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Tag Archive: Daisy Ridley


Everyone is a suspect.  The clues are everywhere.  For mystery lovers, it’s a staple.  It’s Agatha Christie’s most well-known 1934 novel come to life, Murder on the Orient Express, the fourth major production for film or television of the classic whodunit in the English language–the 1974 Academy Award winning Sidney Lumet film being the best known.  For the older generation the story is known, but for a new generation the stage is set for a big screen version of Clue/Cluedo.  As with the 1974 version, the cast of the 2017 version is extraordinary.

So how do you cast a film against the last generation of film greats?  Leading a bevy of thespian knights and dames, Sir Kenneth Branagh both directs and stars as master detective Hercule Poirot, the world’s greatest detective, played previously by Albert Finney (who refused a knighthood in the year 2000).  Sir Derek Jacobi plays the butler Edward Henry Masterman in a role played by Sir John Gielgud in the earlier version.  Dame Judi Dench plays Princess Natalia Dragomiroff, formerly played by Dame Wendy Hiller.  In an update for the new version, American actor Leslie Odom, Jr. (Supernatural, Gotham) takes on the role of Doctor (formerly Colonel) Arbuthnott, played previously by Sir Sean Connery.  Star Wars: The Force Awakens star Daisy Ridley as governess Mary Debenham, formerly played by Dame Vanessa Redgrave.

The list of American actors includes a fascinating mix of genre favorites old and new.  Academy Award nominee Johnny Depp takes on the role played before by Richard Widmark as the debonair businessman Edward Ratchett.  Academy Award nominee Michelle Pfeiffer is widow Harriet Hubbard, a role played in the 1974 film by Lauren Bacall.  Academy Award nominee Willem Dafoe is Professor Gerhard Hardman, played earlier by Colin Blakely.  Academy Award winner Penélope Cruz plays a newly named character, Pilar Estravados, a missionary, in the part played before by Ingrid Bergman.  Rounding out the cast is Josh Gad (Frozen) as Ratchett’s assistant Hector McQueen (played before by Anthony Perkins), and British TV regular Olivia Colman (Broadchurch, The Night Manager) plays the maid Hildegarde Schmidt (previously played by Rachel Roberts).

Take a look at this first trailer for the new Murder on the Orient Express:

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Perhaps it is in part because of the influence of Lucasfilm President Kathleen Kennedy, but it looks like finally, after decades of 100 male Star Wars action figures for every one female figure for kids to play with, times may be changing.  It was sad for two generations of girls–and boys–that you could quickly list all the named women characters of Star Wars, both from the original trilogy: Leia, Aunt Beru, and Mon Mothma, and only a few more with the prequels: Padme, Shmi, Adi Gallia, Zam Wesell, Dorme–and Beru again–with even fewer made into toys that would allow kids to see themselves in Star Wars characters.  Disney was surprisingly slow to integrate Daisy Ridley’s Rey into all the various toy lines early last year, but recent announcements indicate the franchise is trying to catch up.  A new line of 11-inch format dolls from Hasbro looks to be a step in the right direction.

One of this weekend’s Star Wars Celebration 2017 announcements is Disney and Lucasfilm’s Forces of Destiny, a series of animated shorts highlighting the heroism of the women of Star Wars.  Although it would seem adding the women of Star Wars to each of the other toy lines in the franchise also makes sense, Forces of Destiny attempts to bridge action figures and the traditional Barbie-type 11-inch doll.  The release announcing the new doll line made clear that these toys aren’t about make-up, mirrors, and dresses.   “Star Wars Forces of Destiny is for anyone who has been inspired by Leia’s heroism, Rey’s courage or Ahsoka’s tenacity,” said Kennedy.

The toy line is also taking a cue from a successful G.I. Joe toy series, calling the toys “Adventure Dolls,” which will feature hands that can hold weapons and feet that aren’t pointed like traditional dolls (that were intended to allow for high heels).  The Forces of Destiny dolls will be anchored by a web series of animated features in July, followed by an eight-part series on the Disney Channel this Fall that will include the voices of the actual Star Wars film actresses, including Daisy Ridley (The Force Awakens’ Rey), Felicity Jones (Rogue One’s Jyn Erso), Tiya Sircar (Star Wars Rebels’ Sabine), Ashley Eckstein (Star Wars Rebels’ Ahsoka) with narration by Lupita Nyong’o (The Force Awakens’ Maz Kanata).

