Tag Archive: Jack Kirby


Review by C.J. Bunce

If you’ve read his book James Cameron’s Story of Science Fiction (reviewed here) or watched his accompanying series, you can tell that James Cameron is first and foremost an artist.  With an artist’s eye he has created some of the biggest science fiction movies ever made, from The Terminator to Aliens to The Abyss and Avatar.  For the first time Cameron is revealing the contents of his sketchbooks and personal art archives and discussing his creative process and inspiration.  Insight Editions’ giant chronicle Tech Noir: The Art of James Cameron, arrives in bookstores next week and available for pre-order here.  Fans will find a collection of rare and never-before-published art that reveals how this award-winning director has translated his ideas to film, often employing advanced film-making technologies to realize his unique vision.  But as readers will find, it all begins with pen, pencil, and paint.

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Review by C.J. Bunce

One of writer Stan Lee and artist Jack Kirby’s most famous creations is the subject of a new coffee table book from Abrams ComicArts.  Reprinted at nearly 9 inches by 12 inches, Fantastic Four No. 1 Panel by Panel, a new hardcover edition of The Fantastic Four, Issue #1, is going to be one for big fans of the characters.  Unlike 2005’s book Maximum Fantastic Four, which included one panel per page in a 9″x12″ format with re-colored and enhanced artwork, Fantastic Four No. 1 Panel by Panel features color, blown-up scans of each page in its original context with all its Ben Day halftone dots jumping off the page.  The book is out this week and available here at Amazon.  And it has much more than a close-up look at this seminal issue in the history of comics that is worth checking out.

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Founded in 1939 by Martin Goodman as Timely Comics, then re-branding as Atlas Comics, becoming a household name in 1961 thanks to the inspiration of creators Stan Lee, Jack Kirby, and Steve Ditko, hitting its low in bankruptcy, but rising like the Phoenix to become a movie franchise and Disney property in the 21st century, Marvel Comics has seen eight decades of change.  A new hardcover book aims to chronicle all that.  Marvel: The First 80 Years–The True Story of a Pop-Culture Phenomenon is coming your way next month.

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In a normal year for San Diego Comic-Con, we at borg would be taking photos and checking out the new products, panels, and movie trailers, and trying to share as many as possible.  But first we’d go through the badge line and get our annual, over-sized haul bag, which we’d probably keep folded up anyway because it makes it difficult to move around.  But with that bag is the annual “Comic-Con book,” which is not a comic book, but an official book about half of a medium-sized city telephone directory (what’s a telephone directory?).  The book would be full of discussions about anniversaries of comic and pop culture events and salutes to individuals who have gained some portion of iconic status for fanboys and fangirls everywhere.  But you never read this during con week.  Why?  You’re too busy trying to cram in all you can before the show is over.  Sometimes you don’t even find this book until two months after you get back home after the con and are revisiting your swag.  This year, the SDCC staff has made it possible for everyone to download a copy of that book.

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It’s one heckuva daydream for your cat.  What if he went off to outer space to save us from a looming threat?  That’s the challenge for the cat named Lou in the sci-fi graphic novel Strayed.  Writer Carlos Giffoni teamed-up with artist Juan Doe in a five-issue mini-series that has now made its way to a collected trade paperback edition.  In the future a military-industrial complex reigns over all humanity and actively destroys distant alien worlds.  The galaxy’s only hope can be found through an unlikely pair: an astral-projecting cat named Lou and his human Kiara.  Can they save us all?

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Review by C.J. Bunce

Following up on its successful look behind the entire Star Wars saga in The Moviemaking Magic of Star Wars: Creatures and Aliens (reviewed earlier here at borg), Abrams Books is bringing home the characters of Avengers: Endgame and the Marvel Studios long journey to get there in its new release The Moviemaking Magic of Marvel Studios: Heroes and Villains Incorporating its trademark interactive Cinemagic features, including booklets, interactive flaps, and accordion fold-out images of the concept art behind every major Marvel Studios superhero, Abrams has nicely timed this book for fans of the franchise who can’t get enough of the latest MCU film.  Full of color photographs and interviews with the producers, directors, art designers, costume and prop makers, and special effects magic makers behind the 21 films leading up to Avengers: Endgame, writer Eleni Roussos (The Art of Black Panther, The Art of Thor: Ragnarok) has pulled together behind the scenes insights that offer something new for even the most diehard fan.

Which characters wore practical, real-life costumes and armor, and which required motion capture and/or CGI effects?  What was the key element included in Marvel’s Avengers that Joss Whedon required to be added before he agreed to direct the film?  What do the contributors agree was the smartest strategic decision made for the Marvel films?  How did each artist convert the character from the comic book page to the finally constructed costume that appeared on the big screen?  What effects were the most challenging for each film?

