Review by C.J. Bunce
Author Greg Keyes is back again after his smartly written novels War for the Planet of the Apes: Revelations and Dawn of the Planet of the Apes: Firestorm with the newly released novelization of Godzilla: King of the Monsters. Keyes takes what is a convoluted and overstuffed story on film and fleshes out the details of character motivations and plot points, revealing the film really had enough content to be released over two movies. Keyes’ novel is based on the screenplay by Michael Dougherty and Zach Shields, and a story by those men along with Max Borenstein. Of course a story credit goes to the many Japanese creators’ works over the past 65 years that the film’s kaiju monsters were mined from. If you can get past the family of humans that the plot of the latest film revolves around, there is a good story of monsters rising from the ashes that should appeal to any Godzilla fan.
Each chapter begins by pulling the reader into the in-universe historicity of the giant antagonists by quoting myths, historical works, hymns, native poems, and notable stories that make reference to large creatures, ancient gods, and the end of days. It’s a clever tool, citing works including Yeats’ The Second Coming, The Epic of Gilgamesh, Bacon’s Novum Organum, The Popul Vuh, Tennyson’s The Kraken, Hesiod, the Egyptian Book of the Dead, and Job. It all provides some minimal justification for the constant character references to the monsters as Earth’s ancient gods, as opposed to any attempted sourcing in the scientific record with something like dinosaurs or some kind of Michael Crichton-esque twisted re-creation.
In his novelization Keyes follows the film substantially verbatim, adding some improvements along the way, like specific references to Kong at Skull Island, which merits only an end-credit montage sequence in the film. This is good preparation for the next film in the series coming next year, Godzilla vs. Kong. He also provides information that is glossed over in the movie–who are the people affected by the monsters that don’t get the spotlight, those outside Godzilla, Ghidorah, Mothra, and Rodan? We learned in the film there were at least seventeen Titans creatures guarded by gated, Monarch outposts, many via names on monitors audiences could blink and miss.
recalls Nick Park’s Wallace & Gromit animated shorts, good company for this visual treat completely without words.
