When I was a kid in school, periodically we were given book orders, full of discount versions of books, but also posters and popular magazines like Dynamite, and lots of tie-ins with the latest news on current movies and TV shows. Anything Star Wars was quickly added to our book order form, and that’s what Titan’s latest tie-in reminds me of most. Star Wars Insider: The Galaxy’s Greatest Heroes looks at 16 of the biggest heroes of the franchise from the creators and actors behind them. But after nearly 45 years, the book allows a greater opportunity for even more people behind the scenes to offer their commentary on fan-favorite characters, with something for every Star Wars fan.
For his next project, George Clooney is directing and co-starring in an adaptation of Lily Brooks-Dalton’s novel Good Morning, Midnight. Re-titled The Midnight Sky, the first trailer has arrived and the dystopian science fiction film looks like a mix of previous direct-to-Netflix projects The Cloverfield Paradox and IO, both mid-level sci-fi you probably wouldn’t want to pay to see in the theater. Are audiences ready for another dreary take on Earth’s future?
When we created last year’s preview of 2019 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best. All year we tried to keep up with what Hollywood had to offer and homed in on the genre content we thought was worth examining. We went back and looked at it all and pulled together our annual picks in our Best Movies of 2019.
Genredom. As always, we’re after the best genre content of the year–with our top categories from the Best in Movies. There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch. What do all of this year’s selections have in common? In addition to those elements that define each part of genredom, each has a good story. Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.
Come back later this month for our print media picks, and our annual borgHall of Fame inductees. And if you missed it, check out our Best Kick-Ass Genre Heroinesof 2019here. Wait no further, here are our movie picks for 2019:
Best Film, Best Superhero Movie, Best Re-Imagining on Film – Shazam!(Warner Bros.). Movies are supposed to be a wonder, right? What brought the magic of the movies back to theaters more than Shazam? Why did DC take so long to adapt a superhero to the scene perfectly? Who cares–they finally did it. Faithful to the character from the #1 selling superhero book of the 1940s, this was the superhero movie many of us have been waiting for for the past 50 years (or more). Full of superhero fun, one of the best training montages ever, Zachary Levi’s boyish hero was perfectly matched to Jack Dylan Grazer’s take on best pal Freddy. It’s also the only superhero movie we can think of that got better as it went along, culminating in a fantastic, satisfying third act and finale. This is what we want more of. And it was the first DC superhero movie of the millennium that could be watched and enjoyed by the entire family. Honorable mention: Glass (Universal), Spider-Man: Far From Home (Sony Pictures).
Best Fantasy Movie, Best Adventure Movie, Best Comedy Movie – Jumanji: The Next Level (Columbia Pictures). The only issue with this film was that its status as a sequel will prompt some to not recognize it for the gigantic success it truly is. With adventure scenes bigger and better than anything in the entire Indiana Jones franchise, two movies in and director Jake Kasdan proved a sequel can actually be as good as the original. The four stars didn’t miss a beat, swapping roles and adding new laughs, and the new characters inside and outside the game were perfectly spliced in to tell a new tale. The bridge crossing scene is now the adventure film scene to beat. An epic fantasy that’s loads of fun. Honorable mention for Best Fantasy Movie: Shazam! (Disney/Marvel), Captain Marvel (Disney/Marvel).
Best Movie Borg, Best Borg Film – Arnold Schwarzenegger’s Carl, Terminator: Dark Fate (Paramount Pictures). It would have been almost impossible for James Cameron and director Tim Miller not to get this right, a new thread through time reuniting Linda Hamilton’s Sarah Connor and a new T-800 with Arnold back with another take on his greatest borg of all time. New characters and new effects kept the franchise from getting boring, but this was more than just getting by, a big sci-fi spectacle with great cyborg battles, and easily the best cyborg fix this year.
It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. This year we selected 26 characters that rose to the top. Again the studios gave us more to cheer about than ever. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for. Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass character is about.
Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits. So we’re not forgetting Lagertha in Vikings,Liv Moore from iZombie,Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things,Juliet Higgins in Magnum PI,Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who,Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina. At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker. This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, an emperor (not empress!), and even a cyborg–with a roster evenly split between television and movie characters.
Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.
These are the Best Kick-Ass Genre Heroines of 2019:
Aughra(The Dark Crystal: Age of Resistance). If there was a greater woman character in the history of fantasy film, we don’t know who that would be. We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year. Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season. She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)
Black Widow(Avengers: Endgame). After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos. And yet she still didn’t get the fanfare that Tony Stark did. We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)
Hattie Shaw(Fast & Furious Presents: Hobbs & Shaw). As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all. If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock? (Universal)
Agent M (Men in Black: International). Valkyrie Tessa Thompson is back on the list again, this time as the first movie lead Woman in Black, earning her nebulizer with the help of her Thor-world partner Chris Hemsworth. As a little girl, Molly witnessed an alien as her parents were zapped by Men in Black, and she worked her entire life to be able to get into the CIA or FBI, hoping one would be the entry point into the secret organization. Agents O and High T would recognize her value to the team, as she saved the planet from the latest menace. (Columbia/Sony)
Cyclone Mei(The Legend of the Condor Heroes). Even as an evil witch, Viola Mi’s master of the Nine Yin White Bone Claw and Heart Destroying Palm techniques became a sympathetic villain after her husband died at the hands of young Guo Jing and she became blind. Even blind she used internal techniques to defeat anyone she perceived as a threat. Master of the whip with fearsome claws, beautiful and fierce Mei Chaofeng once joined her husband as the “Twin Masters of the Dark Winds” to possess a forbidden manual of martial arts, and would leave mountains of bodies in their wake as they sank deeper into the dark teachings. (iQIYI)
Sarah Connor (Terminator: Dark Fate). We were excited when we heard Linda Hamilton would return to the franchise 27 years after she had a major transformation from waitress into the woman who would save 3 billion lives. One of Sci-Fi’s two best-known kick-ass heroines (along with Ellen Ripley), original terminator target Sarah Connor lost none of that drive and determination to continue to kill Terminators into the 21st century. As a grandma surrogate and mentor to the next generation of leadership, we’ve no doubt the future is safe again. (Paramount/20th Century Fox)
Special Agent Dinah Madani (Marvel’s The Punisher). For the entire second season, Amber Rose Revah’s DHS agent was hot on the trail of taking down Billy Russo’s villain Jigsaw. Who knew she’d need to get through his psychiatrist first. She was always tough and good at her job, but proved herself in the final two episodes of the series. (Netflix)
Leia Organa(Star Wars: Rise of Skywalker). Princess or General, Carrie Fisher’s Leia Organa was one of the 1970s brand of kick-ass heroines, although we still wish she’d had the opportunity to show her stuff just as Rey was able to in the third trilogy movies. We prefer seeing her as she continued after the original trilogy in Timothy Zahn’s novels, the Dark Empire comics, and the 20 years of the Expanded Universe stories, where we saw her realize power as great as Luke and the rest of the Jedi Order. (Disney/Lucasfilm)
Captain Marvel(Captain Marvel/Avengers: Endgame). Brie Larson’s take on Captain Marvel was an end-to-end story about being tough and taking charge. An entry in the Marvel Cinematic Universe that didn’t fit the mold of past films, it allowed audiences to meet her for the first time and ramp up our appreciation for all she could do in short order. Soon enough she’d be integral to relocating Thanos after The Snap, and she’d return one more time in the final battle to try to turn the universe back to the way it was. (Disney/Marvel)
Cara Dune(The Mandalorian). A master of hand-to-hand combat as well as crack sharp-shooter, the latest Star Wars heroine (played by Gina Carano) helped the Mandalorian take down an AT-ST in their first go. Once a shock trooper with the Rebel Alliance and a fighter after the Battle of Endor, Cara is just the help the Mandalorian and The Child need going forward in the series. (Disney/Lucasfilm)
Sue Lynn Blackbird(Stumptown). Always the smartest person in the room, and ten steps ahead of everyone else, Tantoo Cardinal’s Sue Lynn runs the local Tribal Casino, but she does much more. She’s a businesswoman who always negotiates from the power position. Her leadership role means she has the power to excommunicate anyone who isn’t acting in the best interests of the tribe–or give them another chance. She’s also tough enough to forgive and mentor younger walking disasters she encounters from time to time. (ABC)
Emperor Philippa Georgiou(Star Trek: Discovery). We’ve always loved Michelle Yeoh, but the series writers for her latest character held back in the first season of the series. At last viewers got the full monte when the mirror version of the series lead character’s captain returned not only to help her, but to eliminate any who got in her way, and proceed to take over the secret spy agency of the prime world timeline. Up there with Jaylah from Star Trek Beyond, “Mirror Georgiou” is one of the new breed of badass Star Trek character.
