Tag Archive: Jamie Lee Curtis


jason 2021

It’s been a little more than a year since we said it.  Now the distributors of Halloween Kills are doing exactly as we’d hoped.  The latest installment in John Carpenter’s original slasher movie series has been ready for viewing since early 2020.  Halloween Kills was wisely kept from theaters a year, so the studio released a teaser then and another earlier this year to keep us interested.  The excuse for not just streaming the movie to viewers was always that the filmmakers didn’t want audiences to have a “compromised theatrical experience.”  We suggested streaming it for Halloween last year here at borg, because it just makes financial sense.  And guess what?  They must have changed their minds.  This Halloween we get a 1980s style celebration with another Halloween movie entry streaming at home for anyone and everyone who wants to see it.  Now it will be released the same day as in theaters via Peacock’s Premium streaming platform.  That’s not the free version we bragged about a few weeks ago here, but the version you can subscribe to for as little as $4.99 per month.  So instead of dropping $20-40 in a crowded theater at the height of the second year of the pandemic, you can just stay home with the fam and watch it for less than five bucks.  That’s going to be great for the streaming service, as it’s sure to be the top bet this Halloween weekend.  Then you can hang around for some of the best classic TV series available on any current platform.  Plus, we now have a full preview of a new Carpenter music track from the film.  Check it out below!

Continue reading

1098-Halloween-Kills-Official-Traile

Originally scheduled for an October 2020 release, this next installment in John Carpenter and Debra Hill’s original blockbuster horror franchise is the direct sequel to 2018’s Halloween, a pretty good third (or fourth or fifth) effort to reboot the series and the highest grossing movie (but not the grossest) in the franchise, which we reviewed here at borg.  The delay for Halloween Kills necessitates the delay to October 2022 for the 13th and “final” film in the series, Halloween Ends.  The odds that will really be the last Halloween?  Probably something like 3,720 to one, but this next film seems like it’s likely Jamie Lee Curtis’s last turn as Laurie Strode.  Curtis, Judy Greer, Andi Matichak, Nancy Stephens, Charles Cyphers, and Nick Castle as Michael Myers are back, joined by grown-up Kyle Richards, plus Anthony Michael Hall and Robert Longstreet.

It’s been a year since we saw the teaser for this movie here at borg.  The new trailer telegraphs an even gorier slasher flick than the last.  If you dare–here is a look at Halloween Kills:

Continue reading

Happy holidays!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2021!  But wait!  Next year’s list sure looks a lot like the the films we previewed last December.  The covid pandemic has delayed hundreds of film projects, but some made it through.  When you walk back through last year’s list and compare it to movies released after theater lockdowns, you get some insight into how Hollywood thinks.  Big movies and movies predicted to be successes were universally held back, while less popular films were released to low box office returns from theaters that remained open, and yet other films went directly to home streaming or related media platforms.

Last year we pulled 85 of the hundreds of films then slated for the 2020 movie calendar.  The first two dozen made it to theaters (films like Underwater, Dolittle, and Birds of Prey) before the national shift began on March 11 with news of the NBA reacting to the pandemic by suspending pro basketball–the first national awareness of the scope of the problem.  Suddenly we saw Vudu and other home platforms coming to the rescue for our entertainment fix, adding a new Theater at Home option, which captured movies like Anya Taylor-Joy’s Emma, Vin Diesel’s Bloodshot, and the animated Scoob!  Disney began an interesting tiered release of Mulan, which for half the year showed a studio doing its best to maximize returns on what would have been a key release in any other year.  After another delay The New Mutants made it briefly to theaters followed by home release after three years of getting kicked aside as the last vestiges of the Disney-Fox merger were shaken out.  Other films, like Vast of Night, Extraction, The Old Guard, Rebecca, Radioactive, and Fantasy Island safely premiered on Netflix and Amazon Prime, with Chris Hemsworth’s Extraction standing out as the clear popular winner–the entire world needed some new entertainment and after what would only be the first of several months of shelter-at-home, it tentatively filled the void.