Here is a preview for the new Star Wars Forces of Destiny:

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rocket

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed.  The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip).  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2017 calendar!

Most coming out in the second half of 2017 don’t even have posters released yet.  We’ve included descriptions and key cast so you can start planning accordingly.

What do we think will be the biggest hits of the year?  How about Star Wars: Episode VIII or Wonder Woman?   Luc Besson’s Valerian and the City of 1,000 Planets?  Ghost in the Shell?  Or Beauty and the Beast? 

justice

You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049, Thor: Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me.   And The Six Billion Dollar Man is finally on its way.  Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.

So wait no further, here are your genre films for 2017:

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Only Yesterday

One of our favorite anime films out of Studio Ghibli is the film Whisper of the Heart, a romantic drama written by the great Hayao Miyazaki, based on a 1989 manga.  The 1991 Japanese hit Only Yesterday has been compared to Whisper of the Heart in its theme and more mature target audience.  Only Yesterday is a groundbreaking anime film, a realistic drama for adults, centered around women characters, unique for the time and the medium.   And now after twenty-five years, for the first time American audiences have access to the film with its U.S. release this week on DVD and Blu-ray.

Fans of Star Wars: The Force Awakens star Daisy Ridley who can’t wait to see what’s next for the young actress will want to jump on the new release, as Ridley voices the lead role.  Other actors dubbed into the 2016 version include Dev Patel (Chappie, The Last Airbender, The Newsroom) and Ashley Eckstein (Ahsoka Tano in Star Wars Rebels).

Only Yesterday clip

Only Yesterday is surprisingly slow to arrive as an English version particularly since it is a stand-out among Studio Ghibli films.  Only Yesterday was the #1 highest grossing movie in Japan in its first year of release, netting nearly $2 billion.  Miyazaki served as a producer, and the film was directed by the Academy Award-nominated Isao Takahata.  With this week’s release Studio Ghibli completists can add the only remaining film from the studio to make it into their home viewing collections.

Check out this preview of Only Yesterday:

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John Williams conducting Star Wars

Few individuals have stood apart from their peers in their professional endeavors as much as maestro John Williams.  Last week the American Film Institute presented Williams with its life achievement award, the 44th awarded and first for a composer.  It’s certainly about time.  With five Academy Award wins and 50 nominations, Williams holds the record for the most Oscar nominations of any living person.  Three of his scores, for Star Wars, Jaws, and E.T., the Extra-Terrestrial, are on AFI’s list of the top 25 scores of all time.  This Wednesday night the AFI award event will be televised, and guests honoring Williams include George Lucas, Steven Spielberg–both who owe the most to Williams for their individual successes–as well as Mark Hamill, Harrison Ford, Morgan Freeman, Drew Barrymore, Tom Hanks, Itzhak Perlman, J.J. Abrams, Bryce Dallas Howard, Will Farrell, Steve Martin, Seth McFarlane, and Daisy Ridley.

You may not remember the first time you heard a familiar tune from Williams, but for those more than 40 years old it was no doubt the theme from television’s Lost in Space series, featuring an end credit to “Johnny” Williams.  He also provided the piano music for the Academy Award winning, and AFI recognized comedy Some Like it Hot.  For everyone since then you can define your generation by your earliest familiarity with his music, whether it’s the Main Title to Star Wars, the Jurassic Park theme, or the theme to Harry Potter and the Sorcerer’s Stone.  Those whose introduction to Williams was Star Wars: The Force Awakens have plenty of great music to discover.

Williams is of a rare breed of American composer whose songs stick with you forever.  He’s in an elite club with the likes of musicians Aaron Copland, John Philip Sousa, Leonard Bernstein, Irving Berlin, and George Gershwin.  For more than 60 years Williams has set the bar for–and defined worldwide for moviegoers’ ears–our expectation for modern programmatic movie music.