Christine Gavin (Wu Assassins). Vikings star Katheryn Winnick makes her second showing on the list, this time as San Francisco undercover police officer Christine Gavin. Expecting to find the ringleader of a major crime syndicate, she began her work gaining the trust of a man in a local chop shop, only to discover a larger world existed beyond the world we see every day. Possessing some major martial arts skills and a street fighting manner, she didn’t lose a fight all season long, and helped battle evil in both dimensions. (Netflix)
Grace (Terminator: Dark Fate). Sent from the future to save a young woman who has the potential to go forward and lead a rebellion against a new technological apocalypse, Mackenzie Davis’s Grace stepped up to fight a new brand of Terminator. A human that volunteered to undergo enhancements to make herself into a full-fledged cyborg, she would fulfill her mission, giving the ultimate sacrifice for the future of humanity. (Paramount/20th Century Fox)
Huang Rong (The Legend of the Condor Heroes). Quick thinking with a photographic memory, Yitong Ling’s Rong’er met her future husband on one of her outings in beggar garb disguised as a man, practicing her skills as a thief and 13th century grifter. Young and easy to underestimate, with the witty banter of Buffy the Vampire Slayer and an almost supernatural ability to coerce anyone to do her bidding, her charismatic traits were only matched by her mastery of enough schools of martial arts to prevent anyone from learning who taught her. Raised on Peach Blossom Island by her father, she learned how to confuse an enemy, and is able to convince Hong Qigong to teach her even more, all in exchange for her cooking–hey, you can be a badass and also a master chef. (iQIYI)
Maudra Fara(The Dark Crystal: Age of Resistance). Refusing to recognize Seladon’s claim to the position of All-Maudra, she’d challenge her for the Living Crown. Fara assumed the title of Maudra after Vala, her mother, had been killed during the First Battle of Stone-in-the-Wood, and she would prove to be the fiercest of all the Gelflings, male or female. Who wouldn’t follow her into harm’s way? Alice Dinnean was the puppeteer behind the scenes, with Lena Headey supplying her voice. (Henson/Netflix)
Grace(Ready Or Not). Samara Weaving’s character Grace made for the perfect bride on her wedding day… who married into a family of psychopaths that required she first beat them in a wedding night game of hide and seek–to the death. A horror movie that was also a suspense thriller, Ready Or Not ran circles around the similar Knives Out from an entertainment and excitement standpoint. Grace had to shoot though her in-laws and extended family to survive the night, somehow finding the mettle to defend herself when the unthinkable became the thinkable–and for audiences it was so much fun! (Mythology/Vinson)
Vedek Kira Nerys(Deep Space Nine: What We Left Behind). In this year’s Deep Space Nine documentary, the creators of the series returned to give viewers a glimpse at what Season 8 would have looked like had they been able to continue, complete with Kira as Vedek, in charge of the space station and taking her seven year character arc into new places. It’s the same grit Nana Visitor gave to her performance, and the spirit of the original shown through as she joins with her former Starfleet colleagues at the show’s cliffhanger.