So our predictions for the year’s big genre films were flat wrong, every single one except Mulan was delayed to 2021, including Ghostbusters: Afterlife, Black Widow, No Time to Die, a new Fast & Furious, Tom Clancy’s Without Remorse, and superhero flicks Venom 2, Eternals, and MorbiusWonder Woman 1984 is expected to have a theatrical release by year end.  Altogether 35 of last year’s 85 movies previewed on our annual list are back again below, plus we found more than 35 new genre films we think will appeal to borg readers.

So what’s left and what’s new?

Grab your calendar and start making your plans–here are the movies you’ll want to see in 2021.  Then compare the below list to our 2020 list, and look back to the 2019 list, 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list.  Last year we noticed studios moving genre content from the big screen to the small screen via streaming services, and the pandemic only stepped up that migration.  Note:  Warner Bros. has reported it will issue its 2021 releases simultaneously on HBO Max.  Netflix has mostly dramas slated for 2021, but a few genre films are in pre-production, so expect a few surprises throughout the year.  Amazon Studios has fewer, most partnerships with Blumhouse Productions.

As we learned well this year, many of these films will have revised release dates, and even get pushed to 2022.

January

Mortal Kombat Based on the video game.  New!  Tentative release date: January 15, 2021.  HBO Max.

Wrath of Man Next Jason Statham action flick.  New!  Tentative release date: January 15, 2021.

The French Dispatch.  Wes Anderson and his familiar actors in new quirky film about journalists.  New!  January 28, 2021.

The DigA film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan.  January 29, 2021.  Netflix.

Continue reading

We all know what that jack-o-lantern feels like.  We learned this past week the latest installment in the original slasher movie series is ready to go.  But the sequel and second part of the most recent Halloween trilogy, Halloween Kills, is being delayed a year until October 2021, so the studio released a teaser (below) as a sort of consolation prize.  The excuse for the delay is that the filmmakers don’t want audiences to have a “compromised theatrical experience.”  So how about showing it through all the available streaming channels this Halloween?  Is holding back a movie that is ready for release because of the COVID-19 pandemic really the best financial move they can come up with?  It can’t be.  With not just the United States but a fair chunk of the movie studios’ international market at home, it’s inconceivable that the studios aren’t working out deals to get new movies in front of home audiences now, audiences who are starving for new movie content.

Continue reading

Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

Continue reading

Review by C.J. Bunce

Like an episode of Monk or Murder She Wrote, the next film from writer/director Rian Johnson (Looper, Star Wars: The Last Jedi) is a straightforward mystery.  Knives Out comes in on the heels of the similar looking Ready Or Not, and it’s a mash-up of sorts, aiming to have that ensemble cast variety of the last Thanksgiving movie release mystery, Murder on the Orient Express, while trying to bring back the nostalgia of the famous comedy whodunnit movie, Clue.  It’s the 85th birthday of the family patriarch and the families of his three children arrive to celebrate.  The next morning the patriarch is found dead.  Arriving in theaters next week and marketed toward the Thanksgiving holiday crowd, Knives Out turns out to be a mixed bag.

The reason to check it out is as you’d expect: the cast.  The cast choices would be a dream assemblage for any film.  James Bond Daniel Craig facing off against Captain America Chris Evans?  Legend Christopher Plummer delivering a performance as good as his last Oscar-winner?  Jamie Lee Curtis, Michael Shannon, and Toni Collette playing against type?  And top it off with Don Johnson, poised to have his own career second wind as a leading man.  But the real star performance comes from Ana de Armas (Blade Runner 2049).  de Armas, a ringer for a Tru Calling-era Eliza Dushku, plays a nurse to Christopher Plummer’s character.  Incredibly charming and engaging, de Armas is also given the biggest opportunity to show the most emotional range in the film.  A plus for Bond fans, this movie will serve as a preview of sorts for movie audiences of No Time to Die, as de Armas plays the next “Bond girl” opposite Daniel Craig’s master spy in theaters next spring.

Not a recommended movie for taking on a date, and ultimately a questionable choice for Thanksgiving, one of the conceits (which may take viewers outside the realm of reality) is a character who vomits with each lie.  By the end of the film it becomes an in-your-face gross-out, making viewers watch one character… covered… for an entire scene.  As a story element this “human lie detector” is also a writers’ crutch, a trick that skips over some story challenges viewers would normally be able to work through on their own.