John Williams

Stepping aside from his success at major memorable themes, one of his greatest skills is his juxtaposition of opposites.  Just listen in the Jaws soundtrack to the busy streets of Amity in the “Montage” and the cheery adventure theme from “The Great Shark Chase” among his well-known bass horror cues.  Some of his most brilliant compositions are tucked away behind giant, epic scores, like “The Asteroid Field” from The Empire Strikes Back and “Escape from Venice” from Indiana Jones and the Last Crusade.  And would modern audiences even know a march beyond nationalistic music if not for “The Superman March,” “The Raiders of the Lost Ark March,” “The March from 1941,” and “The Imperial March” from The Empire Strikes Back? 

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Arnold Terminator Genisys

Well it’s been one long year, with plenty to do and see, plenty of good and not-so-good to read and watch, and as with last year we’re certain we reviewed more content this year than ever before.  This year was a big year for borgs in TV and film, so we had some difficult decisions to make.  All year long we sifted through all that Hollywood had to offer and honed in on the genre TV, films, comics, and other books we thought were worth examining.  We went back and looked at it all and pulled together our picks for our annual Best of the Best list.

Today we reveal the entire list–the best genre content of 2015–with our top categories Best Sci-Fi Fix, Best Fantasy Fix, Best Superhero FixBest Animated Fix,  and Best Borg selected regardless of medium.  A dozen properties garnered multiple mentions.

We hope you agree with many of these great creations of the entertainment industries, and wish everyone a great 2016!

Killjoys

Best Sci-Fi Fix – Killjoys (Syfy).  Surprised?  Killjoys pulled together great worldbuilding, characters and actors in a year of a dozen new sci-fi shows to provide us the closest thing to the next Firefly we’ve seen in a long time.

Galavant

Best Fantasy Fix – Galavant (ABC); Runner-up The Librarians (TNT).  It aired early in 2015 but nothing surpassed Galavant’s medieval high adventure and all-out Princess Bride-style fun.

the-cw-arrow-flash-crossover

Best Superhero Fix – The Flash (CW).  Of all the Marvel movies and TV series from Agents of S.H.I.E.L.D. to Agent Carter and from Arrow to Supergirl, nothing had us coming back for more each week like the superhero world in The Flash.

Rebels season 2

Best Animated Fix – Star Wars Rebels (DisneyXD).  Compare it to Star Wars: The Force Awakens and see if you think this animated Star Wars galaxy had an even better story and characterization, along with the return of its own group of original trilogy actors, compelling visuals and rousing music.

Terminator Genisys image

Best Borg – Pops (Arnold Schwarzenegger) from Terminator Genisys (Paramount).  Schwarzenegger created yet another borg that could stand up against his prior successful characters from the series.  A cool, moving character in a big year for borgs on screen!

Ava from Ex Machina - borg

Best Borg Movie –  Ex Machina (DNA Films).  Incredible storytelling and a small cast of talented actors provided a classic science fiction story and Oscar-worthy film about our favorite subject.

Humans series

Best Borg TV SeriesHumans (AMC).  On television the most in-depth look at life as a borg and among borgs has never been portrayed more dramatically than on this year’s surprise sci-fi hit series from AMC.

Star-Wars-Force-Awakens-Rey-Finn-BB8-running

Best Kickass Genre Movie Heroine – Rey (Daisy Ridley), Star Wars: The Force Awakens (Disney); Honorable Mentions: Sarah Connor (Emilia Clarke), Terminator Genisys (Paramount); Imperator Furiosa (Charlize Theron), Mad Max: Fury Road (Village Roadshow)

Liv Moore

Best Kickass Genre TV Heroine – Liv Moore (Rose McIver), iZombie (CW); Honorable Mentions: Dutch (Hannah John-Kamen), Killjoys (Syfy); Helena (Tatiana Maslany), Orphan Black (BBC)

Want to know who we picked for best villain and best comic books of the year?  Take a look after the cut…

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han-solo-passes-the-torch-in-new-star-wars-the-force-awakens

Review by C.J. Bunce

Did J.J. Abrams earn or reject his Jar Jar badge?  Did we drown in re-hashed lines from the original trilogy?  Did Disney make the same mistakes as George Lucas made with his prequels?