Agent Francesca “Frankie” Trowbridge (Whiskey Cavalier). Lauren Cohan’s Frankie had it all, and unfortunately for fans the show was canceled after only one season. But what a season! This agent was every bit 100% James Bond but she also used her looks and smarts to double as “Bond girl” when the mission called for it. In hand-to-hand combat or with a weapon, whatever bad guys the writers threw at her, nobody could get past her for long. (ABC)
Zan Hui(Wu Assassins). Cold and near emotionless, Hong Kong movie star JuJu Chan’s Zan was ruthless as henchwoman to the leader of the Triads. But she was also ambitious, and at her first opportunity she didn’t hesitate to act. Incredibly skilled in kung fu and street fighting as well as weaponry, she didn’t need the supernatural skills of the other characters to make an impact. (Netflix)
Two (6 Underground). Melanie Laurent’s Camille was ready to join One and his secret force of ghosts, undoing some of the damage she’d done while CIA operative. Quiet and saying little most of the time, she reveals to the squad’s hitman she knows all she needs to navigate international politics. Take down a government led by a murderous villain and replace him with someone better? Count her in. (Netflix)
Gunnhild(Vikings). An entire series could be written around Ragga Ragnars’ strong and proud warrior. As shield-maiden, she doesn’t hesitate to lead the fight with her sword onto the battlefield. Also kind and humble, she also doesn’t hesitate to make sure her niece and nephew are protected when she has a dream that they are in danger. As Queen of Kattigat she proves she’s the right person at the right time in history. (History)
Dex Parios(Stumptown). Taking a character from the comic books to the screen, Cobie Smulders made ex-Marine Dex her own. Her P.I. is a walking disaster, always “this close” to succeeding, and always trying to claw her way back from the last worst decision she could have made. Somehow she is able to look after her brother. She makes Jessica Jones look like a lightweight, always her own worst enemy. But if she keeps fighting back in this city, she may just make it after all. (ABC)
Amelia Wren (The Aeronauts). Nobody else on the list had to climb to the top of a balloon in freezing cold temperatures with frostbitten, unusable fingers at a height of more than 30,000 feet. And Felicity Jones’s Amelia Wren was based on a real person. Does it get more badass than that? That she was a composite character doesn’t matter–she’ll make audiences breathless as she performs one death-defying feat after another in her two-hour flight. (Netflix)
Bell Mallory(The Man in the High Castle). In the series’ alternate histore, while the Eastern United States was still being fought over by the Nazis and a small band of resistance fighters, Frances Turner’s Bell Mallory rescued San Francisco and led a revolt that removed Japanese occupation from the entire west coast. Undercover op? Whatever it takes. A strategist and brains behind taking out a slew of leaders, she knew who to trust and who not to, and her decisions helped put the U.S. back into American control. (Amazon Studios)
Deet(The Dark Crystal: Age of Resistance). The nicest gelfling of the Grottan clan you could ever meet, she befriends plant and animal alike. Once she experiences a vision by touching Vliste-Staba, the Sanctuary Tree located in the Mountains of Grot, the nature loving soul joins the resistance. And when the Skekses are ready to destroy Thra, she is the only one who can muster the power to stop them. An unlikely hero, we don’t yet know the extent of the price she paid for restoring the balance of Thra. Performers Beccy Henderson and Nathalie Emmanuel couldn’t have created a better heroine. (Netflix)
And that’s this year’s list. Keep coming back the remainder of this month as we reveal the rest of our Best in Film, Best in TV, and Best in Print, and our borgHall of Fame inductees for 2019.
Want to see previous years’ kickass genre heroines? Here are 2018, 2017, 2016, and 2015.
It’s not historical fact as much as a depiction of an era, but Amazon′s original movie The Aeronauts has a gorgeous look with plenty of historical elements. We previewed the first trailer for the film two months ago, and Amazon just released the next. The film is billed as biographical adventure, and that comes from its depiction of Eddie Redmayne(Fantastic Beasts) as real-life balloonist James Glaisher. Glaisher, with another British aeronaut named Henry Coxwell, beat the world flight altitude record by reaching nearly 39,000 feet with a hot air balloon. For the Amazon production Coxwell is being swapped out for a fictional character played by Rogue One’sFelicity Jones. Both Jones and Redmayne were nominated for Oscars for The Theory of Everything, with Redmayne taking home an award. Jones’ character in this film will be an amalgam of the first woman who was a professional balloonist, Sophie Blanchard, and another famous aeronaut of the era, Margaret Graham.