Altogether The Moviemaking Magic of Marvel Studios: Heroes and Villains spotlights more than 100 individual superheroes, on-screen support crew, and the most colorful and memorable villains from the series, with significant creative and visionary contributions from Marvel Studios president Kevin Feige, directors Anthony Russo, Joss Whedon, and Peyton Reed, visual development executive Ryan Meinerding and artist Andy Park, and costume designers Rebecca Gregg, Laura Jean Shannon, Mayes Rubeo, Alexandra Byrne, Anna B. Sheppard, Judianna Makovsky, Sheldon Differ, Louise Frogley, and Ruth Carter.

Take a look at this giant preview of The Moviemaking Magic of Marvel Studios: Heroes and Villains below, courtesy of Abrams Books:

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Review by C.J. Bunce

A new edition of a book about the popularity of Fawcett Comics‘ original Captain Marvel, the world’s mightiest mortal–the superhero renamed Shazam and featured in a new movie this month starring Zachary Levi–will be the perfect trip through time for fans who have enjoyed the character in his many stories going back to his debut in 1939.  My personal favorite Captain Marvel stories can be found in the original Whiz Comics (all in the public domain and available to read online now here) and as drawn by Alex Ross in his landmark graphic novel with Mark Waid, Kingdom Come.  For the first time in a softcover edition, Chip Kidd’s Shazam: The Golden Age of the World’s Mightiest Mortal has been reprinted by Abrams ComicArts just in time for the release of the film, Shazam!

For those not in-the-know, this is the Captain Marvel who now goes by Shazam (the word that causes him to bring forth his powers)–the one owned by DC Comics today, and not the one owned by Marvel Comics and also in theaters now in the movie Captain Marvel (reviewed here at borg).  Shazam: The Golden Age of the World’s Mightiest Mortal is a historical work, and it doesn’t hesitate to use the name he’s always been known as by his fans.  As told by writer Chip Kidd, the Captain Marvel fan club had 400,000 people in it in its best year in the 1940s, and Fawcett projected 40 million followers of the character in books and film.  Captain Marvel books sold 1.3 million copies per month, not a common feat even today.  Does anything approach that kind of fan club status today?  At the height of the character it was more popular than Superman and Batman, and so of course the character had hundreds of tie-in products.

Readers will marvel over a reprint of the entire story from Captain Marvel Adventures, Issue #1–created by two then unknowns: Jack Kirby and Joe Simon, and reprints of several colorful covers from Whiz Comics, Captain Marvel, Captain Marvel, Jr., Mary Marvel Comics, WOW Comics, Master Comics, America’s Greatest Comics, Spy Smasher, and even Hoppy, the Marvel Bunny, plus pages of scans of original comic pages from ex-Fawcett staff.

The book uses photographs from a collection of some of the scarcest superhero collectibles known, including images of books, toys, and paper ephemera for Captain Marvel and the entire Marvel Family–superhero kids like Billy Batson–the boy who turns into Captain Marvel–and his friends who use the Shazam powers but remain as kids.

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Today writer Dan Slott and artist Sara Pichelli are bringing back the title Fantastic Four to Marvel Comics with a re-launch beginning with part one of a new Issue #1 story, “Fourever,” arriving at comic book stores today.  Marvel Comics sidelined the team of Reed Richards, Sue Storm, Ben Grimm, and Johnny Storm since the end of its Secret Wars series.  Now fans of the team and “The World’s Greatest Comic Magazine” will find out what they’ve been doing since then.  We’ve gathered the dozens of cover options available for this issue, shown below.

As Marvel states in its marketing materials for the new series:

A void no other team can fill.  And it’s time for the world to move on.  But can it?  A life-changing decision by the Thing!  A momentous declaration by the Human Torch!  A clarion call-to-arms that summons Doctor Doom!  And a signal in the sky that heralds the return of hope to the Marvel Universe!  All this, and Alicia Masters adopts kittens!  So cute!  Plus, the Impossible Man!

Marvel has amped up its cover artists yet again for the variant covers for this latest of several recent renumberings of main titles.   So you’ll find covers from Alex Ross, Artgerm, Art Adams, Adam Hughes, Steve Epting, Sara Pichelli, Esad Ribic, George Perez, Mark Brooks, Skottie Young, Simone Bianchi, Joe Quesada, Eric Powell, Humberto Ramos, Nick Bradshaw, Mike Wieringo, Jack Kirby, John Cassaday, Emanuela Lupacchino, Walt Simonson, Rob Liefeld, Jen Bartel, Will Sliney, Mike Mayhew, Bill Sienkiewicz, and many more–more than 55 including virgin art and blank covers, most new, some pulled from archives of artists of the past, plus some homages to comic book covers from the past.