Continue reading

It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 25 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and cheer on.  Determined, decisive, loyal, brave, smart, fierce, strong (and, okay, sometimes evil), you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

In 2018 these characters broke new ground, and unlike last year’s great list, this year’s selections would not have worked as well had the characters been swapped for males.  We had a former MI-5 agent, bounty hunters, assassins, doctors, defenders, advanced superhumans, superheroines, warriors, witches, and even a few cyborgs–with a roster evenly split between television and movie characters.

Better yet, here’s something we haven’t said before.  Several of our selections this year were played by women over 50.

These are the Best Kick-Ass Genre Heroines of 2018:

Enfys Nest (Solo: A Star Wars Story).  For the first half of Solo: A Star Wars Story, Enfys Nest was the leader of a band of pirates, a character as cool and ruthless as anyone Han Solo ever faced.  But once she took off her mask,  it became clear how important she was, how significant her mission was–even more so than Han Solo’s own pursuit of mere wealth.  She foreshadowed what Han would later find with Leia, an early glimpse at a rogue and scoundrel who actually had some good in him.  When they joined forces, it made their characters even better.  And she became one of the best warriors in the Star Wars universe since the original trilogy.  (Disney/Lucasfilm)

Okoye (Black Panther, Avengers: Infinity War).  Is there any woman warrior as powerful and impressive in a fantasy movie this year as Danai Gurira’s Okoye?  We can’t think of any.  A smart commander, a brave soldier, a loyal ally.  Stalwart, devoted, steadfast, strong physically, intimidating and wise, with a keen unwavering ferocity, she represented the best of Wakanda, and fought bravely to defend the world at the last stand against Thanos.  (Disney/Marvel)

Higgins (Magnum PI).  Few television characters are as beloved as Jonathan Higgins in the original Magnum, p.i.  So it was going to be risky having any actor step into the role John Hillerman made famous.  So when the show honored the original character and late actor with such a finely tuned, updated character and actor, we took notice.  Perdita Weeks’s Juliet Higgins is everything Robin Masters was–the character we all thought Higgins was in secret.  We don’t know whether we’ll learn the truth this time around and what that truth will be, but as an ex-British secret service agent, she’s a James Bond for Thomas Magnum to partner with–literally running alongside the show’s star and fighting and shooting her way as an equal.  And the result?  Every episode of the first season was full of great action and fun.  (CBS)
Continue reading

Review by C.J. Bunce

Even better than seeing the original on the big screen again, writer-director David Gordon Green’s Halloween hits all the right notes to make the latest, but surely not the last, installment in the Halloween series the best sequel of the franchise.  This Halloween may be the best horror sequel so far, in any series.  Some may think that’s an easy task, yet for fans of the genre and nine previous sequels, including a similar effort 20 years ago with Halloween H20 and a reboot series by Rob Zombie, this weekend’s theatrical release will probably become the new go-to movie after the original, next year and the year after.  Horror fans knew the film worked on paper–genre-defining scream queen Jamie Lee Curtis returning again to the role that made her famous, this time showing her extensive preparation for the inevitable return of the serial killer that she barely slipped past as a teenager, contributions from co-creator John Carpenter as executive producer and composer, and Michael Myers’s return, even performed by original actor Nick Castle and a weathered 40-year-old latex mask.  The actual delivery fulfills the promise: the retro-style opening credits and Carpenter’s haunting theme prepare the audience for the suspense, thrills, and jumps over the next two hours.

Tha performances are everything:  Curtis’s Laurie Strode is tough, smart, and prepared, but she’s not perfect, a bit addled by a lifetime of fear and not physically strong enough to take on Myers, so the outcome is not entirely predictable.  Will Patton (The Mothman Prophecies, The Postman, Armageddon, Falling Skies) joins the cast as Sheriff Hawkins, an older version of the first young man to arrive at the original murder scene in 1978.  He, along with Omar Dorsey (Castle, Chuck, Starsky & Hutch) as Sheriff Barker, bring the added gravitas and nostalgic vibe from former go-to Carpenter company cast members like Peter Jason and Keith David.  Strode’s granddaughter Allyson, played by Andi Matichak (Orange is the New Black, Blue Bloods), like her grandmother, turns the horror genre upside down, as less of a victim, instead taking charge of the situation when possible.  To a lesser extent the script provides some opportunity for Ant-Man’s Judy Greer to protect her family as Laurie’s daughter and Allyson’s mother.  Rounding out the performances are a young Jibrail Nantambu as more than the stock kid stuck for Halloween night with his babysitter.