Even if you dismiss the elements that aren’t historical, you’re left with a big budget steampunk era film, which is a rarity for fans of the genre, The Aeronauts had top designers re-create the 1860s. Alice Sutton, who was production designer on Bohemian Rhapsody, is production designer on this film (as well as next year’s Emma adaptation starring Anya Taylor-Joy). The historical costumes were created by Alexandra Byrne, Oscar-winner for Elizabeth: The Golden Age, and she’s known for her work on Marvel movies Doctor Strange, Guardians of the Galaxy, Thor, The Avengers, and Avengers: Age of Ultron, plus The Phantom of the Opera and Kenneth Branagh’s Hamlet.
Take a look at the new trailer for Amazon’s The Aeronauts:
It’s not historical fact as much as a depiction of an era, but Amazon′s forthcoming original movie The Aeronauts has a gorgeous look with plenty of historical elements. It’s billed as biographical adventure, and that comes from its depiction of Eddie Redmayne(Fantastic Beasts) as real-life balloonist James Glaisher. On this day in September 1862, Glaisher with another British aeronaut Henry Coxwell beat the world flight altitude record by reaching nearly 39,000 feet with a hot air balloon. For the Amazon production Coxwell is being swapped out for a fictional character played by Rogue One’sFelicity Jones. Both Jones and Redmayne were nominated for Oscars for The Theory of Everything, with Redmayne taking home an award. Jones’ character in this film will be an amalgam of the first woman who was a professional balloonist, Sophie Blanchard, and another famous aeronaut of the era, Margaret Graham.
Besides having the greatest steampunk title you can think of, The Aeronauts had top designers re-create the 1860s. So even if we’re not going to get historical accuracy, this seems like it may provide a good feel for an era that hasn’t seen much screen-time outside the fictional realm of the steampunk genre. Alice Sutton, who was production designer on Bohemian Rhapsody, is production designer on this film (as well as next year’s Emma adaptation starring Anya Taylor-Joy). The historical costumes were created by Alexandra Byrne, Oscar-winner for Elizabeth: The Golden Age, and she’s known for her work on Marvel movies Doctor Strange, Guardians of the Galaxy, Thor, The Avengers, and Avengers: Age of Ultron, plus The Phantom of the Opera and Kenneth Branagh’s Hamlet.
Take a look at the trailer for Amazon’s The Aeronauts:
Perhaps it is in part because of the influence of Lucasfilm President Kathleen Kennedy, but it looks like finally, after decades of 100 male Star Wars action figures for every one female figure for kids to play with, times may be changing. It was sad for two generations of girls–and boys–that you could quickly list all the named women characters of Star Wars, both from the original trilogy: Leia, Aunt Beru, and Mon Mothma, and only a few more with the prequels: Padme, Shmi, Adi Gallia, Zam Wesell, Dorme–and Beru again–with even fewer made into toys that would allow kids to see themselves in Star Wars characters. Disney was surprisingly slow to integrate Daisy Ridley’s Rey into all the various toy lines early last year, but recent announcements indicate the franchise is trying to catch up. A new line of 11-inch format dolls from Hasbro looks to be a step in the right direction.
One of this weekend’s Star Wars Celebration 2017 announcements is Disney and Lucasfilm’s Forces of Destiny, a series of animated shorts highlighting the heroism of the women of Star Wars. Although it would seem adding the women of Star Wars to each of the other toy lines in the franchise also makes sense, Forces of Destiny attempts to bridge action figures and the traditional Barbie-type 11-inch doll. The release announcing the new doll line made clear that these toys aren’t about make-up, mirrors, and dresses. “Star Wars Forces of Destiny is for anyone who has been inspired by Leia’s heroism, Rey’s courage or Ahsoka’s tenacity,” said Kennedy.
