Tag Archive: Denis Villeneuve


   

Review by C.J. Bunce

In advance of a two-part set of movies starring Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Dave Bautista, Zendaya, Jason Momoa, and Javier Bardem targeted to come to theaters in 2021 from director Denis Villeneuve, a new three-book graphic novel series is heading your way next month from Abrams Books.  The first part, Frank Herbert’s Dune: The Graphic Novel, Book One is available for pre-order here at Amazon.    

So how faithful is the graphic novel to Herbert’s original novel?

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Once you’ve seen a film by Denis Villeneuve, you can spot his work instantly.  The images in this week’s trailer for Dune, the latest adaptation of Frank Herbert’s sand planet world of characters could easily be spliced from the wide-angle, sparse landscapes of Villeneuve’s recent Blade Runner 2049.  He also is conjuring bits of other directors’ sci-fi works, like from the last successful sandscape flick, George Miller’s Mad Max: Fury Road, and you may even spot shots straight out of Ridley Scott’s Prometheus.  You’ll see a lot going on in this trailer, but is there anything new?

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Review by C.J. Bunce

It’s been three years since the arrival of Denis Villeneuve’s Blade Runner 2049, the sequel to Ridley Scott’s 1982 sci-fi cult classic, Blade Runner, itself based on Philip K. Dick’s novel, Do Androids Dream of Electric Sheep?  At last fans of the franchise, sci-fi, and futurism have a worthy tribute to the artwork behind the production with Tanya Lapointe’s Blade Runner 2049 Interlinked–The Art, now available from Titan Books.  A companion piece to the author’s 2017 book, The Art and Soul of Blade Runner 2049, published in 2017, which focused more on the entire production than the ideas behind the look of the film, this new book is packed with more reproductions of concept artwork than text, a journey for anyone thinking about the next Syd Mead–who will he/she be, and what the world they create might look like.

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Review by C.J. Bunce

Forty years of Alien It’s worth celebrating.  Ridley Scott blended science fiction and horror in a way never seen before, and it’s in large part due to the uniquely dark imagination of H.R. Giger, who we’ve discussed for years here at borg.  Plus he gave us one of sci-fi’s greatest heroines (in Sigourney Weaver’s Ripley) and cats (in the ginger crewmember Jonesy).  We’ve taken a look at multi-artist tribute concept books before at borg, including the massive The Thing Artbook, Star Trek: 50 Artists/50 Years, and The Mike Wieringo Tellos Tribute books.  Anytime we showcase a major benchmark in comic book titles, like Detective Comics 1000th issue, Wonder Woman’s 750th issue, and The Amazing Spider-Man Issue #800, or charity projects like the Wonder Woman 100 showcase, we’re seeing the same thing: a variety of artists interpreting an icon of popular culture.  In Alien: 40 Years/40 Artists, we’re seeing another artist challenge, and the result is among the best of the bunch.  The new tribute arrives at bookstores tomorrow, so you have one more day to pre-order it at a discount here at Amazon.

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In advance of a two-part set of movies starring Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, David Dastmalchian, Charlotte Rampling, Jason Momoa, and Javier Bardem targeted to come to theaters beginning this December from director Denis Villeneuve, a new three-book graphic novel series is heading your way this Fall from Abrams Books.  Frank Herbert’s Dune: The Graphic Novel, Book One is now available for pre-order here at Amazon.    

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

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With the 40th anniversary of Ridley Scott’s Alien in full swing, yesterday for Alien Day 2019 we only scratched the surface of what is coming your way this year by way of non-fiction and fiction offerings about the film and franchise.  But before we get to previews, you’re not going to want to miss Alien returning to the theaters October 13, 15, and 16, 2019.  Fathom Events is again partnering with TCM Big Screen Classics for this big event.

 

The biggest news from the publishing front arrives this fall.  Titan Books is releasing Alien: 40 Years/40 Artists, an artistic tribute to the sci-fi horror masterpiece Alien.  Forty artists, filmmakers, and fans have been invited to contribute a piece of original art to commemorate the 40th anniversary.  Pieces range from alternative posters to gothic interpretations of key scenes.  Sketches, process pieces, and interview text accompany each new and unique nightmare.  In addition to cover artist Dane Hallett—an Alien: Covenant concept artist—the contributors include Blade Runner 2049 director Denis Villeneuve, Sam Hudecki, Tanya Lapointe, Star Wars concept artist and creature designer Terryl Whitlatch, Kong: Skull Island director Jordan Vogt-Roberts, and Jon Wilcox.

Tim Waggoner, one of the best tie-in writers of fiction is back with Alien: Prototype, where we find corporate spy Tamar Prather stealing a Xenomorph egg from Weyland-Yutani, taking it to a lab facility run by Venture, a Weyland-Yutani competitor.  Former Colonial Marine Zula Hendricks—now allied with the underground resistance—infiltrates Venture’s security team.  When a human test subject is impregnated, the result is a Xenomorph that, unless it’s stopped, will kill every human being on the planet.  You can pre-order Alien: Prototype now here at Amazon.

Three more new Alien books are in the works for this year.  Below we have your first look at Alien: The Blueprints.

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As we first previewed here at borg last July, Titan Publishing and Alcon Media Group, the producer behind more than 30 films over the past 20 years, announced a partnership that will mean the beginning of an expanded universe of stories for Rick Deckard, Replicants, and the world of Blade Runner and Blade Runner 2049.  Today Titan Comics released its first look at the new comic book series, and revealed its title, Blade Runner 2019The original film and this year have been the subject of millions of shared memes commenting on the fact that the real 2019 looks little like Ridley Scott’s 1982 vision of 2019.