  

Bonus stories will be included in the issue by Simone Bianchi and Skottie Young.  New Fantastic Four pins and backerboards will also available at some comic book stores today.

Take a look at all these covers we spotted:

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Synthesizing and consolidating 30 years of X-Men lore, writer/artist Ed Piskor surprised everyone last year with his first issue of a groundbreaking new series X-Men: Grand Design With a retro look only he–or several of the best classic artists of the past coming together–could create, Piskor brought to a new generation of comic book readers a way to catch up on a lifetime of Marvel Comics.  All in a single mini-series.  It’s all coming together in six issues.  The first two issues, discussed here at borg.com and available in a new trade compilation at Amazon here, were successful sell-throughs, immediately going to second printing.  The middle chapter (Issues #3 and #4) subtitled Second Genesis begins tomorrow with Issue #3.  Take a look below at some preview pages from tomorrow’s issue.

The series is printed on a classic newsprint type of paper stock with unique inks and trademark white inks that really pop on the page.  What Piskor has called a love letter to the medium of comics as much as a love letter to decades of X-Men comics, the series was inspired by several artists, including the obvious ones:, Robert Crumb and Jack Kirby, but also Jim Steranko, John Byrne, Alan Silvestri, Jim Lee, Katushiro Otomo, and Moebius.  When you flip through one of these issues it brings back sitting on the curb reading when you were a kid.

Elite Comics will have plenty of these available tomorrow in case you forgot to add them to your pull list.  If your nearby comic book shop doesn’t have it you may have a long wait, as the trade X-Men: Grand Design–Second Genesis Treasury Edition isn’t coming until October.

Here’s the preview:

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Berkeley Breathed, Mike Mignola, Lynn Johnston, Joe Jusko, Kevin Eastman, Freddie Williams III, JK Woodward, Scott and David Tipton, Marc Andreyko, Bobby Moynihan, and cast from Wynonna Earp, are among dozens of comic book and television creators to be featured at signings and panels hosted by IDW Publishing at next week’s 49th annual San Diego Comic-Con.

As you’d expect IDW will also be bringing to Booth #2743 lots of comic book exclusives and special edition hardcover format books.  You’ll find Jack Kirby, Jim Starlin, and John Byrne Artist’s Editions, plus comics featuring Star Wars, Star Trek, X-Men, Teenage Mutant Ninja Turtles, DuckTales, Danger Girl, Judge Dredd, My Little Pony, Sonic, Transformers, Ghostbusters, Sword of Ages, and more, including several exclusive variant covers only available at SDCC 2018.

Get more information on all the SDCC 2018 exclusives from IDW at the publisher’s website here.

Here are the announced exclusives from IDW, followed by IDW’s signings and panels:

Jack Kirby’s Heroes & Monsters Artist’s Edition, Heroes Convention Variant
Cover by Jack Kirby
$150, Limited to 100 units
15” x 22”
Many of Jack “King” Kirby’s most iconic heroes (Captain America, the X-Men, Ant-Man, and Sgt. Fury) join seven of his best monster stories in this collection, plus a gallery section filled with covers and pin-ups.  Debuting at this year’s SDCC is the variant cover featuring Tales of Suspense #98 — Captain America versus Black Panther.

Jack Kirby’s Heroes & Monsters Artist’s Edition, Monsters Convention Variant
Cover by Jack Kirby
$150, Limited to 100 units
15” x 22”

Jim Starlin’s Marvel Cosmic Artifact Edition, Signed Convention Variant
Cover by Jim Starlin
$150, Limited to 100 units, each with a bound-in signature plate signed by Jim Starlin.
12” x 17”
This Artifact Edition focuses on Jim Starlin’s beloved Warlock, Thanos, and Captain Marvel, stories that shaped the Marvel Universe for decades. Debuting at this year’s SDCC is the variant cover featuring Marvel Two-In-One Annual #2 with Thanos fighting Spider-Man and the Thing.

John Byrne’s X-Men Artifact Edition, Signed Convention Variant
Cover by John Byrne
$150, Limited to 100 units, each with a bound-in signature plate signed by John Byrne.
12” x 17”
John Byrne’s run on the X-Men that introduced Alpha Flight and created the near-mythical storylines “The Dark Phoenix Saga” and “Days of Future Past!”  Debuting at this year’s SDCC is the variant cover featuring X-Men #133, where Wolverine goes berserker-style on the Hellfire Club.

Joe Jusko’s Marvel Masterpieces Hardcover Convention Variant
Cover by Joe Jusko
$75 each, Limited to 150 units
Joe Jusko’s complete Marvel Masterpieces painted trading card art from the 2016 Upper Deck set is collected in its entirety for the first time — more than 130 never-before-seen masterpieces, including hard-to-find premium cards.  Debuting at this year’s SDCC is the variant cover featuring a new painting of the Incredible Hulk.

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