The toy line is also taking a cue from a successful G.I. Joe toy series, calling the toys “Adventure Dolls,” which will feature hands that can hold weapons and feet that aren’t pointed like traditional dolls (that were intended to allow for high heels). The Forces of Destiny dolls will be anchored by a web series of animated features in July, followed by an eight-part series on the Disney Channel this Fall that will include the voices of the actual Star Wars film actresses, including Daisy Ridley (The Force Awakens’ Rey), Felicity Jones (Rogue One’s Jyn Erso), Tiya Sircar (Star Wars Rebels’ Sabine), Ashley Eckstein (Star Wars Rebels’ Ahsoka) with narration by Lupita Nyong’o (The Force Awakens’ Maz Kanata).
Here is a preview for the new Star Wars Forces of Destiny:
How can a movie get better on repeated viewings? What makes that possible? After three viewings of the home release of Rogue One: A Star Wars Story–the Digital HD edition, the Blu-ray, and the 3D Blu-ray–it’s apparent the film on repeated viewings is indeed as good as the initial theatrical viewing if not better, a rare feat in any genre. Naysayers who didn’t like the CGI effects of Grand Moff Tarkin and Princess Leia–the primary criticism of the December theatrical release–should find even a home theater big screen television will mask any distractions seen on a 30-foot theater screen. The Blu-ray and 3D Blu-ray provide the best, clearest picture and sound of any prior Star Wars release. The 3D transfer is as good as any 3D Blu-ray release to-date, and the special effects, clothing details like stitches and seams are clear and vivid, as is the weathering (or lack thereof, when logical) on props. As with most 3D movies, outdoor scenes, like the Scarif ground battle, are even more vivid with sharp foregrounds and backgrounds. Check out the complete review of the film from December here.
The special features disc includes a version of the bonus features viewable together as an entire documentary and also viewable by chapter. The extra disc available through Target stores only includes two short extra chapters, and although the creature shop feature is excellent the two extras wouldn’t normally be enough to tilt a buyer toward the Target edition–costs being the same–and some may instead opt for packaging, like Steelbook boxes (Best Buy only) or Connexions cards (available only in the Wal-Mart edition). Fun bits in the features to look for include Bodhi actor Riz Ahmed’s audition tapes for Edwards, a feature documenting many Easter eggs from the show even the best eye likely never identified, and interviews with motion capture actors Guy Henry (Grand Moff Tarkin) and Ingvild Daila (Princess Leia), both who look little like Peter Cushing or Carrie Fisher, proving that simply using lookalikes or prosthetics would not have been a realistic option for re-creating these characters. The standard bonus features included with the bundles are K-2SO: The Droid, Baze & Chirrut: Guardians of the Whills, Bodhi & Saw: The Pilot & the Revolutionary, The Empire, Visions of Hope: The Look of Rogue One, The Princess & the Governor, Epilogue: The Story Continues, and Rogue Connections (the Easter eggs list).
Rogue One easily merits ranking as the third best film in the series after Star Wars: A New Hope and The Empire Strikes Back–but truly in a league with those two films. One of the best war movie stories put to film, the best prequel or prequel that is also a sequel (yes, even considering the great Godfather II), the best space battle, the best use of spaceship filming (director Gareth Edwards avoids 2001: A Space Odyssey and Star Trek: The Motion Picture-era overly-long ship takes and instead uses his imagery only as necessary to drive the story forward), while featuring one of the all-time best heist movies.
A Monster Calls explores the death of a parent by a young child, how a child might deal with death, and the death of daughter from the perspective of a mother. It is a film with a complicated past. The story originated with author Siobhan Dowd, who died before the idea for the book was very far along. Writer Patrick Ness was given her notes and created the novel in 2011, illustrated by Jim Kay, that would go on to win the Carnegie Medal. For the movie adaptation the story was further revised by Ness as screenwriter, and again by director Juan Antonio Bayona who added an art focus for the film’s little boy, an element reflecting the director’s own youth.