The new series will be “in canon” comics and graphic novels that dive deeper into the Blade Runner world.  According to an Alcon representative, “The Blade Runner universe has barely been explored; there is so much more there.  It’s an honour to be bringing this world to life in new ways for a new audience – and to reveal tales from that universe that you’ve never seen before.”  Ridley Scott’s Blade Runner was adapted from the novel Do Androids Dream of Electric Sheep?, a novel by science fiction legend Philip K. Dick, who endorsed the original film project in 1982, but died before its release.

New character concept drawings for Blade Runner 2019.

Launching this summer, Titan Comics’ new series will be set during the exact timeframe of the original 1982 Blade Runner film, and feature a mostly new set of characters and situations.   Artist Andres Guinaldo (Justice League Dark, Captain America) created the above first looks at characters featured in the new story.  He joins Oscar-nominated Blade Runner 2049 screenwriter Michael Green (Logan) and Mike Johnson (Star Trek, Super­man/Batman) on the series.

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Titan Publishing and Alcon Media Group, the producer behind more than 30 films over the past 20 years, announced a partnership that will mean the beginning of an expanded universe of stories for Rick Deckard, Replicants, and the world of Blade Runner and Blade Runner 2049.  So expect new comic book series, tie-in fiction books, and maybe even a new book on Syd Mead and that tech noir futurism the franchise is known for.  It would seem the possibilities are endless.

In a press release issued late yesterday, the companies said they will develop and publish a variety of both fiction and non-fiction print media.  The program will feature new, “in canon” comics and graphic novels that dive deeper into the Blade Runner world.  They also plan to create a variety of publications focused on the visual and technical sides of the films.  Titan is also well-known for its Hard Case Crime imprint featuring the best of classic, lost, and new crime genre stories.  What better avenue to issue a vintage-style Deckard and femme fatale Rachael noir story than in a Hard Case Crime novel?

Alcon expressed its confidence that the world of Blade Runner will continue to organically grow in a way that refuses to sacrifice the quality, tone and high standards of this beloved property.  “We are extremely excited to be publishing Blade Runner comics and illustrated books,” said representatives of Titan.  “The Blade Runner universe has barely been explored; there is so much more there.  It’s an honour to be bringing this world to life in new ways for a new audience – and to reveal tales from that universe that you’ve never seen before.”

Ridley Scott’s Blade Runner was adapted from the novel Do Androids Dream of Electric Sheep?, a novel by science fiction legend Philip K. Dick, who endorsed the original film project in 1982, but died before its release.

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Review by C.J. Bunce

Credit for the success of Blade Runner 2049 as a worthy sequel to 1982’s Blade Runner is a shared prize for director Denis Villeneuve (Arrival, Sicario), the writers, including screenwriter Michael Green (Logan, Alien: Covenant), source material creator Philip K. Dick, and original Blade Runner screenwriter Hampton Fancher (The Mighty Quinn), plus at least two dozen other unnamed creators whose early science fiction works were mined for the story.  Predictable, derivative, slow-paced, and overly long, Blade Runner 2049 still lands as a solid sequel and will no doubt please fans loyal to the 1982 film.  The beauty of the sequel is the earnest, ambitious effort of Villeneuve under the eye of executive producer and original Blade Runner director Ridley Scott to give the story a reserved touch.  The sequel has the now classic dystopian look of the Mad Max or Terminator: Salvation variety, stretching the original Syd Mead futurism and punk noir vibe into a different but logical new direction–think Blade Runner with the lights turned on.

From the first scene Villeneuve & Co. dig in to not just sci-fi tropes but cyborg heavy themes that sci-fi fans know very well from similar explorations in countless books, television series, and films since the early 1980s, when the idea of adapting something like Dick’s novel Do Androids Dream of Electric Sheep? into a big budget film was something less familiar to film audiences.  The filmmakers touch on many classics–Frankenstein, Bride of Frankenstein, Pinocchio, Shakespearean tragedy–to countless episodes of the Star Trek franchise (lead character and Replicant K/Joe played by Ryan Gosling revisits several direct themes the android Data explored in Star Trek: The Next Generation).  More than ten minutes is spent revisiting the latest technology called an “emanator” that Star Trek Voyager fans will be familiar with as the Emergency Medical Hologram’s “holo-emitter,” a device allowing holograms to move around the world.  What in the early 1980s may have wowed audiences is here not so eye-popping because of the legacy Trek tech called the holodeck.  But none of these flashbacks to sci-fi’s past really takes anything away from the elements re-used in Blade Runner 2049 because they are all stitched together into a clean story.  To some it will be a Where’s Waldo? of sci-fi storytelling and to others the simple nostalgia of exploring Isaac Asimov’s themes of the Robot and the Self will be worth a revisit.

Many questions are asked in the lengthy 2 hour-and 43 minute-long film, and some, but not all, will be answered, disappointing a few loyal fans of the original.  Deaths of characters and actors since the original limit the return of certain characters from the original, but where they happen it’s done right.  One scene, however, is a complete misfire–a character walked onto the screen to the gasp of this reviewer’s theater audience, only to find it wasn’t really who was expected based on the build up of the scene.  But the biggest misfire is Villeneuve’s use of sound and score.  Villeneuve turned to Benjamin Wallfisch and Hans Zimmer for the musical score, unfortunately creating a dreadful use of sound in the film, compared to the original film’s excellent score by Vangelis.  Where the use of Vangelis’s synthesized cautious, futuristic melodies took a backseat to story and dialogue in the original, here Wallfisch and Zimmer lean on dissonant John Cage-esque chords and blare noises like someone sitting on a piano or a kid plugging his guitar into an amp for the first time, over and over, at full volume–the aural equivalent of J.J. Abrams’ lens flares.  The poor sound takes away from a visual work that could have benefitted from a closer look at the use of sound in the original.  I.e. take at least one earplug along, especially in an IMAX or other digital theater.

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