When a genre’s failings are part of what define it, even the film’s lesser components are consistent with the spirit of the original film.  A doctor and an institution that are overly interested in a 40-year-old murder that gets mocked by a group of students, along with events that occurred in sequels that are ignored this time around and dismissed as the stuff of local legend, all somehow fit the movie and the genre.  Could Carpenter himself have filled in some of the story missteps had he directed this one?  Who knows.  For the most part, Strode, Myers, and their new story follow the rulebook for the characters established 40 years ago.

Continue reading

Halloween is going to be upon us before we know it.  It was only three months ago that we got our first look at the new Halloween movie, and today Universal Pictures released a second trailer.  I had a friend momentarily confuse Sigourney Weaver and Halloween star Jamie Lee Curtis today, and I think there is a good reason for that: Curtis has been the Scream Queen for 40 years and this latest trailer seems to indicate this next movie may be what the franchise needs to give Curtis’s character full badass screen hero status.

In case you missed it, take a look here at borg.com at the prior trailers for the run of the Halloween films showing Strode’s appearances.  Strode is one of those heroines audiences love to see return, as proven by her multiple appearances from a variety of writers and directors.  Like Weaver’s Ellen Ripley and Linda Hamilton’s Sarah Connor, Curtis has created and re-created one of genredom’s enduring characters, even if that character is usually running from a crazed killer.  Like fans hope for Hamilton’s return as Connor again next year in a new Terminator movie from James Cameron, in the latest trailer for the new Halloween, Curtis looks tougher and smarter, and more badass than even shown in the first trailer.

In the real world it is public knowledge that Curtis and Weaver are close friends.  Can you imagine walking into a restaurant with these two women having a normal lunch sitting across from you?  You’d either feel very safe or keep looking over your soldier for something bad to happen.

Get ready for Halloween with this great trailer with Curtis’s character–40 years in the making–taking charge:

Continue reading

Thirty-eight years ago in 1980 I saw my first horror movie in the theater, John Carpenter’s The Fog.  Referred to as “the most beautifully shot of all John Carpenter films,” “a better Halloween movie than the slasher that bears the holiday’s name,” “an incredibly atmospheric horror flick,” and “a horror classic,” The Fog is returning to theaters in time for Halloween.  It’s distributor, Rialto Pictures, contacted borg.com with the below trailer for the film’s new 4K restoration edition from Studiocanal.  This is the first restoration for John Carpenter’s first follow-up to the mega-hit 1970s slasher flick, Halloween.

“Out of theatrical release for years due to faded, unplayable prints, The Fog can now be viewed again as it was intended, with the restoration of its breathtaking color cinematography by Dean Cundey (Escape From New York, the Back To The Future series, Apollo 13, Romancing The Stone), who deftly captured both the daylight beauty of the Point Reyes shore and the ghostly goings-on in the dark, eerie night,” according to the publicist for Rialto.

The movie stars Jamie Lee Curtis, Adrienne Barbeau in her first feature film, Tom Atkins, Hal Holbrook, and Janet Leigh(star of Alfred Hitchcock’s Psycho and Curtis’s mother), plus John Houseman and familiar Carpenter stock actor John “Buck” Flower.  The beautiful seaside town of Antonio Bay is visited by a large fog bank on the anniversary of the town’s founding.  Two women in the town, a radio DJ stationed at the lighthouse (Barbeau) and a drifter (Curtis), try to escape what lies within the fog as the town preacher learns the terrible secret behind the fog’s appearance.

The release coincides with the release of the new Halloween reboot movie’s release, also starring Jamie Lee Curtis (a great excuse for Alamo Drafthouse theaters to schedule a double feature?).  Check out this trailer for the 4K restoration of The Fog:

Continue reading