In A Monster Calls: The Art and Vision Behind the Film, approximately a third of the book is devoted to interviews with the cast and crew, a review of the film’s heartbreaking story of loss and an Ent-like monster accompanying a boy on a difficult journey. The interviews reflect a vast array of views and approaches to the story–everyone involved with the film has a surprisingly different twist on the story and its meaning. We hear from director J.A. Bayona, author/screenwriter Patrick Ness, actors Liam Neeson, Felicity Jones, Sigourney Weaver, Toby Kebbell, and the young star Lewis MacDougall, as well as director of photography Oscar Faura, producer Belén Atienza, line producer Sandra Hermida, editors Bernat Vilapalana and Jaume Martí, sound designer Oriol Tarragó, and composer Fernando Velázquez.
Along with its serious topic, the book and movie have fantastical elements, and A Monster Calls: The Art and Vision Behind the Film accordingly provides insight into the creation of the titular monster, Liam Neeson’s first foray into motion capture acting as the monster, concept art, site location selections, animated sequences, model work, make-up, costume renderings, and CGI. We learn how the miniature work came together, and how the visual and sound effects were created for key scenes, including trial work for effects that did not make it into the film.
What better way to celebrate the strong, determined leader Leia Organa made famous by actress Carrie Fisher than to celebrate her legacy in the genre heroines of today? What do most of the characters on this year’s list of Best Kick-Ass Genre Heroines have in common? Most have roles that could easily be swapped with a male. Sure, you can have heroine characters who are written to largely rely on traditional female qualities, but women characters bending gender roles are breaking new grounds. We met characters this year who were held back in their place in time by their status as women, and it is often that role that prompts them to gain the fire and passion necessary to become the heroine of their stories. So we have both a dress-wearing, well-read 19th century Jane Austen character on our list, but also a space-faring criminal in combat boots, a sea captain, an alien survivor, an alien visitor, a warrior, a sorcerer, a group of clones, a gunslinger, two cops, a zombie, and a supernatural assassin.
In past years we were able to select our Best Kick-Ass Genre Movie Heroine and Best Kick-Ass Genre TV Heroine, but this year the studios gave us more to cheer about than ever, and instead of ranking them we’re highlighting the very best from an unprecedented slate of heroines, with characteristics to learn from and emulate. Determined, decisive, loyal, brave, smart, fierce, strong. You’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Some may be frazzled, put-upon, war-weary, very human, resulting from trying circumstances, personal losses, and even death of friends and family. But they all mustered up the strength to rise above it all. These are the Best Kick-Ass Genre Heroines of 2016:
Sara (The Huntsman: Winter’s War). Heroines can be medieval or fairy tale warriors, a trained Huntsman quick with a bow and arrow or two-handed swordplay. Jessica Chastain’s Sara was never seen in Snow White and the Huntsman, but we quickly learned why Chris Hemsworth’s Eric was filled with despair when learning of her supposed death. A loyal warrior to her queen, she must decide whether to join her excommunicated secret husband against the forces of evil or stand with Queen Freya and her manipulative sister. A powerhouse trio of actresses, Chastain’s Sara rises above them all opposite Emily Blunt and Charlize Theron in this great fantasy film.
Elizabeth Bennet(Pride and Prejudice and Zombies). You already know Elizabeth Bennet as the eldest sister in the classic Jane Austen novel Pride and Prejudice. An obnoxious mother harassing her, unlikely prospects for marriage, and an oppressive society with little opportunity to make her own choices. Readers finally get to witness how the classic character might react when given opportunity–opportunity to learn Eastern mysticism and Japanese martial arts, and a role where she and her sisters and friends can fully defend their family and home from a zombie onslaught. Lily James couples lacy dresses, Regency manners, and in-your-face, Quentin Tarantino-inspired kicks, with classic swordplay–and bloody beheadings. If a war is coming, you want the likes of Elizabeth Bennet on your side of the battle lines.
