own bucket list pursuit.  Will she go along willingly?

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The only negative with the trailer for No Tomorrow?  It reveals so much of the story, one can only hope what is revealed is in the pilot and much more is to come.  If this is a preview of season one, then we may be seeing the entire plot in the span of a few minutes.  Check out the preview for yourself:

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