When you get right down to it, we all had a pretty low threshold by which we were going to judge the success of the highly anticipated, overly over-marketed Star Wars: The Force Awakens.  We knew it couldn’t match the original Star Wars or The Empire Strikes Back, but it was Abrams’s challenge to see how high he could position the result of his efforts among the other four films.

So how did he fare?

Is the movie better than the prequels?

Is the dialogue better than George Lucas’s in the past films?

Did he hand off the story from the old guard to the new guard successfully?

Is The Force Awakens a modern sci-fi fantasy classic, or among the best films ever made?

Boyega and Isaac

After the jump, I’ll walk though my spoiler-light reaction to what is going to go down as the biggest money-making film of all time.

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Apocalypse Star Wars

For a guy who doesn’t want anyone knowing the secrets of Star Wars: The Force Awakens before its release next month, J.J. Abrams sure keeps releasing more and more footage of the film.  This time he released a trailer of scenes previously not released in the United States, lending much credence to story plotlines fans have guessed about since the release of the last and supposedly final American trailer.

The trouble is, spoilers or not, we just can’t stop watching whatever Disney and Lucasfilm throw at us.  Nobody wants to watch the movie before we see it in theaters, but they just keeping baiting us, don’t they?

Who is Daisy Ridley’s character Rey and where does she fit into the greater Star Wars saga story?  Why are she and Darth Vader-inspired villain Kylo Ren the focal point of the next trilogy?  Is Captain Phasma really the next Boba Fett–the next coolest customer in the galaxy?  And will Chewbacca be the real hero of Episode VII?

Chewie

And is this just Abrams making his take on Apocalypse Now?  It’s impossible that Episode VII will fare as well as the original Star Wars or The Empire Strikes Back, but we’ve already seen enough to make us think Episode VII has the potential to be better than Return of the Jedi.

Check out–or don’t–this international trailer for Star Wars: The Force Awakens:

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Princess Leia poster Han Solo poster

So what is the message with this week’s release of the five individual character posters for Star Wars: The Force Awakens?  Or is there one?

The big question everyone is asking:  Where is Luke Skywalker?

Finn poster Rey poster

Is Mark Hamill even in much of the first of the new trilogy movies?  And up close doesn’t that staff held by Rey, the young female lead character in the movie, look like it has some components from a lightsaber?

And hey, Han Solo, ever think of upgrading your sidearm?

There is so much speculation this is another big family affair–what if we’re all wrong?  What if Kylo Ren and Captain Phasma are Han and Leia’s long lost twins?

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Finn lightsaber

When it comes to Star Wars, the red carpet rolls out.  For Star Wars: The Force Awakens, that means every IMAX theater in the country–including those tied to museums, will pull their other films to make room for the next episode.  So for at least four weeks beginning December 18, 2015, Star Wars have all the North American IMAX screens and most of the foreign screens all to itself, about 400 U.S. and 400 other screens worldwide.  Only The Hobbit trilogy films had a similar exclusivity arrangement.

Abrams has said one sequence was filmed with IMAX cameras, so don’t expect Episode VII to be entirely in full IMAX mode.  Luckily, if you’re among the three people out there who aren’t Star Wars fans, the IMAX exclusive shouldn’t impact other genre films of the season–SPECTRE, the next James Bond flick, will likely have completed its run in theaters by then.

New SW teaser with Daisy - Rey and BB-8

We also have a quick clip that was released via Instagram today showing a surprising image–John Bodega’s Finn, revealed in earlier trailers as a Stormtrooper who wrecks his TIE Fighter, is wielding a lightsaber in the same dark and blue lit location as Adam Driver’s Darth Vader-inspired Kylo Renn–the villain with the unique hilted-blade saber.

Don’t blink–or you may miss this brief clip, also featuring a new shot of Daisy Ridley’s Rey and the nifty new non-CGI droid BB-8.  Here’s the clip:

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